Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 51 djela Ernst Josephson u našem katalogu
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Mrs Hanna Marcus (1880) je slika autora Ernst Josephson koja privlači najviše pogleda; original se nalazi u muzeju Nationalmuseum, Stockholm. Nakon toga, pogled se usmjerava na Gripsholms slott, konseljsalen (1870) i Nymph and Faun (1878). Među 51 djela umjetnika Ernst Josephson u našem katalogu, ovih 51 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
In this 1880 portrait, we find ourselves in an intimate encounter with Mrs Hanna Marcus. The composition is a close-up, bust-length study that centers the subject against a dark, atmospheric background, pulling the viewer into her immediate space. There is a profound sense of dignity in her posture, a quiet introspection that suggests a life lived with significant depth. The lighting is directional, appearing to come from the upper left,…
Step into the quietude of the council chamber at Gripsholm Castle. This 1870 work by Ernst Josephson captures a moment of stillness within a space defined by its history and weight. The composition is anchored by a powerful light source entering from a large window on the left, casting a dramatic chiaroscuro across the room. This light does not merely illuminate; it sculpts the interior, creating deep shadows that retreat…
In this 1878 oil painting, a male faun and a female nymph occupy a dense, natural setting. The faun, positioned on the left, holds panpipes to his lips, his muscular form defined by soft, organic lines. To the right, the nymph turns her gaze toward him, her hair and drapery rendered with thick, expressive brushstrokes. The composition is a close-up, centering the two figures against a shallow, atmospheric background of…
In Female Nude Study, Ernst Josephson presents a seated nude female figure captured in profile. Created about 1873, the work focuses on a single subject positioned slightly off-center within a vertically oriented composition. The figure rests in a relaxed posture, her body turned away from the viewer to emphasize the quiet contours of her form. There is a stillness here, a pause held in oil and pigment.
Three figures emerge from a heavy, textured darkness, their presence felt through the sheer physical weight of the paint. These blacksmiths occupy a tight, intimate space, their upper bodies pressing against the viewer as if the heat of their forge still lingers in the air. The central man holds his arms crossed, a gesture of quiet pride that anchors the composition. A slight, knowing smile touches his face, offering a…
In the Portrait of Ville Vallgren by Ernst Josephson, a single male figure occupies the center of the frame. This close-up bust-length portrait captures the man from a direct, eye-level view. He faces slightly toward the viewer's left, his gaze steady. A pair of spectacles rests upon his face, catching the light. A large, dark purple bow tie provides a singular point of deep color against the rest of his…
In this oil sketch from about 1882, Ernst Josephson presents a scene of profound tension. The composition centers on the muscular, nude form of a human-like figure, a water sprite, caught in a moment of intense struggle. This figure appears to be emerging from, or perhaps being pulled into, a dark and cavernous space. Surrounding the subject is a turbulent, watery environment where cascading liquid creates a sense of chaotic…
In Girl in Blue, Ernst Josephson presents us with a quiet, intimate encounter with a single female figure. Painted about 1884, the work captures a moment of stillness. The subject is positioned in a medium close-up, her presence felt through a soft, atmospheric quality that suggests a fleeting glance rather than a formal sitting. There is a certain vulnerability in her gaze that draws the viewer into her immediate space.
In this impressionistic portrait, Boy with a Wheelbarrow presents a quiet moment from the life of a young boy. Painted by Ernst Josephson around 1880, the work captures a sense of youthful innocence through its soft textures and naturalistic atmosphere. The subject is positioned within a lush garden setting, surrounded by dense foliage that creates an intimate, enclosed feeling.
In the watercolor study titled "Spanish Beggar" by Ernst Josephson, an elderly man is depicted in a full-length view. The figure is positioned slightly off-center within a composition that suggests the confines of a doorway or a narrow street. The subject is rendered with a weary posture and a downward gaze. This orientation, combined with the eye-level perspective, places the viewer in close proximity to the man. The scene is…
Allan Österlind, the Artist1880 · Nationalmuseum
12
Godfrey Renholm, the Journalist1880 · Nationalmuseum
13
Mrs Caroline Schloss1885 · Nationalmuseum
14
Hugo Birger, the Artist, as a Mercenary1879 · Nationalmuseum
15
Mrs Hilma Marcus1885 · Nationalmuseum
16
14 July, Paris1883
17
La joie de vivre1887 · Statens Museum For Kunst
18
Portrait of the Painters Bruno Liljefors and Alf Wallander1886 · Statens Museum For Kunst
19
The Postmaster of Bréhat1888 · Nationalmuseum
20
Village Gossip1886 · Nationalmuseum
21
Miss Louise Breslau, the Artist1886 · Nationalmuseum
22
Mother and Child. The Wife and Daughter of the Artist Allan Österlind1886 · Nationalmuseum
23
Ludvig Josephson, Stage Director1893 · Nationalmuseum
24
Ketty RindskopfNationalmuseum
25
The Finding of Moses. Sketch1870 · Nationalmuseum
26
Duke Karl's Tower Chamber at Gripsholm1870 · Nationalmuseum
27
Guards' Room at Gripsholm1870 · Nationalmuseum
28
The Cool1886 · Nationalmuseum
29
Blue Sea1893 · National Museum of Art, Architecture and Design
30
At the Seashore1894 · Nationalmuseum
31
Nude Woman Cutting Her HairFinnish National Gallery
32
In the SwellNationalmuseum
33
Gloucester and Princess Anne. Scene from Shakespeare's Richard IIINationalmuseum
34
Mrs Caroline SchlossFinnish National Gallery
35
A Historical SceneFinnish National Gallery
36
Dramatic SceneNationalmuseum
37
Ecstatic HeadsNationalmuseum
38
Portrait of a LadyNationalmuseum
39
The Holy SacramentNationalmuseum
40
St Teresa in extasyNationalmuseum
41
Untitled (104)
42
Waterfall Study, EggedalNationalmuseum
43
Untitled (257)
44
Untitled (877)
45
Näcken, GKM (1884)
46
Untitled (677)
47
Untitled (782)Gothenburg Museum of Art
48
Untitled (242)
49
Untitled (549)Nationalmuseum
50
Miss Anna Bagge, née Heyman1880 · Nationalmuseum
51
Spanish Smiths1881 · Nationalmuseum
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
5 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Ernst Josephson | Slike iz ovog popisa |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 34 | Mrs Hanna Marcus, Gripsholms slott, konseljsalen, Nymph and Faun |
 Finnish National Gallery |
Helsinki | 4 | Portrait of Ville Vallgren, Nude Woman Cutting Her Hair, Mrs Caroline Schloss |
 Gothenburg Museum of Art |
Gothenburg | 2 | Female Nude Study, Untitled (782) |
 National Museum of Art, Architecture and Design |
Oslo | 2 | Spanish Blacksmiths, Blue Sea |
 Statens Museum For Kunst |
Kopenhagen | 2 | La joie de vivre, Portrait of the Painters Bruno Liljefors and Alf Wallander |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
Step into the quietude of the council chamber at Gripsholm Castle. This 1870 work by Ernst Josephson captures a moment of stillness within a space defined by its history and weight. The composition is anchored by a powerful light source entering from a large window on the left, casting a dramatic chiaroscuro across the room. This light does not merely illuminate; it sculpts the interior, creating deep shadows that retreat…
In this 1880 portrait, we find ourselves in an intimate encounter with Mrs Hanna Marcus. The composition is a close-up, bust-length study that centers the subject against a dark, atmospheric background, pulling the viewer into her immediate space. There is a profound sense of dignity in her posture, a quiet introspection that suggests a life lived with significant depth. The lighting is directional, appearing to come from the upper left,…
The portrait titled Ludvig Josephson, Stage Director is a striking encounter with a man whose presence fills the frame. Painted by Ernst Josephson, the work captures a specific moment of contemplation. The subject, Ludvig Josephson, gazes upward, his expression caught in a state of intense reflection. This meeting between artist and subject occurs within the canvas, frozen in a quiet, heavy atmosphere.
Mrs Hanna Marcus (1880), Nationalmuseum, Stockholm. Nakon njih slijede Gripsholms slott, konseljsalen (1870) i Nymph and Faun (1878).
29 godina: Mrs Hanna Marcus datira iz 1880, a Ernst Josephson je rođen/a 1851.
Mrs Hanna Marcus, Gripsholms slott, konseljsalen, Nymph and Faun, Female Nude Study, Spanish Blacksmiths, Portrait of Ville Vallgren, Sketch for The Water Sprite, Girl in Blue, Boy with a Wheelbarrow i Spanish Beggar. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 51 djela umjetnika Ernst Josephson, datiranih od 1870 do 1894.
Većinom u Nationalmuseum (Stockholm), Finnish National Gallery (Helsinki) i Gothenburg Museum of Art (Gothenburg). Gornja tablica muzeja navodi sve njih.
U 1880s: 21 od 51 djela na ovoj stranici nastalo je tada, od čega je Mrs Hanna Marcus Mrs Hanna Marcus.
Na ovoj stranici najstarije djelo je iz Gripsholms slott, konseljsalen (1870), a najnovije iz At the Seashore (1894).
Woman (9), Man (9) i Earthy tones (4), kroz svih 51 djela na ovoj stranici.
Oil On Canvas, za 15 od 51 djela na ovoj stranici.
Mrs Hanna Marcus, Gripsholms slott, konseljsalen i Nymph and Faun: Nationalmuseum, Stockholm posjeduje 34 djela s ove stranice.
Ključni trenutak u Josephsonovoj karijeri nastao je s njegovim premještanjem u Pariz 1879. godine. Vibrantna umjetnička scena tog grada pružila je stimulativno okruženje za eksperimentiranje i samoodnakhvaćanje. On se brzo pozicionirao kao istaknuta figura među skandinavskim umjetnicima, sudjelujući na prestižnim izlaganjima u Salonu. Tijekom tog razdoblja stekao je priznanje za svoje očaravajući portreti, koji su se odlikovali svojom psihološkom dubinom i nijansiranim promatranjem ljudskog karaktera. Ova djela pokazivala su sposobnost ne samo da uhvate fizički lik, već i unutarnji život svojih subjekata – vještinu koja će postati sve važnija u njegovim kasnijim umjetničkim istraživanjima. Međutim, Josephsonovi parizanski su godine obilježile rastuće osjećaje razočaranja, dok se borio pokušavajući uskladiti svoje umjetničke ambicije s zahtjevima komercijalnog uspjeha i društvenim očekivanjima.
