Portret Lesser Ury

Slike autora Lesser Ury: Najpoznatijih 92 djela, iz perspektive galerije

Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 92 djela Lesser Ury u našem katalogu

Ukratko

Iz perspektive galerije, najpoznatije djelo umjetnika Lesser Ury je Nude Lying Down (1889), čiji se original nalazi u muzeju Berlinische Galerie, Berlin. Moses on Mount Nebo Looking at the Promised Land (1927) i Praying Jew (1931) upotpunjuju triju koju svako oko prepoznaje. Od 92 djela umjetnika Lesser Ury u našem katalogu, galerija u nastavku prikazuje 92 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.

1861 – 1931, Międzychód Impressionism Najviše djela: Berlinische Galerie

Top 10 najpopularnijih djela umjetnika Lesser Ury u galeriji

1
Nude Lying Down (1889) od Lesser Ury

Nude Lying Down

1889 · Oil · Berlinische Galerie, Berlin

A woman rests upon a bed of deep red sheets. She lies on her side, her body a pale curve against the saturated fabric. The stillness of the room is heavy, held in place by the weight of shadows and the soft geometry of furniture. A chair sits near the edge of the frame, and a couch occupies the opposite side, anchoring the space in a domestic silence. High above,…

2
Moses on Mount Nebo Looking at the Promised Land (1927) od Lesser Ury

Moses on Mount Nebo Looking at the Promised Land

1927 · Pastel

We are looking at Moses on Mount Nebo Looking at the Promised Land, a significant work by the German artist Lesser Ury. Created about 1928, this piece captures a profound moment of biblical history. The subject matter focuses on Moses as he gazes upon the Promised Land from the heights of Mount Nebo.

3
Praying Jew (1931) od Lesser Ury

Praying Jew

1931 · Oil On Canvas · Židovski muzej, New York

Lesser Ury's "Praying Jew," painted in 1931, is more than just a portrait; it’s a poignant meditation on faith, solitude, and the quiet dignity of an aging man. Born Leo Lesser Ury in Birnbaum, Prussia (now Międzychód, Poland), his early life was marked by profound loss – the untimely death of his father instilled within him a sensitivity to the transient nature of existence, a theme that would permeate much…

4
Bülowstraße high station (1922) od Lesser Ury

Bülowstraße high station

1922 · Oil

The scene depicts a city street at night, rendered in a black and white palette. Rain falls through the air, creating a sense of movement across the composition. On the asphalt road, several vehicles are positioned at varying distances from the viewer. A bus moves along the street, its form defined by the light and the wet surface of the road. Traffic lights are placed at intervals throughout the urban…

5
Strolling in the Forest (1923) od Lesser Ury

Strolling in the Forest

1923

A man and a woman walk a narrow path carved through the woods. They move together, their figures small against the vertical lines of the trees. The forest closes in on both sides, creating a corridor of shade and light. Further ahead, a third figure drifts along the trail, a quiet presence in the distance. The air feels still, caught in the soft, dappled light of the canopy. It is…

6
Interior with Children (the Silblings) (1883) od Lesser Ury

Interior with Children (the Silblings)

1883 · Oil · Bavarske državne slikopisne zbirke, München

In Interior with Children (the Silblings), Lesser Ury presents an intimate, quiet scene within a domestic setting. The composition is vertically oriented, drawing the viewer into a private moment shared by three siblings. The figures are arranged in a deliberate triangular formation that guides the eye through the room. At the base of this arrangement, a child sits on the floor in the foreground, facing the viewer directly. This placement…

7
Interior with Woman at the Piano (1888) od Lesser Ury

Interior with Woman at the Piano

1888 · Oil On Canvas

A dim hallway stretches into the distance, a narrow passage of receding walls that pulls the eye toward a doorway. The air feels heavy, thick with the quiet of a house at rest. A red sofa sits in the foreground, its saturated color anchoring the composition against a sea of dark tones. Light does not flood this space; it struggles through, creating sharp highlights and deep, velvet shadows that define…

8
Woman at a Desk (also known as At the Desk) (1898) od Lesser Ury

Woman at a Desk (also known as At the Desk)

1898 · Oil On Canvas · Alte Nationalgalerie, Berlin

The composition centers on a woman seated at a desk, positioned before a large window that divides the interior space from the exterior view. The scene is rendered in a grayscale palette, utilizing a range of black, white, and gray tones. The woman is oriented toward the desk, her posture suggesting she is engaged in reading or writing. To her side, a piano stool and various chairs are placed within…

9
Rebekka at the well (1908) od Lesser Ury

Rebekka at the well

1908 · Oil · Jewish Museum Berlin, Berlin

The air feels heavy with the stillness of a fading afternoon. A solitary woman stands poised by a stone well, her figure caught in a moment of quiet contemplation. She holds a water jug, her presence anchoring the composition slightly to the right of center. Around her, the world seems to soften into a haze of muted, earthy tones. Deep blues and dark browns ground the scene, while ochre and…

10
In the café - Woman in red (1911) od Lesser Ury

In the café - Woman in red

1911 · Oil · Alte Nationalgalerie, Berlin

A single figure anchors the composition, a woman draped in a saturated red garment that pulls the eye through the dimness of the café. She sits slightly off-center, her presence heavy and immediate, as if the viewer has just pulled up a chair at her table. Her blonde hair catches a soft, ambient light, contrasting against the pale skin of her face and the deep, murky tones of the background.…

Slike autora Lesser Ury, rangirane od 11 do 92

11Street scene at Night, Berlin (1920) od Lesser UryStreet scene at Night, Berlin1920 12Selfportrait (1921) od Lesser UrySelfportrait1921 13Café Scene in Paris (1928) od Lesser UryCafé Scene in Paris1928 14The Red Carpet (1894) od Lesser UryThe Red Carpet1894 · Izraelski muzej 15On Lake Garda (1897) od Lesser UryOn Lake Garda1897 16The Pont Royal in Paris (1928) od Lesser UryThe Pont Royal in Paris1928 · Hamburger Kunsthalle 17Parisian Interior (1881) od Lesser UryParisian Interior1881 18Woman at the Kitchen Stove (1882) od Lesser UryWoman at the Kitchen Stove1882 19Flowers on the Mantel (1882) od Lesser UryFlowers on the Mantel1882 20Estaminet - Flämische Schenke (1884) od Lesser UryEstaminet - Flämische Schenke1884 · Alte Nationalgalerie 21Gargenlichtung am Zaun (1883) od Lesser UryGargenlichtung am Zaun1883 22Siblings (1883) od Lesser UrySiblings1883 23Self-Portrait (1881) od Lesser UrySelf-Portrait1881 24Newspaper Reader in a Café (also known as Woman in a Café or Café Interior) (1882) od Lesser UryNewspaper Reader in a Café (also known as Woman in a Café or Café Interior)1882 25In the Sunshine, near Volluvet (1884) od Lesser UryIn the Sunshine, near Volluvet1884 26Village Road at the Edge of the Forest (1884) od Lesser UryVillage Road at the Edge of the Forest1884 27Mountain Lake (1886) od Lesser UryMountain Lake1886 · Berlinische Galerie 28View into a Valley (1890) od Lesser UryView into a Valley1890 29The Coast of Rügen (1892) od Lesser UryThe Coast of Rügen1892 30Woman by the Chimney Fire (also known as Reverie by the Fireplace) (1890) od Lesser UryWoman by the Chimney Fire (also known as Reverie by the Fireplace)1890 31Rocky Shore at Capri (1890) od Lesser UryRocky Shore at Capri1890 32Young Lady with a Large Hat (1886) od Lesser UryYoung Lady with a Large Hat1886 33Leipzig Street (1889) od Lesser UryLeipzig Street1889 · Berlinische Galerie 34NIght Lights (1889) od Lesser UryNIght Lights1889 35Unter den Linden after the Rain (1888) od Lesser UryUnter den Linden after the Rain1888 36Lake Garda and Monte Baldo (1897) od Lesser UryLake Garda and Monte Baldo1897 37Old Man in a Fur Coat (1895) od Lesser UryOld Man in a Fur Coat1895 38Moonrise on the Grunewaldsee (1898) od Lesser UryMoonrise on the Grunewaldsee1898 39Evening at Café Bauer (1898) od Lesser UryEvening at Café Bauer1898 40Interior (also known as Interior Scene with Woman Reading on a Terrace) (1894) od Lesser UryInterior (also known as Interior Scene with Woman Reading on a Terrace)1894 41Reader with Magnifying Glass (1895) od Lesser UryReader with Magnifying Glass1895 42Sunset at Lake Grunewald (1900) od Lesser UrySunset at Lake Grunewald1900 43Ludwig Geiger (1905) od Lesser UryLudwig Geiger1905 44Eugen Schiffer (1905) od Lesser UryEugen Schiffer1905 45Landscape at Sunset (1900) od Lesser UryLandscape at Sunset1900 46View over Nollendorfplatz (1901) od Lesser UryView over Nollendorfplatz1901 47Otto Brahm in His Loge at the German Theater (1901) od Lesser UryOtto Brahm in His Loge at the German Theater1901 48Stroller in Tiergarten (1905) od Lesser UryStroller in Tiergarten1905 49Rainbow at Beelitzhof (also known as Brandenburg Landscape) (1899) od Lesser UryRainbow at Beelitzhof (also known as Brandenburg Landscape)1899 50On the Kurfurstendamm (1910) od Lesser UryOn the Kurfurstendamm1910 51Field workers in Thuringa (1911) od Lesser UryField workers in Thuringa1911 52Berlin street scene with horse-drawn cabs (1910) od Lesser UryBerlin street scene with horse-drawn cabs1910 53Berlin, Alexanderplatz (1910) od Lesser UryBerlin, Alexanderplatz1910 54Lake Garda Motif (1906) od Lesser UryLake Garda Motif1906 55Self-Portrait with Brush and Palette (1910) od Lesser UrySelf-Portrait with Brush and Palette1910 56Promontory on Lake Garda (1909) od Lesser UryPromontory on Lake Garda1909 57Sunset over the Grunewaldsee (1909) od Lesser UrySunset over the Grunewaldsee1909 58Rebecca at the Fountain (1908) od Lesser UryRebecca at the Fountain1908 59On a Canal (1912) od Lesser UryOn a Canal1912 60Lake Garda with Mount Baldo (1914) od Lesser UryLake Garda with Mount Baldo1914 61Self-Portrait with Dark Hat (1914) od Lesser UrySelf-Portrait with Dark Hat1914 62In Front of the Cafe (Berlin at Night) (1920) od Lesser UryIn Front of the Cafe (Berlin at Night)1920 63Lilac Bouquet (1922) od Lesser UryLilac Bouquet1922 64Street Scene with Woman, Berlin (1918) od Lesser UryStreet Scene with Woman, Berlin1918 65Newspaper Reader at the Café (also known as Gentleman at a Coffee House) (1920) od Lesser UryNewspaper Reader at the Café (also known as Gentleman at a Coffee House)1920 66Two Girls walking along the Street (1921) od Lesser UryTwo Girls walking along the Street1921 67Unter den Linden (1922) od Lesser UryUnter den Linden1922 68Vase of Flowers (1921) od Lesser UryVase of Flowers1921 69Champs-Elysees with Arc de Triomphe, Paris (1928) od Lesser UryChamps-Elysees with Arc de Triomphe, Paris1928 70Paris, Sunrise (1928) od Lesser UryParis, Sunrise1928 71Waterloo Bridge in the Fog (1926) od Lesser UryWaterloo Bridge in the Fog1926 72Eiffel Tower (1928) od Lesser UryEiffel Tower1928 73Nollendorfplazt at Night (1925) od Lesser UryNollendorfplazt at Night1925 74Lennéstraße (1925) od Lesser UryLennéstraße1925 75Traffic Jam at Potsdamer Platz (1925) od Lesser UryTraffic Jam at Potsdamer Platz1925 76Schloß Rheinstein am Rhein (1924) od Lesser UrySchloß Rheinstein am Rhein1924 77Charing Cross, London (1926) od Lesser UryCharing Cross, London1926 78Tiergarten Avenue with Siegessäule (1925) od Lesser UryTiergarten Avenue with Siegessäule1925 79Rainy Day in London, Thames Port (1926) od Lesser UryRainy Day in London, Thames Port1926 80Waterloo Bridge Emerging in the Sunlight (1926) od Lesser UryWaterloo Bridge Emerging in the Sunlight1926 81Paris, Rainy Day at the Quai Voltaire (1928) od Lesser UryParis, Rainy Day at the Quai Voltaire1928 82Untitled (Park Scene or Man in the Gray Suit) (1913) od Lesser UryUntitled (Park Scene or Man in the Gray Suit)1913 · Židovski muzej 83Morning Sun (1924) od Lesser UryMorning Sun1924 84A Jewish Man in His Prayer Shawl (1931) od Lesser UryA Jewish Man in His Prayer Shawl1931 85Still Life with Fruit on a White Table (1920) od Lesser UryStill Life with Fruit on a White Table1920 86Thames Bridges in the Twilight (also known as London Bridge) (1926) od Lesser UryThames Bridges in the Twilight (also known as London Bridge)1926 87Abendlicher Park bei Regenwetter od Lesser UryAbendlicher Park bei Regenwetter 88Tiergartenstrasse, Berlin od Lesser UryTiergartenstrasse, Berlin 89Landscape od Lesser UryLandscape 90Self Portrait with Spread Fingers od Lesser UrySelf Portrait with Spread Fingers 91The River Thames, London, Moonlight od Lesser UryThe River Thames, London, Moonlight 92The Fence (also known as Farmyard with Well) (1888) od Lesser UryThe Fence (also known as Farmyard with Well)1888

Slavna djela Lesser Ury po razdobljima

Motivi koji su privukli pažnju Lesser Ury

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika Lesser Ury

7 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Lesser Ury Slike iz ovog popisa
Berlinische Galerie, BerlinBerlinische Galerie Berlin 3 Nude Lying Down, Mountain Lake, Leipzig Street
Alte Nationalgalerie, BerlinAlte Nationalgalerie Berlin 3 Woman at a Desk (also known as At the Desk), In the café - Woman in red, Estaminet - Flämische Schenke
Židovski muzej, New YorkŽidovski muzej New York 2 Praying Jew, Untitled (Park Scene or Man in the Gray Suit)
Bavarske državne slikopisne zbirke, MünchenBavarske državne slikopisne zbirke München 1 Interior with Children (the Silblings)
Jewish Museum Berlin, BerlinJewish Museum Berlin Berlin 1 Rebekka at the well
Izraelski muzej, JeruzalemIzraelski muzej Jeruzalem 1 The Red Carpet
Hamburger Kunsthalle, HamburgHamburger Kunsthalle Hamburg 1 The Pont Royal in Paris

Lesser Ury, jedna prepoznatljiva slika po desetljeću

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Slike umjetnika Lesser Ury: odgovori galerije

Koja je najpoznatija slika umjetnika Lesser Ury?Otkrijte odgovor

Nude Lying Down (1889), Berlinische Galerie, Berlin. Nakon njih slijede Moses on Mount Nebo Looking at the Promised Land (1927) i Praying Jew (1931).

Koliko je godina Lesser Ury imao/la kada je dovršio/la Nude Lying Down?Otkrijte odgovor

28 godina: Nude Lying Down datira iz 1889, a Lesser Ury je rođen/a 1861.

Koje su najpoznatije slike umjetnika Lesser Ury?Otkrijte odgovor

Nude Lying Down, Moses on Mount Nebo Looking at the Promised Land, Praying Jew, Bülowstraße high station, Strolling in the Forest, Interior with Children (the Silblings), Interior with Woman at the Piano, Woman at a Desk (also known as At the Desk), Rebekka at the well i In the café - Woman in red. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je djela stvorio/la Lesser Ury?Otkrijte odgovor

Naš katalog sadrži 92 djela umjetnika Lesser Ury, datiranih od 1881 do 1931.

Gdje se nalaze najpoznatija originalna djela umjetnika Lesser Ury?Otkrijte odgovor

Većinom u Berlinische Galerie (Berlin), Alte Nationalgalerie (Berlin) i Židovski muzej (New York). Gornja tablica muzeja navodi sve njih.

Kada je Lesser Ury stvorio svoje najpoznatije slike?Otkrijte odgovor

U 1920s: 29 od 92 djela na ovoj stranici nastalo je tada, od čega je Moses on Mount Nebo Looking at the Promised Land Moses on Mount Nebo Looking at the Promised Land.

Koja su najranija i najkasnija poznata djela umjetnika Lesser Ury?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Parisian Interior (1881), a najnovije iz Praying Jew (1931).

Kojim se temama Lesser Ury najčešće bavio/la?Otkrijte odgovor

Woman (8), Interior (7) i Night (6), kroz svih 92 djela na ovoj stranici.

U kojem je mediju Lesser Ury najviše radio/la?Otkrijte odgovor

Oil On Canvas, za 8 od 92 djela na ovoj stranici.

S kojim je umjetničkim pravcem Lesser Ury povezan/a?Otkrijte odgovor

Impressionism, sudeći po originalima na ovoj stranici.

Koje originale Lesser Ury ima u svojoj kolekciji Berlinische Galerie?Otkrijte odgovor

Nude Lying Down, Mountain Lake i Leipzig Street: Berlinische Galerie, Berlin posjeduje 3 djela s ove stranice.

Lesser Ury: umjetnik

Život oslikovan svjetlom: Svijet Lea Lessera Uryja

Leo Lesser Ury, ime možda manje trenutno prepoznatljivo od nekih njegovih impresionističkih suvremenika, ipak zauzima vitalan i evokativan prostor unutar narativa njemačkog slikarstva. Rođen 7. studenog 1861. u Birnbaumu, Pruska – današnjem Międzychódu u Poljskoj – Uryjevo putovanje bilo je obilježeno i umjetničkim trijumfom i osobnim nedaćama. Njegovo rano djetinjstvo pratio je sjena gubitka; smrt oca, pekara, 1872. godine prisilila je njega i majku na preseljenje u Berlin. To preseljenje u njemu je, možda, usadilo doživotnu osjetljivost prema urbanim pejzažima i prolaznoj prirodi modernog postojanja. Iako je prvotno bio na šegrtovanju kod zanatlije, Uryjev umjetnički poziv bio je previše snažan da bi se ignorirao, što ga je 1879. odvelo u Kunstakademie Düsseldorf. To je bio početak dugog razdoblja europskih istraživanja – Bruxelles, Pariz, München, Stuttgart, Karlsruhe – gdje je svaki grad doprinosio evoluciji njegove palete i perspektive koja će definirati njegov jedinstveni stil. Ta putovanja nisu bila samo geografska; bila su to prožimajuća proučavanja svjetla, atmosfere i bujne energije modernog života.

Prihvaćanje impresionizma i hvatanje duše grada

Uryjev umjetnički razvoj bio je duboko isprepleten s strujama umjetnosti kasnog 19. stoljeća. Iako je u početku susretao otpor – njegova prva izložba 1889. izazvala je neprijateljski odgovor – pronašao je zaštitnika u cijenjenom Adolphu Menzelu, čija je podrška otvorila vrata u Berlinskoj akademiji. To priznanje pokazalo se presudnim, omogućivši Uryju da dalje usfine svoju tehniku i viziju. Njegovo prianjanje uz impresionizam nije bilo samo stilsko; bilo je to sredstvo za hvatanje prolaznih trenutaka modernog urbanog života. Pridružio se Münchenskoj secesiji 1893. godine, pridružujući se skupini umjetnika koji su izazivali akademske konvencije i tražili nove načine izražavanja. Uryjeva platna počela su svjetlucati živopisnim potezima četkice, primjenom impasta koja je stvarala teksturu i dubinu, te oštrom osjetljivošću na transformativnu moć svjetla. Njegove primarne teme kristalizirale su se u to vrijeme: pejzaži prožeti atmosferom, intimni unutarnji ambijenti, ali najznačajnije, živopisne, često noćne scene gradskog života. On nije samo prikazivao Berlin; on je hvatao njegovu samu bit – sjaj plinskih svjetiljki na ulicama prekrivenim kišom, užurbanu energiju kafića, tiha usamljenost zasjenjenih kutova.

Priznanje i složeno naslijeđe

Rana desetljeća 20. stoljeća vidjela su povratak Uryja u Berlin, gdje je brzo postao istaknuta figura u umjetničkoj sceni grada. Njegovo sudjelovanje na izložbama s Berlinskom secesijom od 1915. nadalje steadily je povećavalo njegovu prepoznatljivost. Premiljenska izložba 1922. godine, koja je prikazivala 150 njegovih slika i pastelâ, učvrstila je njegovu reputaciju; gradonačelnik Berlina proglasio ga je „umjetničkim slavodavcem prijestolnice“. Ovo razdoblje označilo je vrhunac Uryjeve karijere, potpomognut i kritičkim priznanjem i komercijalnim uspjehom. Postao je posebno poznat po svojoj majstorstvu u pastelu, koristeći to medij za stvaranje djela iznimne nježnosti i atmosferske dubine. Međutim, ovaj uspjeh bio je zasjenjen složenim aspektom njegove prakse. Kako bi zadovoljio rastuću potražnju, Uryj je počeo ponavljati kompozicije, proizvodeći brojne kopije – neke slabije kvalitete – što je nažalost oslabilo njegov umjetnički ugled u očima nekih kritičara. Ovaj pragmatični pristup, iako financijski koristan, na kraju je doprinio donekle ambivalentnoj procjeni njegovog djela.

Trajni dojam: Povijesni značaj i neprolazna privlačnost

Povijesni značaj Lea Lessera Uryja nadilazi njegovu tehničku vještinu i estetske osjećaje. Upamćen je kao oštar promatrač i evokativni portretist modernog urbanog života, posebno noćnih pejzaža Berlina koji su rezonirali s publikom koja je pokušavala razumjeti svoj ubrzano promijenjeni svijet. Njegovo djelo nudi uvid u specifično vrijeme i mjesto – grad na pragu modernosti, koji se bori s industrijalizacijom, društvenim promjenama i tjeskobama nove ere. Nadalje, kao židovski umjetnik koji je navigirao kroz njemačko društvo, Uryjev život i rad odražavaju aspekte židovskog kulturnog identiteta i iskustva unutar složenog socio-političkog krajolika. Njegove slike, iako nisu otvoreno političke, suptilno prenose osjećaj pripadanja i otuđenja, nudeći jedinstvenu perspektivu na izazove s kojima su se suočavale židovske zajednice u Njemačkoj tijekom tog razdoblja. Iako je umro u Berlinu 18. listopada 1931. i pokopan je na židovskom groblju u Berlinu-Weissensee, njegov utjecaj se nastavlja osjećati i danas. Njegov prepoznatljivi stil otvorio je put sljedećim generacijama umjetnika, a njegovi evokativni prikazi urbanog života i dalje očaravaju gledatelje svojom ljepotom, atmosferom i dirljivim osjećajem vremena i mjesta. Uryjevo naslijeđe svjedočanstvo je moći umjetnosti da uhvati ne samo ono što vidimo, već i kako je to osjećati dok smo živi u određenom trenutku.