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7 najpoznatijih djela umjetnika Hermania Neergaard, galerijska selekcija
Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 7 djela Hermania Neergaard u našem katalogu
Ukratko
Od svih originala koje je Hermania Neergaard ostavio, najpoznatiji je En ananas i urtepotte og druer på et stenbord (1825) u kolekciji muzeja Statens Museum For Kunst, Kopenhagen. Samo iza njih slijede Vase i græsk stil med iris, syren og kaprifolium (1831) i Vase i græsk stil med blomster, stående på en træstub (1832). Naš katalog sadrži 7 djela umjetnika Hermania Neergaard; galerija je čuvala onih 7 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
1799 – 1875, Copenhagen
Najviše djela: Statens Museum For Kunst
Top 10 djela umjetnika Hermania Neergaard: izbor galerije
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Muzeji koji čuvaju originalna djela umjetnika Hermania Neergaard
1 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Hermania Neergaard | Slike iz ovog popisa |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhagen | 7 | En ananas i urtepotte og druer på et stenbord, Vase i græsk stil med iris, syren og kaprifolium, Vase i græsk stil med blomster, stående på en træstub |
Hermania Neergaard desetljeće po desetljeće: original koji definira svako od njih
Djela po desetljećima
Odaberite desetljeće kako biste vidjeli original koji ga definira.
Pitanja kolekcionara o slikama umjetnika Hermania Neergaard
Po kojem je djelu Hermania Neergaard najpoznatiji/a?Otkrijte odgovor
En ananas i urtepotte og druer på et stenbord (1825), Statens Museum For Kunst, Kopenhagen. Nakon njih slijede Vase i græsk stil med iris, syren og kaprifolium (1831) i Vase i græsk stil med blomster, stående på en træstub (1832).
Koliko je godina Hermania Neergaard imao/la kada je nastalo djelo En ananas i urtepotte og druer på et stenbord?Otkrijte odgovor
26 godina: En ananas i urtepotte og druer på et stenbord datira iz 1825, a Hermania Neergaard je rođen/a 1799.
Koliko je slika ostavio/la Hermania Neergaard?Otkrijte odgovor
Naš katalog sadrži 7 djela umjetnika Hermania Neergaard, datiranih od 1825 do 1845.
U kojim se muzejima nalaze remek-djela umjetnika Hermania Neergaard?Otkrijte odgovor
Većinom u Statens Museum For Kunst (Kopenhagen). Gornja tablica muzeja navodi sve njih.
U kojim je godinama Hermania Neergaard naslikao svoja najpoznatija djela?Otkrijte odgovor
U 1840s: 4 od 7 djela na ovoj stranici nastalo je tada, od čega je Blomstrende planter Blomstrende planter.
Koja su prva i posljednja poznata originalna djela umjetnika Hermania Neergaard?Otkrijte odgovor
Na ovoj stranici najstarije djelo je iz En ananas i urtepotte og druer på et stenbord (1825), a najnovije iz Blomstrende planter (1845).
Koji se radovi umjetnika Hermania Neergaard nalaze u muzeju Statens Museum For Kunst?Otkrijte odgovor
En ananas i urtepotte og druer på et stenbord, Vase i græsk stil med iris, syren og kaprifolium i Vase i græsk stil med blomster, stående på en træstub: Statens Museum For Kunst, Kopenhagen posjeduje 7 djela s ove stranice.
Hermania Neergaard: život i djelo
A Life in Bloom
Born in Copenhagen on 12 August 1799, Hermania Sigvardine Neergaard grew up in the home of a merchant, Hans Peter Neergaard. Her path toward the canvas began under the guidance of Frederik Christian Camradt at his drawing and painting school. This early training provided her with the technical foundation to pursue a career as a flower and still-life painter.
Her debut at the Charlottenborg Spring Exhibitions in 1821 featured a gouache vase of flowers, a technique she had learned by studying the works of her teacher. This first submission set the stage for a long period of professional activity. For over five decades, Neergaard was a regular presence at these exhibitions, contributing 116 works to the Charlottenborg collections until her death in 1875.
Evolution of Style and Subject
As her career progressed, Neergaard moved from the delicate use of gouache to working with oils. Her early compositions often focused on flowers arranged in bowls, baskets, or vases. In these initial years, her work reflected the influence of Camradt, characterized by more compact bouquets and a subdued color palette. She frequently utilized dark backgrounds to create a sharp contrast, allowing white callas or yellow irises to emerge from the shadows.
The later years of her life brought a change in both subject and scale. Inspired by the sculptor Bertel Thorvaldsen, she began incorporating Etruscan vases into her compositions starting in 1831. Her focus expanded beyond cultivated arrangements to include wild flowers and outdoor plants. In these later paintings, the flora often grew to fill the entire surface of the canvas, moving away from the structured stillness of her earlier still lifes.
Legacy and Recognition
Neergaard’s skill earned her a place within influential social and artistic circles. She was associated with Nysø Manor near Præstø and moved in the same circles as Thorvaldsen, who eventually purchased one of her paintings for his own collection. Her ability to capture botanical detail led to her work being acquired by the Danish royal family, including kings Christian VIII and Frederick VII.
Beyond her personal achievements, she supported the art community by teaching flower painting. Today, her botanical studies are preserved in significant institutions, such as the Statens Museum for Kunst. Her paintings remain a record of the botanical interests and artistic traditions of 19th-century Denmark.