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Ukratko
Od svih originala koje je Richard Ansdell ostavio, najpoznatiji je The Game Bag (1853). Samo iza njih slijede Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840 (1841) i Mr. and Mrs. John Naylor with a Keeper and a Dead Stag (1847). Naš katalog sadrži 73 djela umjetnika Richard Ansdell; galerija je čuvala onih 72 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
In this work from about 1853, Richard Ansdell presents a quiet, still life centered on the spoils of a successful hunt. The composition focuses on a hunter's game bag, which is filled with various birds. One can observe the specific forms of pheasants, ducks, and geese resting together, their bodies arranged to suggest the immediate aftermath of a pursuit. The arrangement emphasizes the abundance of the catch, capturing a moment…
The artwork titled Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840 is a series of three portrait studies by the artist Richard Ansdell. Created about 1841, these studies focus on the likenesses of three specific gentlemen. The subjects are identified by inscriptions as Lord Douglas, Lord Stradbroke, and Lord Eglinton.
In this large-scale oil painting, titled Mr. and Mrs. John Naylor with a Keeper and a Dead Stag, Richard Ansdell captures a moment of quiet aftermath amidst a rugged, mountainous landscape. The scene unfolds around a central group of figures positioned atop a rocky outcrop. Here, the pursuit of sport meets the stillness of nature. A fallen stag lies in the foreground, its presence anchoring the scene alongside horses and…
Highland Shepherd by Richard Ansdell presents a serene and expansive landscape within the Highlands. Created about 1864, the work captures a quiet companionship between humans, animals, and the natural environment. The scene focuses on the rhythms of rural life, specifically the fundamental relationship between shepherds and their flock.
In Goatherds, Gibraltar Looking Across The Strait Into Africa, the artist Richard Ansdell captures a moment of stillness upon a rugged hillside. Painted about 1871, the scene centers on a young woman seated atop a donkey. She rests amidst a slow-moving flock of goats and sheep that navigate the uneven, rocky terrain. The landscape is heavy with the weight of stone and the quiet rhythm of pastoral life.
In this 1866 oil painting on canvas, Richard Ansdell presents a quiet, rugged scene set within a snowy mountain landscape. The work, titled The Lost Sheep, focuses on a man in traditional attire—likely a shepherd—navigating the wilderness alongside three dogs. These animals appear as companions in a landscape defined by its harshness and solitude. The figure stands amidst rocks and snow, creating a narrative of survival and the quiet dignity…
Richard Ansdell, a prominent British painter of animals and genre scenes, rendered The Highlander Lassie about 1877. The work centers on the connection between humans and animals, presenting a young woman interacting with several dogs. They are positioned on a rocky shoreline that overlooks a lake, a setting that emphasizes pastoral beauty and serenity.
In The Lucky Dogs, Richard Ansdell brings a quiet, lived-in moment to life. Created about 1881, the scene centers on a man who appears to be a shepherd or a dog trainer, deeply embedded in his daily life. He sits at the heart of the gathering, surrounded by a lively group of dogs of various sizes and breeds. These animals press in close, their presence filling the space around him…
The Highland Bothy emerges from the canvas as a quiet moment captured in 1883. This oil on canvas work by Richard Ansdell brings the rugged spirit of the Scottish Highlands into view, presenting a scene where life moves at the pace of the landscape. The painting measures 107 x 83 cm, a scale that allows the viewer to feel the intimacy of the rustic setting. Within this frame, the artist…
In this work from about 1837, Richard Ansdell turns his attention to a quiet, singular moment of anticipation. The painting, titled Waiting for Master, presents a portrait of a dog sitting upon the ground. Its head is lifted, held in a posture of steady attention. The animal appears to be looking toward something in the distance, perhaps a movement or a sound just beyond the viewer's immediate perception. There is…
The Caledonian Coursing Meeting near the Castle of Ardrossan, the Isle of Arran in the Distance1844 · Yale Center for British Art
12
Grey Horse Led by a Scotsman1845
13
Figure in Glen Lyon1842
14
Head of a Stag (profile to left)1841
15
The Drover's Halt1846 · Atkinson Art Gallery Collection
16
Meggernie, Glen Lyon, Haymaking1841
17
Head of a Stag (Full Face)1841
18
The Hare1845
19
Head of a Stag (profile to right)1841
20
A Mastiff1841
21
Figure Group in Glen Lyon1842
22
Head of a Stag (three quarter profile)1841
23
The Fight for the Standard1847
24
Lytham Sandhills1853
25
Waiting Patiently1855
26
The English Gamekeeper1855
27
Dog and a Dead Partridge1850 · Touchstones Rochdale Arts And Heritage Centre
28
Hawking1863
29
A Spanish Shepherd1863
30
Ewe with Lambs1859
31
Ferreting1863 · Towneley Hall Art Gallery And Museum
32
Isle of Sky1856
33
A Chestnut Hunter in a Landscape1857
34
A Ewe with Lambs and a Heron Beside a Loch1867
35
Rounding up the Flocks1868
36
In the Highlands1865
37
Dog and Mallard Waiting for Good Bag1865
38
Lytham Sand Hills1864
39
Feeding Goats in the Alhambra1871
40
An English Setter Retrieving Partridge1864
41
Grey Ptarmigan1867
42
The Herd Lassie1874
43
Highland Cattle1872
44
The Favoured Calf1877
45
Rover and Ruby1882
46
Dog with a Wild DuckGuildhall Art Gallery
47
Turning the Drove
48
Fight for the Standard
49
Falcon with a Ptarmigan
50
Herding the Flock
51
Gathering Flocks on the Grampian Hills
52
Gundogs and Game
53
The Drover's Halt, island of Mull in the distance
54
Dog and Game
55
The Interrupted Meal
56
Hunter and Deer in a Highland Landscape
57
Lost In The Storm
58
Good Friends
59
A Family of Gordon Setters
60
Gamekeeper with Spaniels
61
King Charles Spaniels
62
The blacksmith's shop
63
A West Highland White and a Skye Terrier Guarding the Day.s Bag
64
Mountain Scene with DeerVictoria Art Gallery
65
Dull Day, Shooter Returning with Dogs
66
The Gamekeeper
67
Dogs and a Pheasant
68
Two small dogs
69
Man Reclining Accompanied by a Horse and a Dog
70
The Gardener's Daughter
71
A Ploughing MatchTate Gallery
72
The Hunted Slaves1861 · Walker Art Gallery
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Richard Ansdell | Slike iz ovog popisa |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 2 | Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840, The Caledonian Coursing Meeting near the Castle of Ardrossan, the Isle of Arran in the Distance |
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 1 | Highland Shepherd |
 Knightshayes Court |
Tiverton | 1 | The Lost Sheep |
 Atkinson Art Gallery Collection |
Southport | 1 | The Drover's Halt |
 Touchstones Rochdale Arts And Heritage Centre |
Rochdale | 1 | Dog and a Dead Partridge |
 Towneley Hall Art Gallery And Museum |
Burnley | 1 | Ferreting |
 Guildhall Art Gallery |
London | 1 | Dog with a Wild Duck |
 Victoria Art Gallery |
Bath | 1 | Mountain Scene with Deer |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
In this work from about 1837, Richard Ansdell turns his attention to a quiet, singular moment of anticipation. The painting, titled Waiting for Master, presents a portrait of a dog sitting upon the ground. Its head is lifted, held in a posture of steady attention. The animal appears to be looking toward something in the distance, perhaps a movement or a sound just beyond the viewer's immediate perception. There is…
The artwork titled Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840 is a series of three portrait studies by the artist Richard Ansdell. Created about 1841, these studies focus on the likenesses of three specific gentlemen. The subjects are identified by inscriptions as Lord Douglas, Lord Stradbroke, and Lord Eglinton.
In this work from about 1853, Richard Ansdell presents a quiet, still life centered on the spoils of a successful hunt. The composition focuses on a hunter's game bag, which is filled with various birds. One can observe the specific forms of pheasants, ducks, and geese resting together, their bodies arranged to suggest the immediate aftermath of a pursuit. The arrangement emphasizes the abundance of the catch, capturing a moment…
Highland Shepherd by Richard Ansdell presents a serene and expansive landscape within the Highlands. Created about 1864, the work captures a quiet companionship between humans, animals, and the natural environment. The scene focuses on the rhythms of rural life, specifically the fundamental relationship between shepherds and their flock.
In Goatherds, Gibraltar Looking Across The Strait Into Africa, the artist Richard Ansdell captures a moment of stillness upon a rugged hillside. Painted about 1871, the scene centers on a young woman seated atop a donkey. She rests amidst a slow-moving flock of goats and sheep that navigate the uneven, rocky terrain. The landscape is heavy with the weight of stone and the quiet rhythm of pastoral life.
In The Lucky Dogs, Richard Ansdell brings a quiet, lived-in moment to life. Created about 1881, the scene centers on a man who appears to be a shepherd or a dog trainer, deeply embedded in his daily life. He sits at the heart of the gathering, surrounded by a lively group of dogs of various sizes and breeds. These animals press in close, their presence filling the space around him…
The Game Bag (1853). Sljedeći su Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840 (1841) i Mr. and Mrs. John Naylor with a Keeper and a Dead Stag (1847).
38 godina: The Game Bag datira iz 1853, a Richard Ansdell je rođen/a 1815.
The Game Bag, Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840, Mr. and Mrs. John Naylor with a Keeper and a Dead Stag, Highland Shepherd, Goatherds, Gibraltar Looking Across The Strait Into Africa, The Lost Sheep, The Highlander Lassie, The Lucky Dogs, Highland Bothy i Waiting for Master. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 73 djela umjetnika Richard Ansdell, datiranih od 1837 do 1883.
Većinom u Yale Center for British Art (New Haven), Auckland Art Gallery Toi o Tāmaki (Auckland) i Knightshayes Court (Tiverton). Gornja tablica muzeja navodi sve njih.
U 1840s: 15 od 72 djela na ovoj stranici nastalo je tada, od čega je Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840 Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840.
Na ovoj stranici najstarije djelo je iz Waiting for Master (1837), a najnovije iz Highland Bothy (1883).
Man (11), Sky (11) i Dog (9), kroz svih 72 djela na ovoj stranici.
Oil On Canvas, za 17 od 72 djela na ovoj stranici.
Romanticism i Realism, sudeći po originalima na ovoj stranici.
Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840 i The Caledonian Coursing Meeting near the Castle of Ardrossan, the Isle of Arran in the Distance: Yale Center for British Art, New Haven posjeduje 2 djela s ove stranice.
