Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 27 djela Lazzaro Bastiani u našem katalogu
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Iz perspektive galerije, najpoznatije djelo umjetnika Lazzaro Bastiani je Bearded Man with a Falcon (1500), čiji se original nalazi u muzeju Courtauld Gallery, London. Joseph interpreting Pharoah's Dream (1485) i St. Lucy and Kneeling Donor (1485) upotpunjuju triju koju svako oko prepoznaje. Od 27 djela umjetnika Lazzaro Bastiani u našem katalogu, galerija u nastavku prikazuje 27 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
The portrait titled Bearded Man with a Falcon is an oil on canvas work attributed to the Venetian painter Lazzaro Bastiani. This piece, which dates to about 1500, offers a glimpse into the stylistic nuances of the late fifteenth and early sixteenth centuries. The subject is presented with a quiet dignity that reflects the social standing of the sitter. It is currently held within the collection of the Courtauld Gallery,…
In this oil on wood panel, we find ourselves within a highly structured, theatrical space that feels more like a stage than a mere setting. The scene captures the biblical moment where Joseph, having risen from his station of enslavement, stands before Pharaoh to interpret a dream. There is a profound sense of order here, dictated by the sharp lines of the architecture. Steps and columns create a hierarchy of…
Lazzaro Bastiani captures a moment of celestial intersection in this late 15th-century oil on wood panel. The composition centers on the verticality of Saint Lucy, whose presence dominates the pictorial space. She is flanked by two angels who crown her with a golden diadem, while below, a kneeling donor gazes upward in prayerful submission. The scene is set against a vast, detailed landscape where atmospheric perspective draws the eye toward…
In this 1470 tempera work, we find ourselves drawn into a dense, intimate scene of devotion. The composition is framed by a gentle arch, a structural choice that directs our gaze from the immediate presence of the Holy Family toward a receding, rugged landscape. Within this space, the Virgin Mary holds the Christ Child, surrounded by the Three Magi and their attendants. There is a profound sense of narrative depth…
The Mystical Marriage of Saint Catherine of Alexandria is a religious work by Lazzaro Bastiani. Painted about 1470, the image captures a moment of profound sanctity. It depicts a divine union through a vision, where a virgin saint enters into a mystical wedding ceremony with Christ. This sacred event is rendered with the quiet gravity of the late 15th-century Italian school.
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail) is a work by Lazzaro Bastiani. Painted in 1494, this piece captures a specific moment of sacred ritual. It focuses on a religious ceremony held within the walls of the church of San Giovanni Evangelista in Venice.
In this large-scale composition from 1470, Lazzaro Bastiani invites us into a quiet, solemn moment of devotion. The scene centers on St. Jerome, captured in a state of profound spiritual communion. He is not alone; he is supported by his disciple Eusebius and surrounded by a gathering of brethren, creating a sense of communal reverence. The setting is intimate, a cell that feels both physically enclosed and spiritually expansive. A…
St Veneranda Enthroned is a large panel painting by the Venetian artist Lazzaro Bastiani. Created about 1470, the work measures 325 x 217 cm. The composition centers on the figure of St Veneranda, who is depicted seated upon a throne. This central placement establishes her as the primary subject of the large-scale panel.
To stand before this depiction of the Funeral of St Jerome is to be enveloped in an atmosphere of profound, hushed reverence. Lazzaro Bastiani masterfully captures a moment suspended between earthly sorrow and divine promise. The scene unfolds as a somber procession, its weight palpable in the dark drapery of the mourners who gather around the central focus: the cross bearing the figure of Jesus Christ. This is not merely…
A central figure sits upon a throne, bathed in a halo of light that pierces the surrounding shadows. This presence, representing the Holy Spirit, acts as the anchor for a gathering of believers. Around this divine center, men and women of various ages lean in, their faces turned toward the glow. Some hold heavy books, their fingers tracing the edges of sacred text. The scene is framed by the cool…
Lamentation of ChristGemäldegalerie
12
Madonna and Child enthroned with St. George and another male saint
13
Madonna of Humility1470 · Museo Poldi Pezzoli
14
The Death of St JeromePinacoteca di Brera
15
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail)1494 · Gallerie dell'Accademia di Venezia
16
Madonna and Child in Painted FrameStaatliche Museen zu Berlin
17
The Funeral Of St. Jerome -
18
Palace With Guards
19
Christ blessing
20
Joshua At The Walls Of Jericho
21
Madonna and Child with Cherubs
22
The Funeral Of St. Jerome
23
The Doge Francesco Foscari
24
The Relic of the Holy CrossGallerie dell'Accademia di Venezia
25
St Jerome in the DesertPinacoteca di Brera
26
St Jerome Bringing the Lion to the ConventPinacoteca di Brera
27
The Virgin and ChildNational Gallery
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Lazzaro Bastiani | Slike iz ovog popisa |
|---|---|---|---|
 Gallerie dell'Accademia di Venezia |
Venecija | 6 | The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail), Communion of St Jerome, St Veneranda Enthroned |
 Pinacoteca di Brera |
Milano | 3 | The Death of St Jerome, St Jerome in the Desert, St Jerome Bringing the Lion to the Convent |
 Courtauld Gallery |
London | 1 | Bearded Man with a Falcon |
 Portland Art Museum |
Portland | 1 | St. Lucy and Kneeling Donor |
 The Frick Collection |
New York City | 1 | Adoration of the Magi |
 National Trust Waddesdon Manor |
Waddesdon Manor | 1 | The Mystical Marriage of Saint Catherine of Alexandria |
 Santa Maria della Salute |
Venecija | 1 | Pentecost |
 Gemäldegalerie |
Berlin | 1 | Lamentation of Christ |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
In this 1470 tempera work, we find ourselves drawn into a dense, intimate scene of devotion. The composition is framed by a gentle arch, a structural choice that directs our gaze from the immediate presence of the Holy Family toward a receding, rugged landscape. Within this space, the Virgin Mary holds the Christ Child, surrounded by the Three Magi and their attendants. There is a profound sense of narrative depth…
In this oil on wood panel, we find ourselves within a highly structured, theatrical space that feels more like a stage than a mere setting. The scene captures the biblical moment where Joseph, having risen from his station of enslavement, stands before Pharaoh to interpret a dream. There is a profound sense of order here, dictated by the sharp lines of the architecture. Steps and columns create a hierarchy of…
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail) is a work by Lazzaro Bastiani. Painted in 1494, this piece captures a specific moment of sacred ritual. It focuses on a religious ceremony held within the walls of the church of San Giovanni Evangelista in Venice.
The portrait titled Bearded Man with a Falcon is an oil on canvas work attributed to the Venetian painter Lazzaro Bastiani. This piece, which dates to about 1500, offers a glimpse into the stylistic nuances of the late fifteenth and early sixteenth centuries. The subject is presented with a quiet dignity that reflects the social standing of the sitter. It is currently held within the collection of the Courtauld Gallery,…
Bearded Man with a Falcon (1500), Courtauld Gallery, London. Nakon njih slijede Joseph interpreting Pharoah's Dream (1485) i St. Lucy and Kneeling Donor (1485).
71 godina: Bearded Man with a Falcon datira iz 1500, a Lazzaro Bastiani je rođen/a 1429.
Bearded Man with a Falcon, Joseph interpreting Pharoah's Dream, St. Lucy and Kneeling Donor, Adoration of the Magi, The Mystical Marriage of Saint Catherine of Alexandria, The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail), Communion of St Jerome, St Veneranda Enthroned, Funeral of St Jerome i Pentecost. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 27 djela umjetnika Lazzaro Bastiani, datiranih od 1470 do 1500.
Većinom u Gallerie dell'Accademia di Venezia (Venecija), Pinacoteca di Brera (Milano) i Courtauld Gallery (London). Gornja tablica muzeja navodi sve njih.
U 1470s: 6 od 27 djela na ovoj stranici nastalo je tada, od čega je Adoration of the Magi Adoration of the Magi.
Na ovoj stranici najstarije djelo je iz Adoration of the Magi (1470), a najnovije iz Bearded Man with a Falcon (1500).
People (4), Woman (4) i Saints (4), kroz svih 27 djela na ovoj stranici.
Oil On Canvas, za 4 od 27 djela na ovoj stranici.
Early renaissance i Renaissance, sudeći po originalima na ovoj stranici.
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail), Communion of St Jerome i St Veneranda Enthroned: Gallerie dell'Accademia di Venezia, Venecija posjeduje 6 djela s ove stranice.
Lazzaro Bastiani predstavlja značajnu, iako pomalo enigmatičnu figuru unutar umjetničkog krajolika Venecije petnaestog i šesnaestog stoljeća. Rođen u Padovi 1429. godine, pojavio se kao slikar u razdoblju obilježenu buđenjem humanističkih ideala i neusporedivom umjetničkom inovacijom—vremena kada je Venecija vladala kao komercijalna sila i kulturni epicentar. Iako njegov opus nije bio tako plodan ili slavljen kao djela njegovih suvremenika poput Tiziana ili Bellinija, Bastiani je ipak značajno doprinio stilskoj evoluciji venetskog slikarstva, posebice unutar Scuola Grande di San Marco i njezinih povezanih radionica.
Bastianijevo umjetničko putovanje započelo je u Padovi, gdje je usavršavao svoje vještine pod mentorstvom Andrea Mantegne—majstora čiji je utjecaj opipljiv u Bastianijevim ranim djelima. Temelj postavljen u rigoroznom, skulpturalnom stilu Mantegne pružio mu je tehničku preciznost koja će se kasnije neprimjetno stopiti s mekšim, atmosferskim kvalitetama venetske škole. Povijesni zapisi ukazuju na to da se do 1460. godine brzo utvrdio kao slikar u Veneciji, osiguravši narudžbe za oltare koje su angažirali procuratori San Marca, što je pokazalo njegovo trenutno razumijevanje aktualnog umjetničkog ukusa i očekivanja venetske elite. Zanimljivo je da se njegova stopa plaćanja u to vrijeme podudarala s onom Giovannija Bellinija, što potvrđuje njegovo priznanje kao usponu talenta unutar utjecajne Bellinijeve radionice—poveznica koja je nedvojbeno oblikovala njegov stilski razvoj.
Bastianijeva uključenost u Scuola Grande di San Marco bila je presudna za njegovu karijeru. Od 1480-ih nadalje, blisko je surađivao s Gentile Bellinijem, sudjelujući u ambicioznim projektima usmjerenim na slavljenje venetskog građanskog ponosa i obilježavanje važnih religioznih događaja. Njihovo partnerstvo primjer je kolektivnog duha svojstvenog venetskom slikarstvu tog doba—tradicije u kojoj su zajedničke radionice i kolektivne narudžbe omogućavale bogatu razmjenu ideja i tehnika. Kroz te velike poduhvate, Bastiani je pomogao utkani narativa venetskog identiteta u samu tkaninu njezinih religioznih i građanskih institucija.
Njegovo majstorstvo možda je najočiglednije u sposobnosti uravnotežiti sakralnu svečanost s ljudskim emocijama. U djelima kao što su St. Veneranda Enthroned i Madonna of Humility, može se primijetiti delikatna igra svjetla i sjene koja udivnuje božanskim motivima životom. Njegove religiozne kompozicije često su služile kao više od obične dekoracije; bile su to duboka teološka izjavljanja osmišljena da potiču pobožnost. To je posebno vidljivo u njegovim detaljnim prikazima svetih ceremonija, poput djela The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista, gdje s iznimnom jasnoćom bilježi zamršeni ritualizam i zajedničku žarenost tog razdoblja.
Kako je njegova karijera napredovala, Bastianijevo djelo postalo je most između strukturiranih, linearnih tradicija ranog renesansnog doba i fluidnijeg pristupa vođenog bojom koji će na kraju definirati visoku renesansu u Veneciji. Njegova sposobnost integracije monumentalnog prisustva Mantegneskih figura s luminoznim, atmosferskim kvalitetama koje su pionirski postavili Bellinijevi omogućila mu je stvaranje djela koja su bila istovremeno fizički impresivna i duhovno rezonantna.
Iako se povijest često fokusira na gigante venetske škole, doprinos Lazzara Bastianija ostaje vitalan za razumijevanje kohezivnog pokreta umjetnosti 15. stoljeća. Njegovo naslijeđe nalazi se u:
Do trenutka svoje smrti 1512. godine, Bastiani je ostavio neizbrisiv trag u venetskim radionicama, osiguravši da njegov utjecaj odjekuje kroz generacije slikara koji su slijedili njegove korake u zlatno doba venetske renesanse.
