Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 215 djela Frederick Goodall u našem katalogu
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Hunt the Slipper (1860) je slika autora Frederick Goodall koja privlači najviše pogleda; original se nalazi u muzeju Sheffield City Art Galleries, Sheffield. Nakon toga, pogled se usmjerava na The Holy Well (1843) i The Village Holiday (1847). Među 215 djela umjetnika Frederick Goodall u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
The painting Hunt the Slipper by Frederick Goodall captures a moment of communal movement. Created in 1860, this work presents a landscape format that stretches the viewer's gaze across a rural scene. It is an oil on panel, a medium that holds the light of a mid-nineteenth-century afternoon within its grain.
The Holy Well is an oil painting by the English painter Frederick Goodall. Created about 1843, this work depicts a group of figures gathered around a stone well situated within a wooded, rustic setting. The scene includes a stone cross and the remains of an archway in the background, establishing a setting defined by religious and historical elements.
The Village Holiday by Frederick Goodall captures a lively moment of communal celebration. This 1847 oil painting presents a genre scene where the rhythms of rural life take center stage. Within the frame, traditional festivities unfold in an English village, looking back to a time of simple, shared joy. The atmosphere feels thick with the energy of a community gathered together, momentarily stepping away from the toil of daily existence…
In Market People of Brittany in a Boat, Frederick Goodall centers the composition around a wooden boat that occupies most of the frame's central area. This vessel is filled with various people and goods. To the left of the boat, a shoreline featuring reeds and vegetation is visible. On the right side, a distant bank or coastline is suggested, providing a sense of scale to the water. The horizon line…
A Halt at a Brittany Well is an oil on canvas by Frederick Goodall. Painted about 1844, the work captures a quiet moment of rest in the rural landscape of Brittany, France. The scene focuses on a man, a woman, and a child pausing by an old stone well, accompanied by a horse and cart. It is a study of stillness amidst the daily rhythms of provincial life.
Mother and Children is an oil on panel work by the English artist Frederick Goodall. Executed in 1851, the painting belongs to a period in the artist's career preceding his extensive travels to Egypt. Goodall, who lived from 1822 to 1904, established himself within the London art establishment through numerous exhibitions at the Royal Academy.
An Episode in the Happier Days of Charles I is an oil on canvas history painting by the British artist Frederick Goodall. Executed in 1853, the work represents a significant contribution to the mid-Victorian interest in historical narrative and royal portraiture. The piece reflects the technical precision Goodall developed through his early training and his subsequent reputation for large-scale figure subjects.
The Heath Cart by Frederick Goodall, created about 1850, centers its composition on a wooden cart and its occupants. A donkey pulls the vehicle across a rugged, uneven landscape, establishing a focal point amidst the surrounding terrain. The figures within the cart are positioned to suggest family unity and the shared nature of their labor. This arrangement emphasizes the human element within a vast, pastoral setting.
A mother sits upon a patterned rug, her body curved around the small, pale weight of her infant. The scene is set within a room that breathes the air of the Middle East or North Africa, a space defined by soft shadows and the stillness of a private moment. Light spills from an unseen source to the left, catching the smooth curve of a baby's cheek and the gentle slope…
In High Society Couple, Frederick Goodall presents a quiet, composed scene from the height of Victorian social life. Painted about 1861, the work captures a man and woman positioned within an arched doorway, their presence framed by the architecture of a refined urban setting. They are accompanied by servants, a detail that subtly acknowledges the social hierarchies and domestic structures of the era. A small dog sits at the bottom…
Rachel1867 · National Gallery of Victoria
12
the marriage procession1870
13
A Helping Hand, Cairo1870
14
Interior of a Coffee Shop, Cairo1870
15
The Marriage Procession1870 · Touchstones Rochdale Arts And Heritage Centre
16
Getting in the Sugar Cane, River Nile1875 · Grundy Art Gallery
17
Mother and Child1875 · Petit Palais
18
The Flight into Egypt1884 · Te Whare O Rehua Sarjeant Gallery
19
Memphis1882
20
Egyptian Woman and Child1879 · Russell
21
Leading the Flock1889
22
Davids Promise to Bathsheba
23
Egyptian nomad
24
Early Morning in the Wilderness of Shur
25
La Porte du Desert
26
Puritan and Cavalier1886 · Walker Art Gallery
27
Old and Young Come Forth To Play1847
28
Leaving a Church, Brittany1840 · Wolverhampton Art Gallery
29
Gypsy Encampment1848 · Towner Gallery
30
Entering a Church, Britanny1840 · Wolverhampton Art Gallery
31
Ruins of Egypt1849
32
the swing1853
33
tired gleaners1855
34
William Edward Dighton (1822–1853) in Middle Eastern Dress1852 · Metropolitan Museum of Art
35
William Edward Dighton (1822 1853) in Middle Eastern Dress1852
36
A Letter from Papa1855
37
summer song1863
38
arab boy resting1858
39
Portrait of a Middle Eastern Girl1859
40
Felice Ballarin Reciting Tasso to the People of Chioggia1858 · Sheffield City Art Galleries
41
Highland Jessie (also known as The Campbells are Coming)1858
42
The Drinking Trough A Scene in Brittany1857
43
The Rising of the Nile1865
44
rebekah
45
Widow of Nain1874
46
the water bearers1878
47
The Distaff Worker1878 · Nottingham Castle Museum And Art Gallery
48
A New Light in the Harem - Oil on Canvas -1885
49
A View of Eton from Windsor Castle1889 · Royal Collection
50
the young arab outpost - oil on canvas -1889
51
Puritan and Cavalier1886
52
portrait1891
53
Horatio Herbert Kitchener, 1st Earl Kitchener of Khartoum1890 · National Portrait Gallery
54
Spinners and weavers1894
55
Rica his daughter1894
56
The Ploughman and the Shepherdess Time of the Evening Prayer1897
57
Female Riding Camel1893
58
Landscape Near Folkestone, Kent1900
59
Rachel
60
fruit woman
61
Thomas Cranmer At The Traitor's Gate
62
The homely meal
63
the flight into egypt
64
A woman of Cairo
65
untitled
66
a fairy scene
67
flower girls
68
jessies dream
69
miranda frederick goodall
70
an arabian dealerPetit Palais
71
a letter from papa
72
the irish piper
73
sheik distributing alms
74
the grand bazaar
75
A Dream of Paradise
76
an eygptian flower girl
77
Figures and Goats by an Oasis
78
The Song of the Nubian Slave
79
Musicians
80
Bazaar scene
81
Leaving the Village
82
Market Day
83
Femme à la cruche
84
The Light of the Rising Sun upon the Pyramids of Ghizeh
85
Irish Cabin Interior
86
Maternal Affection
87
The Irish Piper
88
The children of Charles I illustration from Hutchinsons Story of the British Nation1923
89
An Arab home1893 · Art Gallery of New South Wales
90
Trespassers
91
travellers in the desert
92
Arab travellers at sunset a town beyond
93
Scen at a well
94
Arabs in the Desert
95
driving ducks
96
At the well
97
an eastern shepherdess
98
Overflow of the Nile
99
By the Nile
100
the pipe smoker
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Frederick Goodall | Slike iz ovog popisa |
|---|---|---|---|
 Sheffield City Art Galleries |
Sheffield | 3 | Hunt the Slipper, The First Born, Felice Ballarin Reciting Tasso to the People of Chioggia |
 Petit Palais |
Pariz | 2 | Mother and Child, an arabian dealer |
 Wolverhampton Art Gallery |
Wolverhampton | 2 | Leaving a Church, Brittany, Entering a Church, Britanny |
 National Gallery of Ireland |
Dublin | 1 | The Holy Well |
 Fitzwilliam Museum |
1 | The Heath Cart | |
 National Gallery of Victoria |
Melbourne | 1 | Rachel |
 Touchstones Rochdale Arts And Heritage Centre |
Rochdale | 1 | The Marriage Procession |
 Grundy Art Gallery |
Blackpool | 1 | Getting in the Sugar Cane, River Nile |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The Holy Well is an oil painting by the English painter Frederick Goodall. Created about 1843, this work depicts a group of figures gathered around a stone well situated within a wooded, rustic setting. The scene includes a stone cross and the remains of an archway in the background, establishing a setting defined by religious and historical elements.
Mother and Children is an oil on panel work by the English artist Frederick Goodall. Executed in 1851, the painting belongs to a period in the artist's career preceding his extensive travels to Egypt. Goodall, who lived from 1822 to 1904, established himself within the London art establishment through numerous exhibitions at the Royal Academy.
The painting Hunt the Slipper by Frederick Goodall captures a moment of communal movement. Created in 1860, this work presents a landscape format that stretches the viewer's gaze across a rural scene. It is an oil on panel, a medium that holds the light of a mid-nineteenth-century afternoon within its grain.
In the marriage procession, Frederick Goodall presents a scene of Middle Eastern travelers and a camel caravan. The composition is vertically oriented, directing the viewer's gaze upward from the foreground figures toward distant buildings and palm trees. A group of men occupies the center, riding atop a richly decorated camel. Among them, one man prominently carries drums while another plays a pipe, establishing a sense of movement and ritual. Several…
In this work, titled The Flight into Egypt, Frederick Goodall presents a quiet moment of biblical history. Painted about 1884, the scene captures a period of profound transition. The subject matter focuses on the necessity of movement, touching upon themes of migration, refuge, and endurance as the figures navigate a landscape of uncertainty.
Hunt the Slipper (1860), Sheffield City Art Galleries, Sheffield. Nakon njih slijede The Holy Well (1843) i The Village Holiday (1847).
38 godina: Hunt the Slipper datira iz 1860, a Frederick Goodall je rođen/a 1822.
Hunt the Slipper, The Holy Well, The Village Holiday, Market People of Brittany in a Boat, A Halt at a Brittany Well, Mother and Children, The Happier Days of Charles I, The Heath Cart, The First Born i High Society Couple. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 215 djela umjetnika Frederick Goodall, datiranih od 1840 do 1900.
Većinom u Sheffield City Art Galleries (Sheffield), Petit Palais (Pariz) i Wolverhampton Art Gallery (Wolverhampton). Gornja tablica muzeja navodi sve njih.
U 1850s: 13 od 100 djela na ovoj stranici nastalo je tada, od čega je Mother and Children Mother and Children.
Na ovoj stranici najstarije djelo je iz Leaving a Church, Brittany (1840), a najnovije iz Landscape Near Folkestone, Kent (1900).
Landscape (8), Woman (8) i Victorian art (8), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, za 16 od 100 djela na ovoj stranici.
Hunt the Slipper, The First Born i Felice Ballarin Reciting Tasso to the People of Chioggia: Sheffield City Art Galleries, Sheffield posjeduje 3 djela s ove stranice.
London, 1822. Frederick Goodall ulazi u svijet preciznih linija i tehničkog umeća kao drugi sin Edwarda Goodalla, gravira čeličnih linija. Ova obiteljska poveznica s mehanikom graviranja pruža mu temeljno razumijevanje detalja koje će kasnije postati zaštitni znak njegovog rada. Svoje formalno obrazovanje stježe u akademiji Wellington Road, u razdoblju studija koje ga priprema za stroge zahtjeve profesionalnog predstavljanja i umjetničkog izražavanja.
Prelazak iz statusa učenika u status profesionalca događa se s nevjerojatnom brzinom. Sa samo šesnaest godina, Goodall dobiva značajnu narudžbu od Isambarda Brunela. Zadatak uključuje dokumentiranje izgradnje Rotherhithe tunela kroz šest akvarelnih slika. Ova djela ne služe samo kao zapis inženjerskog poduhvata; ona iznose njegov novi, usklijevani talent na javnu scenu. Četiri od tih akvarela stižu do Kraljevske akademije, označavajući njegov prvi veliki susret s institucijom koja će definirati njegovu karijeru.
Put Goodallove karijere započinje iznimnim i upečatljivim rani uspjehom koji je najavio veličinu njegovog talenta. Sa samo šesnaest godina, stvorio je šest akvarelnih slika koje dokumentiraju izgradnju Brunelovog tunela na Temi, djela koja su 1838. godine pronašla svoj put u prestižne galerije Kraljevske akademije. Taj rani zametaj prenio se i na njegovo uljano slikarstvo, gdje je njegovo prvo djelo u ovom mediju osvojilo srebrnu medalju Društva umjetnosti. Brzo je uspostavio snažno prisustvo u londonskom umjetničkom svijetu, izlažući u Kraljevskoj akademiji čak 27 puta u razdoblju između 1838. i 1859. godine.
Kako je njegova reputacija rasla, pratio ju je i službeni institucionalni priznatost. Godine 1852. izabran je za suradnika Kraljevske akademije (ARA), a taj uspon nastavio je sve do 1863. godine, kada je postigao status punopravnog člana Kraljevske akademije (RA). Njegov utjecaj unutar akademije ostao je neupitno desetljećima; tijekom razdoblja od 46 godina, izložio je ukupno 170 slika u ovoj prestižnoj instituciji. Njegov umjetnički izraz često se fokusirao na monumentalne figuralne motive, koji su se krevali od dubokih povijesnih narativa do živopisnih, svakodnevnih scena iz egzotičnog egipatskog života.
Egzipska tema dominira cjelokupnim radom Fredericka Goodalla. Tijekom svog prvog posjeta 1858. godine, on dijeli kuću i studio u Kairu s umjetnikom Carl Haag. Zajedno su skicirali po ulicama i na rubovima grada, a to razdoblje označava ključni preokret prema etnografskom detalju koji će definirati njegovu karijeru. On ne promatra svijet samo iz daljine; on kampira s beduinskim plemenima kako bi dočuo autentične teksture njihovog života i istinsko tkivo svakodnevice.
Godine 1870. on se vraća u Egipat. To drugo putovanje vodi ga u Sakaru, u blizinu piramida, gdje se nastanjuje. Njegova opsesivna posvećenost preciznosti i točnosti tlači ga čak do toga da ovce i koze vodi natrag u Englesku, kako bi osigurao da životinje na njegovim platnima budu prikazane s apsolutnom vjernošću. Frederick Goodall traži specifično svjetlo i pokret pustinje, nadilazeći poznate pejzaže svog mladunčastog doba kako bi dokumentirao kulturu koju promatra s iznimnom, gotovo znanstvenom pažnjom.
Godine 1846. Frederick Goodall ulazi u brak koji ga snažno povezuje s tehničkim tradicijama graviranja. Oženio se za Anne Thomson, kćer slavnog gravira Jamesa Thompsona. Zajedno su izgradili dom koji je postao značajno središte umjetničkog talenta. Njihovo je petero djece odraslo u okruženju koje je bilo definirano vizualnim istraživanjem i studijem; među njima su se našli Frederick Trevelyan i Howard Goodall, koji su obojica odrasli u umjetničkom duhu i nastavili put svojim roditeljima kao umjetnici.
Stabilnost ovog obiteljskog života narušena je 1869. godine kada je Anne preminula. Nakon razdoblja žaljenja, 1872. godine slijedi njegov drugi brak. Njegova nova supruga, Alice May Tarry, bila je sama umjetnica. Ta je zajednica nastavila obrazac u kojem je domatični život bio duboko i neposredno ispreten s praksom slikarstva i profesionalnim umjetničkim krugovima.
Vrhunac društvenog statusa koji je Frederick Goodall ostvario, obilježen je izgradnjom rezidencije Grims Dyke u Harrow Wealdu. Ta kuća, podignuta između 1870. i 1872. godine, postala je središte njegovog društvenog života, mjesto gdje su boravili prestižni gosti poput princa Walesa. To razdoblje predstavlja sam vrhunac njegove obiteljske i profesionalne stabilnosti, stvarajući izrazit kontrast s finansijskim prevrtnicama koje će uslijediti.
Ipak, kasne godine donose nagli pad. Do 1902. godine, umjetnik se suočio s surovom stvarnošću stečaja. Prosperitet koji je nekada definirao njegovu karijeru nestao je, ostavljajući za sobom naslijeđe obilježeno istovremeno i značajnim umjetničkim postignućima i iznenadnim financijskim nedaćama. Frederick Goodall preminuo je 29. srpnja 1904. godine, a njegovi su ostaci položeni u obiteljski grob na zapadnoj strani groblja Highgate.
