Ukratko
Od svih originala koje je Marie Großmann ostavio, najpoznatiji je Portrait of Hermann Krebs (1874) u kolekciji muzeja Augustiner Museum, Freiburg. Naš katalog sadrži 2 djela umjetnika Marie Großmann; galerija je čuvala onih 2 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
Top 10 djela umjetnika Marie Großmann: izbor galerije
Muzeji koji čuvaju originalna djela umjetnika Marie Großmann
1 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Marie Großmann | Slike iz ovog popisa |
|---|---|---|---|
| Freiburg | 2 | Portrait of Hermann Krebs, Portrait of Sophie Krebs, née Schaal |
Marie Großmann iz godine u godinu: originalna djela koja definiraju svaku od njih
1874 je godina svakog datiranog djela umjetnika Marie Großmann u ovom odabiru: evo ih, rangiranih prema slavi.
Djela po godinama
Odaberite godinu kako biste vidjeli originalna djela.
Pitanja kolekcionara o slikama umjetnika Marie Großmann
Po kojem je djelu Marie Großmann najpoznatiji/a?Otkrijte odgovor
Portrait of Hermann Krebs (1874)
Koliko je godina Marie Großmann imao/la kada je nastalo djelo Portrait of Hermann Krebs?Otkrijte odgovor
21 godina: Portrait of Hermann Krebs datira iz 1874, a Marie Großmann je rođen/a 1853.
Koliko je slika ostavio/la Marie Großmann?Otkrijte odgovor
Naš katalog sadrži 2 djela umjetnika Marie Großmann.
U kojim se muzejima nalaze remek-djela umjetnika Marie Großmann?Otkrijte odgovor
Većinom u Augustiner Museum (Freiburg). Gornja tablica muzeja navodi sve njih.
U kojim je godinama Marie Großmann naslikao svoja najpoznatija djela?Otkrijte odgovor
U 1874: 2 od 2 djela na ovoj stranici nastalo je tada, od čega je Portrait of Hermann Krebs Portrait of Hermann Krebs.
Koji se radovi umjetnika Marie Großmann nalaze u muzeju Augustiner Museum?Otkrijte odgovor
Portrait of Hermann Krebs i Portrait of Sophie Krebs, née Schaal: Augustiner Museum, Freiburg posjeduje 2 djela s ove stranice.
Marie Großmann: život i djelo
The Quiet Presence of the Portraitist
In the small, focused world of nineteenth-century German portraiture, Marie Großmann occupied a space defined by the faces of others. Her life, marked by the years 1853 to 1890, was spent capturing the likenesses of those within her immediate circle. She did not seek the broad strokes of grand movements, but instead turned her attention to the specific, steady gaze of the individuals who shared her time and her name.
Her brushwork found its purpose in the study of character through likeness. In 1874, she produced a series of works that captured the Krebs family, including Portrait of Hermann Krebs and Figurative Portrait of Sophie Krebs, née Schaal. These were not mere studies of form, but records of presence. She followed this with the Figurative Portrait of Theophil Krebs, showing a commitment to the people who populated her daily life.
A Legacy in Likeness
The work of Marie Großmann is found in the quiet details of a sitter's expression. One of her notable pieces, Figurative Portrait of the Husband Dr. Viktor Grossmann, dating to approximately 1880, shows her ability to settle into the likeness of a subject. There is a stillness in these paintings, a sense of a moment held steady under the light.
Her contribution to the visual record is seen in these specific, intimate studies. While her life was relatively brief, her ability to translate a person into paint remains visible in the surviving works. Her focus remained on the human figure, capturing the weight of a gaze or the set of a jaw, ensuring that the people she painted were seen as they were.
