Portret Lance Calkin

31 najpoznatijih djela umjetnika Lance Calkin, galerijska selekcija

Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 39 djela Lance Calkin u našem katalogu

Ukratko

Od svih originala koje je Lance Calkin ostavio, najpoznatiji je Sir John Tenniel (1820–1914) (1902) u kolekciji muzeja Britanska knjižnica, London. Samo iza njih slijede Joseph Sim Earle (1839–1912) (1884) i Dr John Hughlings Jackson (1895). Naš katalog sadrži 39 djela umjetnika Lance Calkin; galerija je čuvala onih 31 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.

1859 – 1936, London Najviše djela: National Portrait Gallery

Top 10 djela umjetnika Lance Calkin: izbor galerije

1
Sir John Tenniel (1820–1914) (1902) od Lance Calkin

Sir John Tenniel (1820–1914)

1902 · Oil On Canvas · Britanska knjižnica, London

An elderly gentleman sits in a centered, formal pose, his presence commanding the frame through a quiet, somber gravity. He is captured in a moment of profound thought, with one hand resting against his chin in a gesture of wisdom or deep reflection. The lighting is dramatic, emerging from an unseen source above and to the left to cast heavy shadows across his features and hands. This chiaroscuro effect emphasizes…

2
Joseph Sim Earle (1839–1912) (1884) od Lance Calkin

Joseph Sim Earle (1839–1912)

1884 · Oil

An elderly man emerges from a dark, indistinct void. He is a study in shadow and bone, his face a map of lived experience. The light falls from above and to the left, catching the ridge of a brow and the silvered texture of a beard. Every line on his skin tells of a season passed. He sits in a quiet, centered stillness, his gaze fixed on a point beyond…

3
Dr John Hughlings Jackson (1895) od Lance Calkin

Dr John Hughlings Jackson

In this portrait of Dr John Hughlings Jackson, Lance Calkin captures the likeness of a man whose intellectual presence is felt through a quiet, steady gaze. Created about 1895, the work presents the English neurologist with a sense of formal dignity. The subject, born at Providence Green, Green Hammerton, near Harrogate, Yorkshire, is depicted with the gravity suited to his professional standing. He was the youngest son of Samuel Jackson…

4
King George V (1914) od Lance Calkin

King George V

1914 · Oil · National Portrait Gallery, London

In this 1914 oil portrait, Lance Calkin captures the presence of King George V. The subject meets the viewer with a steady, calm gaze that seems to hold the weight of a changing era. There is a profound sense of dignity in the way the monarch is presented, a quality that defines the character of the man within the frame. The portrait offers a glimpse into a moment of quiet…

5
Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886) (1888) od Lance Calkin

Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886)

In this portrait of Reverend E. F. Witts, we encounter a man defined by his station and the gravity of his vocation. Painted in 1888, the work captures the Rector of Upper Slaughter during the final years of his life. There is a certain stillness here, a sense of a life lived within the structured rhythms of the Victorian church. The subject is presented in a three-quarter profile, his gaze…

6
Edward VII (1841–1910) od Lance Calkin

Edward VII (1841–1910)

Oil · Doncaster Mansion House, Doncaster

In this portrait, we encounter Edward VII, the King of England from 1901 to 1910, captured in a moment of profound stillness. He is seated, his presence commanding the space through a quiet, regal composure rather than through overt movement. In his right hand, he holds a scepter, a direct symbol of his authority and the continuity of the British monarchy. A crown rests upon his head, grounding the image…

7
John Feeney (1906) od Lance Calkin

John Feeney

1906 · Oil On Canvas · Birmingham Museums And Art Gallery, Birmingham

In this 1906 oil on canvas, Lance Calkin captures the presence of John Feeney. The subject sits before us, a man whose life is deeply woven into the fabric of Birmingham. As a prominent newspaper proprietor and a dedicated philanthropist, Feeney carries a certain weight in his gaze. He is a figure of influence, someone whose decisions shaped the local landscape and whose generosity would eventually leave a lasting mark…

8
John Reynolds (1826–1919) (1881) od Lance Calkin

John Reynolds (1826–1919)

In this 1881 portrait, we find ourselves in the presence of John Reynolds, a man whose life spanned the transition from the early nineteenth century into the modern era. He sits in a chair, his hands clasped in a gesture of stillness, looking away from the viewer toward something unseen in the distance. There is a certain weight to his posture, the kind that comes from a life of intellect…

9
The Patchwork Quilt (1887) od Lance Calkin

The Patchwork Quilt

1887 · Oil On Canvas · Nottingham Castle Museum And Art Gallery, Nottingham

The Patchwork Quilt is an oil on canvas painted by Lance Calkin in 1887. This work represents an exploration of domesticity and texture, focusing on the quiet details of a private, interior life. Through his careful application of paint, Calkin captures a specific sense of material presence within a domestic setting.

10
David Powell (1840–1897), Governor of the Bank of England (1892–1895) (1892) od Lance Calkin

David Powell (1840–1897), Governor of the Bank of England (1892–1895)

1892 · Oil

The painting depicts a man seated in a chair, his hands resting in a crossed position. He possesses a beard and a mustache, features that define his facial structure. He is dressed in a formal suit and tie, consistent with the attire of a gentleman from the late nineteenth century. The subject is positioned centrally, occupying much of the frame. In the composition, two birds are visible: one is situated…

Izbor umjetnika Lance Calkin se nastavlja, od 11 do 31

Slavna djela Lance Calkin po razdobljima

Motivi koji su privukli pažnju Lance Calkin

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika Lance Calkin

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Lance Calkin Slike iz ovog popisa
National Portrait Gallery, LondonNational Portrait Gallery London 2 King George V, Arthur Wellesley Peel, 1st Viscount Peel
Doncaster Mansion House, DoncasterDoncaster Mansion House Doncaster 2 Edward VII (1841–1910), Edward VII
Nottingham Castle Museum And Art Gallery, NottinghamNottingham Castle Museum And Art Gallery Nottingham 2 The Patchwork Quilt, Alderman John Barber, JP, Sheriff of Nottingham (1846), Mayor of Nottingham (1867–1869)
Reading Museum - Town Hall, ReadingReading Museum - Town Hall Reading 2 William Berkeley Monck (1842–1905), Owen Ridley (1838–1915)
City of Westminster Archives Centre, LondonCity of Westminster Archives Centre London 2 Councillor Edward Lygon Somers Cocks, Mayor of Westminster (1910–1911), Councillor Frank G. Rye, Mayor of Westminster (1922–1923)
Britanska knjižnica, LondonBritanska knjižnica London 1 Sir John Tenniel (1820–1914)
Barts And The London Queen Mary School of Medicine And Dentistry, LondonBarts And The London Queen Mary School of Medicine And Dentistry London 1 Dr John Hughlings Jackson
The Captain Christie Crawfurd English Civil War Collection, Stow-BoroThe Captain Christie Crawfurd English Civil War Collection Stow-Boro 1 Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886)

Lance Calkin desetljeće po desetljeće: original koji definira svako od njih

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Pitanja kolekcionara o slikama umjetnika Lance Calkin

Po kojem je djelu Lance Calkin najpoznatiji/a?Otkrijte odgovor

Sir John Tenniel (1820–1914) (1902), Britanska knjižnica, London. Nakon njih slijede Joseph Sim Earle (1839–1912) (1884) i Dr John Hughlings Jackson (1895).

Koliko je godina Lance Calkin imao/la kada je nastalo djelo Sir John Tenniel (1820–1914)?Otkrijte odgovor

43 godina: Sir John Tenniel (1820–1914) datira iz 1902, a Lance Calkin je rođen/a 1859.

Koja su deset najpoznatijih djela umjetnika Lance Calkin?Otkrijte odgovor

Sir John Tenniel (1820–1914), Joseph Sim Earle (1839–1912), Dr John Hughlings Jackson, King George V, Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886), Edward VII (1841–1910), John Feeney, John Reynolds (1826–1919), The Patchwork Quilt i David Powell (1840–1897), Governor of the Bank of England (1892–1895). Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika ostavio/la Lance Calkin?Otkrijte odgovor

Naš katalog sadrži 39 djela umjetnika Lance Calkin, datiranih od 1881 do 1924.

U kojim se muzejima nalaze remek-djela umjetnika Lance Calkin?Otkrijte odgovor

Većinom u National Portrait Gallery (London), Doncaster Mansion House (Doncaster) i Nottingham Castle Museum And Art Gallery (Nottingham). Gornja tablica muzeja navodi sve njih.

U kojim je godinama Lance Calkin naslikao svoja najpoznatija djela?Otkrijte odgovor

U 1880s: 6 od 31 djela na ovoj stranici nastalo je tada, od čega je Joseph Sim Earle (1839–1912) Joseph Sim Earle (1839–1912).

Koja su prva i posljednja poznata originalna djela umjetnika Lance Calkin?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz John Reynolds (1826–1919) (1881), a najnovije iz Councillor Frank G. Rye, Mayor of Westminster (1922–1923) (1924).

Koje je motive Lance Calkin najčešće birao?Otkrijte odgovor

Man (8), Beard (5) i Chair (5), kroz svih 31 djela na ovoj stranici.

Koju je tehniku najčešće koristio/la Lance Calkin?Otkrijte odgovor

Oil On Canvas, za 6 od 31 djela na ovoj stranici.

Koji se radovi umjetnika Lance Calkin nalaze u muzeju National Portrait Gallery?Otkrijte odgovor

King George V i Arthur Wellesley Peel, 1st Viscount Peel: National Portrait Gallery, London posjeduje 2 djela s ove stranice.

Lance Calkin: život i djelo

The Quiet Dignity of a Victorian Master

In the golden, twilight era of the nineteenth century, few artists captured the somber elegance and social gravity of British life as intimately as Lance Calkin. Born in London in 1859, Calkin was a product of both musical heritage and rigorous academic discipline. As the son of a musician, he likely developed an early sensitivity to rhythm and harmony—qualities that would later manifest in the balanced compositions and tonal precision of his oil paintings. His formal journey through the prestigious Slade School of Fine Art and the Royal Academy Schools provided him with a formidable foundation in classical principles, instilling a lifelong devotion to anatomical accuracy and the subtle interplay of light and shadow.

By 1895, Calkin had firmly established his professional presence by joining the Royal Institute of Painters in Oil Colours. This period marked his emergence as a significant voice within the British art community, a time when portraiture served not merely as a record of likeness but as a profound statement of character and social standing. His work was never characterized by the loud or the flamboyant; instead, he mastered the art of the understated. Through a meticulous application of paint, Calk in sought to reveal the inner essence of his subjects, using minute shifts in expression and posture to convey a sense of moral seriousness and quiet dignity that resonated with the Victorian ideals of his era.

A Legacy Captured in Oil and Ink

The breadth of Calkin’s oeuvre is a testament to his versatility as a chronicler of his time. While he is most celebrated for his portraits, his repertoire extends into historical scenes and poignant social commentaries that capture the tension of a changing world. His ability to navigate between the formal rigidity of high-society portraiture and the raw emotion of historical events allowed him to document the Victorian zeitgeist with unparalleled depth.

Among his most notable contributions to the art historical record are works that highlight his technical mastery and thematic range:

  • The Portrait of Arthur Wellesley Peel, First Viscount Peel: A definitive example of Calkin’s ability to utilize tonal gradation to bestow a sense of nobility and permanence upon his subjects.
  • Reverend E. F. Witts (1884–1886): In this depiction of the Rector of Upper Slaughter, Calkin demonstrates a profound capacity for spiritual solemnity, using light to evoke a sense of divine grace.
  • John Feeney: A 1906 masterpiece that showcases his skill in capturing the weight of industrial-era prominence through realistic textures and a commanding presence.
  • The Patchwork Quilt (1887): An exploration of domesticity and texture that reveals his ability to find beauty in the intricate details of everyday life.
  • Boer War: Wounded Soldiers Awaiting Medical Help: A departure from formal portraiture, this watercolor demonstrates his capacity for empathy and his ability to document the harrowing realities of conflict with a delicate yet powerful hand.

Historical Significance and Enduring Influence

Lance Calkin’s significance lies in his role as a visual historian. He did not merely paint faces; he painted the soul of an empire at its peak and during its transition into modernity. His work serves as a bridge between the rigid traditions of the Royal Academy and the burgeoning realism that would come to define much of late nineteenth-century art. By eschewing dramatic artifice in favor of truthful representation, he provided a window into the psychological landscape of the Victorian gentleman, the clergyman, and the common soldier alike.

Though his career spanned the turn of the century, the enduring power of his paintings lies in their timelessness. The meticulous detail with which he rendered fabric, skin, and light ensures that his subjects remain vibrant and present to the modern viewer. Today, as we look back upon the works of Calkin, we find more than just historical artifacts; we find a profound meditation on human dignity, captured through the steady, masterful hand of an artist who understood that the greatest truths are often found in the quietest moments.