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3 najpoznatijih djela umjetnika Pasquale Ottini, svako jedinstveno
Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 3 djela Pasquale Ottini u našem katalogu
Ukratko
Mary Magdalen (1600) je slika autora Pasquale Ottini koja privlači najviše pogleda; original se nalazi u muzeju Minneapolis Institute of Art, Minneapolis. Nakon toga, pogled se usmjerava na The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman (1630) i Saint Lucy. Među 3 djela umjetnika Pasquale Ottini u našem katalogu, ovih 3 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
1578 – 1630, Verona
Najviše djela: Minneapolis Institute of Art
Top 10 djela Pasquale Ottini kroz oči galerije
Muzeji koji čuvaju originalna djela umjetnika Pasquale Ottini
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Pasquale Ottini | Slike iz ovog popisa |
|---|---|---|---|
 Minneapolis Institute of Art |
Minneapolis | 1 | Mary Magdalen |
 Dulwich Picture Gallery |
London | 1 | The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman |
Pasquale Ottini kroz godine: jedinstvena originalna djela svakog umjetnika
Dugogodišnja karijera od 31 godina, od 1600 do 1630: najpoznatiji originali umjetnika Pasquale Ottini, prikazani godinu po godinu.
Djela po godinama
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1630
The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman
Godine 52
1 djela ove godine
Slike umjetnika Pasquale Ottini: pitanja za galeriju
Koje je najpoznatije djelo umjetnika Pasquale Ottini?Otkrijte odgovor
Mary Magdalen (1600), Minneapolis Institute of Art, Minneapolis. Nakon njih slijede The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman (1630) i Saint Lucy.
U kojoj je dobi Pasquale Ottini stvorio/la Mary Magdalen?Otkrijte odgovor
22 godina: Mary Magdalen datira iz 1600, a Pasquale Ottini je rođen/a 1578.
Koliko je poznatih djela umjetnika Pasquale Ottini?Otkrijte odgovor
Naš katalog sadrži 3 djela umjetnika Pasquale Ottini, datiranih od 1600 do 1630.
Gdje se mogu vidjeti najpoznatiji originali umjetnika Pasquale Ottini?Otkrijte odgovor
Većinom u Minneapolis Institute of Art (Minneapolis) i Dulwich Picture Gallery (London). Gornja tablica muzeja navodi sve njih.
Koje je najranije, a koje najkasnije poznato djelo Pasquale Ottini?Otkrijte odgovor
Na ovoj stranici najstarije djelo je iz Mary Magdalen (1600), a najnovije iz The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman (1630).
Pasquale Ottini: portret umjetnika
The Studio of Brusasorci
In the quiet workshops of Verona, a young man named Pasquale Ottini began to find his voice under the watchful eye of Felice Brusasorci. He was not alone in this pursuit of craft; alongside him, Alessandro Turchi shared the same lessons and the same air. These early years were defined by the discipline of the studio, where the brush was guided by the traditions of a master. When Brusasorci passed away in 1605, the weight of unfinished business fell upon the young pupils. Ottini and Turchi stepped forward to complete a large canvas of the Fall of Manna for the church of San Giorgio in Braida, ensuring their teacher's vision reached its conclusion.
The early works of this period reveal a hand steeped in the Mannerist style. There is a certain tension in those first compositions, a lingering influence of the complex forms and stylized grace that characterized the era. While his path was largely centered in his hometown, whispers of a journey to Rome around 1615 suggest a life that reached beyond the borders of Verona. Whether he traveled with Turchi and Marcantonio Bassetti or remained close to the familiar streets of his birth, his presence in the artistic landscape of the seventeenth century remained steady.
A Life in Verona
Ottini’s career was marked by a devotion to the sacred spaces of his city. His hands worked upon many subjects that sought to bring the divine into the physical realm of the viewer. He left his mark upon the churches of San Stefano and San Giorgio, painting scenes such as the Massacre of the Innocents and San Niccolo. His ability to handle various media and subjects allowed him to move between the grand scale of church altarpieces and more intimate works, such as the Deposition completed for the church of San Francesco di Paola.
The shadows of history eventually caught up to the painter. In 1630, as the plague swept through Verona, Ottini’s own life reached its end. He died in the same city where he had learned his trade, leaving behind a body of work that reflected the shifting tastes of his time. His legacy survives through the paintings he left in the hands of the faithful and the collections that hold his depictions of the Assumption of the Virgin and the Lamentation of Christ.