Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 114 djela Giulio Romano u našem katalogu
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Svod: Skupština bogova oko Jupiterovog prijestolja (1532) je slika autora Giulio Romano koja privlači najviše pogleda. Nakon toga, pogled se usmjerava na View of the Sala dei Giganti (vault and south wall) (1526) i Tapestry with Playing Putti (1545). Među 114 djela umjetnika Giulio Romano u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
Svod: Skupština bogova oko Jupiterovog prijestolja značajno je fresko koje je autor Giulio Romano stvorio 1532. godine. Ovo monumentalno djelo kruni plafon Sale dei Giganti unutar Palazzo del Tè u Mantui, u Italiji. Ova veličanstvena dekoracija odražava umjetnikov odlazak iz klasične harmonije Visoke renesanse prema ekspresivnoj napetosti manirizma.
To gaze upon this magnificent fresco, View of the Sala dei Giganti (vault and south wall), is to step directly into the vibrant heart of the High Renaissance. Painted in 1526 by the masterful hand of Giulio Romano, this work transcends mere decoration; it is a profound narrative tapestry woven from human drama, natural vitality, and divine symbolism. The scene explodes with life, drawing the viewer into a monumental gathering…
To gaze upon this depiction of a tapestry with playing putti is to step directly into an idealized moment plucked from the heart of the Italian Renaissance. It is more than just a painting; it is a captured breath of youthful exuberance, rendered with the masterful touch characteristic of Giulio Romano. The scene unfolds as a vibrant pastoral tableau, where several cherubic figures—the beloved putti—engage in playful revelry. Their presence…
To stand before an image like the Allegory of the Virtues of Federico II Gonzaga is to step directly into the vibrant, intellectual heart of the Italian High Renaissance transitioning into Mannerism. This monumental work, executed in 1531 by Giulio Romano, is far more than a mere depiction of figures; it is a carefully orchestrated philosophical statement rendered in pigment and plaster. The scene unfolds with an almost theatrical richness,…
Giulio Romano’s “The Lovers,” painted around 1525, isn't merely a depiction of intimacy; it’s a meticulously crafted tableau brimming with symbolism and echoing the complex currents of the High Renaissance. Born Giulio Pippi in Rome around 1499, Romano swiftly ascended through the ranks of Raphael’s studio, absorbing the master’s classical ideals while simultaneously forging his own distinctive Mannerist style – a style characterized by heightened emotion, distorted forms, and an…
This detail from 1535 captures a fragment of a larger religious narrative, focusing on the human response to a divine presence. A central figure, distinguished by a large staff topped with a cross, anchors the composition. The arrangement of figures creates a sense of depth through overlapping forms and varying scales, drawing the eye from the immediate foreground into a complex, crowded space. The composition avoids the static balance of…
Giulio Romano's "The Birth of Bacchus," a monumental charcoal and chalk drawing from 1533, isn’t merely a depiction of a mythological scene; it’s a visceral exploration of human drama, a raw sketch brimming with energy and symbolic weight. Born Giulio Pippi in Rome around 1499, Romano emerged as a pivotal figure within the waning embers of the High Renaissance, swiftly absorbing the influence of Raphael while forging his own distinctive…
Giulio Romano’s “Flaying of Marsyas” isn't merely a depiction of a mythological punishment; it’s a visceral embodiment of struggle, humiliation, and the brutal intersection of divine power and mortal defiance. Painted in 1525-35 during his tenure as court artist for Duke Federico Gonzaga of Mantua, this monumental fresco – now meticulously reproduced on canvas – plunges the viewer directly into the heart of Ovid’s *Metamorphoses*. The story itself is a…
A Tapestry of Time and Transformation: Giulio Romano’s “Victory, Janus, Chronos, and Gaea” Giulio Romano's "Victory, Janus, Chronos, and Gaea," painted in 1532-1534 during his illustrious tenure as court artist for Federico II Gonzaga of Mantua, is more than just a visually arresting fresco; it’s a profound meditation on the cyclical nature of time, the duality of existence, and the very essence of Roman mythology. Born Giulio Pippi in Rome…
A Vision of Renaissance Grandeur: Exploring Giulio Romano’s Palazzo del Té Giulio Romano's *View of the Palazzo del Té* stands as a testament to the zenith of Mannerist art and architectural ambition—a project conceived by Federico Gonzaga, Duke of Mantua, between 1526 and 1534. More than just a building, it embodies an entire worldview: a deliberate rejection of linear perspective and idealized beauty in favor of dramatic illusionism and psychological…
Evangelist symbols1522 · Kunsthistorisches Museum
12
View of the Salone dei Cavalli1526
13
The Old Woman and Vulcan, Tribute to Apollo1526
14
Nude Child with Open ArmsGalleria degli Uffizi
15
The Holy Family1520 · J. Paul Getty Museum
16
An Allegory of Immortality1540 · Detroit Institute of Arts
17
The Holy Family, St John with a small Bird in his Hand1530 · Statens Museum For Kunst
18
The Holy Family with the Infant Saint John the Baptist1520 · Scottish National Gallery
19
Madonna and Child with the Infant St. John1516
20
The Virgin and Child1518 · Apsley House
21
Tarquin and Lucretia1536 · Palazzo Ducale
22
'The Horse ''Morel favorito'''1526
23
St. John the Baptist in the Wilderness1520
24
Nurture of Jupiter1533 · Blickling Hall
25
Group of three lictors1530 · Narodni muzej u Varšavi
26
Tapestry Cartoon: Two Heads from the Massacre of the Innocents1522 · Scottish National Gallery
27
Bacchus and Ariadne1530 · Statens Museum For Kunst
28
Vertumnus and Pomona1530 · Statens Museum For Kunst
29
Female nude, half figure1527
30
Vaulted ceiling (8)1526
31
Fresco on the east wall (detail)1532
32
View of the Sala di Psiche (west wall)1526
33
Fresco on the south wall (detail) (9)1532
34
Jupiter Seducing Olympias1526
35
Self-portrait1540
36
Tomb of Pietro Strozzi1529 · Sant'Andrea
37
Virgin and Child with the Infant St John1523 · Galleria Borghese
38
Façade1526 · Palazzo del Tè
39
The Madonna and Child with Saint John the Baptist1522 · Walters Art Museum
40
The Fall of the Gigants from Mount Olympus
41
Chariot of the Sun1526
42
Frieze (detail)1532
43
Hunting Scene1527
44
Hunting Scene1527
45
Polyphemus1526
46
Ceiling decoration (detail) (12)1527
47
View of the Sala di Psiche (north and east walls)1526
48
View of the Sala di Psiche (south wall)1526
49
Psyche's Second Task (River Deity)1526
50
Vaulted ceiling (detail) (10)1526
51
Vaulted ceiling (detail) (18)1526
52
Psyche Appealing in Vain to Juno1526
53
Portrait of a Woman (detail)1531 · Royal Collection
54
View of the Sala dei Giganti (south and west walls)1532
55
View of the Sala dei Giganti (south wall)1532
56
The Prisoners1527
57
View of the Sala di Psiche (east wall)1526
58
Vault: The Assembly of Gods around Jupiter's Throne (detail)1532
59
Ceiling decoration (detail) (11)1527
60
Fresco on the north wall (detail)1532
61
Vaulted ceiling (detail) (17)1526
62
Vaulted ceiling (detail) (19)1526
63
Emperor Alexander1532
64
Coat-of-arms1532
65
View of the Sala dei Giganti (west wall)1532
66
River Landscape with Springs1526
67
View of the Salone dei Cavalli1526
68
Fresco on the south wall (detail)1532
69
Vaulted ceiling (detail) (16)1526
70
Tribute to Apollo1526
71
Vaulted ceiling1526
72
View of the Sala dei Giganti (north wall)1532
73
View of the Sala dei Giganti (east wall)1532
74
Ceiling decoration1527
75
Cupid and Psyche1526
76
Design for a Saltcellar1524
77
Fresco on the south wall (detail) (12)1532
78
Fresco on the north wall (detail)1532
79
Mars Chasing Adonis from Venus's Pavilion1526
80
Vault: The Assembly of Gods around Jupiter's Throne (detail)1532
81
Fresco on the south wall (detail) (10)1532
82
The Old Woman and Vulcan1526
83
Ceiling (detail)1526
84
Tribute to Apollo1526
85
Ajax Defends Patroclus's Corps1538 · Palazzo Ducale
86
View of the Sala di Troia (10)1536
87
View of the Sala di Troia (12)1538
88
Ajax Defends Patroclus's Corps1538
89
View of the Sala di Troia (11)1536
90
Façade and courtyard view1526 · Palazzo del Tè
91
Monteluce madonna
92
Venus and Vulcan
93
Satyr and Boy
94
Copy after Giulio Romano1536 · Cleveland Museum of Art
95
Virgin with the Child1520 · Galleria degli Uffizi
96
Triumph of Titus and Vespasian1537 · Louvre
97
Study for the Holy Family1518 · Louvre
98
Banquet of Cupid and PsychePalazzo del Tè
99
Saint Mary Magdalene borne by AngelsNational Gallery
100
The CircumcisionLouvre
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Giulio Romano | Slike iz ovog popisa |
|---|---|---|---|
 Palazzo del Tè |
Mantova | 6 | View of the Sala dei Giganti (vault and south wall), View of the Palazzo del Tè, Façade |
 Louvre |
Pariz | 6 | Adoration of the Shepherds (detail), Flaying of Marsyas, Triumph of Titus and Vespasian |
 J. Paul Getty Museum |
Los Angeles | 5 | Allegory of the Virtues of Federico II Gonzaga, The Birth of Bacchus, Victory, Janus, Chronos, and Gaea |
 Statens Museum For Kunst |
Kopenhagen | 3 | The Holy Family, St John with a small Bird in his Hand, Bacchus and Ariadne, Vertumnus and Pomona |
 Galleria degli Uffizi |
Firenca | 2 | Nude Child with Open Arms, Virgin with the Child |
 Scottish National Gallery |
Edinburgh | 2 | The Holy Family with the Infant Saint John the Baptist, Tapestry Cartoon: Two Heads from the Massacre of the Innocents |
 Palazzo Ducale |
Mantua | 2 | Tarquin and Lucretia, Ajax Defends Patroclus's Corps |
 Royal Collection |
London | 2 | Portrait of a Woman (detail) |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
In this intimate oil on panel, we find ourselves drawn into a private, shadowed space where the Madonna cradles her infant. The composition is centered on the tender connection between mother and child, while the young Infant St. John stands at her side, adding a sense of movement to the stillness. There is a profound sense of weight to the figures, achieved through a careful application of light that emerges…
To gaze upon this magnificent fresco, View of the Sala dei Giganti (vault and south wall), is to step directly into the vibrant heart of the High Renaissance. Painted in 1526 by the masterful hand of Giulio Romano, this work transcends mere decoration; it is a profound narrative tapestry woven from human drama, natural vitality, and divine symbolism. The scene explodes with life, drawing the viewer into a monumental gathering…
Svod: Skupština bogova oko Jupiterovog prijestolja značajno je fresko koje je autor Giulio Romano stvorio 1532. godine. Ovo monumentalno djelo kruni plafon Sale dei Giganti unutar Palazzo del Tè u Mantui, u Italiji. Ova veličanstvena dekoracija odražava umjetnikov odlazak iz klasične harmonije Visoke renesanse prema ekspresivnoj napetosti manirizma.
To gaze upon this depiction of a tapestry with playing putti is to step directly into an idealized moment plucked from the heart of the Italian Renaissance. It is more than just a painting; it is a captured breath of youthful exuberance, rendered with the masterful touch characteristic of Giulio Romano. The scene unfolds as a vibrant pastoral tableau, where several cherubic figures—the beloved putti—engage in playful revelry. Their presence…
Svod: Skupština bogova oko Jupiterovog prijestolja (1532). Sljedeći su View of the Sala dei Giganti (vault and south wall) (1526) i Tapestry with Playing Putti (1545).
33 godina: Svod: Skupština bogova oko Jupiterovog prijestolja datira iz 1532, a Giulio Romano je rođen/a 1499.
Svod: Skupština bogova oko Jupiterovog prijestolja, View of the Sala dei Giganti (vault and south wall), Tapestry with Playing Putti, Allegory of the Virtues of Federico II Gonzaga, The Lovers, Adoration of the Shepherds (detail), The Birth of Bacchus, Flaying of Marsyas, Victory, Janus, Chronos, and Gaea i View of the Palazzo del Tè. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 114 djela umjetnika Giulio Romano, datiranih od 1516 do 1545.
Većinom u Palazzo del Tè (Mantova), Louvre (Pariz) i J. Paul Getty Museum (Los Angeles). Gornja tablica muzeja navodi sve njih.
U 1520s: 50 od 100 djela na ovoj stranici nastalo je tada, od čega je View of the Sala dei Giganti (vault and south wall) View of the Sala dei Giganti (vault and south wall).
Na ovoj stranici najstarije djelo je iz Madonna and Child with the Infant St. John (1516), a najnovije iz Tapestry with Playing Putti (1545).
Figures (28), People (23) i Woman (21), kroz svih 100 djela na ovoj stranici.
Fresco, za 58 od 100 djela na ovoj stranici.
Manirizam, sudeći po originalima na ovoj stranici.
View of the Sala dei Giganti (vault and south wall), View of the Palazzo del Tè i Façade: Palazzo del Tè, Mantova posjeduje 5 djela s ove stranice.
