Portret Harald Jerichau

3 najpoznatijih djela umjetnika Harald Jerichau, galerijska selekcija

Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 3 djela Harald Jerichau u našem katalogu

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Od svih originala koje je Harald Jerichau ostavio, najpoznatiji je Landscape from Rome, Villa dei Quintili near Via Appia (1870) u kolekciji muzeja Nivaagaards Malerisamling, Nibe. Samo iza njih slijede The Lydian Plain near Sardis, Asia Minor (Turkey) (1878) i Coast Scene, Capri (1876). Naš katalog sadrži 3 djela umjetnika Harald Jerichau; galerija je čuvala onih 3 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.

1851 – 1878, Copenhagen Najviše djela: Nivaagaards Malerisamling

Top 10 djela umjetnika Harald Jerichau: izbor galerije

Muzeji koji čuvaju originalna djela umjetnika Harald Jerichau

3 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Harald Jerichau Slike iz ovog popisa
Nivaagaards Malerisamling, NibeNivaagaards Malerisamling Nibe 1 Landscape from Rome, Villa dei Quintili near Via Appia
Statens Museum For Kunst, KopenhagenStatens Museum For Kunst Kopenhagen 1 The Lydian Plain near Sardis, Asia Minor (Turkey)
Gothenburg Museum of Art, GothenburgGothenburg Museum of Art Gothenburg 1 Coast Scene, Capri

Harald Jerichau iz godine u godinu: originalna djela koja definiraju svaku od njih

Svega deset godina, od 1870 do 1878, posvetio je svijetu svako datirano originalno djelo Harald Jerichau u ovom odabiru: evo ih, godinu po godinu.

Djela po godinama

Odaberite godinu kako biste vidjeli originalna djela.

Pitanja kolekcionara o slikama umjetnika Harald Jerichau

Po kojem je djelu Harald Jerichau najpoznatiji/a?Otkrijte odgovor

Landscape from Rome, Villa dei Quintili near Via Appia (1870), Nivaagaards Malerisamling, Nibe. Nakon njih slijede The Lydian Plain near Sardis, Asia Minor (Turkey) (1878) i Coast Scene, Capri (1876).

Koliko je godina Harald Jerichau imao/la kada je nastalo djelo Landscape from Rome, Villa dei Quintili near Via Appia?Otkrijte odgovor

19 godina: Landscape from Rome, Villa dei Quintili near Via Appia datira iz 1870, a Harald Jerichau je rođen/a 1851.

Koliko je slika ostavio/la Harald Jerichau?Otkrijte odgovor

Naš katalog sadrži 3 djela umjetnika Harald Jerichau, datiranih od 1870 do 1878.

U kojim se muzejima nalaze remek-djela umjetnika Harald Jerichau?Otkrijte odgovor

Većinom u Nivaagaards Malerisamling (Nibe), Statens Museum For Kunst (Kopenhagen) i Gothenburg Museum of Art (Gothenburg). Gornja tablica muzeja navodi sve njih.

Koja su prva i posljednja poznata originalna djela umjetnika Harald Jerichau?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Landscape from Rome, Villa dei Quintili near Via Appia (1870), a najnovije iz The Lydian Plain near Sardis, Asia Minor (Turkey) (1878).

Harald Jerichau: život i djelo

A Life Painted in Brief Brilliance

The story of Harald Adolf Nikolaj Jerichau is one of profound talent tragically interrupted, a fleeting but luminous chapter in the history of Danish landscape painting. Born in Copenhagen in 1851, Harald was destined for an artistic existence from his very first breath, emerging from a lineage of immense creative power. He was the son of the renowned sculptor Jens Adolf Jerichau and the celebrated painter Elisabeth Jerichau-Baumann, placing him at the heart of a family where art was not merely a profession but a shared language. This pedigree provided him with an early immersion in the nuances of form and color, though his own path would diverge from sculpture to capture the ephemeral beauty of the natural world through the medium of landscape.

His formal education began with the disciplined eye of the architect C. V. Nielsen, who taught him the foundational principles of drawing, before he sought more advanced studies in perspective at the Royal Danish Academy of Fine Arts in 1868. This academic rigor was soon balanced by a wandering spirit and an insatiable curiosity for the light of distant lands. Under the guidance of masters such as Frederik Christian Lund and Eiler Rasmussen Eilersen, Harald began to develop a sensitivity to atmosphere that would become his hallmark. His early exhibitions in Copenhagen, beginning in 1873, signaled the arrival of a promising new voice capable of translating the soul of a landscape onto canvas.

Journeys Through Light and Shadow

Harald’s artistic development was deeply shaped by his travels, which acted as a series of profound encounters with light. Following his mother to Italy, he became a pupil of Jean-Achille Benouville, the director of the French Academy in Rome, an experience that undoubtedly refined his command over Mediterranean luminosity. His wanderlust then carried him through the vibrant landscapes of Turkey and Greece, and eventually to the historic streets of Paris and the majestic peaks of Switzerland. These journeys were more than mere sightseeing; they were essential components of his visual vocabulary, allowing him to absorb the diverse textures of the Orient and the classical grandeur of Europe.

The emotional depth of his work was often intertwined with the personal upheavals of his life. In 1875, he married his cousin, Maria Kutzner, a union that brought moments of profound joy amidst a period of great sorrow. The loss of their first child and the subsequent, devastating death of Maria in 1876 cast a long shadow over his spirit, momentarily threatening to extinguish his creative will. Yet, even in the wake of such grief, Harald demonstrated a remarkable resilience, attempting to rebuild his career through a renewed focus on his craft. His later works, particularly those capturing scenes from Turkey, reflect a mastery of light that speaks to both his technical skill and his enduring connection to the world around him.

A Legacy Etched in Memory

Though his life was cut short by the dual tragedies of typhus and malaria in 1878, at the tender age of only twenty-seven, Harald Jerichau left behind a legacy that continues to resonate within the Danish art tradition. He belonged to a unique era of landscape painters who sought to capture not just the topography of a place, but its very essence—the way light settles upon a valley or how mist clings to a distant mountain. His work remains a testament to a brief but intense period of artistic exploration, bridging the gap between academic precision and a more emotive, atmospheric approach to nature.

Today, Harald is remembered not only as an individual master but as a vital part of the Jerichau artistic dynasty. His contributions are preserved in the collective memory of Danish art history, serving as a poignant reminder of the beauty that can be captured even by those whose time on this earth was all too short. To look upon his landscapes is to witness a soul that, despite facing immense personal darkness, remained forever dedicated to chasing the light.