Portret George Beare

Slike autora George Beare: Najpoznatijih 15 djela, iz perspektive galerije

Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 15 djela George Beare u našem katalogu

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Iz perspektive galerije, najpoznatije djelo umjetnika George Beare je An Unknown Woman, Called Peg Woffington (1740), čiji se original nalazi u muzeju Yale Center for British Art, New Haven. Portrait of a Woman (1740) i Portrait of a Lady Holding a Book (1740) upotpunjuju triju koju svako oko prepoznaje. Od 15 djela umjetnika George Beare u našem katalogu, galerija u nastavku prikazuje 15 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.

1725 – 1749 Najviše djela: Yale Center for British Art

Top 10 najpopularnijih djela umjetnika George Beare u galeriji

1
An Unknown Woman, Called Peg Woffington (1740) od George Beare

An Unknown Woman, Called Peg Woffington

1740 · Oil On Canvas · Yale Center for British Art, New Haven

The light catches the soft, salmon-pink folds of a silk gown, pulling the viewer into a quiet, private moment from 1740. A woman sits poised, her presence defined by a calm and dignified expression that suggests a life lived in the public eye, yet here, she is captured in a moment of stillness. The deep black of the background recedes into shadow, pushing her figure forward through a masterful use…

2
Portrait of a Woman (1740) od George Beare

Portrait of a Woman

1740 · Oil · Philadelphia Museum of Art, Filadelfija

There is a quietude in this 1740 oil portrait that commands immediate attention. The subject, an older woman, is presented in a three-quarter view, her form emerging from a dark, undifferentiated background that lends her a profound sense of physical volume. The lighting is deliberate, streaming from the upper left to catch the delicate folds of her translucent white headscarf and the subtle textures of her skin. It is a…

3
Portrait of a Lady Holding a Book (1740) od George Beare

Portrait of a Lady Holding a Book

1740 · Oil On Canvas · Walters Art Museum, Baltimore

A single woman occupies the center of this 1740 oil on canvas, her presence defined by the quiet weight of a book held against her bodice. The light enters from the upper left, catching the sharp, white edges of her lace collar and the soft curve of her cheek. She is a figure of stillness. Her gaze is steady, meeting the viewer from an eye-level perspective that feels intimate rather…

4
Portrait of an Elderly Lady and a Girl (1747) od George Beare

Portrait of an Elderly Lady and a Girl

1747 · Oil · Yale Center for British Art, New Haven

The oil painting titled Portrait of an Elderly Lady and a Girl was executed by the English artist George Beare in 1747. This work captures a quiet, generational intersection between two female figures. An elderly woman and a young girl occupy the center of the frame, their presence forming a silent link between different stages of life. The subject matter suggests a familial bond, likely representing a grandmother and her…

5
An Unknown Man (1746) od George Beare

An Unknown Man

1746 · Oil On Canvas · Yale Center for British Art, New Haven

A single man occupies the center of an oval world. He is turned slightly, a three-quarter view that suggests a moment of quiet interruption. His face carries a soft, rosy flush against the pale cream of his skin, a warmth that contrasts with the cool, powdered white of his wig. The light falls from the upper left, carving the shape of his nose and the line of his jaw through…

Slike autora George Beare, rangirane od 11 do 15

Motivi koji su privukli pažnju George Beare

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika George Beare

7 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora George Beare Slike iz ovog popisa
Yale Center for British Art, New HavenYale Center for British Art New Haven 3 An Unknown Woman, Called Peg Woffington, Portrait of an Elderly Lady and a Girl, An Unknown Man
Salisbury - South Wiltshire Museum, SalisburySalisbury - South Wiltshire Museum Salisbury 2 Sir Frederick Evelyn (1733 1734–1812), as a Boy, Miss Fort of Alderbury House, Wiltshire
National Portrait Gallery, LondonNational Portrait Gallery London 2 Francis Price, Thomas Chubb
Philadelphia Museum of Art, FiladelfijaPhiladelphia Museum of Art Filadelfija 1 Portrait of a Woman
Walters Art Museum, BaltimoreWalters Art Museum Baltimore 1 Portrait of a Lady Holding a Book
Salisbury Guildhall, SalisburySalisbury Guildhall Salisbury 1 Thomas Chubb of Salisbury (1679–1747)
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 Portrait of an Unknown Man in Brown

George Beare, najprepoznatljivija djela svake godine

Deset godina, od 1740 do 1749, bilo je dovoljno za George Beare: galerija ih prolazi godinu po godinu, jedan poznati original za drugim.

Djela po godinama

Odaberite godinu kako biste vidjeli originalna djela.

Slike umjetnika George Beare: odgovori galerije

Koja je najpoznatija slika umjetnika George Beare?Otkrijte odgovor

An Unknown Woman, Called Peg Woffington (1740), Yale Center for British Art, New Haven. Nakon njih slijede Portrait of a Woman (1740) i Portrait of a Lady Holding a Book (1740).

Koliko je godina George Beare imao/la kada je dovršio/la An Unknown Woman, Called Peg Woffington?Otkrijte odgovor

15 godina: An Unknown Woman, Called Peg Woffington datira iz 1740, a George Beare je rođen/a 1725.

Koje su najpoznatije slike umjetnika George Beare?Otkrijte odgovor

An Unknown Woman, Called Peg Woffington, Portrait of a Woman, Portrait of a Lady Holding a Book, Portrait of an Elderly Lady and a Girl, An Unknown Man, Sir Charles Clarke (1702–1750), Baron of the Exchequer (1743–1750), Thomas Chubb of Salisbury (1679–1747), Sir Frederick Evelyn (1733 1734–1812), as a Boy, Portrait of a Lady i Portrait of a Gentleman, possibly Hugh Marriott. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je djela stvorio/la George Beare?Otkrijte odgovor

Naš katalog sadrži 15 djela umjetnika George Beare, datiranih od 1740 do 1749.

Gdje se nalaze najpoznatija originalna djela umjetnika George Beare?Otkrijte odgovor

Većinom u Yale Center for British Art (New Haven), Salisbury - South Wiltshire Museum (Salisbury) i National Portrait Gallery (London). Gornja tablica muzeja navodi sve njih.

Kada je George Beare stvorio svoje najpoznatije slike?Otkrijte odgovor

U 1747: 5 od 15 djela na ovoj stranici nastalo je tada, od čega je Portrait of an Elderly Lady and a Girl Portrait of an Elderly Lady and a Girl.

Koja su najranija i najkasnija poznata djela umjetnika George Beare?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz An Unknown Woman, Called Peg Woffington (1740), a najnovije iz Portrait of a Lady (1749).

Kojim se temama George Beare najčešće bavio/la?Otkrijte odgovor

Woman (4), Lace (3) i White fabric (3), kroz svih 15 djela na ovoj stranici.

U kojem je mediju George Beare najviše radio/la?Otkrijte odgovor

Oil On Canvas, za 3 od 15 djela na ovoj stranici.

Koje originale George Beare ima u svojoj kolekciji Yale Center for British Art?Otkrijte odgovor

An Unknown Woman, Called Peg Woffington, Portrait of an Elderly Lady and a Girl i An Unknown Man: Yale Center for British Art, New Haven posjeduje 3 djela s ove stranice.

George Beare: umjetnik

A Fleeting Glimpse: The Life and Art of George Beare

George Beare remains a somewhat enigmatic figure in the landscape of 18th-century English portraiture, a talent whose career blossomed briefly yet left behind a captivating legacy of refined skill and insightful character studies. Born around 1724 or 1725, his life is shrouded in relative obscurity, known primarily through the surviving corpus of his work and scattered historical records. He was active mainly in Salisbury, Wiltshire, where he established himself as an “eminent Face Painter,” a designation that speaks to the importance of portraiture within provincial society during this period. Tragically, Beare’s artistic journey was cut short by his untimely death near Andover in 1749, leaving behind approximately forty known paintings—a modest output, yet one brimming with quality and nuance.

The Provincial Portraitist: Style and Technique

Beare's art reflects the prevailing stylistic currents of the mid-18th century, drawing heavily from the traditions established by artists like Sir Godfrey Kneller and William Hogarth. However, he wasn’t merely an imitator; Beare possessed a distinctive sensibility that set his work apart. His portraits are characterized by their meticulous attention to detail—the delicate rendering of lace collars, the subtle sheen of silk fabrics, and the precise depiction of facial features. He favored a restrained palette, employing muted tones and soft lighting to create a sense of intimacy and psychological depth. Unlike some of his contemporaries who embraced flamboyant displays of wealth and status in their portraits, Beare’s subjects are often presented with quiet dignity and understated elegance. His brushwork is remarkably smooth, indicative of careful layering and glazing techniques—a testament to his technical mastery. He excelled at capturing not just the likeness of his sitters but also a sense of their inner character, imbuing each portrait with a unique personality.

Wiltshire Society and Notable Patrons

Beare’s clientele primarily consisted of members of the gentry and prosperous merchants in and around Salisbury. His paintings offer a fascinating glimpse into the social fabric of Wiltshire society during the Georgian era. Among his most celebrated works are portraits of Thomas Chubb, a renowned clockmaker and outspoken critic of religious hypocrisy, painted in 1747—a piece that showcases Beare’s ability to convey intellectual strength and moral conviction. Another notable commission was a portrait of Colonel George Treby, Mayor of Plympton, revealing the artist's skill in depicting authority and civic pride. These portraits weren’t simply exercises in representation; they were statements of social standing, expressions of personal identity, and enduring testaments to the lives of those who commissioned them. The Salisbury Civic Society has rightly recognized Beare’s importance through a commemorative plaque, acknowledging his contribution to the artistic heritage of the region.

A Brief but Impactful Career: Legacy and Rediscovery

Despite his short career, George Beare left an indelible mark on the local art scene. His paintings were highly sought after during his lifetime, and they continue to be admired for their technical brilliance and psychological insight. While he didn’t achieve widespread fame like some of his contemporaries, his work has experienced a resurgence in recent years, thanks to increased scholarly attention and growing appreciation for provincial portraiture. Art UK and the Tate Gallery have both included Beare in their online collections, making his art accessible to a wider audience.
  • His paintings provide valuable insights into 18th-century English society.
  • Beare’s meticulous technique and restrained style set him apart from many of his contemporaries.
  • The rediscovery of his work has shed light on the artistic landscape beyond London.

Beyond the Brush: Unanswered Questions

Much about Beare's life remains a mystery. The location of his studio, the extent of his formal training, and the full scope of his artistic influences are still subjects of ongoing research. However, the surviving paintings offer compelling evidence of a gifted artist who possessed a keen eye for detail, a sensitive understanding of human character, and a remarkable ability to capture the essence of his sitters. George Beare’s story serves as a reminder that artistic excellence can flourish even in the most provincial settings, and that every portrait—however modest—can hold a wealth of historical and cultural significance.