Portret Jacob Lawrence

100 najpoznatijih djela umjetnika Jacob Lawrence, galerijska selekcija

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Od svih originala koje je Jacob Lawrence ostavio, najpoznatiji je The Library (1960) u kolekciji muzeja Smithsonian American Art Museum, Washington, D.C.. Samo iza njih slijede Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) i Bar and Grill (1941). Naš katalog sadrži 157 djela umjetnika Jacob Lawrence; galerija je čuvala onih 100 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.

1917 – 2000, Atlantic City Najviše djela: The Phillips Collection

Top 10 djela umjetnika Jacob Lawrence: izbor galerije

1
The Library (1960) od Jacob Lawrence

The Library

1960 · Tempera · Smithsonian American Art Museum, Washington, D.C.

In the vibrant tapestry of twentieth-century American art, few works capture the pulse of communal aspiration as poignantly as Jacob Lawrence’s “The Library.” Completed in 1960, this masterpiece serves as much more than a mere depiction of a reading room; it is a profound window into the enduring spirit of the Harlem Renaissance. As one gazes upon the canvas, they are immediately swept into a bustling sanctuary of knowledge, where…

2
Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) od Jacob Lawrence

Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas

1989 · Painting · SCAD Museum of Art, Savannah

To stand before a piece from Jacob Lawrence’s Genesis Creation Sermon series is to be enveloped in a vibrant confluence of scripture, social history, and raw artistic energy. This particular panel, depicting "And God Created All the Fowls of the Air and Fishes of the Seas," transcends mere religious illustration; it is a monumental cultural document rendered in paint. Lawrence, whose life story was so deeply intertwined with the evolving…

3
Bar and Grill (1941) od Jacob Lawrence

Bar and Grill

1941 · Painting · Smithsonian American Art Museum, Washington, D.C.

Jacob Lawrence’s powerful 1941 work, "Bar and Grill," is far more than a mere depiction of an American social scene; it is a searing document etched in paint, capturing the suffocating reality of Jim Crow segregation. The painting plunges the viewer into the interior of a café, yet the atmosphere is anything but convivial. Lawrence masterfully uses composition to confront us with the visible, yet deeply ingrained, artificiality of racial…

4
Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies (1989) od Jacob Lawrence

Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies

1989 · Painting · SCAD Museum of Art, Savannah

In the profound depths of Jacob Lawrence’s 1989 masterpiece, Genesis Creation Sermon IV: And God Created the Day and the Night and God Created and Put Stars in the Skies, we find a breathtaking intersection between the divine and the earthly. This work is not merely a depiction of a biblical event; it is a visceral, rhythmic experience that captures the very moment light pierces the darkness. Lawrence, a master…

6
Taboo (1963) od Jacob Lawrence

Taboo

1963 · Painting · Philadelphia Museum of Art, Filadelfija

In 1963, Jacob Lawrence presented Taboo, a work that speaks with a clarity that belies its heavy subject matter. The painting captures two pairs of newlyweds, posed with the formal dignity of a traditional wedding portrait. On one side, a Black bride stands beside a white groom; on the other, the roles are reversed. They are dressed in full wedding regalia, their presence a calm assertion of existence in a…

7
Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters (1989) od Jacob Lawrence

Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters

1989 · Oil On Canvas · SCAD Museum of Art, Savannah

Jacob Lawrence’s Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters is far more than a depiction of biblical scripture; it is a vibrant, deeply personal sermon rendered in paint. Inspired by the powerful oratory of Rev. Adam Clayton Powell Sr., this work channels the electrifying energy of Harlem’s cultural heart into an epic moment of cosmic genesis. The scene pulses with divine activity, capturing that…

8
Tombstones (1942) od Jacob Lawrence

Tombstones

1942 · Tempera · Whitney Museum of American Art, New York

In the somber, evocative landscape of Jacob Lawrence’s 1942 masterpiece, Tombstones, we are invited into a profound visual dialogue between life and death. Painted during the turbulent era following Pearl Harbor, this work serves as much more than a mere depiction of a graveyard; it is a soulful testament to the collective experience of African Americans in Harlem. Lawrence, a master of narrative storytelling, utilizes his signature dynamic cubism to…

9
War Series: The Letter (1946) od Jacob Lawrence

War Series: The Letter

1946 · Acrylic On Canvas · Whitney Museum of American Art, New York

Jacob Lawrence’s “The Letter,” part of his monumental “War Series” created in 1946, is not merely a depiction of sorrow; it’s an embodiment of profound human experience distilled into its most potent form. This work, rendered with the artist's signature flattened planes and stark geometry, immediately commands attention with its emotionally charged atmosphere. The central figure, hunched and isolated within a confined space, speaks volumes about the devastating impact of…

10
Migration Series No.57: The female workers were the last to arrive north (1941) od Jacob Lawrence

Migration Series No.57: The female workers were the last to arrive north

1941 · Tempera On Panel · The Phillips Collection, Washington, D.C.

A single, vertical line of reddish-brown cuts through the center of the frame, acting as a steady axis for the scene. Around this pole, the world feels flattened and heavy, composed of large, overlapping geometric planes that strip away unnecessary detail to reveal the essence of a moment. A figure, draped in a white cloth that obscures the face, leans into the work. Only dark hands are visible, gripping the…

Izbor umjetnika Jacob Lawrence se nastavlja, od 11 do 100

11Genesis Creation Sermon VIII: And Creation Was Done and All Was Well (1989) od Jacob LawrenceGenesis Creation Sermon VIII: And Creation Was Done and All Was Well1989 · SCAD Museum of Art 12Migration Series No.39: Railroad platforms were piled high with luggage (1941) od Jacob LawrenceMigration Series No.39: Railroad platforms were piled high with luggage1941 · The Phillips Collection 13Genesis Creation Sermon I: In the Beginning All Was Void (1989) od Jacob LawrenceGenesis Creation Sermon I: In the Beginning All Was Void1989 · SCAD Museum of Art 14Genesis Creation Sermon VI: And God Created All the Beasts of the Earth (1989) od Jacob LawrenceGenesis Creation Sermon VI: And God Created All the Beasts of the Earth1989 · SCAD Museum of Art 15Genesis Creation Sermon VII: And God Created Man and Woman (1989) od Jacob LawrenceGenesis Creation Sermon VII: And God Created Man and Woman1989 · SCAD Museum of Art 16Migration Series No.23: The migration spread (1941) od Jacob LawrenceMigration Series No.23: The migration spread1941 · The Phillips Collection 17Migration Series No.31: The migrants found improved housing when they arrived north (1941) od Jacob LawrenceMigration Series No.31: The migrants found improved housing when they arrived north1941 · The Phillips Collection 18Migration Series No.37: Many migrants found work in the steel industry (1941) od Jacob LawrenceMigration Series No.37: Many migrants found work in the steel industry1941 · The Phillips Collection 19Migration Series No.59: In the North they had the freedom to vote (1941) od Jacob LawrenceMigration Series No.59: In the North they had the freedom to vote1941 · The Phillips Collection 20The Migration Series, Panel no. 13: The crops were left to dry and rot.  There was no one to tend them. od Jacob LawrenceThe Migration Series, Panel no. 13: The crops were left to dry and rot. There was no one to tend them.The Phillips Collection 21Genesis Creation Sermon III: And God Said (1989) od Jacob LawrenceGenesis Creation Sermon III: And God Said1989 · SCAD Museum of Art 22The Migration Series, Panel no. 57: The female workers were the last to arrive north. od Jacob LawrenceThe Migration Series, Panel no. 57: The female workers were the last to arrive north.The Phillips Collection 23The Migration Series, Panel no. 43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live. od Jacob LawrenceThe Migration Series, Panel no. 43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live.The Phillips Collection 24The Card Game (1953) od Jacob LawrenceThe Card Game1953 · SCAD Museum of Art 25The Wedding (1948) od Jacob LawrenceThe Wedding1948 · Art Institute of Chicago 26Migration Series No.49: They found discrimination in the North. It was a different kind (1941) od Jacob LawrenceMigration Series No.49: They found discrimination in the North. It was a different kind1941 27Migration Series No.45: The migrants arrived in Pittsburgh, one of the great industrial centers of the North (1941) od Jacob LawrenceMigration Series No.45: The migrants arrived in Pittsburgh, one of the great industrial centers of the North1941 28Migration Series No.43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live (1941) od Jacob LawrenceMigration Series No.43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live1941 29Migration Series No.35: They left the South in great numbers. They arrived in the North in great numbers (1941) od Jacob LawrenceMigration Series No.35: They left the South in great numbers. They arrived in the North in great numbers1941 30Migration Series No.33: Letters from relatives in the North told of the better life there (1941) od Jacob LawrenceMigration Series No.33: Letters from relatives in the North told of the better life there1941 31Migration Series No.29: The labor agent recruited unsuspecting laborers as strike breakers for northern industries (1941) od Jacob LawrenceMigration Series No.29: The labor agent recruited unsuspecting laborers as strike breakers for northern industries1941 32Migration Series No.28: The labor agent sent south by northern industry was a familiar presence in the Black communities (1941) od Jacob LawrenceMigration Series No.28: The labor agent sent south by northern industry was a familiar presence in the Black communities1941 33Migration Series No.17: Tenant farmers received harsh treatment at the hands of the planter (1941) od Jacob LawrenceMigration Series No.17: Tenant farmers received harsh treatment at the hands of the planter1941 34Migration Series No.14: For African Americans there was no justice in the southern courts (1941) od Jacob LawrenceMigration Series No.14: For African Americans there was no justice in the southern courts1941 35Painting the Bilges (1944) od Jacob LawrencePainting the Bilges1944 36Watchmaker (1946) od Jacob LawrenceWatchmaker1946 37Cabinet Makers (1946) od Jacob LawrenceCabinet Makers1946 38Sedation (1950) od Jacob LawrenceSedation1950 39Vaudeville (1951) od Jacob LawrenceVaudeville1951 40...if we fail, let us fail like men, and expire together in one common strugge... -Henry Clay, 1813 (1956) od Jacob Lawrence...if we fail, let us fail like men, and expire together in one common strugge... -Henry Clay, 18131956 41The Cue and the Ball (1956) od Jacob LawrenceThe Cue and the Ball1956 42Pool (1954) od Jacob LawrencePool1954 43Street Shadows (1959) od Jacob LawrenceStreet Shadows1959 44Through Forest, Through Rivers, Up Mountains (1967) od Jacob LawrenceThrough Forest, Through Rivers, Up Mountains1967 45Struggle Series - No. 10: Washington Crossing the Delaware (1954) od Jacob LawrenceStruggle Series - No. 10: Washington Crossing the Delaware1954 · Metropolitan Museum of Art 46...is life so dear or peace so sweet as to be purchased at the prices of chains and slavery? Patrick Henry-1775 (1955) od Jacob Lawrence...is life so dear or peace so sweet as to be purchased at the prices of chains and slavery? Patrick Henry-17751955 47The Migration Series, Panel no. 53: African American, long-time residents of northern cities met the migrants with aloofness and disdain. od Jacob LawrenceThe Migration Series, Panel no. 53: African American, long-time residents of northern cities met the migrants with aloofness and disdain.The Phillips Collection 48The Migration Series, Panel no. 27: Many men stayed behind until they could take their families north with them. od Jacob LawrenceThe Migration Series, Panel no. 27: Many men stayed behind until they could take their families north with them.The Phillips Collection 49The Migration Series, Panel no. 21: Families arrived at the station very early.  They did not wish to miss their trains north. od Jacob LawrenceThe Migration Series, Panel no. 21: Families arrived at the station very early. They did not wish to miss their trains north.The Phillips Collection 50Frederick Douglass listened to William Lloyd Garrison denounce slavery od Jacob LawrenceFrederick Douglass listened to William Lloyd Garrison denounce slavery 51Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers od Jacob LawrenceRace riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers 52Migration Series No.58: In the North the African American had more educational opportunities (1941) od Jacob LawrenceMigration Series No.58: In the North the African American had more educational opportunities1941 53Migration Series No.55: The migrants, having moved suddenly into a crowded and unhealthy environment, soon contracted tuberculosis. The death rate rose (1941) od Jacob LawrenceMigration Series No.55: The migrants, having moved suddenly into a crowded and unhealthy environment, soon contracted tuberculosis. The death rate rose1941 54Migration Series No.54: For the migrants, the church was the center of life (1941) od Jacob LawrenceMigration Series No.54: For the migrants, the church was the center of life1941 55Migration Series No.53: African Americans, long-time residents of northern cities, met the migrants with aloofness and disdain (1941) od Jacob LawrenceMigration Series No.53: African Americans, long-time residents of northern cities, met the migrants with aloofness and disdain1941 56Migration Series No.51: African Americans seeking to find better housing attempted to move into new areas. This resulted in the bombing of their new homes (1941) od Jacob LawrenceMigration Series No.51: African Americans seeking to find better housing attempted to move into new areas. This resulted in the bombing of their new homes1941 57Migration Series No.47: As the migrant population grew, good housing became scarce. Workers were forced to live in overcrowded and dilapidated tenement houses (1941) od Jacob LawrenceMigration Series No.47: As the migrant population grew, good housing became scarce. Workers were forced to live in overcrowded and dilapidated tenement houses1941 58Migration Series No.46: Industries boarded their workers in unhealthy quarters. Labor camps were numerous (1941) od Jacob LawrenceMigration Series No.46: Industries boarded their workers in unhealthy quarters. Labor camps were numerous1941 59Migration Series No.44: But living conditions were better in the North (1941) od Jacob LawrenceMigration Series No.44: But living conditions were better in the North1941 60Migration Series No.42: To make it difficult for the migrants to leave, they were arrested en masse. They often missed their trains (1941) od Jacob LawrenceMigration Series No.42: To make it difficult for the migrants to leave, they were arrested en masse. They often missed their trains1941 61Migration Series No.41: The South was desperate to keep its cheap labor. Northern labor agents were jailed or forced to operate in secrecy (1941) od Jacob LawrenceMigration Series No.41: The South was desperate to keep its cheap labor. Northern labor agents were jailed or forced to operate in secrecy1941 62Migration Series No.30: In every southern home people met to decide whether or not to go north (1941) od Jacob LawrenceMigration Series No.30: In every southern home people met to decide whether or not to go north1941 63Migration Series No.27: Many men stayed behind until they could take their families north with them (1941) od Jacob LawrenceMigration Series No.27: Many men stayed behind until they could take their families north with them1941 64Migration Series No.25: They left their homes. Soon some communities were left almost empty (1941) od Jacob LawrenceMigration Series No.25: They left their homes. Soon some communities were left almost empty1941 65Migration Series No.22: Migrants left. They did not feel safe. It was not wise to be found on the streets late at night. They were arrested on the slightest provocation (1941) od Jacob LawrenceMigration Series No.22: Migrants left. They did not feel safe. It was not wise to be found on the streets late at night. They were arrested on the slightest provocation1941 66Migration Series No.21: Families arrived at the station very early. They did not wish to miss their trains north (1941) od Jacob LawrenceMigration Series No.21: Families arrived at the station very early. They did not wish to miss their trains north1941 67Migration Series No.19: There had always been discrimination (1941) od Jacob LawrenceMigration Series No.19: There had always been discrimination1941 · The Phillips Collection 68Migration Series No.15: There were lynchings (1941) od Jacob LawrenceMigration Series No.15: There were lynchings1941 · The Phillips Collection 69Migration Series No.13: The crops were left to dry and rot. There was no one to tend them (1941) od Jacob LawrenceMigration Series No.13: The crops were left to dry and rot. There was no one to tend them1941 70Migration Series No.9: They left because the boll weevil had ravaged the cotton crop (1941) od Jacob LawrenceMigration Series No.9: They left because the boll weevil had ravaged the cotton crop1941 · The Phillips Collection 71Migration Series No.7: The migrant, whose life had been rural and nurtured by the earth, was now moving to urban life dependent on industrial machinery (1941) od Jacob LawrenceMigration Series No.7: The migrant, whose life had been rural and nurtured by the earth, was now moving to urban life dependent on industrial machinery1941 72Migration Series No.5: Migrants were advanced passage on the railroads, paid for by northern industry. Northern industry was to be repaid by the migrants out of their future wages (1941) od Jacob LawrenceMigration Series No.5: Migrants were advanced passage on the railroads, paid for by northern industry. Northern industry was to be repaid by the migrants out of their future wages1941 73Migration Series No.3: From every southern town migrants left by the hundreds to travel north (1941) od Jacob LawrenceMigration Series No.3: From every southern town migrants left by the hundreds to travel north1941 74Migration Series No.1: During World War I there was a great migration north by southern African Americans (1941) od Jacob LawrenceMigration Series No.1: During World War I there was a great migration north by southern African Americans1941 75Bar and Grill (1941) od Jacob LawrenceBar and Grill1941 · Smithsonian American Art Museum 76Harriet Tubman Series (Panel -4) (1940) od Jacob LawrenceHarriet Tubman Series (Panel -4)1940 · Hampton University Museum 77When It Is Warm the Parks Are Filled with People (1943) od Jacob LawrenceWhen It Is Warm the Parks Are Filled with People1943 78This is Harlem (1943) od Jacob LawrenceThis is Harlem1943 79Captain Skinner (1944) od Jacob LawrenceCaptain Skinner1944 80War Series: Shipping Out (1947) od Jacob LawrenceWar Series: Shipping Out1947 · Whitney Museum of American Art 81War Series: Prayer (1947) od Jacob LawrenceWar Series: Prayer1947 · Whitney Museum of American Art 82African Gold Miners (1946) od Jacob LawrenceAfrican Gold Miners1946 83Defeat (1954) od Jacob LawrenceDefeat1954 84I alarmed almost every house till I got to Lexington-Paul Revere (1954) od Jacob LawrenceI alarmed almost every house till I got to Lexington-Paul Revere1954 85Trappers (1956) od Jacob LawrenceTrappers1956 86Victory and Defeat (1955) od Jacob LawrenceVictory and Defeat1955 87We, the people of the United States, in order to form a more perfect Union, establish justice, insure domestic tranquility (1955) od Jacob LawrenceWe, the people of the United States, in order to form a more perfect Union, establish justice, insure domestic tranquility1955 88...for freedom we want and will have, for we have served this cruel land long enuff... -a Georgia slave, 1810 (1956) od Jacob Lawrence...for freedom we want and will have, for we have served this cruel land long enuff... -a Georgia slave, 18101956 89I cannot speak sufficiently in praise of the firmness and deliberation with which my whole line received their approach... -Andrew Jackson, New Orleans, 1815 (1956) od Jacob LawrenceI cannot speak sufficiently in praise of the firmness and deliberation with which my whole line received their approach... -Andrew Jackson, New Orleans, 18151956 90Untitled (D2X9VM) (1955) od Jacob LawrenceUntitled (D2X9VM)1955 91Thousands of American citizens have been torn from their country and from everying dear to them: they have been dragged on board ships of ward of a foreign nation. -Madison, 1 June 1812 (1956) od Jacob LawrenceThousands of American citizens have been torn from their country and from everying dear to them: they have been dragged on board ships of ward of a foreign nation. -Madison, 1 June 18121956 92120.9.14.286.9.33-ton 290.9.27 be at 153.9.28.110.8.17.255.9.29 evening 178.9.8... -an informer's coded message (1955) od Jacob Lawrence120.9.14.286.9.33-ton 290.9.27 be at 153.9.28.110.8.17.255.9.29 evening 178.9.8... -an informer's coded message1955 93Listen, Father! The Americans have not yet defeated us by land; neither are we sure they have done so by water--we therefore wish to remain here and fight our enemy... Tecumseh to the British, Tippecanoe, 1811 (1956) od Jacob LawrenceListen, Father! The Americans have not yet defeated us by land; neither are we sure they have done so by water--we therefore wish to remain here and fight our enemy... Tecumseh to the British, Tippecanoe, 18111956 94Fulton and Nostrand (1958) od Jacob LawrenceFulton and Nostrand1958 · Cleveland Museum of Art 95Fruits and Vegetables (1959) od Jacob LawrenceFruits and Vegetables1959 · Cincinnati Art Museum 96The Visitors (1959) od Jacob LawrenceThe Visitors1959 · Dallas Museum of Art 97Magic Man (1958) od Jacob LawrenceMagic Man1958 98Parade (1960) od Jacob LawrenceParade1960 99Pool Parlor (1942) od Jacob LawrencePool Parlor1942 100Firewood 55 (1942) od Jacob LawrenceFirewood 551942

Slavna djela Jacob Lawrence po razdobljima

Motivi koji su privukli pažnju Jacob Lawrence

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika Jacob Lawrence

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Jacob Lawrence Slike iz ovog popisa
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 35 Migration Series No.11: Food had doubled in price because of the war, Migration Series No.57: The female workers were the last to arrive north, Migration Series No.39: Railroad platforms were piled high with luggage
SCAD Museum of Art, SavannahSCAD Museum of Art Savannah 10 Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas, Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies, Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters
Whitney Museum of American Art, New YorkWhitney Museum of American Art New York 4 Tombstones, War Series: The Letter, War Series: Shipping Out
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 3 The Library, Bar and Grill, Bar and Grill
Philadelphia Museum of Art, FiladelfijaPhiladelphia Museum of Art Filadelfija 1 Taboo
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 The Wedding
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Struggle Series - No. 10: Washington Crossing the Delaware
Hampton University Museum, HamptonHampton University Museum Hampton 1 Harriet Tubman Series (Panel -4)

Jacob Lawrence desetljeće po desetljeće: original koji definira svako od njih

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Pitanja kolekcionara o slikama umjetnika Jacob Lawrence

Po kojem je djelu Jacob Lawrence najpoznatiji/a?Otkrijte odgovor

The Library (1960), Smithsonian American Art Museum, Washington, D.C.. Nakon njih slijede Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) i Bar and Grill (1941).

Koliko je godina Jacob Lawrence imao/la kada je nastalo djelo The Library?Otkrijte odgovor

43 godina: The Library datira iz 1960, a Jacob Lawrence je rođen/a 1917.

Koja su deset najpoznatijih djela umjetnika Jacob Lawrence?Otkrijte odgovor

The Library, Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas, Bar and Grill, Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies, Migration Series No.11: Food had doubled in price because of the war, Taboo, Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters, Tombstones, War Series: The Letter i Migration Series No.57: The female workers were the last to arrive north. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika ostavio/la Jacob Lawrence?Otkrijte odgovor

Naš katalog sadrži 157 djela umjetnika Jacob Lawrence, datiranih od 1940 do 1989.

U kojim se muzejima nalaze remek-djela umjetnika Jacob Lawrence?Otkrijte odgovor

Većinom u The Phillips Collection (Washington, D.C.), SCAD Museum of Art (Savannah) i Whitney Museum of American Art (New York). Gornja tablica muzeja navodi sve njih.

U kojim je godinama Jacob Lawrence naslikao svoja najpoznatija djela?Otkrijte odgovor

U 1940s: 56 od 100 djela na ovoj stranici nastalo je tada, od čega je Bar and Grill Bar and Grill.

Koja su prva i posljednja poznata originalna djela umjetnika Jacob Lawrence?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Harriet Tubman Series (Panel -4) (1940), a najnovije iz Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989).

Koje je motive Jacob Lawrence najčešće birao?Otkrijte odgovor

People (8), Harlem renaissance (6) i Figures (6), kroz svih 100 djela na ovoj stranici.

Koju je tehniku najčešće koristio/la Jacob Lawrence?Otkrijte odgovor

Painting, za 10 od 100 djela na ovoj stranici.

Koji se radovi umjetnika Jacob Lawrence nalaze u muzeju The Phillips Collection?Otkrijte odgovor

Migration Series No.11: Food had doubled in price because of the war, Migration Series No.57: The female workers were the last to arrive north i Migration Series No.39: Railroad platforms were piled high with luggage: The Phillips Collection, Washington, D.C. posjeduje 16 djela s ove stranice.

Jacob Lawrence: život i djelo

Život utkan u priču: Jacob Lawrenceov svijet

Jacob Armstead Lawrence, rođen u Atlantic Cityju, New Jersey, 1917. godine, istaknuo se kao jedan od najznačajnijih američkih umjetnika 20. stoljeća. Njegova životna priča neraskidivo je isprepletena s njegovom umjetnošću—to je moćni narativ oblikovan stvarnošću afroameričkog iskustva tijekom razdoblja dubokih društvenih promjena. Nakon razvoda svojih roditelja 1924. godine, Lawrence je prošao kroz djetinjstvo obilježeno kretanjem i prilagođavanjem, boraveći u smještajnim obiteljima u Philadelphiji prije nego što je konačno pronašao dom kod svoje majke u Harlemu, tijekom vibrantnih godina Harlem Renaissancea. Ova uranjanje u kulturno srce crne Amerike postalo bi izvor njegove umjetničke vizije. Upravo su u užurbanim ulicama i zajedničkom duhu Harlema Lawrence prvi put susreo umjetnost, pohađajući tečajeve u Utopia Children’s House, a kasnije studirajući pod Charlesom Alstonom u Harlem Art Workshopu—formativno iskustvo koje ga je usmjerilo na put prema postajanju vizualnog pripovjedača neusporedive dubine.

Dinamični kubizam: Stil rođen iz iskustva

Lawrence nije jednostavno usvajao umjetničke stilove; on je stvarao vlastite, slavno ih opisujući kao „dinamični kubizam“. To nije bilo imitiranje europske avantgarde, već jedinstvena sinteza modernističkih principa i proživljenog iskustva njegove zajednice. Pod utjecajem jarkih boja i ravnih formi afričke skulpture te meksičkih muralista—umjetnika koji su davali prednost narativu i društvenoj komentari; Lawrence je razvio vizualni jezik koji je bio istovremeno zapanjujuće moderan i duboko ukorijenjen u crnoj kulturi. Njegina su djela obilježena snažnim, pojednostavljenim oblicima, živopisnim paletama boja i namjernim odbacivanjem tradicionalne perspektive. Ovaj pristup nije bio samo estetski; služio je naglašavanju emocionalne težine njegovih motiva te stvaranju osjećaja neposrednosti i pristupačnosti. On nije težio repliciranju stvarnosti, već destilaciji njezine bit, hvatajući duh naroda i njihovu povijest s nepokolebljivom iskrenošću.

Kronika povijesti i svakodnevnog života

Lawrenceov umjetnički opus izniman je po svojoj širini i tematskoj dosljednosti. Nije se fokusirao na izolirane portrete ili pejzaže; umjesto toga, stvarao je sveobuhvatne serije koje su se bavile monumentalnim povijesnim događajima i nijansama svakodnevnog crnog života. Njegov je trenutak proboja došao s The Migration Series, moćnim nizom od šezdeset panela koji prikazuju Veliku migraciju—masovno kretanje Afroamerikanca iz ruralnog Juga na industrijski Sjever u potrazi za priložom i bijegom od segregacije poznate kao Jim Crow. Ovo djelo, započeto 194ima-41., lansiralo je Lawrencea u nacionalno priznanje, donoseći mu priznanja i osiguravajući mu mjesto vodećeg glasa u američkoj umjetnosti. No, The Migration Series bio je tek početak. Nastavio je stvarati jednako uvjerljive serije posvećene likovima poput Toussaint L’Ouverturea, Fredericka Douglassa i Harriet Tubman—pretvarajući povijesne narative u pristupačne vizualne priče. Izvan ovih grandioznih povijesnih ciklusa, Lawrence je također pronašao ljepotu i značaj u običnom: scene brijaonica, restorana i obiteljskog života postale su platna za istraživanje tema zajedništva, otpornosti i identiteta. Njegova slika Bar and Grill, sirova prikaz segregacije unutar kafića u New Orleansu, primjer je njegove sposobnosti da složene društvene stvarnosti sažme u snažne vizualne izjave. Slično tome, Victory and Defeat, sa svojim impresivnim zidom topovskih kugla, obilježava ključnu opsadu Yorktowna u Virginiji, nudeći nijansiran odraz američke povijesti.

Naslijeđe i trajni utjecaj

Utjecaj Jacoba Lawrencea proteže se daleko izvan njegovog impresivnog djela. Bio je ne samo umjetnik, već i posvećeni edukator, predajući umjetnost institucijama poput Black Mountain Collegea i University of Washingtona tijekom šesnaest godina. Kroz svoj rad u nastavi, njegovo je podučavanje njegovalo generacije umjetnika, potičući ih da pronađu vlastiti glas i istražuju teme relevantne za njihova iskustva. Lawrence je utrljao put bezbrojnim afroameričkim umjetnicima koji su slijedili nakon njega, izazivajući postojeće norme i proširujući granice američke umjetnosti. Njegovo djelo nastavlja odjekivati i danas, potičući kritičke razgovore o rasi, povijesti i društvenoj pravdi. Zastupljen u istaknutim muzejima kao što su Smithsonian American Art Museum i kolekcija University of Washingtona, njegovi radovi služe kao trajni svjedoci moći umjetnosti da osvijetli ljudski sudbinu i nadahnjuje promjene. Za sobom je ostavio naslijeđe ne samo lijepih slika, već i hrabrog pripovijedanja—vizualni kroničar putovanja jednog naroda prema slobodi i samoopredjeljenju.