Portret Miné Okubo

Slike autora Miné Okubo: Najpoznatijih 72 djela, iz perspektive galerije

Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 72 djela Miné Okubo u našem katalogu

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Iz perspektive galerije, najpoznatije djelo umjetnika Miné Okubo je (3 Women Going to Church) (1948), čiji se original nalazi u muzeju Japanese American National Museum, Los Angeles. Walking over muddy ground, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) i Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942 (1944) upotpunjuju triju koju svako oko prepoznaje. Od 72 djela umjetnika Miné Okubo u našem katalogu, galerija u nastavku prikazuje 72 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.

1912 – 2001, Riverside Social realism Najviše djela: Japanese American National Museum
(3 Women Going to Church) (1948) od Miné Okubo1. (3 Women Going to Church) 1948 Walking over muddy ground, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) od Miné Okubo2. Walking over muddy ground, Central Utah Relocation Project, Topaz, Utah, 1942-1944 1944 Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné Okubo3. Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942 1944

Top 10 najpopularnijih djela umjetnika Miné Okubo u galeriji

1
(3 Women Going to Church) (1948) od Miné Okubo

(3 Women Going to Church)

1948 · Gouache · Japanese American National Museum, Los Angeles

Three women move toward the viewer, their bodies rendered as simplified, rectangular forms. They walk in a somber line, heads bowed under the weight of a quiet gravity. In their hands, they hold books, small anchors of faith against the surrounding bleakness. The figures are heavy with a sense of shared purpose, their rounded features catching subtle highlights amidst a landscape of muted blues and browns.

O ovom originalu
2
Walking over muddy ground, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) od Miné Okubo

Walking over muddy ground, Central Utah Relocation Project, Topaz, Utah, 1942-1944

1944 · Drawing · Japanese American National Museum, Los Angeles

Miné Okubo’s “Walking Over Muddy Ground, Central Utah Relocation Project, Topaz, Utah, 1942-1944” isn't merely a depiction of a landscape; it’s a distilled essence of hardship, determination, and the quiet dignity of a people displaced. Rendered in stark black and white, the drawing captures a pivotal moment within the Topaz War Relocation Center—a microcosm of the larger narrative of Japanese American internment during World War II. The image immediately draws…

Priča koja stoji iza ovog originala
3
Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné Okubo

Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942

1944 · Ink On Paper · Japanese American National Museum, Los Angeles

In this work, titled Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942, the artist Miné Okubo captures a quiet, instructional moment within the confines of a relocation center. Created in 1944, the piece offers a view into the daily life of Japanese Americans during the wartime era. It is a document of a specific time and place, recorded through the eyes of someone who lived through the experience…

Priča koja stoji iza ovog originala
4
Posting of Civilian Exclusion Order/Evacuation Order No. 19, Berkeley, California, 1942 (1944) od Miné Okubo

Posting of Civilian Exclusion Order/Evacuation Order No. 19, Berkeley, California, 1942

1944 · Acrylic On Canvas · Japanese American National Museum, Los Angeles

Miné Okubo's "Posting of Civilian Exclusion Order/Evacuation Order No. 19, Berkeley, California, 1942" isn’t merely a historical document rendered in ink and paper; it’s a visceral embodiment of fear, uncertainty, and the profound disruption inflicted upon Japanese Americans during World War II. Created in 1942, amidst the escalating anxieties of wartime America, this powerful black-and-white drawing captures a pivotal moment – the public announcement of an evacuation order that would…

Pogledajte ovo djelo izbliza
5
Mine and Toku standing with their luggage, Berkeley, California, 1942 (1944) od Miné Okubo

Mine and Toku standing with their luggage, Berkeley, California, 1942

1944 · Acrylic On Paper · Japanese American National Museum, Los Angeles

Miné Okubo's "Mine and Toku Standing with Their Luggage, Berkeley, California, 1942" isn’t merely a photograph; it’s a distilled essence of experience, a poignant snapshot frozen in time during a profoundly unsettling chapter of American history. Created in 1944, shortly after the internment of Japanese Americans following Pearl Harbor, this deceptively simple drawing offers an intimate and deeply affecting glimpse into the lives of two individuals – Miné and her…

Priča koja stoji iza ovog originala
6
Community toilets, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné Okubo

Community toilets, Tanforan Assembly Center, San Bruno, California, 1942

1944 · Ink On Paper · Japanese American National Museum, Los Angeles

Miné Okubo's "Community Toilets, Tanforan Assembly Center, San Bruno, California, 1942" is far more than a simple depiction of a utilitarian space. It’s a poignant and profoundly moving testament to the everyday realities faced by Japanese Americans unjustly incarcerated during World War II. Rendered in stark black ink on white paper, the artwork transcends its subject matter to become a powerful symbol of loss, dignity, and quiet resilience within a…

Pogledajte ovo djelo izbliza
7
Mine and Toku arrive in their barrack, Central Utah Relocation Project, Topaz, Utah, 1942 (1944) od Miné Okubo

Mine and Toku arrive in their barrack, Central Utah Relocation Project, Topaz, Utah, 1942

1944 · Acrylic On Canvas · Japanese American National Museum, Los Angeles

Miné Okubo's "Mine and Toku arrive in their barrack, Central Utah Relocation Project, Topaz, Utah, 1942" isn’t merely a drawing; it’s a distilled essence of trauma, displacement, and the quiet dignity of survival. Created during her forced incarceration at the Topaz War Relocation Center in 1942, this stark black-and-white image offers an intimate glimpse into a profoundly unsettling chapter of American history – the unjust internment of Japanese Americans during…

Priča koja stoji iza ovog originala
8
Eating lunch while awaiting departure inside the Civil Control Station, Berkeley, California, 1942 (1944) od Miné Okubo

Eating lunch while awaiting departure inside the Civil Control Station, Berkeley, California, 1942

1944 · Acrylic On Canvas · Japanese American National Museum, Los Angeles

Miné Okubo's "Eating Lunch while awaiting departure inside the Civil Control Station, Berkeley, California, 1942" isn't merely a depiction of a scene; it’s a distilled essence of wartime anxiety and the profound human cost of forced displacement. Created during a period of immense upheaval – the incarceration of Japanese Americans following Pearl Harbor – this black-and-white pen and ink drawing transcends its documentary origins to become a poignant meditation on…

Priča koja stoji iza ovog originala
9
Medical exam in laundry building, Central Utah Relocation Project, Topaz, Utah, 1942 (1944) od Miné Okubo

Medical exam in laundry building, Central Utah Relocation Project, Topaz, Utah, 1942

1944 · Ink · Japanese American National Museum, Los Angeles

The scene unfolds within the stark confines of a laundry building at the Topaz War Relocation Center. Here, in "Medical exam in laundry building, Central Utah Relocation Project, Topaz, Utah, 1942," the artist Miné Okubo captures a moment of quiet, clinical scrutiny. The air feels heavy with the weight of the surrounding enclosure, a space where the routine of a medical examination meets the lived reality of the Topaz camp.…

O ovom originalu
10
New bachelor dorms at Barrack 14, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné Okubo

New bachelor dorms at Barrack 14, Tanforan Assembly Center, San Bruno, California, 1942

1944 · Acrylic On Canvas · Japanese American National Museum, Los Angeles

Within the stark, geometric confines of the Tanforan Assembly Center during World War II, Miné Okubo captured a poignant and enduring moment – “New Bachelor Dorms at Barrack 14.” This deceptively simple ink-on-paper illustration transcends mere documentation; it’s a testament to human dignity amidst displacement, a quiet observation of daily life within the shadow of internment. Created in 1942-1944, during a period of immense upheaval for Japanese Americans, Okubo's work…

O ovom originalu

Slike autora Miné Okubo, rangirane od 11 do 72

11Army blanket distribution, Central Utah Relocation Project, Topaz, Utah, 1942 (1944) od Miné OkuboArmy blanket distribution, Central Utah Relocation Project, Topaz, Utah, 19421944 · Japanese American National Museum 12Obtaining drinking water, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) od Miné OkuboObtaining drinking water, Central Utah Relocation Project, Topaz, Utah, 1942-19441944 · Japanese American National Museum 13Working at the Topaz Times, Central Utah Relocation Project, Topaz, Utah, 1942 (1944) od Miné OkuboWorking at the Topaz Times, Central Utah Relocation Project, Topaz, Utah, 19421944 · Japanese American National Museum 14Teacher and students in classroom, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) od Miné OkuboTeacher and students in classroom, Central Utah Relocation Project, Topaz, Utah, 1942-19441944 · Japanese American National Museum 15Waiting in line to receive vaccinations, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboWaiting in line to receive vaccinations, Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 16Mosquitos and flies in the barracks, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) od Miné OkuboMosquitos and flies in the barracks, Central Utah Relocation Project, Topaz, Utah, 1942-19441944 · Japanese American National Museum 17Observing camp activities from a rooftop, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboObserving camp activities from a rooftop, Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 18Bus ride to Central Utah Relocation Project, Topaz, Utah, 1942 (1944) od Miné OkuboBus ride to Central Utah Relocation Project, Topaz, Utah, 19421944 · Japanese American National Museum 19Listening to radio announcement of bombing of Pearl Harbor, with brother Toku, Berkeley, California, 1941 (1944) od Miné OkuboListening to radio announcement of bombing of Pearl Harbor, with brother Toku, Berkeley, California, 19411944 · Japanese American National Museum 20Registering at the Civil Control Station at Pilgrim Hall of the First Congregational Church, Berkeley, California, 1942 (1944) od Miné OkuboRegistering at the Civil Control Station at Pilgrim Hall of the First Congregational Church, Berkeley, California, 19421944 · Japanese American National Museum 21Arrival at Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboArrival at Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 22Waiting in line for supper, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboWaiting in line for supper, Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 23Induction at Central Utah Relocation Project, Topaz, Utah, 1942 (1944) od Miné OkuboInduction at Central Utah Relocation Project, Topaz, Utah, 19421944 · Japanese American National Museum 24[Untitled] (1977) od Miné Okubo[Untitled]1977 · Japanese American National Museum 25New barrack construction, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboNew barrack construction, Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 26Arrival of evacuees from Hawaii, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) od Miné OkuboArrival of evacuees from Hawaii, Central Utah Relocation Project, Topaz, Utah, 1942-19441944 · Japanese American National Museum 27Carrying mattresses to the barrack, Central Utah Relocation Project, Topaz, Utah, 1942 (1944) od Miné OkuboCarrying mattresses to the barrack, Central Utah Relocation Project, Topaz, Utah, 19421944 · Japanese American National Museum 28Eating in the mess hall, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) od Miné OkuboEating in the mess hall, Central Utah Relocation Project, Topaz, Utah, 1942-19441944 · Japanese American National Museum 29Mine with open newspaper, surrounded by anti-Japanese slogans, Berkeley, California, 1941 (1944) od Miné OkuboMine with open newspaper, surrounded by anti-Japanese slogans, Berkeley, California, 19411944 · Japanese American National Museum 30Scavenging lumber to build furniture, Central Utah Relocation Project, Topaz, Utah, 1942 (1944) od Miné OkuboScavenging lumber to build furniture, Central Utah Relocation Project, Topaz, Utah, 19421944 · Japanese American National Museum 31Landscaping with trees, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) od Miné OkuboLandscaping with trees, Central Utah Relocation Project, Topaz, Utah, 1942-19441944 · Japanese American National Museum 32Snowball fight, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) od Miné OkuboSnowball fight, Central Utah Relocation Project, Topaz, Utah, 1942-19441944 · Japanese American National Museum 33Families preparing for evacuation, Berkeley, California, 1942 (1944) od Miné OkuboFamilies preparing for evacuation, Berkeley, California, 19421944 · Japanese American National Museum 34First night at Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboFirst night at Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 35Mine and Toku assemble cots, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboMine and Toku assemble cots, Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 36Awaiting registration at the Civil Control Station at Pilgrim Hall of the First Congregational Church, Berkeley, California, 1942 (1944) od Miné OkuboAwaiting registration at the Civil Control Station at Pilgrim Hall of the First Congregational Church, Berkeley, California, 19421944 · Japanese American National Museum 37Waiting to disembark from the bus at Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboWaiting to disembark from the bus at Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 38Dining with friends in Berkeley, California, ca.1939-1941 (1944) od Miné OkuboDining with friends in Berkeley, California, ca.1939-19411944 · Japanese American National Museum 39Mine at train station in Berne, Switzerland, 1939 (1944) od Miné OkuboMine at train station in Berne, Switzerland, 19391944 · Japanese American National Museum 40Arrival at Central Utah Relocation Project, Topaz, Utah, 1942 (1944) od Miné OkuboArrival at Central Utah Relocation Project, Topaz, Utah, 19421944 · Japanese American National Museum 41[Untitled] (1978) od Miné Okubo[Untitled]1978 · Japanese American National Museum 42Interior view of Mine and Toku (1944) od Miné OkuboInterior view of Mine and Toku1944 · Japanese American National Museum 43Luggage delivery truck, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboLuggage delivery truck, Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 44Mine and Toku are shown to their barrack, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboMine and Toku are shown to their barrack, Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 45Unfinished camp construction, Central Utah Relocation Project, Topaz, Utah, 1942 (1944) od Miné OkuboUnfinished camp construction, Central Utah Relocation Project, Topaz, Utah, 19421944 · Japanese American National Museum 46Mine reads newspaper announcing war declaration against Japan, Berkeley, California, 1941 (1944) od Miné OkuboMine reads newspaper announcing war declaration against Japan, Berkeley, California, 19411944 · Japanese American National Museum 47Walking with guide to Barrack 16, Room 50, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboWalking with guide to Barrack 16, Room 50, Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 48[Untitled] (1978) od Miné Okubo[Untitled]1978 · Japanese American National Museum 49Interior of Mine and Toku (1944) od Miné OkuboInterior of Mine and Toku1944 · Japanese American National Museum 50[Untitled] (1970) od Miné Okubo[Untitled]1970 · Japanese American National Museum 51Receiving hostile looks while traveling by bus, Berkeley, California, 1941-42 (1944) od Miné OkuboReceiving hostile looks while traveling by bus, Berkeley, California, 1941-421944 · Japanese American National Museum 52Mine and Toku preparing for departure, Berkeley, California, 1942 (1944) od Miné OkuboMine and Toku preparing for departure, Berkeley, California, 19421944 · Japanese American National Museum 53Returning home for curfew, Berkeley, California, 1942 (1944) od Miné OkuboReturning home for curfew, Berkeley, California, 19421944 · Japanese American National Museum 54Mail-order clothing from Sears Roebuck, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) od Miné OkuboMail-order clothing from Sears Roebuck, Central Utah Relocation Project, Topaz, Utah, 1942-19441944 · Japanese American National Museum 55[Untitled] (1969) od Miné Okubo[Untitled]1969 · Japanese American National Museum 56[Untitled] (1968) od Miné Okubo[Untitled]1968 · Japanese American National Museum 57Rocky Ladies ? (1977) od Miné OkuboRocky Ladies ?1977 · Japanese American National Museum 58Bachelor (1944) od Miné OkuboBachelor1944 · Japanese American National Museum 59[Untitled] (1969) od Miné Okubo[Untitled]1969 · Japanese American National Museum 60[Untitled] (1974) od Miné Okubo[Untitled]1974 · Japanese American National Museum 61Victory gardens, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) od Miné OkuboVictory gardens, Central Utah Relocation Project, Topaz, Utah, 1942-19441944 · Japanese American National Museum 62Trimming grass inside living quarters, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboTrimming grass inside living quarters, Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 63Departure postings at the Civil Control Station, Berkeley, California, 1942 (1944) od Miné OkuboDeparture postings at the Civil Control Station, Berkeley, California, 19421944 · Japanese American National Museum 64Medical exam at Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboMedical exam at Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 65Mine and Toku sweep the stall, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboMine and Toku sweep the stall, Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 66Inspection of evacuees for contraband, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboInspection of evacuees for contraband, Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 67Relocation notification, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboRelocation notification, Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 68Receiving room assignments at Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboReceiving room assignments at Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum 69Waiting to use the washrooms, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) od Miné OkuboWaiting to use the washrooms, Central Utah Relocation Project, Topaz, Utah, 1942-19441944 · Japanese American National Museum 70Rest stop with military police, Nevada, 1942 (1944) od Miné OkuboRest stop with military police, Nevada, 19421944 · Japanese American National Museum 71Neznana (1978) od Miné OkuboNeznana1978 · Japanese American National Museum 72Shopping at the canteen, Tanforan Assembly Center, San Bruno, California, 1942 (1944) od Miné OkuboShopping at the canteen, Tanforan Assembly Center, San Bruno, California, 19421944 · Japanese American National Museum

Slavna djela Miné Okubo po razdobljima

Mature Period

1944 – 1978 · 16 djela na ovom popisu
(3 Women Going to Church) (1948), Miné Okubo #1 (3 Women Going to Church) 1948 · Japanese American National Museum Eating lunch while awaiting departure inside the Civil Control Station, Berkeley, California, 1942 (1944), Miné Okubo #8 Eating lunch while awaiting departure inside the Civil Control Station, Berkeley, California, 1942 1944 · Japanese American National Museum Army blanket distribution, Central Utah Relocation Project, Topaz, Utah, 1942 (1944), Miné Okubo #11 Army blanket distribution, Central Utah Relocation Project, Topaz, Utah, 1942 1944 · Japanese American National Museum Bus ride to Central Utah Relocation Project, Topaz, Utah, 1942 (1944), Miné Okubo #18 Bus ride to Central Utah Relocation Project, Topaz, Utah, 1942 1944 · Japanese American National Museum Induction at Central Utah Relocation Project, Topaz, Utah, 1942 (1944), Miné Okubo #23 Induction at Central Utah Relocation Project, Topaz, Utah, 1942 1944 · Japanese American National Museum

Mid-Career

1944 · 5 djela na ovom popisu
Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942 (1944), Miné Okubo #3 Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942 1944 · Japanese American National Museum Posting of Civilian Exclusion Order/Evacuation Order No. 19, Berkeley, California, 1942 (1944), Miné Okubo #4 Posting of Civilian Exclusion Order/Evacuation Order No. 19, Berkeley, California, 1942 1944 · Japanese American National Museum Working at the Topaz Times, Central Utah Relocation Project, Topaz, Utah, 1942 (1944), Miné Okubo #13 Working at the Topaz Times, Central Utah Relocation Project, Topaz, Utah, 1942 1944 · Japanese American National Museum Carrying mattresses to the barrack, Central Utah Relocation Project, Topaz, Utah, 1942 (1944), Miné Okubo #27 Carrying mattresses to the barrack, Central Utah Relocation Project, Topaz, Utah, 1942 1944 · Japanese American National Museum First night at Tanforan Assembly Center, San Bruno, California, 1942 (1944), Miné Okubo #34 First night at Tanforan Assembly Center, San Bruno, California, 1942 1944 · Japanese American National Museum

World War II

1944 – 1974 · 10 djela na ovom popisu
Community toilets, Tanforan Assembly Center, San Bruno, California, 1942 (1944), Miné Okubo #6 Community toilets, Tanforan Assembly Center, San Bruno, California, 1942 1944 · Japanese American National Museum Mine and Toku arrive in their barrack, Central Utah Relocation Project, Topaz, Utah, 1942 (1944), Miné Okubo #7 Mine and Toku arrive in their barrack, Central Utah Relocation Project, Topaz, Utah, 1942 1944 · Japanese American National Museum New bachelor dorms at Barrack 14, Tanforan Assembly Center, San Bruno, California, 1942 (1944), Miné Okubo #10 New bachelor dorms at Barrack 14, Tanforan Assembly Center, San Bruno, California, 1942 1944 · Japanese American National Museum Arrival of evacuees from Hawaii, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944), Miné Okubo #26 Arrival of evacuees from Hawaii, Central Utah Relocation Project, Topaz, Utah, 1942-1944 1944 · Japanese American National Museum Eating in the mess hall, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944), Miné Okubo #28 Eating in the mess hall, Central Utah Relocation Project, Topaz, Utah, 1942-1944 1944 · Japanese American National Museum

World War II Era

1944 – 1969 · 8 djela na ovom popisu
Registering at the Civil Control Station at Pilgrim Hall of the First Congregational Church, Berkeley, California, 1942 (1944), Miné Okubo #20 Registering at the Civil Control Station at Pilgrim Hall of the First Congregational Church, Berkeley, California, 1942 1944 · Japanese American National Museum Waiting in line for supper, Tanforan Assembly Center, San Bruno, California, 1942 (1944), Miné Okubo #22 Waiting in line for supper, Tanforan Assembly Center, San Bruno, California, 1942 1944 · Japanese American National Museum Interior view of Mine and Toku (1944), Miné Okubo #42 Interior view of Mine and Toku 1944 · Japanese American National Museum Mine reads newspaper announcing war declaration against Japan, Berkeley, California, 1941 (1944), Miné Okubo #46 Mine reads newspaper announcing war declaration against Japan, Berkeley, California, 1941 1944 · Japanese American National Museum [Untitled] (1969), Miné Okubo #59 [Untitled] 1969 · Japanese American National Museum

WWII Era

1944 · 3 djela na ovom popisu
Mine with open newspaper, surrounded by anti-Japanese slogans, Berkeley, California, 1941 (1944), Miné Okubo #29 Mine with open newspaper, surrounded by anti-Japanese slogans, Berkeley, California, 1941 1944 · Japanese American National Museum Dining with friends in Berkeley, California, ca.1939-1941 (1944), Miné Okubo #38 Dining with friends in Berkeley, California, ca.1939-1941 1944 · Japanese American National Museum Unfinished camp construction, Central Utah Relocation Project, Topaz, Utah, 1942 (1944), Miné Okubo #45 Unfinished camp construction, Central Utah Relocation Project, Topaz, Utah, 1942 1944 · Japanese American National Museum

Motivi koji su privukli pažnju Miné Okubo

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Resilience 36 djela

Walking over muddy ground, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944), Miné Okubo #2 Walking over muddy ground, Central Utah Relocation Project, Topaz, Utah, 1942-1944 1944 · Japanese American National Museum Community toilets, Tanforan Assembly Center, San Bruno, California, 1942 (1944), Miné Okubo #6 Community toilets, Tanforan Assembly Center, San Bruno, California, 1942 1944 · Japanese American National Museum Mine and Toku arrive in their barrack, Central Utah Relocation Project, Topaz, Utah, 1942 (1944), Miné Okubo #7 Mine and Toku arrive in their barrack, Central Utah Relocation Project, Topaz, Utah, 1942 1944 · Japanese American National Museum Teacher and students in classroom, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944), Miné Okubo #14 Teacher and students in classroom, Central Utah Relocation Project, Topaz, Utah, 1942-1944 1944 · Japanese American National Museum

Observation 21 djela

Waiting in line to receive vaccinations, Tanforan Assembly Center, San Bruno, California, 1942 (1944), Miné Okubo #15 Waiting in line to receive vaccinations, Tanforan Assembly Center, San Bruno, California, 1942 1944 · Japanese American National Museum Observing camp activities from a rooftop, Tanforan Assembly Center, San Bruno, California, 1942 (1944), Miné Okubo #17 Observing camp activities from a rooftop, Tanforan Assembly Center, San Bruno, California, 1942 1944 · Japanese American National Museum Bus ride to Central Utah Relocation Project, Topaz, Utah, 1942 (1944), Miné Okubo #18 Bus ride to Central Utah Relocation Project, Topaz, Utah, 1942 1944 · Japanese American National Museum Registering at the Civil Control Station at Pilgrim Hall of the First Congregational Church, Berkeley, California, 1942 (1944), Miné Okubo #20 Registering at the Civil Control Station at Pilgrim Hall of the First Congregational Church, Berkeley, California, 1942 1944 · Japanese American National Museum

Japanese american 15 djela

(3 Women Going to Church) (1948), Miné Okubo #1 (3 Women Going to Church) 1948 · Japanese American National Museum Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942 (1944), Miné Okubo #3 Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942 1944 · Japanese American National Museum Posting of Civilian Exclusion Order/Evacuation Order No. 19, Berkeley, California, 1942 (1944), Miné Okubo #4 Posting of Civilian Exclusion Order/Evacuation Order No. 19, Berkeley, California, 1942 1944 · Japanese American National Museum Mine and Toku standing with their luggage, Berkeley, California, 1942 (1944), Miné Okubo #5 Mine and Toku standing with their luggage, Berkeley, California, 1942 1944 · Japanese American National Museum

Wwii 12 djela

Working at the Topaz Times, Central Utah Relocation Project, Topaz, Utah, 1942 (1944), Miné Okubo #13 Working at the Topaz Times, Central Utah Relocation Project, Topaz, Utah, 1942 1944 · Japanese American National Museum New barrack construction, Tanforan Assembly Center, San Bruno, California, 1942 (1944), Miné Okubo #25 New barrack construction, Tanforan Assembly Center, San Bruno, California, 1942 1944 · Japanese American National Museum Arrival of evacuees from Hawaii, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944), Miné Okubo #26 Arrival of evacuees from Hawaii, Central Utah Relocation Project, Topaz, Utah, 1942-1944 1944 · Japanese American National Museum Waiting to disembark from the bus at Tanforan Assembly Center, San Bruno, California, 1942 (1944), Miné Okubo #37 Waiting to disembark from the bus at Tanforan Assembly Center, San Bruno, California, 1942 1944 · Japanese American National Museum

Muzeji koji čuvaju originalna djela umjetnika Miné Okubo

1 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Miné Okubo Slike iz ovog popisa
Japanese American National Museum, Los AngelesJapanese American National Museum Los Angeles 72 (3 Women Going to Church), Walking over muddy ground, Central Utah Relocation Project, Topaz, Utah, 1942-1944, Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942

Miné Okubo, jedna prepoznatljiva slika po desetljeću

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Slike umjetnika Miné Okubo: odgovori galerije

Koja je najpoznatija slika umjetnika Miné Okubo?Otkrijte odgovor

(3 Women Going to Church) (1948), Japanese American National Museum, Los Angeles. Nakon njih slijede Walking over muddy ground, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944) i Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942 (1944).

Koliko je godina Miné Okubo imao/la kada je dovršio/la (3 Women Going to Church)?Otkrijte odgovor

36 godina: (3 Women Going to Church) datira iz 1948, a Miné Okubo je rođen/a 1912.

Koje su najpoznatije slike umjetnika Miné Okubo?Otkrijte odgovor

(3 Women Going to Church), Walking over muddy ground, Central Utah Relocation Project, Topaz, Utah, 1942-1944, Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942, Posting of Civilian Exclusion Order/Evacuation Order No. 19, Berkeley, California, 1942, Mine and Toku standing with their luggage, Berkeley, California, 1942, Community toilets, Tanforan Assembly Center, San Bruno, California, 1942, Mine and Toku arrive in their barrack, Central Utah Relocation Project, Topaz, Utah, 1942, Eating lunch while awaiting departure inside the Civil Control Station, Berkeley, California, 1942, Medical exam in laundry building, Central Utah Relocation Project, Topaz, Utah, 1942 i New bachelor dorms at Barrack 14, Tanforan Assembly Center, San Bruno, California, 1942. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je djela stvorio/la Miné Okubo?Otkrijte odgovor

Naš katalog sadrži 72 djela umjetnika Miné Okubo, datiranih od 1944 do 1978.

Gdje se nalaze najpoznatija originalna djela umjetnika Miné Okubo?Otkrijte odgovor

Većinom u Japanese American National Museum (Los Angeles). Gornja tablica muzeja navodi sve njih.

Kada je Miné Okubo stvorio svoje najpoznatije slike?Otkrijte odgovor

U 1940s: 62 od 72 djela na ovoj stranici nastalo je tada, od čega je (3 Women Going to Church) (3 Women Going to Church).

Koja su najranija i najkasnija poznata djela umjetnika Miné Okubo?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Walking over muddy ground, Central Utah Relocation Project, Topaz, Utah, 1942-1944 (1944), a najnovije iz [Untitled] (1978).

Kojim se temama Miné Okubo najčešće bavio/la?Otkrijte odgovor

Resilience (36), Observation (21) i Japanese american (15), kroz svih 72 djela na ovoj stranici.

U kojem je mediju Miné Okubo najviše radio/la?Otkrijte odgovor

Acrylic On Canvas, za 34 od 72 djela na ovoj stranici.

S kojim je umjetničkim pravcem Miné Okubo povezan/a?Otkrijte odgovor

Social realism, sudeći po originalima na ovoj stranici.

Koje originale Miné Okubo ima u svojoj kolekciji Japanese American National Museum?Otkrijte odgovor

(3 Women Going to Church), Walking over muddy ground, Central Utah Relocation Project, Topaz, Utah, 1942-1944 i Teaching art classes, Tanforan Assembly Center, San Bruno, California, 1942: Japanese American National Museum, Los Angeles posjeduje 72 djela s ove stranice.

Miné Okubo: umjetnik

Život utkan u otpornost: Umjetnost Miné Okubo

Miné Okubo, rođena u Riversidu u Kaliforniji 1912. godine, bila je umjetnica čiji je život postao neraskidivo povezan s ključnim i bolnim poglavljem američke povijesti. Njezina priča nije samo priča o umjetničkom talentu, već i o dubokoj hrabrosti, nepokolebljivom promatračnju i moći umjetnosti kao svjedoka. Od ranog poticanja unutar obitelji koja je cjenila kreativnost – njezine majke vješte kaligrafkinje i oca učenjaka – Okubo je krenula putem formalnog obrazovanja, studirajući na Sveučilištu Kalifornija u Berkeleyju, a kasnije se 1938. godine uputila u Europu kako bi proširila svoje umjetničke horizonte. Ovo razdoblje studija naglo je prekinula nadolazeća sjena Drugog svjetskog rata, prisiljavajući je na povratak u Ameriku baš u trenutku kada su globalne tenzije dosegnule vrhunac. Malo je mogla znati da će ovaj povratak domovini dovesti ne do daljnjeg umjetničkog istraživanja, već do prisilnog zatvaranja i iskustva koje će definirati i njezin život i njezinu umjetnost.

Svjedočanstvo: Umjetnost unutar zidina

Napad na Pearl Harbor nepovratno je izmijenio put Okubine života, kao što je to učinio i nebrojenim drugim Amerikancima japanskog podrijetla. Godine 1942., ona i njezin brat Benji bili su izbačeni iz svog doma i nepravedno zatvoreni u Tanforan Assembly Center, bivše trkačko stajalište koje je služilo kao privremeni prihvatni centar prije premještaja u trajniji Topaz War Relocation Center u Utahu. Upravo su unutar tih ogradama bodljikave žice, usred prašine i očaja, Okubo započela svoj najznačajniji umjetnički poduhvat. Vođena gotovo prisilnom potrebom da dokumentira stvarnost koja je bila oko nje, počela je stvarati nevjerojatan vizualni zapis kamp života – preko 2.000 crteža i skica pedantno izvedenih tušem, akvarelom i ugljenom. To nisu bile grandiozne povijesne slike niti idealizirani portreti; bili su to sirovi, iskreni prikazi svakodnevnog postojanja: prepunih stambenih prostorija, birokratskih procesa, lica iscrtanih tjeskobom i rezignacijom, te trenutaka tihe dostojanstvenosti usred duboke patnje. Zabilježila je obične detalje – rublje koje visi na konopcima, djecu koja se igraju u prašini, obroke posluživane u mensama – pretvarajući ih u snažne izjave o otpornosti i eroziji građanskih sloboda. Okubina umjetnost nije bila samo osobni odgovor; bila je to čin prkosa, odbijanje da bude utišana ili izbrisana.

Citizen 13660: Svjedočanstvo o dehumanizaciji i nadi

Nakon oslobođenja iz Topaza 1944. godine, Okubo je svoja iskustva usmjerila u revolucionarno umjetničko i književno djelo: Citizen utječenik 13660. Objavljena 1946. godine, knjiga je sadržavala 198 njezinih crteža praćenih dirljivim tekstom. Sam naslov je duboko simboličan, jer se referira na broj dodijeljen njezinu identitetu unutar sustava interniranja – surov podsjetnik na proces dehumanizacije koji su ona i mnogi drugi pretrpjeli. Citizen 13660 nije bila samo kronika patnje; bila je to nijansirana portret ljudskog duha u suočavanju s nedaćom. Okubo se nije slagala skrivati pred prikazivanjem poniženja i nepravdi, ali je također zabilježila trenutke zajedništva, humora i tihe snage. Crteže karakterizira izravnost, emocionalna dubina te majstorsko korištenje linije i sjene. Knjiga je brzo postala ključno djelo koje dokumentira iskustvo interniranja Amerikanca japanskog podrijetla, nudeći nepokolebljiv pogled na mračno poglavlje američke povijesti koje su mnogi radije ignorirali.

Trajno naslijeđe: Umjetnost kao društveni komentar

Nakon rata, Okubo se preselila u New York i nastavila svoju umjetničku karijeru, radeći kao freelance ilustratorka za časopise i knjige te se bavila projektima murala. Iako nikada nije potpuno napustila teme socijalne pravde i ljudskog dostojanstva koja su obilježila njezin ratni rad, njezin je stil tijekom vremena evoluirao. Istraživala je različite medije i tehnike, ali je uvijek zadržala posvećenost realizmu i iskrenom promatranju. Okubine umjetničke utjecaje bili su raznoliki, crpeći inspiraciju iz pokreta socijalnog realizma – koji je naglašavao prikazivanje društvenih pitanja i svakodnevnog života s nepokolebljivom točnošću – te od umjetnica poput Käthe Kollwitz, poznate po svojim snažnim prikazima ljudske patnje. Tijekom cijele svoje karijere primala je brojne nagrade i priznanja, uključujući stipendije National Endowment for the Arts, što potvrđuje značaj njezinga doprinosa američkoj umjetnosti i kulturi. Miné Okubo preminula je 2001. godine, ostavljajući za sobom naslijeđe koje i danas odjekuje. Njezin rad služi kao moćan podsjetnik na krhkost građanskih sloboda, važnost budnosti protiv predrasuda i diskriminacije te neprolaznu moć umjetnosti da svjedoči, izazove nepravdu i nadahne nadu. Njezini crteži nisu samo povijesni dokumenti; oni su duboko ljudske priče urezane u tuš i akvarel, koje od nas zahtijevaju da se sjetimo, naučimo iz njih i nikada ne ponovimo pogreške prošlosti.
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