Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 59 djela Gerhard Munthe u našem katalogu
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The poor Man's Field (1877) je slika autora Gerhard Munthe koja privlači najviše pogleda; original se nalazi u muzeju National Museum of Art, Architecture and Design, Oslo. Nakon toga, pogled se usmjerava na The Apple Cart (1876) i Pigs in Moonlight (1880). Među 59 djela umjetnika Gerhard Munthe u našem katalogu, ovih 58 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
In The poor Man's Field by Gerhard Munthe, the composition is balanced horizontally, organizing a rural agricultural scene into distinct layers. A dense line of dark green trees forms a backdrop that occupies the upper third of the frame, providing a solid boundary to the landscape. Below this treeline, the foreground and middle ground consist of a field of golden-green grass or grain being harvested. The color palette is dominated…
The Apple Cart by Gerhard Munthe, created about 1876, features a horizontally oriented composition that captures a mundane, everyday moment of rural life. The scene is viewed from a slight side angle, establishing a straightforward perspective of the subjects. At the center of the arrangement, a group of figures is gathered around a wooden cart. A brown horse is positioned to pull the cart, forming a primary focal point within…
Pigs in Moonlight is an oil painting by the Norwegian painter and illustrator Gerhard Munthe. Created about 1880, the work captures a quiet moment on a rural farm. The scene rests in the dim light of a moonlit evening, where the shadows of a red wooden building stretch across the earth. A few pigs gather near a fence, their forms softened by the dusk.
Throwing Snowballs by Gerhard Munthe is a landscape oil painting created about 1885. The work depicts a lively winter scene set within a village. In the foreground and midground, a group of children is engaged in playing in the snow. These figures are scattered across the white landscape, creating a sense of movement throughout the village square. The scene captures a moment of communal activity during the winter season.
The sun hangs high over the valley of Vik at Stange, bathing the landscape in a bright, natural light that feels heavy with the warmth of midday. In this wide, panoramic view, the air seems to hum with the quiet industry of rural life. A vast, cerulean blue sky stretches overhead, dotted with soft white clouds that drift lazily above the rolling hills. Below, the meadow unfolds in a lush…
In this oil on canvas, Gerhard Munthe presents us with Farm, Vik at Stange. Painted about 1884, the work captures a quiet moment within a rural farm scene located in Vik at Stange, Norway. It is a piece that reflects the artist's early engagement with naturalism, focusing on the specificities of the Norwegian landscape during a period of significant development in his career.
This landscape painting, titled High Mountains, was created by the Norwegian artist Gerhard Munthe. Dating to about 1885, the work offers a glimpse into the artist's evolving approach to the natural world. This specific piece is a reproduction of the original painting, capturing the particularities of Munthe's vision from that period.
Åsmund in the King's Hall1900 · National Museum of Art, Architecture and Design
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Åsmund at the Gate in the Mountain1900 · National Museum of Art, Architecture and Design
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Åsmund and the Princess riding Home1904 · National Museum of Art, Architecture and Design
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Portrait of Johannes Flintoe1920 · Oslo Museum
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Saga1926 · National Museum of Art, Architecture and Design
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Pigs at the Barn Bridge1876 · National Museum of Art, Architecture and Design
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Fields at Hedmark in Summer1875 · National Museum of Art, Architecture and Design
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View of the Rhine near Düsseldorf1875 · National Museum of Art, Architecture and Design
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Sheaves of Grain1876 · National Museum of Art, Architecture and Design
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Autumn1876 · National Museum of Art, Architecture and Design
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Old Barn, Hedmark1876 · National Museum of Art, Architecture and Design
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Country Courtyard1875 · National Museum of Art, Architecture and Design
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Farm at Hedmark1876 · National Museum of Art, Architecture and Design
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View of Nevlunghavn1880 · National Museum of Art, Architecture and Design
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Autumn Landscape, Øylo1879 · National Museum of Art, Architecture and Design
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Autumn Landscape, Øylo1879 · National Museum of Art, Architecture and Design
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Autumn Evening at the Farm, Øylo1879 · National Museum of Art, Architecture and Design
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Boys taring a Boat, Nevlunghavn1880 · National Museum of Art, Architecture and Design
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From the Suburb1879 · National Museum of Art, Architecture and Design
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Landscape at Øylo in Mist1879 · National Museum of Art, Architecture and Design
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The Sledge1879 · National Museum of Art, Architecture and Design
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Farm in Valdres1879 · National Museum of Art, Architecture and Design
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Birch Trees in Autumn1880 · National Museum of Art, Architecture and Design
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Brook at Øylo1879 · National Museum of Art, Architecture and Design
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Evening in the Forest1880 · National Museum of Art, Architecture and Design
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After the Rain, motif from Eidsvold1883 · Statens Museum For Kunst
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In The Garden1885
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At the Well1886 · National Museum of Art, Architecture and Design
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Wooded Landscape1891 · National Museum of Art, Architecture and Design
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In March1890 · National Museum of Art, Architecture and Design
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Cotters' farms1889 · National Museum of Art, Architecture and Design
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View from Bærum1886 · National Museum of Art, Architecture and Design
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Waterfall at Stange in Hedmark1886 · National Museum of Art, Architecture and Design
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The Apple Tree1887 · National Museum of Art, Architecture and Design
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At the Farm, Ulvin1889 · National Museum of Art, Architecture and Design
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Evening in Eggedal1888 · National Museum of Art, Architecture and Design
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The Courtyard at Kongsvoll1895 · National Museum of Art, Architecture and Design
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Early in the Morning1897 · National Museum of Art, Architecture and Design
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The River Driva1895 · National Museum of Art, Architecture and Design
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Åsmund bringing Home Silver and Gold1900 · National Museum of Art, Architecture and Design
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View from Vågå1905 · National Museum of Art, Architecture and Design
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Winter in Nittedal1905 · National Museum of Art, Architecture and Design
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The first Hall1900 · National Museum of Art, Architecture and Design
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The fourth Hall1900 · National Museum of Art, Architecture and Design
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The fifth Hall1904 · National Museum of Art, Architecture and Design
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The second Hall1904 · National Museum of Art, Architecture and Design
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Early Spring1922 · National Museum of Art, Architecture and Design
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Ecstacy1895 · Nordnorsk Kunstmuseum
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
4 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Gerhard Munthe | Slike iz ovog popisa |
|---|---|---|---|
 National Museum of Art, Architecture and Design |
Oslo | 53 | The poor Man's Field, The Apple Cart, Pigs in Moonlight |
 Statens Museum For Kunst |
Kopenhagen | 2 | High Mountains, After the Rain, motif from Eidsvold |
 Oslo Museum |
Oslo | 1 | Portrait of Johannes Flintoe |
 Nordnorsk Kunstmuseum |
Tromsø | 1 | Ecstacy |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
In The poor Man's Field by Gerhard Munthe, the composition is balanced horizontally, organizing a rural agricultural scene into distinct layers. A dense line of dark green trees forms a backdrop that occupies the upper third of the frame, providing a solid boundary to the landscape. Below this treeline, the foreground and middle ground consist of a field of golden-green grass or grain being harvested. The color palette is dominated…
Pigs in Moonlight is an oil painting by the Norwegian painter and illustrator Gerhard Munthe. Created about 1880, the work captures a quiet moment on a rural farm. The scene rests in the dim light of a moonlit evening, where the shadows of a red wooden building stretch across the earth. A few pigs gather near a fence, their forms softened by the dusk.
The poor Man's Field (1877), National Museum of Art, Architecture and Design, Oslo. Nakon njih slijede The Apple Cart (1876) i Pigs in Moonlight (1880).
28 godina: The poor Man's Field datira iz 1877, a Gerhard Munthe je rođen/a 1849.
The poor Man's Field, The Apple Cart, Pigs in Moonlight, Throwing Snowballs, Haymaking, Vik at Stange, Farm, Vik at Stange, High Mountains, The Artist's Wife in the Arbour, Åsmund and his Brothers on the Sea i The third Hall. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 59 djela umjetnika Gerhard Munthe, datiranih od 1875 do 1926.
Većinom u National Museum of Art, Architecture and Design (Oslo), Statens Museum For Kunst (Kopenhagen) i Oslo Museum (Oslo). Gornja tablica muzeja navodi sve njih.
U 1880s: 19 od 58 djela na ovoj stranici nastalo je tada, od čega je Pigs in Moonlight Pigs in Moonlight.
Na ovoj stranici najstarije djelo je iz Fields at Hedmark in Summer (1875), a najnovije iz Saga (1926).
Grass (3), Landscape (3) i People (2), kroz svih 58 djela na ovoj stranici.
Oil On Canvas, za 5 od 58 djela na ovoj stranici.
The poor Man's Field, The Apple Cart i Pigs in Moonlight: National Museum of Art, Architecture and Design, Oslo posjeduje 53 djela s ove stranice.
Muntheov umjetnički stil značajno se razvijao tijekom njegove karijere, odražavajući kako njegova osobna iskustva, tako i prevladavajući trendove tog doba. Počevši od početnog utjecaja naturalizma, postupno je priabrao elemente stila Art Nouveau, prepoznatljivog po svojim tečnim linijama, organskim oblicima i dekorativnom intenzitetu. Ipak, u samoj srži njegovog rada ostala je duboka povezanost s norveškim folklorom i mitologijom. On nije samo prikazivao scene; on je prevodio legende u vizualne narative, prožimajući ih emocionalnom dubinom i simboličnim odsjajem. Djela poput „Åsmund i princeza na povratku kući” (1904) savršeno to ilustriraju – to je dramatično djelo inspirirano iluminiranom rukopisnom umjetnošću koje spaja herojsku bitku s dirljivim pripovijedanjem, bogato detaljima i zemljanim tonovima. Tapiserija „Peta dvorana” dodatno razvija njegovu sposobnost tkanja složenih narativa u vizualno zadivljujuće kompozicije.
Ključni trenutak u Muntheovoj karijeri bila je njegova suradnja s Erikom Werenskioldom na ilustracijama za Prozu Eddu Snorrija Sturlusona. Ovaj ambiciozni projekt, realiziran u razdoblju od 1896. do 1899. godine, učvrstio je njegovu reputaciju majstora vizualnog pripovijedanja i pokazao njegovu sposobnost da dočara epski raspon i duboki simbolizam nordijske mitologije. Te ilustracije nisu bile puke reprodukcije; bile su to reinterpretacije, prožete Muntheovom vlastitom umjetničkom vizijom i duboko ukorijenjene u njegovom razumijevanju norveške kulture. Njegova pedantna posvećenost detaljima, uparena s majstorskom uporabom boje i kompozicije, pretvorila je te drevne priče u živopisna i pristupačna umjetnička djela.
