Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 59 djela John Henry Lorimer u našem katalogu
Ukratko
Od svih originala koje je John Henry Lorimer ostavio, najpoznatiji je Spring Moonlight (1896). Samo iza njih slijede Conversation Piece, Hannah and Alice Lorimer (1879) i The Flight of the Swallows (1906). Naš katalog sadrži 59 djela umjetnika John Henry Lorimer; galerija je čuvala onih 59 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
The room breathes with a gentle, hushed energy as a social gathering unfolds within its walls. A woman stands near a window, her long dress catching the pale glow of the moon, cradling a baby in her arms. This central figure anchors the scene, her presence a calm center amidst the subtle movement of others. Around her, people are scattered through the space—some seated in quiet conversation, others standing in…
The air in the room feels heavy with the scent of fresh blooms and the soft rustle of heavy fabric. Two women, Hannah and Alice, occupy the space with a quiet, shared purpose. Hannah stands to the left, her hand resting gently upon Alice's shoulder, a gesture that speaks of a deep, unspoken connection between sisters. They are framed by a table laden with flowers, their presence amidst the vases…
A family gathers within the quietude of a home, their attention drawn toward a large window. Through the glass, a group of swallows moves across the sky, marking a transition in the natural world. A woman holds a child close, while other figures—a man and two women—occupy the room, their postures reflecting a shared moment of observation. The scene is defined by the way natural light floods the interior, illuminating…
This oil painting, executed in 1877, presents a portrait of an elderly man contained within an oval-shaped frame. The subject is positioned centrally, his figure occupying the majority of the oval space. He is depicted from the upper body upwards, with his head and shoulders forming the primary focus. The man possesses a prominent, textured white beard and hair that catch the light, contrasting against the darker tones of his…
In this 1879 portrait, we encounter Antony Gibbs, a man whose presence fills the frame with a quiet, settled authority. He is depicted in the prime of his life, his face framed by a full, well-groomed beard and mustache that speak to the dignity of his station. Dressed in dark, heavy clothing, he holds a rifle with a practiced ease, suggesting a life defined by the outdoors and the disciplined…
In this portrait, we find ourselves in the presence of an elderly man, seated with a stillness that suggests a lifetime of contemplation. He holds a small dog, a gesture that softens the gravity of his expression and introduces a sense of companionship into the frame. The lighting is heavily directional, casting deep shadows that define the contours of his face and the heavy folds of his clothing. This chiaroscuro…
The composition centers on a domestic interior where three figures occupy a richly appointed room. An elderly woman sits in a chair, her form anchored within the space. A young girl kneels on the floor near her, while a younger boy sits nearby on the rug. The setting is defined by a fireplace and ornate furniture that frame the central interaction. Light enters from windows and the hearth, casting long…
Antony Gibbs (1841-1907)1879 · Tyntesfield
12
Andrew Vans Dunlop (1805–1880)1883
13
San Giovanni Crisogono Altarpiece (after Giovanni Bellini)1880 · The National Trust For Scotland
14
Charlotte M. Yonge (1823–1901)1882 · National Trust
15
Sir Thomas Sutherland (1834–1922), Chairman of P O Steamship Company1882 · Skotska nacionalna galerija portreta
16
Hannah Lorimer Embroidering a Bedcover1885 · The National Trust For Scotland
17
Charles Rampini (1840–1907)1883 · Lerwick Town Hall
18
John Muir (1810–1882)1889
19
Sir Samuel George Johnson (1831–1909), Kt1891 · Nottingham Castle Museum And Art Gallery
20
Sir Robert Stodart Lorimer (1864–1929), Architect1886 · Skotska nacionalna galerija portreta
21
T. W. Lorimer1890 · The National Trust For Scotland
22
Sir Robert Stodart Lorimer (1864–1929)1886 · RIBA Library Drawings And Archives Collections
23
The Ordination of Elders in a Scottish Kirk1891 · Scottish National Gallery
24
Sir Joseph Lister (1827–1912)1895
25
Lyon Playfair (1818–1898), 1st Baron Playfair of St Andrews1897
26
Charles George Shaw of Ayr1895 · The Baird Institute
27
Lord Lister (1827–1912), Professor of Surgery at the University of Glasgow1897
28
Lady Russell Cotes (1835–1920)1895
29
Reverend Peter H. Waddell1893
30
Sir Merton Russell Cotes (1835–1921)1895
31
Bishop Aeneas Chisholm (1836–1918)1900
32
Archibald Hamilton Charteris (1835–1908)
33
Alexander Lawson (1852–1921)
34
Professor John Gray McKendrick (1841–1926), Professor of Physiology at the University of Glasgow1908
35
Hush1906 · Touchstones Rochdale
36
The Finding of Moses (after Giovanni Battista Tiepolo)The National Trust For Scotland
37
Sunlight in the South Room, Kellie1913 · The National Trust For Scotland
38
The Long Shadows1918 · The National Trust For Scotland
39
A Beech Tree at Kellie1881 · The National Trust For Scotland
40
Walter John Francis ErskineNational Trust For Scotland
41
View of Kellie Castle
42
Le peintre des fleursThe National Trust For Scotland
43
A Still Life with a Vase of FlowersThe National Trust For Scotland
44
Woodhenge
45
Reconstruction Drawing of Richborough Roman Town
46
December RosesThe National Trust For Scotland
47
Ninian Patrick, Son of Lady and Lord Crichton StuartThe National Trust For Scotland
48
John Stuart Blackie (1809–1895)
49
A Gentleman Holding a Glove (after Titian)The National Trust For Scotland
50
Reconstruction Drawing of the Gateway to Britannia
51
Striped Roses in a Ship MugThe National Trust For Scotland
52
Interior Iona
53
A Room at Twilight Kellie CastleRoyal Scottish Academy of Art - Architecture
54
Sir John Scott, KCM, DCLCWigan Arts And Heritage Service
55
Sundown in Spring, Kellie Castle
56
Sir David ChalmersThe National Trust For Scotland
57
View through a WindowThe National Trust For Scotland
58
Sir Robert Christison (1797–1882), BtRoyal College of Physicians of Edinburgh
59
The Madonna and Child with Two Musical AngelsThe National Trust For Scotland
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora John Henry Lorimer | Slike iz ovog popisa |
|---|---|---|---|
 The National Trust For Scotland |
Pittenweem | 15 | San Giovanni Crisogono Altarpiece (after Giovanni Bellini), Hannah Lorimer Embroidering a Bedcover, T. W. Lorimer |
 Skotska nacionalna galerija portreta |
Edinburgh | 3 | James Lorimer (1818–1890), Jurist and Political Philosopher, Sir Thomas Sutherland (1834–1922), Chairman of P O Steamship Company, Sir Robert Stodart Lorimer (1864–1929), Architect |
 National Trust |
Bristol | 2 | Antony Gibbs (1841–1907), Charlotte M. Yonge (1823–1901) |
 Royal Scottish Academy of Art - Architecture |
Edinburgh | 2 | Maternal Instinct, A Room at Twilight Kellie Castle |
 Tyntesfield |
2 | Charlotte M. Yonge (1823 - 1901), Antony Gibbs (1841-1907) | |
 Lerwick Town Hall |
Kirkwall | 1 | Charles Rampini (1840–1907) |
 Nottingham Castle Museum And Art Gallery |
Nottingham | 1 | Sir Samuel George Johnson (1831–1909), Kt |
 RIBA Library Drawings And Archives Collections |
London | 1 | Sir Robert Stodart Lorimer (1864–1929) |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The air in the room feels heavy with the scent of fresh blooms and the soft rustle of heavy fabric. Two women, Hannah and Alice, occupy the space with a quiet, shared purpose. Hannah stands to the left, her hand resting gently upon Alice's shoulder, a gesture that speaks of a deep, unspoken connection between sisters. They are framed by a table laden with flowers, their presence amidst the vases…
The room breathes with a gentle, hushed energy as a social gathering unfolds within its walls. A woman stands near a window, her long dress catching the pale glow of the moon, cradling a baby in her arms. This central figure anchors the scene, her presence a calm center amidst the subtle movement of others. Around her, people are scattered through the space—some seated in quiet conversation, others standing in…
A family gathers within the quietude of a home, their attention drawn toward a large window. Through the glass, a group of swallows moves across the sky, marking a transition in the natural world. A woman holds a child close, while other figures—a man and two women—occupy the room, their postures reflecting a shared moment of observation. The scene is defined by the way natural light floods the interior, illuminating…
Spring Moonlight (1896). Sljedeći su Conversation Piece, Hannah and Alice Lorimer (1879) i The Flight of the Swallows (1906).
40 godina: Spring Moonlight datira iz 1896, a John Henry Lorimer je rođen/a 1856.
Spring Moonlight, Conversation Piece, Hannah and Alice Lorimer, The Flight of the Swallows, Lord Patrick Allan Fraser, Advocate, Antony Gibbs (1841–1907), James Lorimer (1818–1890), Jurist and Political Philosopher, Maternal Instinct, Sir Robert Lorimer, ARA, as a Boy, James Lorimer (1818–1890) i Charlotte M. Yonge (1823 - 1901). Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 59 djela umjetnika John Henry Lorimer, datiranih od 1875 do 1918.
Većinom u The National Trust For Scotland (Pittenweem), Skotska nacionalna galerija portreta (Edinburgh) i National Trust (Bristol). Gornja tablica muzeja navodi sve njih.
U 1890s: 13 od 59 djela na ovoj stranici nastalo je tada, od čega je Spring Moonlight Spring Moonlight.
Na ovoj stranici najstarije djelo je iz Sir Robert Lorimer, ARA, as a Boy (1875), a najnovije iz The Long Shadows (1918).
Victorian era (6), Portrait (4) i Portraiture (4), kroz svih 59 djela na ovoj stranici.
Oil On Canvas, za 4 od 59 djela na ovoj stranici.
Contemporary realism, sudeći po originalima na ovoj stranici.
San Giovanni Crisogono Altarpiece (after Giovanni Bellini), Hannah Lorimer Embroidering a Bedcover i T. W. Lorimer: The National Trust For Scotland, Pittenweem posjeduje 15 djela s ove stranice.
U zlatnom dobu kasnog viktorijanskog i edvardijanskog slikarstva, malo je umjetnika uspjelo uhvatiti tiho dostojanstvo domaćinstva i arhitektonski grandioznost Škotske s toliko miline kao John Henry Lorimer. Rođen u Edinburghu 1856. godine u obitelji od dubokog intelektualnog ugleda, Lorimer je bio predodređen za život oblikovan i akademskom rigoroznošću i kreativnom strašću. Kao sin Jamesa Lorimera, istaknutog profesora na Edinburgh Unuiverzitetu, njegovo je rano djetinjstvo bilo prožeto naučnim mirom škotskog glavnog grada. Taj temelj discipline i promatranja kasnije će postati temelj njegove umjetničke tehnike, omogućujući mu da temama pristupa s pedantnim oku za detalje i dubokim poštovanjem prema povijesnoj težini svog okruženja.
Lorimerovo formalno obrazovanje bilo je jednako putovanje kroz tradiciju koliko i istraživanje moderne svjetlosti. Ob शिक्षित u Edinburgh Academy, a kasnije na Edinburgh Unuiverzitetu, težio je rafiniranosti kroz prestižne dvorane Kraljevske škotske akademije. Pod mentorstvom majstora kao što su Frank McTaggart i William Chalmers, Lorimer je počeo ovladavati delikatnim balansom između klasičnog realizma i novonastale utjecaja impresionizma. Njegov potezi četkicom naučili su plesati s svjetlom, hvatajući ne samo fizički oblik subjekta, već samu atmosferu koja ga okružuje. Ovo razdoblje razvoja dodatno je obogatilo njegovo opsežno putovanje Europom; od suncem okrenutih krajolika Španjolske i Italije do živopisnih, kulturno raznolikih vidika Alžira, Lorimer je upio globalni vizualni vokabular koji će kasnije utkani u samu tkaninu svojih škotskih scena.
Jedan od najočarajnijih aspekata Lorimerove karijere bila je duboka kreativna sinergija koju je dijelio sa svojim bratom, slavnim arhitektom Robertom Lorimerom. Njihov odnos nadilazio je puke obiteljske veze, evoluirajući u kolaborativno naslijeđe koje je pomoglo definirati estetiku njihovog doba. Nič nigdje to nije očiglednije nego u veličanstvenoj obnovi dvorca Kellie. Dok je Robert radio na pretvaranju propalih ruina u trijumf arhitektonskog naslijeđa, John je bio tu kako bi kroz svoje slike oživio njegove zidove. Njegovi prikazi dvorca i njegovih okolnih posjeda nisu bili samo zapisi kamena i mortela, već poetska slavlja revitaliziranog škotskog identiteta.
Ovo partnerstvo omogućilo je Johnu Henryju Lorimeru da istražuje teme trajnosti i nostalgije. Kroz njegove oči vidimo presjek čovjekom stvorenog veličanstva i prirodnog svijeta. Njegova sposobnost da dočara teksture drevnog zidanja uzmeko, efemerno svjetlo domaćinstva stvorila je osjećaj bezvremenosti koji ostaje očaravajući suvremenim promatračima. Taj jedinstveni položaj — na srcu arhitektonske obnove i rodne slike — osigurao je njegovo mjesto u povijesnom narativu škotske umjetnosti.
Osim velikih krajolika i arhitektonskih studija, Lorimer je bio majstor ljudske naracije. Posjedovao je rijetku sposobnost hvatanja psihološke dubine svojih modela, što ga je učinilo traženim portretistom za neke od najznačajnijih figura tog vremena. Njegovi portreti, uključujući one Lyona Playfaira i pionirskog kirurga Josepha Listera, odlikuju se dubokim osjećajem karaktera i dostojanstva. On nije samo slikao lica; on je slikao naslijeđa.
U svojim rodnim slikama, Lorimer je usredotočio pažnju na intimne ritmove svakodnevnog života. Ova djela često prikazuju:
Čista količina njegovih doprinosa svijetu umjetnosti dokazana je njegovim čestim izlaganjima u Kraljevskoj škotskoj akademiji i Kraljevskoj akademiji u Londonu. S preko sto izloženih djela u prvoj, Lorimer se utvrdio kao stup škotske umjetničke zajednice. Njegova smrt 1936. godine označila je kraj jedne ere, no njegov utjecaj opstaje kroz trajnu ljepotu njegovih platana, koji i dalje služe kao prozori u nestalo svijeta elegancije, tradicije i duboke umjetničke predanosti.
