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Slike autora Lukas Kirner: Najpoznatijih 6 djela, iz perspektive galerije
Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 6 djela Lukas Kirner u našem katalogu
Ukratko
Iz perspektive galerije, najpoznatije djelo umjetnika Lukas Kirner je Self-portrait (1821), čiji se original nalazi u muzeju Augustiner Museum, Freiburg. Karoline Knöpfle from Günzburg, sister of Creszentia Kirner (1821) i Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820) upotpunjuju triju koju svako oko prepoznaje. Od 6 djela umjetnika Lukas Kirner u našem katalogu, galerija u nastavku prikazuje 6 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
1794 – 1851, Furtwangen im Schwarzwald
Najviše djela: Augustiner Museum
Top 10 najpopularnijih djela umjetnika Lukas Kirner u galeriji
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Muzeji koji čuvaju originalna djela umjetnika Lukas Kirner
1 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Lukas Kirner | Slike iz ovog popisa |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 6 | Self-portrait, Karoline Knöpfle from Günzburg, sister of Creszentia Kirner, Creszentia Kirner, née Knöpfle, the Artist’s Wife |
Lukas Kirner, jedna prepoznatljiva slika po desetljeću
Djela po desetljećima
Odaberite desetljeće kako biste vidjeli original koji ga definira.
Slike umjetnika Lukas Kirner: odgovori galerije
Koja je najpoznatija slika umjetnika Lukas Kirner?Otkrijte odgovor
Self-portrait (1821), Augustiner Museum, Freiburg. Nakon njih slijede Karoline Knöpfle from Günzburg, sister of Creszentia Kirner (1821) i Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820).
Koliko je godina Lukas Kirner imao/la kada je dovršio/la Self-portrait?Otkrijte odgovor
27 godina: Self-portrait datira iz 1821, a Lukas Kirner je rođen/a 1794.
Koliko je djela stvorio/la Lukas Kirner?Otkrijte odgovor
Naš katalog sadrži 6 djela umjetnika Lukas Kirner, datiranih od 1820 do 1851.
Gdje se nalaze najpoznatija originalna djela umjetnika Lukas Kirner?Otkrijte odgovor
Većinom u Augustiner Museum (Freiburg). Gornja tablica muzeja navodi sve njih.
Kada je Lukas Kirner stvorio svoje najpoznatije slike?Otkrijte odgovor
U 1820s: 3 od 6 djela na ovoj stranici nastalo je tada, od čega je Self-portrait Self-portrait.
Koja su najranija i najkasnija poznata djela umjetnika Lukas Kirner?Otkrijte odgovor
Na ovoj stranici najstarije djelo je iz Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820), a najnovije iz Portrait of Frau Wenz (1851).
Koje originale Lukas Kirner ima u svojoj kolekciji Augustiner Museum?Otkrijte odgovor
Self-portrait, Karoline Knöpfle from Günzburg, sister of Creszentia Kirner i Creszentia Kirner, née Knöpfle, the Artist’s Wife: Augustiner Museum, Freiburg posjeduje 6 djela s ove stranice.
Lukas Kirner: umjetnik
A life shaped by the Black Forest
Lukas Kirner began his days in Furtwangen im Schwarzwald, a place defined by the steady rhythm of clock manufacturing. He was born into a family where hands were accustomed to fine, precise work; his father, Johann Kirner, worked as a shoemaker, and he himself spent early years learning the delicate craft of painting clock faces. This background in watchmaker painting left a mark on how he approached a canvas. There was a certain patience required for such small, intricate surfaces, a habit that carried over into his later work with oil and color.
His path moved from the mechanical precision of the Black Forest to the Royal Higher Art School in Augsburg. By 1825, he had moved to Günzburg, Bavaria, alongside his wife, Crescentia Knöpfle. While his brother, Johann Baptist Kirner, sought different paths through Munich and Italy, Lukas remained deeply connected to the people of his home region. He found himself painting the faces of those who lived among the trees and hills—merchants, industrialists, and families of farmers.
The quiet study of a face
The work itself often focused on the individual. In his portraits, there is a reliance on chiaroscuro, using the interplay of light and shadow to pull a figure out from the darkness. He did not seek to decorate a room so much as to capture a presence. His brushwork applied color with a meticulousness that mirrored his early training. When he painted his wife, Crescentia, or his sister Karoline, the attention to detail was not merely about clothing or jewelry, but about the way light rested on a cheek or a brow.
His style sat within the Romantic movement, though it felt more grounded than the grander, more dramatic expressions of that era. He preferred an emphasis on emotion and individuality through subtle means. A portrait of a young man with whiskers or a depiction of two brothers shows a focus on the person in front of him. The use of light was never loud; it was a tool used to highlight specific features, creating a sense of depth and quiet introspection.
Legacy in paint
Lukas Kirner’s time in the art world was marked by these steady commissions. His ability to represent both the local peasantry and those with higher social standing, such as Princess Amélie, allowed his work to bridge different layers of society. Some of his paintings found their way into the Augustinermuseum in Freiburg, where they remain part of a permanent collection.
He returned to Furtwangen, the town of his birth, where he passed away in 1851. The traces of his life are found in the specific subjects he chose to immortalize:
- Crescentia Kirner, née Knöpfle, his wife
- Portrait of Two Children (Two Brothers), from 1842
- Self-portrait, created around 1821 or 1830
- Jakob Ganter, painted in Neukirch in 1827