Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 48 djela Jacques Stella u našem katalogu
Ukratko
Od svih originala koje je Jacques Stella ostavio, najpoznatiji je The Madonna and Child (1642) u kolekciji muzeja Ermitaž, Sankt Peterburg. Samo iza njih slijede Madonna and Christ Child, with St John the Baptist and Angels (1650) i Christ on the Cross and Saint Mary Magdalene (1625). Naš katalog sadrži 48 djela umjetnika Jacques Stella; galerija je čuvala onih 45 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
The Madonna and Child emerges from the shadows of the seventeenth century, a tender moment captured in oil by the French Baroque painter Jacques De Stella. Born in 1596, the artist brings a sense of profound stillness to this religious scene. The work dates to about 1642, a period when De Stella’s brushwork carries the weight of both Florentine precision and the dramatic light of the Baroque era. He moves…
In this intimate religious work, titled Madonna and Christ Child, with St John the Baptist and Angels, we encounter a quiet moment of devotion. The painting, created in France, captures a sacred gathering centered around the Virgin Mary and the infant Jesus. It is a piece that invites a closer look at the tender dynamics between the holy figures present.
The scene unfolds in a moment of profound sorrow, capturing Christ on the Cross and Saint Mary Magdalene. This religious oil painting by Jacques Stella brings the viewer into the immediate presence of the Crucifixion. The pale, illuminated figure of Christ hangs against a dark, nocturnal sky, while Saint Mary Magdalene remains at the foot of the cross, her presence a heavy weight of grief and devotion. The air feels…
The scene unfolds in 1640, capturing a profound moment of encounter in Christ and the Samaritan Woman. Jacques Stella brings this biblical narrative to life, focusing on the pivotal meeting between Jesus and the woman at the well. The air seems to hold its breath as the two figures engage, their presence anchored by the stone structure of the well that serves as the heart of their interaction.
The painting presents a close-up view of a man, focused on the face and upper body against an undefined, dark background. A single light source originates from the upper left, casting the right side of the subject's features into deep shadow. This lighting highlights the bridge of the nose, the lips, and the texture of the skin. The subject is positioned centrally, creating a direct gaze toward the viewer. He…
The air inside the stable feels heavy with the scent of hay and the warmth of a recent miracle. A soft, golden light spills through a window to the right, cutting through the dimness to illuminate the central figures. Mary and Joseph lean inward, their bodies forming a quiet, pyramidal shape that draws the eye toward the infant Jesus. The child lies at the heart of this composition, a small…
The Resurrection is rendered here through a rare and demanding medium: oil on a translucent, polished stone slab, likely agate or onyx. This choice of substrate dictates the work's unique luminosity. The background is not a static void but a swirling, textured expanse of golden-brown, where the natural veins of the stone integrate with the painted figures. Christ emerges as a muscular, luminous presence, draped in flowing pink and red…
In Jacob's Ladder, Jacques Stella captures a moment of profound spiritual intersection. Created about 1650, the work presents the biblical scene of Jacob's Ladder, where the boundary between the earthly and the divine begins to dissolve. The subject matter functions as a symbol of divine communication and transcendence, inviting a sense of wonder at the connection between heaven and earth. This celestial encounter unfolds within a dreamlike atmosphere, where the…
To gaze upon this magnificent depiction of Minerve Chez les Muses is to step directly into the golden age of classical mythology, a moment suspended in an eternal afternoon of intellectual bloom. The scene unfolds with breathtaking richness, presenting Minerva, the embodiment of wisdom and strategic thought, surrounded by her divine companions—the Muses, goddesses patronizing the arts and sciences. It is more than just a painting; it is a vibrant…
Jacques Stella captured the heavy weight of sacrifice in this depiction of The Martyrdom of St Stephen. Created about 1623, the work presents a moment of profound tension. The scene focuses on the saint as he faces his end, surrounded by the physical reality of his persecution. It is a study of devotion held against the violence of a crowd.
The Rest on the Flight into Egypt1639
12
The Virgin and Child with Saint John the Baptist and Child Angels1640 · National Trust
13
Salome with the Head of Saint John the Baptist1637 · National Trust
14
SAINTE CECILE JOUANT DE L'ORGUELouvre
15
Judgment of SolomonKunsthistorisches Museum
16
King Candaules of Lydia Showing His Wife to GygesMuzej umjetnosti John i Mabel Ringling
17
Virgin and Child
18
The Rape of the Sabines
19
Massacre Of The Innocents
20
LOUIS II DE BOURBON, DUC D'ENGHIENMusée Condé
21
La mort de Saint JosephMusée de Grenoble
22
Sainte Anne conduisant la Vierge au temple
23
La Vierge donnant la bouillie à l'enfant Jésus, avec un angelot soufflant sur le réchaud
24
L'Enfance du Christ La Sainte Famille
25
Repos de la Sainte Famille
26
LA VIERGE, L'ENFANT JESUS ET SAINT JEAN BAPTISTE
27
TRIOMPHE DE LOUIS XIII SUR LES ENNEMIS DE LA RELIGION
28
The Marriage of the VirginSzépművészeti Múzeum
29
Clelie Passant Le Tibre
30
French, (1596-1657)
31
The Holy Family
32
The Liberality Of Louis Xiii And Cardinal Richelieu
33
Minerva and the muses
34
Le Bapteme Du Christ
35
La Sainte Famille
36
Sémiramis Appelée Au Combat
37
Portrait De Jacques Stella Et De Sa Mère
38
Sainte Famille Avec Saint Jean-baptiste.Musée Fabre
39
The Liberality Of Titus, Allegory Of The Liberality Of Louis Xiii And Cardinal RichelieuHarvard Art Museums
40
Mariage de la ViergeMusée des Augustins
41
Rest On The Flight Into EgyptMuzeum Pałacu Kralja Jana III w Wilanowie
42
Jésus Christ reçoit la Vierge dans le cielLouvre
43
CLELIE PASSANT LE TIBRELouvre
44
Solomon Worshipping Idols1647 · Musée des Beaux-Arts de Lyon
45
Solomon Receiving the Queen of Sheba1650 · Musée des Beaux-Arts de Lyon
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Jacques Stella | Slike iz ovog popisa |
|---|---|---|---|
 Louvre |
Pariz | 4 | MINERVE CHEZ LES MUSES, SAINTE CECILE JOUANT DE L'ORGUE, Jésus Christ reçoit la Vierge dans le ciel |
 Musée des Beaux-Arts de Lyon |
Lyon | 3 | Self-portrait, Solomon Worshipping Idols, Solomon Receiving the Queen of Sheba |
 Ermitaž |
Sankt Peterburg | 2 | The Madonna and Child, Madonna and Christ Child, with St John the Baptist and Angels |
 National Trust |
Thames | 2 | The Virgin and Child with Saint John the Baptist and Child Angels, Salome with the Head of Saint John the Baptist |
 Bowes Museum |
Barnard Castle | 1 | The Nativity |
 Los Angeles County Museum of Art |
Los Angeles | 1 | Jacob's Ladder |
 Fitzwilliam College |
Cambridge | 1 | The Martyrdom of St Stephen |
 Kunsthistorisches Museum |
Beč | 1 | Judgment of Solomon |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The scene unfolds in a moment of profound sorrow, capturing Christ on the Cross and Saint Mary Magdalene. This religious oil painting by Jacques Stella brings the viewer into the immediate presence of the Crucifixion. The pale, illuminated figure of Christ hangs against a dark, nocturnal sky, while Saint Mary Magdalene remains at the foot of the cross, her presence a heavy weight of grief and devotion. The air feels…
The air inside the stable feels heavy with the scent of hay and the warmth of a recent miracle. A soft, golden light spills through a window to the right, cutting through the dimness to illuminate the central figures. Mary and Joseph lean inward, their bodies forming a quiet, pyramidal shape that draws the eye toward the infant Jesus. The child lies at the heart of this composition, a small…
The Madonna and Child emerges from the shadows of the seventeenth century, a tender moment captured in oil by the French Baroque painter Jacques De Stella. Born in 1596, the artist brings a sense of profound stillness to this religious scene. The work dates to about 1642, a period when De Stella’s brushwork carries the weight of both Florentine precision and the dramatic light of the Baroque era. He moves…
In this intimate religious work, titled Madonna and Christ Child, with St John the Baptist and Angels, we encounter a quiet moment of devotion. The painting, created in France, captures a sacred gathering centered around the Virgin Mary and the infant Jesus. It is a piece that invites a closer look at the tender dynamics between the holy figures present.
The Madonna and Child (1642), Ermitaž, Sankt Peterburg. Nakon njih slijede Madonna and Christ Child, with St John the Baptist and Angels (1650) i Christ on the Cross and Saint Mary Magdalene (1625).
46 godina: The Madonna and Child datira iz 1642, a Jacques Stella je rođen/a 1596.
The Madonna and Child, Madonna and Christ Child, with St John the Baptist and Angels, Christ on the Cross and Saint Mary Magdalene, Christ and the Samaritan Woman, Self-portrait, The Nativity, Risen Jesus Christ appearing to his mother, Jacob's Ladder, MINERVE CHEZ LES MUSES i The Martyrdom of St Stephen. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 48 djela umjetnika Jacques Stella, datiranih od 1623 do 1650.
Većinom u Louvre (Pariz), Musée des Beaux-Arts de Lyon (Lyon) i Ermitaž (Sankt Peterburg). Gornja tablica muzeja navodi sve njih.
U 1640s: 5 od 45 djela na ovoj stranici nastalo je tada, od čega je The Madonna and Child The Madonna and Child.
Na ovoj stranici najstarije djelo je iz The Martyrdom of St Stephen (1623), a najnovije iz Madonna and Christ Child, with St John the Baptist and Angels (1650).
Woman (7), Man (5) i Landscape (4), kroz svih 45 djela na ovoj stranici.
Oil, za 10 od 45 djela na ovoj stranici.
Baroque, sudeći po originalima na ovoj stranici.
MINERVE CHEZ LES MUSES, SAINTE CECILE JOUANT DE L'ORGUE i Jésus Christ reçoit la Vierge dans le ciel: Louvre, Pariz posjeduje 4 djela s ove stranice.
Jacques de Stella (1596-1657) predstavlja ključnu figuru u francuskoj umjetnosti 17. stoljeća, slikar čija je karijera neprimjetno spojila stroge principe firentinskog klasicizma s rastućim dinamizmom rimskog utjecaja. Rođen u Lyonu u obitelji duboko ukorijenjenoj u umjetničkoj tradiciji – njegov otac, François Stella, bio je slikar i trgovac flamanskog podrijetkla – Stella je svoje rano djetinjstvo proveo u okruženju koje je postavilo temelje za njegov izniman životni put. Unatoč očevoj preranoj smrti prije nego što mu je mogao pružiti formalnu obuku, Stella je odrastao u ambijentu koji su oblikirali njegova braća i sestre, uključujući kiparicu Madeleine i umjetnika Françoisa Mlađeg, stvarajući prostor bogat kreativnim dijalozima i umjetničkom praksom. To obiteljsko naslijeđe, uporedo s umjetničkim radom njegovog ujaka Antoinea Stelle, pokrenulo ga je prema životu posvećenom čisto vizualnom izražavanju.
Stellaovo umjetničko putovanje započelo je u Lyonu, gdje je usavršavao svoje vještine prije nego što je zaputio u transformativno razdoblje u Firenci između 1616. i 1621. godine. To boravište na dvoru Cosima II de Mediči okazało se iznimno utjecajnim. Rađajući uz Jacquesa Callota, Stella se potpuno urubio u ideale renesansne umjetnosti, upijajući pedantnu detaljnost, uravnotežene kompozicije i duboke moralne narative koji su obilježili firentinsko slikarstvo. Utjecaj Firence nedvojbeno je prisutan kroz cijelo njegovo djelo, posebno u njegovom majstorskom korištenju perspektive, draperija i prikazu religijskih figura s dostojanstvenom solemnošću.
Nakon smrti Cosima II. 1621. godine, Stella se preselio u Rim, gdje je proveo sljedeće desetljeće uspostavljajući svoj ugled kao priznati umjetnik. To razdoblje svjedočilo je značajnoj promjeni u njegovim umjetničkim osjećajima, koju je obilježila sve veća povezanost s klasičnom antikom i, što je presudno, učenjima Nicolasa Poussina. Poussinov naglasak na svjetlost, boju i idealizirane oblike duboko je odjeknuo u Stelli, oblikujući njegov pristup kompoziciji i tematici. Njihovo prijateljstvo potaknulo je zajedničku težnju ka jasnoći, suzdržanosti i duhovnoj dubini – osobinama koje će postati zaštitni znak Stellinog stila.
Stellina rimska karijera dodatno je obilježena zaštitništvom pape Urbana VIII., koji je prepoznao umjetnikov talent i naručio brojna djela, uključujući zamamna uljeobrašna na kamenu (oniks, lapis-lazuli ili škriljac) uz tradicionalna ulja na panelu. Ti su nalozi pokazivali Stellinu tehničku virtuoznost i njegovu sposobnost prevođenja složenih narativa u vizualno uvjerjative oblike. Njegov rad u tom razdoblju pokazivao je majstorsko vladanje tehnikom, što se očitovalo u preciznom prikazivanju tekstura, suptilnim gradacijama svjetla i sjene te skladnoj integraciji figura unutar njihovog okruženja.
Umjetnički opus Jacques Stella posvećen je prvenstveno religijskim temama, a najznačajnije su njegove dirljive prikazivanja „Kristova mladosti”. Postoji pet različitih verzija ove ikonične scene, od kojih svaka nudi suptilno drugačiju interpretaciju narativa. Ova djela nisu puke reprezentacije biblijskih događaja; ona su prožeta dubokim osjećajem nježnosti, ranjivosti i duhovnog promišljanja. Detaljnost s kojom Stella prikazuje interakcije malog Isusa s njegovim roditeljima – Marijom i Josipom – svjedoči o njegovom dubokom razumijevanju ljudskih emocija te sposobnosti da složene teološke ideje prenese putem vizualne slike.
Godine 1634. Stella se vratio u Lyon, prije nego što se 1635. preselio u Pariz. Njegov dolazak u glavni grad označio je prekretnicu u njegovoj karijeri. Predstavljen kralju Louisu XIII od strane kardinala Richelieua, dobio je prestižnu titulu „Peintre du Roi” (Kraljevski slikar), položaj koji mu je osigurao kraljevsku zaštitu i zajamčenu penziju od 1000 livri. Ovo priznanje učvrstilo je status Jacques Stella kao jednog od vodećih francuskih umjetnika, omogućujući mu da svoje umjetničke težnje nastavi s relativnom sigurnošću i slobodom.
Osim svoje plodne djelatnosti u slikarstvu i gravuri, Jacques Stella bio je strastveni ljubitelj umjetnosti tijekom cijelog svog života. Sakupio je iznimnu kolekciju djela koja su stvorili Poussin, Raphael i Michelangelo, uz crteže samog Leonarda da Vincija, što svjedoči o njegovom dubokom poštovanju prema umjetničkom naslijeđu prošlosti. Njegova posvećenost očuvanju i proučavanju ovih remek-djela naglašava njegovu predanost kako umjetničkom stvaranju, tako i povijesnom istraživanju.
Stellina je karijera obuhvatila nekoliko desetljeća, obilježena iznimnom prilagodljivošću i spremnošću na prihvaćanje različitih umjetničkih stilova. Preminuo je u Parizu, ostavivši za sobom značajno djelo koje se i danas divimo zbog njegove elegancije, tehničke vještine i duboke duhovne snage. Njegov utjecaj na izdanje francuskih slikara neosporan je, čime je učvrstio svoje mjesto kao ključna figura u prijelazu iz maniroma u klasicizam te kao vitalna karika između umjetničkih tradicija Firence i Francuske.
