Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Ukratko
Dead Wildfowl (1674) je slika autora Jacob Biltius koja privlači najviše pogleda; original se nalazi u muzeju Statens Museum For Kunst, Kopenhagen. Nakon toga, pogled se usmjerava na Dead Birds (1670) i Snip, hanging (1663). Među 10 djela umjetnika Jacob Biltius u našem katalogu, ovih 10 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
3 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Jacob Biltius | Slike iz ovog popisa |
|---|---|---|---|
| Kopenhagen | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| Leeuwarden | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
Dugogodišnja karijera od 17 godina, od 1663 do 1679: najpoznatiji originali umjetnika Jacob Biltius, prikazani godinu po godinu.
Odaberite godinu kako biste vidjeli originalna djela.
Još od 1666
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Još od 1670
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674), Statens Museum For Kunst, Kopenhagen. Nakon njih slijede Dead Birds (1670) i Snip, hanging (1663).
41 godina: Dead Wildfowl datira iz 1674, a Jacob Biltius je rođen/a 1633.
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall i Dead Wildfowl and a Huntsman's Net. Trompe l'oeil. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 10 djela umjetnika Jacob Biltius, datiranih od 1663 do 1679.
Većinom u Statens Museum For Kunst (Kopenhagen), Fries Museum (Leeuwarden) i Kunsthandel P. de Boer. Gornja tablica muzeja navodi sve njih.
U 1663: 2 od 10 djela na ovoj stranici nastalo je tada, od čega je Snip, hanging Snip, hanging.
Na ovoj stranici najstarije djelo je iz Snip, hanging (1663), a najnovije iz Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679).
Feathers (2) i Dark background (2), kroz svih 10 djela na ovoj stranici.
Oil On Canvas, za 2 od 10 djela na ovoj stranici.
Dead Wildfowl, Dead Birds i Wildfowl on a Wooden Table: Statens Museum For Kunst, Kopenhagen posjeduje 5 djela s ove stranice.
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.