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14 najpoznatijih djela umjetnika Rienk Keijert, galerijska selekcija
Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 14 djela Rienk Keijert u našem katalogu
Ukratko
Od svih originala koje je Rienk Keijert ostavio, najpoznatiji je Allegory on the City of Leeuwarden (1742) u kolekciji muzeja Fries Museum, Leeuwarden. Samo iza njih slijede Portrait of an Unknown Man (1737) i Portrait of Antonia Cornelisdr. Schrevelius (1750). Naš katalog sadrži 14 djela umjetnika Rienk Keijert; galerija je čuvala onih 14 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
1709 – 1775, Leeuwarden
Najviše djela: Fries Museum
Top 10 djela umjetnika Rienk Keijert: izbor galerije
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Izbor umjetnika Rienk Keijert se nastavlja, od 11 do 14
Muzeji koji čuvaju originalna djela umjetnika Rienk Keijert
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Rienk Keijert | Slike iz ovog popisa |
|---|---|---|---|
 Fries Museum |
Leeuwarden | 13 | Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius |
 Narodni muzej u Varšavi |
Varšava | 1 | Athena and Odysseus |
Rienk Keijert desetljeće po desetljeće: original koji definira svako od njih
Djela po desetljećima
Odaberite desetljeće kako biste vidjeli original koji ga definira.
Pitanja kolekcionara o slikama umjetnika Rienk Keijert
Po kojem je djelu Rienk Keijert najpoznatiji/a?Otkrijte odgovor
Allegory on the City of Leeuwarden (1742), Fries Museum, Leeuwarden. Nakon njih slijede Portrait of an Unknown Man (1737) i Portrait of Antonia Cornelisdr. Schrevelius (1750).
Koliko je godina Rienk Keijert imao/la kada je nastalo djelo Allegory on the City of Leeuwarden?Otkrijte odgovor
33 godina: Allegory on the City of Leeuwarden datira iz 1742, a Rienk Keijert je rođen/a 1709.
Koja su deset najpoznatijih djela umjetnika Rienk Keijert?Otkrijte odgovor
Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius, Portrait of Daniel Antony Baron van Plettenberg, Portrait of Albertina Sophia Baroness van Plettenberg, Portrait of the family of Gosewijn Theodoor van Coehoorn (1679-1737), Portrait of Maria van Plettenberg, Portrait of Hans Willem Baron van Plettenberg, Athena and Odysseus i Solomon Worshipping the False Gods. Gornji rang prikazuje godinu i muzej za svako od njih.
Koliko je slika ostavio/la Rienk Keijert?Otkrijte odgovor
Naš katalog sadrži 14 djela umjetnika Rienk Keijert, datiranih od 1737 do 1773.
U kojim se muzejima nalaze remek-djela umjetnika Rienk Keijert?Otkrijte odgovor
Većinom u Fries Museum (Leeuwarden) i Narodni muzej u Varšavi (Varšava). Gornja tablica muzeja navodi sve njih.
U kojim je godinama Rienk Keijert naslikao svoja najpoznatija djela?Otkrijte odgovor
U 1750s: 6 od 14 djela na ovoj stranici nastalo je tada, od čega je Portrait of Antonia Cornelisdr. Schrevelius Portrait of Antonia Cornelisdr. Schrevelius.
Koja su prva i posljednja poznata originalna djela umjetnika Rienk Keijert?Otkrijte odgovor
Na ovoj stranici najstarije djelo je iz Portrait of an Unknown Man (1737), a najnovije iz Portrait of Adolf IJpey (1773).
Koji se radovi umjetnika Rienk Keijert nalaze u muzeju Fries Museum?Otkrijte odgovor
Allegory on the City of Leeuwarden, Portrait of an Unknown Man i Portrait of Antonia Cornelisdr. Schrevelius: Fries Museum, Leeuwarden posjeduje 13 djela s ove stranice.
Rienk Keijert: život i djelo
The Life of a Leeuwarden Painter
Rienk Keijert lived much of his life within the walls of Leeuwarden. Born in 1709, he was the son of Frans Keyert and Maria Jelgerhuis. His path as a painter began with formal training at the Hague drawing academy. By 1732, he was known in Leeuwarden as Renicus Keyert, having been admitted to the congregation after arriving from 's-Gravenhage. His presence in the city was marked by more than just his brush; he held several civic roles, including serving as a member of the Leeuwarden vroedschap from 1750 and acting as a chamberlain for the States of Friesland. He married Ymkje Meekma in 1740, a union that lasted roughly thirty-four years until his death in 1775.
A Hand in Civic Life and Decoration
His work often moved between the private and the public. He was tasked with decorative painting and the delivery of almanacs, and his hands were busy with the design of firework theaters, such as those created for the arrival of Willem Karel Hendrik Friso and Anna van Hannover in 1734. In 1760, he provided portraits of the stadtholder family for the newly built Leeuwarder raadzaal, though these specific works were not preserved. His skill extended to the creation of grisailes within that same council chamber. In the Fries Museum, one can find a large allegory of the city of Leeuwarden, a work that speaks to his role as a portrait and history painter.
The Final Years in Leeuwarden
Keijert’s life was tied to the rhythms of his city. He was a citizen of Leeuwarden by 1742 and held the position of vaandrig of the schutterij in Oost Minnema espel in 1743. Even his civic duties were sometimes tied to family, as he was appointed chamberlain in 1740 to provide income for his father. When he passed away on 10 January 1775, he was buried at the Jacobijnerkerkhof. Following his death, his collection of paintings, prints, and drawings was auctioned in February of that year.