Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 158 djela Mihail Nestorović u našem katalogu
Ukratko
Saint Russia je slika autora Mihail Nestorović koja privlači najviše pogleda. Nakon toga, pogled se usmjerava na Self-Portrait (1918) i Saint Sergius' labours (right part of the triptych) (1896). Među 158 djela umjetnika Mihail Nestorović u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
Saint Russia is an oil on canvas work by Mikhail Nesterov. The artist executed this piece between 1901 and 1905. It remains part of the permanent collection at the State Russian Museum in the Russian Federation.
The artwork is titled Self-Portrait and was created by the artist Mikhail Nesterov. This specific piece is a monochrome portrait that focuses on a self-representation of the artist. The work was produced in 1918.
A solitary figure moves through a landscape of winter. Dressed in a long coat and hat, a man resembling a monk or priest carries a child in his arms. The scene is set upon a street lined with buildings, where the urban architecture meets a heavy, white blanket of snow. In the background, the presence of a dog and other distant figures adds a sense of lived-in movement to the…
Mikhail Nesterov produced Solovki in 1917. The work provides a representation of the Solovki islands located in Russia. This landscape captures a specific geographic setting through a lens of quietude and natural scale.
In this 1940 work, titled Portrait of Vera Mukhina, the artist Mikhail Nesterov captures a moment of quiet intensity. The painting focuses on the likeness of Vera Mukhina, a woman who lived from 1889 to 1953. It is a study of character and presence, rendered during a period when the artist and his subject had recently become acquainted, having met in the autumn of 1939.
In the quietude of Mikhail Nesterov’s 1909 masterpiece, St. Mark the Apostle, we are invited into a moment of profound spiritual contemplation. The painting presents a striking portrait of the Apostle, depicted with deep, soulful features and a dignified beard, seated in a state of meditative repose upon a rugged rock. Set against a lush, natural backdrop that suggests a secluded garden or a sacred grove, the composition breathes with…
The scene before us is Autumn, a landscape that captures a specific, quiet moment in the changing seasons. Mikhail Nesterov, a painter who sought to translate the very essence of the Russian soul onto canvas, brings this seasonal transition to life through his unique vision. The work, created in 1906, invites a sense of stillness into the viewer's space, as if the air itself has paused to breathe.
The scene unfolds through the Portrait of Olga Nesterova (Woman in a Riding Habit), a work that captures a quiet, suspended moment in time. Mikhail Nesterov brings this figure to life, presenting a woman who exists within a landscape of soft light and natural textures. She stands poised, her presence defined by the elegant lines of her riding habit, a garment that speaks to a specific way of life and…
Youth of Saint Sergiy Radonezhsky is a painting by Mikhail Nesterov. The canvas captures a quiet moment of grace, a stillness held within the brushstrokes of a man who sought the essence of the Russian soul. Nesterov, born in Ufa, Russia, in 1862, spent his life translating the unseen into the visible. His hand moved between the heavy weight of realism and the light, ethereal touch of symbolism.
In "Old painter" by Mikhail Nesterov, the viewer enters a quiet studio where time seems to pause. The composition centers entirely on an elderly artist, whose intense focus anchors the scene as he works upon a large canvas. He sits at his easel, caught in a moment of profound concentration. In the background, a classical sculpture rests in the shadows, acting as a silent focal point that draws the eye…
Silence1888
12
Portrait of a Girl (Study for Youth of St. Sergiy Radonezhsky)1890
13
Blessing of Sergius of Radonezh and Dmitry Donskoy at the Battle of Kulikovo1897
14
Nuns1893 · Slovačka nacionalna galerija
15
Adam and Eve1898
16
Prince Alexander Nevsky1895
17
Winter in Skit1904
18
A fresco by M. Nesterov from Akhali Zarzma monastery, Abastumani, Georgia1904
19
Nun1909 · Narodni muzej u Varšavi
20
By Volga1906
21
Elder (Abraham, the Servant of God)1914
22
Wayfarer1921
23
Alenushka1925
24
V.G.Chertkov1935
25
Girls on the bank of the river
26
Summer
27
Lel (Spring)
28
Silence
29
PhilosopherTretyakovljeva galerija
30
St.Olga
31
Entombment of Alexander Nevsky1900
32
Portrait of M. M. Nesterova, the artist's mother1875
33
A Girl with Kokoshnik (Woman's Headdress in Old Russia)1885
34
Small house in Ufa1884
35
Michael's vocation to the realm1885
36
The victim of his buddies1881
37
Snowballs1879
38
Resurrection1892
39
Spring1901
40
A Tree in Blossom1890
41
For the love potion1888
42
Tsar Alexei Mikhailovich1887
43
Saint Sergius' labours (central part of the triptych)1896
44
Ascension1895
45
Adriatic Sea1893
46
Descent into Hell1895
47
Saint Sergius' labours (left part of the triptych)1896
48
On the mountains1896
49
Portrait of Leo Tolstoy1907
50
Portrait of Maxim Gorky1901
51
St. George and Dragon1900
52
Thought1900
53
Portrait of Natalia Yashvil1905
54
Portrait of Ekaterina Nesterova1905
55
Portrait of O. M. Nesterova, the artist's daughter1905
56
By Volga1905
57
Tsarevich Dimitry1899
58
Harmony Concord1905
59
Silence1903
60
At the council. Sketch.
61
The Raising of Lazarus
62
Study to 'Harmony Concord'
63
Vesper
64
Sisters
65
Christ blesses Bartholomew
66
Portrait of Pavel Korin
67
Christ with Martha and Mary1911
68
Vision to Youth Bartholome
69
Portrait of Korin Brothers
70
On the Hills
71
Portrait of E. P. Nesterova1906
72
Pond1906
73
Capri. Entrance to Monastery.1908
74
Portrait of Vera Nesterova
75
Capri. Almond trees in blossom.1908
76
Portrait of Ekaterina Nesterova1909
77
The vision to Ivan Susanin Michael's image1906
78
Peonies1908
79
St. Jonh the Apostle1909
80
Portrait of V. M. Nesterova1908
81
St. Luke the Apostle1909
82
Intercession of Our Lady1914
83
A Litte Fox1914 · Nacionalna galerija Armenije
84
Sasha1915
85
In a Secluded Monastery1915
86
Crucifixion1912
87
Sea view.1919 · Narodni muzej u Varšavi
88
Volga1922
89
Landscape study1919 · Narodni muzej u Varšavi
90
Spring1922
91
Thinker (Portrait of philisopher Ivan Ilyin)1921
92
The Legend of the Invisible City of Kitezh1920
93
Portrait of Victor Vasnetsov1925
94
Self-Portrait1928
95
Portrait of Sofia Tutcheva1927
96
Elegy. Blind Musician.1928
97
By a Monastery Entrance1925
98
A Sick Girl1928
99
Girl by a Pond (Portrait of Natalia Nesterova)1923
100
Lel1933
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
4 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Mihail Nestorović | Slike iz ovog popisa |
|---|---|---|---|
 Narodni muzej u Varšavi |
Varšava | 3 | Nun, Sea view., Landscape study |
 Tretyakovljeva galerija |
Moskva | 7 | Philosopher |
 Slovačka nacionalna galerija |
Bratislava | 1 | Nuns |
 Nacionalna galerija Armenije |
Jerevan | 1 | A Litte Fox |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
In "Old painter" by Mikhail Nesterov, the viewer enters a quiet studio where time seems to pause. The composition centers entirely on an elderly artist, whose intense focus anchors the scene as he works upon a large canvas. He sits at his easel, caught in a moment of profound concentration. In the background, a classical sculpture rests in the shadows, acting as a silent focal point that draws the eye…
A solitary figure moves through a landscape of winter. Dressed in a long coat and hat, a man resembling a monk or priest carries a child in his arms. The scene is set upon a street lined with buildings, where the urban architecture meets a heavy, white blanket of snow. In the background, the presence of a dog and other distant figures adds a sense of lived-in movement to the…
In the quietude of Mikhail Nesterov’s 1909 masterpiece, St. Mark the Apostle, we are invited into a moment of profound spiritual contemplation. The painting presents a striking portrait of the Apostle, depicted with deep, soulful features and a dignified beard, seated in a state of meditative repose upon a rugged rock. Set against a lush, natural backdrop that suggests a secluded garden or a sacred grove, the composition breathes with…
The artwork is titled Self-Portrait and was created by the artist Mikhail Nesterov. This specific piece is a monochrome portrait that focuses on a self-representation of the artist. The work was produced in 1918.
In Wayfarer, Mikhail Nesterov presents a quiet rural scene that invites a moment of stillness. Painted about 1921, the work centers on a subtle human connection set against a natural backdrop. An elderly woman and a young boy occupy the space, caught in a contemplative exchange that feels both private and significant. There is a sense of shared thought between them, a quietude that suggests the passing of experience from…
In this medium close-up portrait of V.G.Chertkov, Mikhail Nesterov captures the sitter reclining within the heavy embrace of a large, cushioned chair. The perspective is a direct, eye-level view that pulls the viewer into an intimate space with the man. His clothing is rendered in deep blacks and browns, anchoring the figure against a textured background of muted blues and teals. The arrangement is formal, yet the realistic and expressive…
In this 1940 work, titled Portrait of Vera Mukhina, the artist Mikhail Nesterov captures a moment of quiet intensity. The painting focuses on the likeness of Vera Mukhina, a woman who lived from 1889 to 1953. It is a study of character and presence, rendered during a period when the artist and his subject had recently become acquainted, having met in the autumn of 1939.
Saint Russia. Sljedeći su Self-Portrait (1918) i Saint Sergius' labours (right part of the triptych) (1896).
Saint Russia, Self-Portrait, Saint Sergius' labours (right part of the triptych), Solovki, Portrait of Vera Mukhina, St. Mark the Apostle, Autumn, Portrait of Olga Nesterova (Woman in a Riding Habit), Youth of Saint Sergiy Radonezhsky i Old painter. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 158 djela umjetnika Mihail Nestorović, datiranih od 1875 do 1940.
Većinom u Narodni muzej u Varšavi (Varšava), Tretyakovljeva galerija (Moskva) i Slovačka nacionalna galerija (Bratislava). Gornja tablica muzeja navodi sve njih.
U 1900s: 29 od 100 djela na ovoj stranici nastalo je tada, od čega je St. Mark the Apostle St. Mark the Apostle.
Na ovoj stranici najstarije djelo je iz Portrait of M. M. Nesterova, the artist's mother (1875), a najnovije iz Portrait of Vera Mukhina (1940).
Religious (18), Portraits (14) i Women (13), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, za 12 od 100 djela na ovoj stranici.
Symbolist painting, sudeći po originalima na ovoj stranici.
Nun, Sea view. i Landscape study: Narodni muzej u Varšavi, Varšava posjeduje 3 djela s ove stranice.
Mihail Vasiljevič Nesterov, rođen 31. svibnja 1862. godine u Ufi, Rusija, nije bio samo slikar već vizualni pjesnik ruske duše. Izrastao je iz snažne patrijarhalne i trgovačke obitelji gdje su umjetničke sklonosti bile iznenađujuće njegovane; ljubav oca prema povijesti i književnosti potaknula je u njemu želju da priča i emocije prenese na platno. Ovaj rani poticaj doveo ga je 1874. godine u Moskvu, gdje se upisao u Voskresensku realnu školu – ključan korak koji ga je postavio na put prema tome da postane jedan od najznačajnijih ruskih simbolističkih slikara. Formalno umjetničko obrazovanje započelo je 1877. godine na Moskovskoj školi slikarstva, kiparstva i arhitekture, gdje je studirao pod cijenjenim umjetnicima poput Pavela Sorokina, Illariona Pryanishnikova i Vasilija Perova – potonji se pokazao posebno utjecajnom figurom. Čak i tijekom ovih formativnih godina, Nesterovov talent bio je očitan jer je počeo izlagati svoje radove s školom već 1879. godine. Kratko, nezadovoljavajuće razdoblje na Carskoj akademiji likovnih umjetnosti potaknulo ga je da se vrati u Moskvu i nastavi studij pod Aleksejem Savrasovim, čime je učvrstio svoju umjetničku osnovu. Ova rani iskustva usadila su mu mješavinu realizma i rastuće osjetljivosti na atmosferu i emocionalnu dubinu koja će obilježiti njegov zreli stil.
Nesterovljev proboj stigao je s djelom Pustinjak (1889.), slikom koja je odmah odjeknula kod publike i kritike. Njegova akvizicija Pavla Tretyakova, poznatog kolekcionara i osnivača Tretjakovske galerije, nije bila samo financijska transakcija već potvrda Nesterovljevog rastućeg umjetničkog glasa. Ova kupnja pružila mu je priliku da opsežno putuje Europom – Austrijom, Njemačkom, Francuskom i Italijom – proširujući svoje horizonte i izlažući se raznolikim umjetničkim tradicijama. Međutim, tek po povratku u Rusiju počela se oblikovati njegova prava poziv. Duboko je bio zaokupljen monumentalnim projektom: niz radova posvećenih životu svetog Sergija Radoneškog, duhovne figure koja će dominirati njegovim kreativnim energijama gotovo pola stoljeća. Ova predanost nije bila samo umjetnička; to je bilo duboko istraživanje ruske duhovnosti i asketizma – čežnja za smislom koja je prožimala rusku kulturu u to vrijeme. Istovremeno, Nesterov se kretao složenim strujama ruskog umjetničkog prizora, usklađujući se s Peredvižnicima (Putnici), poznatim po svojim realističkim prikazima socijalnih problema, i Mir Iskusstva (Svijet umjetnosti), grupom koja je zagovarala estetizam i simbolizam. Ova dvostruka pripadnost odražava inherentnu napetost u njegovom radu – mješavinu realizma ukorijenjenog u ruskom životu i eterične kvalitete koja je nagovještavala dublje duhovne istine.
Narudžba za uređenje katedrale sv. Vladimira u Kijevu 1890. godine označila je još jednu prekretnicu, uranjajući Nesterova u svijet bizantske umjetnosti i religijske ikonografije. Iako je ispunjavao svoje obveze, često je suptilno unosio osobni umjetnički izraz u svoje doprinose – svjedočanstvo njegovog neovisnog duha. Ovo razdoblje vidjelo ga je suočenim s ograničenjima naručenih radova naspram vlastite kreativne vizije, borbom koja će trajati tijekom njegove karijere. Osim religijskih tema, Nesterov se istaknuo u portretiranju, hvatajući likove istaknutih osoba poput Ivana Iljina, Ivana Pavlova i Sergeja Yudina. Njegov portret Ivana Pavlova (1935.), za koji je dobio Staljinovu nagradu 1941. godine, stoji kao moćno svjedočanstvo njegove sposobnosti da prenese ne samo fizički izgled već i intelektualnu dubinu i karakter. Tijekom svoje karijere, Nesterovljev stil se razvijao, krećući se od ranog realizma prema lirskijem i simboličnijem pristupu obilježenom prigušenim bojama, mekim potezima kista i atmosferom tihe kontemplacije. Njegovi krajolici često su služili kao pozadina duhovnim narativima, zamućujući granice između zemaljskog i božanskog. Trudio se uhvatiti ne samo ono što je vidio već i ono što leži ispod površine – unutarnje živote i duhovne borbe svojih subjekata.
Mihail Nesterov preminuo je u Moskvi 18. listopada 1942. godine, ostavljajući iza sebe bogato umjetničko nasljeđe koje nastavlja nadahnjivati divljenje i razmišljanje. Njegovo djelo predstavlja jedinstvenu sintezu ruskog realizma, simbolizma i religioznog žara. On nije samo slikao scene; pokušavao je uhvatiti bit ruske duše – njezinu čežnju za duhovnim smislom i njezinu povezanost s zemljom. Njegove slike nisu jednostavno slike koje treba diviti, već prozori u svijet vjere, kontemplacije i duboke emocionalne dubine. Nesterovljev utjecaj može se vidjeti u radovima kasnijih generacija ruskih umjetnika koji su nastojali istražiti slične teme duhovnosti i nacionalnog identiteta. Njegova sposobnost da svakodnevnim scenama udahne simboličku težinu i njegova majstorija u korištenju boje i svjetla i danas odjekuju kod publike.
Evo nekoliko ključnih djela koja definiraju Nesterovljev umjetnički put:
Nesterovljev umjetnički razvoj oblikovali su nekoliko ključnih utjecaja: Vasilij Perov, čiji je realistički pristup socijalnim temama odjeknuo u Nesterovljevom ranom radu; Aleksej Savrasov, koji ga je vodio u usavršavanju tehnike i razumijevanju slikarstva krajolika; i Pavel Tretyakov, čija je pokroviteljstvo pružilo ključnu podršku i priznanje. U konačnici, Mihail Vasiljevič Nesterov stoji kao istaknuta figura u povijesti ruske umjetnosti – slikar koji se usudio istražiti dubinu ljudskog duha i prenijeti ta istraživanja u slike trajne ljepote i snage.
