Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 34 djela Léopold Robert u našem katalogu
Ukratko
The Pilgrimage to the Madonna of the Arch (1827) je slika autora Léopold Robert koja privlači najviše pogleda; original se nalazi u muzeju Louvre, Pariz. Nakon toga, pogled se usmjerava na The sleeping robber (b) (1821) i A shepherd and his sleeping daughter (1820). Među 34 djela umjetnika Léopold Robert u našem katalogu, ovih 34 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
In the grand tapestry of the Romantic era, few works capture the visceral pulse of human faith as vibrantly as Louis Léopold Robert’s 1827 masterpiece, The Pilgrimage to the Madonna of the Arch. This monumental oil painting is not merely a depiction of a religious event; it is an immersive window into the soul of Venetian tradition. As the viewer’s eye meets the canvas, they are immediately swept into a…
The sleeping robber (b) is an oil on canvas work by the Swiss painter Léopold Robert. Created in 1821, this piece offers a quiet moment of repose within a rugged landscape. It is sometimes referred to by the alternative title, Brigand's Wife Watching over Her Sleeping Husband.
A shepherd and his sleeping daughter rest within a rugged landscape, caught in a quiet interval of exhaustion. The man sits anchored to the earth, his form heavy with the weight of the day. Beside him, a young girl has succumbed to sleep, her small frame a soft contrast to the jagged edges of the world around them. They are framed by a vertical cliffside that rises like a stone…
The young woman sits in a quiet moment of stillness, her presence commanding the space with a serene and steady gaze. She is positioned slightly off-center, her figure emerging from the shadows of a dark bodice and a deep green garment. A draped scarf, edged with intricate patterns of orange and gold, rests against her shoulder, catching the light and adding a touch of warmth to her somber attire. Her…
A young woman stands in the soft light of 1820, her figure positioned slightly off-center against a vast, tranquil expanse. She is a portrait of quiet dignity, her gaze steady and calm. The composition focuses on her from the waist up, grounding her within a world of muted greens and distant, hazy hills. A large copper vessel rests near her, its metallic sheen catching the diffused light that falls from…
In Brigant in the Roman Campagna, Léopold Robert presents us with a scene of quiet intensity. Painted about 1821, this work focuses on a single, solitary figure positioned within a rugged landscape. The subject is a lone brigand, a man who exists on the fringes of society, holding a long firearm that cuts a sharp line against the natural surroundings. There is a stillness here that suggests a moment of…
The scene unfolds in a quiet moment of stillness with Young Italian woman sitting on the rocks in Capri. Painted by the Swiss artist Léopold Robert, this work captures a sense of serene presence amidst the ruggedness of the Mediterranean coast. The subject rests within a landscape that feels both vast and intimate, her figure anchored against the stony textures of the shoreline. It is a portrait that breathes with…
A woman from Procida sits outdoors, her form centered within a vertical composition. She wears a white chemise and a red skirt that drapes heavily over the stony ledge upon which she rests. In her arms, she cradles a young child. The woman holds a small piece of fruit, a detail that rests near the center of the frame. Behind the figures, the Mediterranean sea and sky extend toward the…
In this oil on canvas, we encounter Young girl from Sorrento, a work executed by Léopold Robert. Created about 1824, the painting presents a young woman as its central subject. The artist focuses on her presence against a coastal backdrop, capturing a specific moment of quietude. It is a piece that reflects the meticulous academic realism characteristic of Robert's hand.
In this 1823 oil on canvas, we find ourselves on a sun-drenched coastal path, observing a quiet moment of transition. Two young women walk together, their presence grounding the vastness of the Mediterranean landscape. They are returning from a festival, a detail suggested by the palm and olive branches they carry, which add a rhythmic, organic verticality to the composition. The light is steady and bright, suggesting the clarity of…
Young girl from Sonnino removing a thorn from the side of one of her companions1828 · Musée d'Art et d'Histoire de Genève
12
PAYSANNE DE LA CAMPAGNE DE ROMELouvre
13
Italian Peasant GirlFine Arts Museums of San Francisco
14
View of Naples with Vesuvius1825 · Fondation Custodia
15
A Peasant Girl of Procida
16
La mère heureuse
17
L'ermite de Saint Nicolas à Ischia, recevant des fruits d'une jeune fille
18
L'ARRIVEE DES MOISSONNEURS DANS LES MARAIS PONTINSLouvre
19
Deux baigneuses, costume de Saint Donatien
20
LE LENDEMAIN DU TREMBLEMENT DE TERREMusée Condé
21
La mère malheureuse
22
LA CONFIDENCEMusée Condé
23
Young Monk Waking a Roman Peasant Girl
24
LE RETOUR DE LA FETE DE LA MADONE DE L'ARC, PRES DE NAPLESLouvre
25
The Brigand On The WatchWallace Collection
26
The Death Of The BrigandWallace Collection
27
Vanity expositionMusée d'Arts de Nantes
28
The Brigand AsleepWallace Collection
29
Portrait of his brother, painter Léopold Robert, in his studio
30
Iew of the park of château de neuilly
31
Portrait of a young woman of RetunaBuilding of the Winterthur Museum of Art
32
Les Petits pêcheurs de grenouilles dans les Marais Pontins
33
The SuicideWalters Art Museum
34
Brigand and His Wife in Prayer1824 · Metropolitan Museum of Art
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Léopold Robert | Slike iz ovog popisa |
|---|---|---|---|
 Louvre |
Pariz | 4 | The Pilgrimage to the Madonna of the Arch, PAYSANNE DE LA CAMPAGNE DE ROME, L'ARRIVEE DES MOISSONNEURS DANS LES MARAIS PONTINS |
 Wallace Collection |
London | 3 | The Brigand On The Watch, The Death Of The Brigand, The Brigand Asleep |
 Musée d'art et d'histoire |
Neuchâtel | 2 | Portrait of Madelaine Jacot-Guillarmod, Young girl from Sorrento |
 Musée Condé |
Chantilly | 2 | LE LENDEMAIN DU TREMBLEMENT DE TERRE, LA CONFIDENCE |
 Staatliche Kunstsammlungen Dresden |
Dresden | 1 | The sleeping robber (b) |
 Musée cantonal des Beaux-Arts |
Lausana | 1 | Brigant in the Roman Campagna |
 Palais des Beaux-Arts de Lille |
Lille | 1 | Young Italian woman sitting on the rocks in Capri |
 Bavarske državne slikopisne zbirke |
München | 1 | Procida woman with her child |
Originalna djela umjetnika Léopold Robert prikazana ovdje obuhvaćaju razdoblje od otprilike deset godina, od 1818 do 1828: oko prati ih godinu po godinu.
Odaberite godinu kako biste vidjeli originalna djela.
The young woman sits in a quiet moment of stillness, her presence commanding the space with a serene and steady gaze. She is positioned slightly off-center, her figure emerging from the shadows of a dark bodice and a deep green garment. A draped scarf, edged with intricate patterns of orange and gold, rests against her shoulder, catching the light and adding a touch of warmth to her somber attire. Her…
A shepherd and his sleeping daughter rest within a rugged landscape, caught in a quiet interval of exhaustion. The man sits anchored to the earth, his form heavy with the weight of the day. Beside him, a young girl has succumbed to sleep, her small frame a soft contrast to the jagged edges of the world around them. They are framed by a vertical cliffside that rises like a stone…
Još od 1820
The sleeping robber (b) is an oil on canvas work by the Swiss painter Léopold Robert. Created in 1821, this piece offers a quiet moment of repose within a rugged landscape. It is sometimes referred to by the alternative title, Brigand's Wife Watching over Her Sleeping Husband.
Još od 1821
In this 1823 oil on canvas, we find ourselves on a sun-drenched coastal path, observing a quiet moment of transition. Two young women walk together, their presence grounding the vastness of the Mediterranean landscape. They are returning from a festival, a detail suggested by the palm and olive branches they carry, which add a rhythmic, organic verticality to the composition. The light is steady and bright, suggesting the clarity of…
In this oil on canvas, we encounter Young girl from Sorrento, a work executed by Léopold Robert. Created about 1824, the painting presents a young woman as its central subject. The artist focuses on her presence against a coastal backdrop, capturing a specific moment of quietude. It is a piece that reflects the meticulous academic realism characteristic of Robert's hand.
Još od 1824
A woman from Procida sits outdoors, her form centered within a vertical composition. She wears a white chemise and a red skirt that drapes heavily over the stony ledge upon which she rests. In her arms, she cradles a young child. The woman holds a small piece of fruit, a detail that rests near the center of the frame. Behind the figures, the Mediterranean sea and sky extend toward the…
In the grand tapestry of the Romantic era, few works capture the visceral pulse of human faith as vibrantly as Louis Léopold Robert’s 1827 masterpiece, The Pilgrimage to the Madonna of the Arch. This monumental oil painting is not merely a depiction of a religious event; it is an immersive window into the soul of Venetian tradition. As the viewer’s eye meets the canvas, they are immediately swept into a…
Još od 1827
The sun hangs softly over a rugged, mountainous landscape, casting a gentle light upon a scene of profound simplicity. In this quiet corner of the world, two young women are caught in a singular, tender act of care. One girl sits amidst the stones, her posture focused and steady, while her companion rests, vulnerable and still. The air feels heavy with the stillness of the afternoon as one girl reaches…
The Pilgrimage to the Madonna of the Arch (1827), Louvre, Pariz. Nakon njih slijede The sleeping robber (b) (1821) i A shepherd and his sleeping daughter (1820).
33 godina: The Pilgrimage to the Madonna of the Arch datira iz 1827, a Léopold Robert je rođen/a 1794.
The Pilgrimage to the Madonna of the Arch, The sleeping robber (b), A shepherd and his sleeping daughter, Portrait of Madelaine Jacot-Guillarmod, Young woman from Sonnino, Brigant in the Roman Campagna, Young Italian woman sitting on the rocks in Capri, Procida woman with her child, Young girl from Sorrento i Dies palmarum, two Neapolitan girls returning from the festival. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 34 djela umjetnika Léopold Robert, datiranih od 1818 do 1828.
Većinom u Louvre (Pariz), Wallace Collection (London) i Musée d'art et d'histoire (Neuchâtel). Gornja tablica muzeja navodi sve njih.
U 1820: 2 od 34 djela na ovoj stranici nastalo je tada, od čega je A shepherd and his sleeping daughter A shepherd and his sleeping daughter.
Na ovoj stranici najstarije djelo je iz Portrait of Madelaine Jacot-Guillarmod (1818), a najnovije iz Young girl from Sonnino removing a thorn from the side of one of her companions (1828).
Woman (9), Blue sky (5) i Landscape (4), kroz svih 34 djela na ovoj stranici.
Oil On Canvas, za 11 od 34 djela na ovoj stranici.
Romanticism, sudeći po originalima na ovoj stranici.
The Pilgrimage to the Madonna of the Arch, PAYSANNE DE LA CAMPAGNE DE ROME i L'ARRIVEE DES MOISSONNEURS DANS LES MARAIS PONTINS: Louvre, Pariz posjeduje 4 djela s ove stranice.
Rođen u Londonu 1794. godine, život i karijera Charlesa Roberta Leslieja oblikovani su jedinstvenim spojem transatlantskog nasljeđa i nepokolebljive posvećenosti umjetnosti portretiranja. Iako su njegovi roditelji dolazili iz Amerike – otac mu je bio slikar i dizajner tapeta – Leslie je većinu svojih formativnih godina proveo uronjen u živopisni umjetnički krajolik Engleske. Ovaj dvostruki utjecaj duboko je prožeo njegovo djelo, obdarivši ga istodobno i izrazito britanskim senzibilitetom i suptilnim osvrtom na američke umjetničke tradicije. Iako su ga u početku kočile financijske poteškoće koje su ga sprječavale u stjecanju formalnog obrazovanja, Lesliejev talent rano je prepoznat zahvaljujući pokroviteljstvu utjecajnih figura poput Benjamina Westa, vodeće osobnosti Kraljevske akademije, koji mu je omogućio ulazak u prestižni umjetnički svijet.
Lesliejeva rana karijera prvenstveno se fokusirala na povijesno slikarstvo, žanr pod snažnim utjecajem grandioznog stila umjetnika kao što su Washington Allston i sam Benjamin West. Njegova početna djela, poput onoga pod nazivom *Ubojstvo Rutland od strane lorda Clifforda*, pokazuju jasnu emulaciju ovih majstora, prikazujući pedantne detalje i dramatične kompozicije. Međutim, prepoznajući promjenu u umjetničkom ukusu, Leslie je vješto prešao na pristupačniji i privlačniji žanr: prikazivanje književnih tema. To je označilo prekretnicu u njegovoj karijeri, utemeljivši ga kao istaknutu figuru poznatu po pretvaranju voljenih književnih djela u očaravajuće vizualne narative. On nije samo slikao scene; on je u likove i priče ulivao život koji je duboko odjekivao kod publike.
Lesliejevo prihvaćanje književnih motiva izdvojilo ga je od mnogih suvremenika koji su se uglavnom držali konvencije povijesnog slikarstva. Njegova sposobnost da u jednom platnu uhvati samu bit priče – njezino raspoloženje, atmosferu i likove – bila je iznimno pronicljiva. Često se oslanjao na poznate priče, poput Shakespeareovog *Richarda III.* ili romana Sir Waltera Scotta, pretvarajući ih u vizualno upečatljive portrete. Ovaj pristup bio je nevjerojatno popularan među publikom koja je cjenila njegov vješti spoj umjetničke tehnike i narativnog pripovijedanja. Njegova djela nisu bila tek dekorativna; ona su bila pozivnica za istraživanje samog svijeta književnosti.
Značajna prekretnica u Lesliejevoj karijeri došlo je s njegovom biografijom Johna Constablea, djelom koje je učvrstilo njegov ugled prosvjetljenog umjetnika i pronicljivog promatrača ljudske priacije. *Memoari o životu Johna Constablea* (1843.) široko se smatra temeljnim tekstom u umjetničkoj biografiji, hvaljenim zbog pedantnog istraživanja, intimnih portreta Constableove osobnosti i oštre analize njegovog umjetničkog procesa. Ovo postignuće pokazalo je Lesliejevu sposobnost ne samo da slika, već i da razumije i artikulira kreativnog duha drugog umjetnika – rijetku i visoko cijenjenu vještinu.
Unatoč postizanju znatnog uspjeha u Engleskoj, Leslie je prošao kroz razdoblje osobnih previranja kada je njegov brat osigurao profesorsko mjesto u West Pointu, što je potaknulo kratkotrajni i na kraju neuspješni povratak u Ameriku. Ovaj episod naglasio je složenost njegovog dvostrukog nasljeđa i istaknuo izazove s kojima se suočavao navigirajući između dva različita kulturna svijeta. Vraćajući se trajno u Englesku, Leslie je nastavio podučavati slikarstvo, oblikujući generacije umjetnika, te je ostao posvećen svom zanatu sve do svoje smrti 1859. godine.
Lesliejevo naslijeđe proteže se izvan njegovih pojedinačnih slika. Odigrao je ključnu ulogu u razvoju umjetničke biografije, postavljajući standard budućim piscima koji teže osvijetliti živote i djela svojih umjetničkih heroja. Njegovo djelo se i dalje proučava i divi zbog vješčitog spoja povijesne točnosti, književnog uvida i umjetničke ljepote. Doprinos Charlesa Roberta Leslieja i slikarstvu i biografskom pisanju ostaje značajan, učvršćujući njegovo mjesto kao ključne figure u britanskoj umjetnosti 19. stoljeća.
Izvan vlastitog umjetničkog stvaralaštva, najtrajniji doprinos Charlesa Roberta Leslieja možda leži u njegovoj ulozi učitelja. Uredio je poznatu slikarsku radionicu koja je njegovala talente brojnih ambicioznih umjetnika, uključujući Catherine Caroline Thévenin, koja je kasnije postala njegova supruga i sama postala cijenjena slikarka. Njegov utjecaj protezao se daleko izvan njegovih izravnih učenika, oblikujući smjer britanske umjetnosti putem prijenosa znanja i umjetničkih načela.
