Portret John Partridge

43 najpoznatijih djela umjetnika John Partridge, svako jedinstveno

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Ukratko

Daniel Asher Alexander (1818) je slika autora John Partridge koja privlači najviše pogleda; original se nalazi u muzeju National Portrait Gallery, London. Nakon toga, pogled se usmjerava na Christian Frederick, Baron Stockmar (1787-1863) (1838) i Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat (1846). Među 43 djela umjetnika John Partridge u našem katalogu, ovih 43 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.

1789 – 1872, Glasgow Academic realism Najviše djela: National Portrait Gallery

Top 10 djela John Partridge kroz oči galerije

Slavna djela umjetnika John Partridge, od 11. do 43. broj

11Sir John Forbes (1787–1861) (1847) od John PartridgeSir John Forbes (1787–1861)1847 12Frederick James Lamb, 3rd Viscount Melbourne (1846) od John PartridgeFrederick James Lamb, 3rd Viscount Melbourne1846 · National Portrait Gallery 13The Fine Arts Commissioners, 1846 (1853) od John PartridgeThe Fine Arts Commissioners, 18461853 · National Portrait Gallery 14Henry 3rd Viscount Palmerston (1784–1865), Prime Minister (1850) od John PartridgeHenry 3rd Viscount Palmerston (1784–1865), Prime Minister1850 15Richard Grosvenor (1795-1863), 2nd Marquess of Westminster (1856) od John PartridgeRichard Grosvenor (1795-1863), 2nd Marquess of Westminster1856 · Royal Collection 16James Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey) (1806) od John PartridgeJames Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey)1806 · Skotska nacionalna galerija portreta 17Portrait of an Unknown Gentleman (said to be a cleric) (1821) od John PartridgePortrait of an Unknown Gentleman (said to be a cleric)1821 18The Clough Taylor Family (1830) od John PartridgeThe Clough Taylor Family1830 19Gaetano Crivelli (1774–1836) (1825) od John PartridgeGaetano Crivelli (1774–1836)1825 · The Royal Society of Musicians of Great Britain 20Elizabeth Acton (d.1850), Lady Throckmorton with Two of Her Children, Courtenay Throckmorton (1831–1854), and Mary Elizabeth Throckmorton (1832–1919) (1833) od John PartridgeElizabeth Acton (d.1850), Lady Throckmorton with Two of Her Children, Courtenay Throckmorton (1831–1854), and Mary Elizabeth Throckmorton (1832–1919)1833 · Coughton Court 21George Glynn and Oswald Petre, Sons of Henry William Petre of Dunkenhalgh (1836) od John PartridgeGeorge Glynn and Oswald Petre, Sons of Henry William Petre of Dunkenhalgh1836 · Towneley Hall Art Gallery - Museum 22Henry Petre, Eldest Son, and Edward Petre, 3rd Son, of Henry William Petre of Dunkenhalgh (1836) od John PartridgeHenry Petre, Eldest Son, and Edward Petre, 3rd Son, of Henry William Petre of Dunkenhalgh1836 · Towneley Hall Art Gallery - Museum 23Thomas Uwins (1836) od John PartridgeThomas Uwins1836 · National Portrait Gallery 24Clarkson Stanfield (1793–1867) (1836) od John PartridgeClarkson Stanfield (1793–1867)1836 25John Partridge (1836) od John PartridgeJohn Partridge1836 · National Portrait Gallery 26The Artist and His Family in Their House at 21 Brook Street, Grosvenor Square, London (1835) od John PartridgeThe Artist and His Family in Their House at 21 Brook Street, Grosvenor Square, London1835 27Robert Trewick Bone (1836) od John PartridgeRobert Trewick Bone1836 · National Portrait Gallery 28John James Chalon (1836) od John PartridgeJohn James Chalon1836 · National Portrait Gallery 29Charles Robert Leslie (1836) od John PartridgeCharles Robert Leslie1836 · National Portrait Gallery 30John Gibson (1790–1866) (1847) od John PartridgeJohn Gibson (1790–1866)1847 · Walker Art Gallery 31Unknown man, formerly known as Richard Partridge (1840) od John PartridgeUnknown man, formerly known as Richard Partridge1840 · National Portrait Gallery 32The Honourable Montgomerie Stewart, Fourth Son of the 7th Earl of Galloway (1847) od John PartridgeThe Honourable Montgomerie Stewart, Fourth Son of the 7th Earl of Galloway1847 · The National Trust For Scotland 33George Hamilton Gordon, 4th Earl of Aberdeen (1847) od John PartridgeGeorge Hamilton Gordon, 4th Earl of Aberdeen1847 · National Portrait Gallery 34Thomas Babington Macaulay, Baron Macaulay (1853) od John PartridgeThomas Babington Macaulay, Baron Macaulay1853 · National Portrait Gallery 35Neil Arnott (1788–1874), MD (1872) od John PartridgeNeil Arnott (1788–1874), MD1872 36Queen Victoria (1819-1901) od John PartridgeQueen Victoria (1819-1901)Royal Collection 37General John Egerton (1753–1823), 7th Earl of Bridgewater (after William Owen) od John PartridgeGeneral John Egerton (1753–1823), 7th Earl of Bridgewater (after William Owen) 38William Lamb, 2nd Viscount Melbourne (1779–1848), Prime Minister od John PartridgeWilliam Lamb, 2nd Viscount Melbourne (1779–1848), Prime MinisterGovernment Art Collection 39Queen Victoria (1819–1901) od John PartridgeQueen Victoria (1819–1901) 40The Honourable Edward Legge (1767–1827) od John PartridgeThe Honourable Edward Legge (1767–1827) 41Andrew Combe (1797–1847) od John PartridgeAndrew Combe (1797–1847)Royal College of Physicians of Edinburgh 42William Lamb, 2nd Viscount Melbourne (1844) od John PartridgeWilliam Lamb, 2nd Viscount Melbourne1844 · National Portrait Gallery 43Henry John Temple, 3rd Viscount Palmerston (1845) od John PartridgeHenry John Temple, 3rd Viscount Palmerston1845 · National Portrait Gallery

Motivi koji su privukli pažnju John Partridge

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika John Partridge

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora John Partridge Slike iz ovog popisa
National Portrait Gallery, LondonNational Portrait Gallery London 14 Daniel Asher Alexander, 'The Fine Arts Commissioners, 1846', Frederick James Lamb, 3rd Viscount Melbourne
Royal Collection, LondonRoyal Collection London 8 Christian Frederick, Baron Stockmar (1787-1863), Prince Albert (1819-61), William Lamb, 2nd Viscount Melbourne (1779-1848)
Towneley Hall Art Gallery - Museum, BurnleyTowneley Hall Art Gallery - Museum Burnley 2 George Glynn and Oswald Petre, Sons of Henry William Petre of Dunkenhalgh, Henry Petre, Eldest Son, and Edward Petre, 3rd Son, of Henry William Petre of Dunkenhalgh
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 1 Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat
Skotska nacionalna galerija portreta, EdinburghSkotska nacionalna galerija portreta Edinburgh 1 James Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey)
The Royal Society of Musicians of Great Britain, LondonThe Royal Society of Musicians of Great Britain London 1 Gaetano Crivelli (1774–1836)
Coughton CourtCoughton Court 1 Elizabeth Acton (d.1850), Lady Throckmorton with Two of Her Children, Courtenay Throckmorton (1831–1854), and Mary Elizabeth Throckmorton (1832–1919)
Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 1 John Gibson (1790–1866)

John Partridge kroz desetljeća: jedan jedinstveni original za svako

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Slike umjetnika John Partridge: pitanja za galeriju

Koje je najpoznatije djelo umjetnika John Partridge?Otkrijte odgovor

Daniel Asher Alexander (1818), National Portrait Gallery, London. Nakon njih slijede Christian Frederick, Baron Stockmar (1787-1863) (1838) i Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat (1846).

U kojoj je dobi John Partridge stvorio/la Daniel Asher Alexander?Otkrijte odgovor

29 godina: Daniel Asher Alexander datira iz 1818, a John Partridge je rođen/a 1789.

Koja su deset najpoznatijih slika umjetnika John Partridge?Otkrijte odgovor

Daniel Asher Alexander, Christian Frederick, Baron Stockmar (1787-1863), Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat, 'The Fine Arts Commissioners, 1846', Prince Albert (1819-61), William Lamb, 2nd Viscount Melbourne (1779-1848), Queen Victoria (1819-1901), Prince Albert (1819-1861), Leopold, Duke of Brabant (1835-1909) i Earl Stanhope (1805–1875). Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je poznatih djela umjetnika John Partridge?Otkrijte odgovor

Naš katalog sadrži 43 djela umjetnika John Partridge, datiranih od 1806 do 1872.

Gdje se mogu vidjeti najpoznatiji originali umjetnika John Partridge?Otkrijte odgovor

Većinom u National Portrait Gallery (London), Royal Collection (London) i Towneley Hall Art Gallery - Museum (Burnley). Gornja tablica muzeja navodi sve njih.

U kojem je razdoblju John Partridge stvorio/la svoje najpoznatije slike?Otkrijte odgovor

U 1840s: 16 od 43 djela na ovoj stranici nastalo je tada, od čega je Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat.

Koje je najranije, a koje najkasnije poznato djelo John Partridge?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz James Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey) (1806), a najnovije iz Neil Arnott (1788–1874), MD (1872).

Koje je motive John Partridge preferirao?Otkrijte odgovor

Victorian era (4), Formal art (3) i 19th century (3), kroz svih 43 djela na ovoj stranici.

Kojem umjetničkom pravcu pripada rad John Partridge?Otkrijte odgovor

Academic realism, sudeći po originalima na ovoj stranici.

Koje originale umjetnika John Partridge mogu vidjeti u muzeju National Portrait Gallery?Otkrijte odgovor

Daniel Asher Alexander, 'The Fine Arts Commissioners, 1846' i Frederick James Lamb, 3rd Viscount Melbourne: National Portrait Gallery, London posjeduje 14 djela s ove stranice.

John Partridge: portret umjetnika

A Legacy of Royal Splendor: The Life and Art of John Partridge

In the grand, sweeping tapestry of the Victorian era, few artists captured the dignified essence of the age quite like John Partridge. Born in Glasgow in 1789, Partridge emerged from a family steeped in intellectual and creative pursuits, carrying with him a lineage that would see his brother rise to prominence in the medical sciences and his nephew find fame in the theatrical arts. His journey into the heart of the British art world began not merely as an observer, but as a dedicated student of the craft, honing his vision under the esteemed portraitist Thomas Phillips. By 1815, when he debuted ‘Miss Foote in the Character of Lucilla’ at the Royal Academy, Partridge had already begun to signal the arrival of a master who could blend the meticulous precision of academic realism with a profound, soulful depth.

The evolution of Partridge’s artistry was profoundly shaped by his transformative years spent wandering through the sun-drenched landscapes and storied galleries of Italy. Between 1823 and 1827, the artist immersed himself in the cultural treasures of Florence, Venice, and Rome, an experience that acted as a spiritual and technical rebirth. It was during this period that he moved beyond the mere replication of likenesses to engage deeply with the ghosts of the Renaissance. By sketching landscapes and creating meticulous copies of works by Correggio, Raphael, Rubens, Tintage, and Titian, Partridge absorbed the dramatic interplay of light and shadow—the chiaroscuro—that would become a hallmark of his mature style. This classical foundation allowed him to infuse his portraits with an atmospheric weight, making each sitter appear not just as a person, but as a figure of historical permanence.

The Architect of Victorian Identity

Upon his return to London, Partridge’s career ascended to the highest echelons of society. His strategic move to the prestigious Brook Street, near the heart of the aristocracy, placed him in the very orbit of his future subjects. The artist possessed a rare ability to navigate the delicate balance between capturing a person's physical accuracy and projecting their social authority. This skill earned him the extraordinary distinction of being named ‘portrait painter-extraordinary’ to Queen Victoria in 1843. His canvases from this era, including those of the Queen herself and Prince Albert, serve as vital historical windows, documenting the regal poise and the opulent textures of mid-19th-century royal life.

Beyond the royal court, Partridge’s portfolio was a Who's Who of Victorian influence. His brush captured the gravity of political titans such as Henry 3rd Viscount Palmerston and the intellectual weight of figures like Sir John Forbes. Each portrait was a masterclass in narrative detail:

  • The Use of Light: Utilizing dramatic lighting to draw the viewer's eye to the psychological center of the sitter.
  • Textural Realism: A profound ability to render the heavy silks, intricate laces, and polished metals of aristocratic attire.
  • Emotional Resonance: Moving beyond static poses to capture a sense of character, dignity, and even the quiet vulnerability of his subjects.

As we look back upon the life of John Partridge, we see more than just a successful portraitist; we see an artist who acted as a chronicler of an empire. Through his mastery of Renaissance-inspired techniques and his unwavering commitment to the dignity of his subjects, he ensured that the faces of the Victorian era would remain vibrant and breathing long after the era itself had passed into history. His work remains a testament to a time when art was the primary vessel for capturing the soul of a nation.