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1 najpoznatijih djela umjetnika Marie Wiegmann, svako jedinstveno
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Ukratko
Half-length Portrait of a Woman (1857) je slika autora Marie Wiegmann koja privlači najviše pogleda; original se nalazi u muzeju Augustiner Museum, Freiburg. Među 2 djela umjetnika Marie Wiegmann u našem katalogu, ovih 1 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
1820 – 1893, Srebrna Góra
Najviše djela: Augustiner Museum
Top 10 djela Marie Wiegmann kroz oči galerije
Muzeji koji čuvaju originalna djela umjetnika Marie Wiegmann
1 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Marie Wiegmann | Slike iz ovog popisa |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 1 | Half-length Portrait of a Woman |
Marie Wiegmann kroz godine: jedinstvena originalna djela svakog umjetnika
Sva originalna djela umjetnika Marie Wiegmann s tim datumom prikazana ovdje pripadaju jednoj godini, 1857: prikazana su prema stupnju slave.
Djela po godinama
Odaberite godinu kako biste vidjeli originalna djela.
Slike umjetnika Marie Wiegmann: pitanja za galeriju
Koje je najpoznatije djelo umjetnika Marie Wiegmann?Otkrijte odgovor
Half-length Portrait of a Woman (1857)
U kojoj je dobi Marie Wiegmann stvorio/la Half-length Portrait of a Woman?Otkrijte odgovor
37 godina: Half-length Portrait of a Woman datira iz 1857, a Marie Wiegmann je rođen/a 1820.
Koliko je poznatih djela umjetnika Marie Wiegmann?Otkrijte odgovor
Naš katalog sadrži 2 djela umjetnika Marie Wiegmann.
Gdje se mogu vidjeti najpoznatiji originali umjetnika Marie Wiegmann?Otkrijte odgovor
Većinom u Augustiner Museum (Freiburg). Gornja tablica muzeja navodi sve njih.
Marie Wiegmann: portret umjetnika
A Life in Brushstrokes
Marie Elisabeth Wiegmann began her life in Silberbeg, Silesia. Her hands found their way to the Düsseldorf Academy in 1841, where she sat as a pupil under Hermann Stilke. Later, she studied with Karl Ferdinand Sohn. These years of training shaped how she saw the light on a face or the fold of a garment. She moved through Germany, England, Holland, and Italy, carrying her observations with her.
In 1841, she married Rudolf Wiegmann. They eventually settled in Düsseldorf. Her travels were not merely for leisure; between 1843 and 1845, a study trip to Italy allowed her to look closely at the art of that land. This period of looking deeply influenced the way she approached her subjects.
The Subjects of Her Canvas
Her work often turned toward the human form and the stories told in folklore. For a time, between 1846 and 1850, she focused on paintings rooted in mythical and fairytale tales. She drew from late romantic literary models, creating pieces like those based on Ludwig Uhland’s poem, The Elves. Her illustrations even found a place in the pages of St Nicholas: An Illustrated Magazine For Young Folks in 1883.
Beyond stories, she was a painter of people and quiet moments. Some of her known works include:
- A Venetian Lady
- A Young Girl with Roses
- A French Woman of 1792
- Portrait of Karl Schnasse
Recognition and Legacy
Her career lasted more than fifty years. During this time, she earned a gold medal in Berlin for one of her works. Her portraits were held in places like the National Gallery of Berlin, where pieces such as A Venetian Lady were established in 1876. She left behind a body of work that reflects the traditions of the Düsseldorf School.
She lived until 1893. Her life was marked by the steady application of paint to canvas, moving from the lessons of her teachers to her own established presence in the art circles of Europe.