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Iz perspektive galerije, najpoznatije djelo umjetnika Ernest Hébert je LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE, čiji se original nalazi u muzeju Musée National Ernest Hébert, Paris. ROMA SDEGNATA i Peasants at the fountain upotpunjuju triju koju svako oko prepoznaje. Od 131 djela umjetnika Ernest Hébert u našem katalogu, galerija u nastavku prikazuje 100 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
In this oil on canvas, we find ourselves drawn into a private, silent interval of a young woman's day. She sits upon a stone bench, her form draped in a white blouse and a blue skirt, her presence anchored by the subtle weight of her contemplation. A red headscarf provides the only sharp note of color against the muted, natural tones of the surrounding greenery. Her gaze is cast downward,…
ROMA SDEGNATA is an oil painting executed by the French academic painter Ernest Hébert. The artist produced this work between about 1886 and 1896. This specific piece is currently held in a collection in Rome at the museo di Roma. Two related sketches of the composition are preserved at the Musée Hébert in Paris.
Peasants at the fountain is a genre painting by the French artist Ernest Hébert. The work is categorized as a genre painting, focusing on scenes of everyday life. This specific piece is centered on the theme of life in Italy. The composition captures a group of individuals gathered around a water source, a subject matter that aligns with the artist's interest in rural customs and social settings.
The Subject and Composition A young man occupies the center of this oil portrait, presented in a bust-length view. He is positioned slightly off-center, his torso turned partially away while his gaze meets the viewer directly. The subject possesses dark eyes, well-defined eyebrows, and full lips. His hair is rendered with fine, dark, textured strokes that suggest volume and curls. He wears dark clothing, primarily deep blacks, which merge into…
The Virgin of Deliverance is a religious oil on wood executed by Ernest Hébert in 1872. This specific work functions as a variant of a larger-scale altarpiece produced by the artist. The original composition was created for the Salon of 1872 and was subsequently installed in the church of La Tronche the following year.
A somber monochrome scene unfolds within a dark, cavernous setting, defined by deep blacks and sharp highlights. A central female figure stands in the foreground, her face and shoulder caught in a dramatic light that suggests an unseen source above. At her feet lies a recumbent figure, creating a composition of tension and mourning. The environment is composed of textured, organic shapes, suggesting the earthen walls of a cave or…
In the quietude of PETITE EVE AU PAVOT, the French artist Ernest Hébert presents us with a delicate encounter. We find ourselves facing a portrait of a young woman, her presence filling the space with a soft, contemplative energy. The title suggests she is Eve, a figure whose very name carries the weight of ancient stories, yet here she appears caught in a moment of pure, unblemished grace. There is…
The composition centers on a bust-length portrait of a young woman, positioned within an oval frame. Her gaze is directed toward the viewer, characterized by a steady and slightly melancholic expression. She is draped in a headscarf featuring intricate patterns of red, blue, and green. The fabric folds are rendered with soft, flowing lines that define the contours of her face and the weight of the textile. Her skin tones…
In the quiet, heavy atmosphere of the 19th century, Ernest Hébert captures a moment of profound human struggle in his work titled LA MALARIA. The scene unfolds upon a small boat, or barque, drifting through a landscape that feels thick with tension. A family of Italian peasants occupies the vessel, their lives suspended in the precarious space between the water and the shore. They are not merely traveling; they are…
is an oil on canvas painting by the French academic artist Ernest Hébert. Executed in 1846, the work belongs to the genre art classification. It represents a mid-19th-century approach to the Orientalist style, focusing on a specific scene of movement and music.
Music1850
12
Going to the Well1850 · Walters Art Museum
13
The hay harvesters of San Germano1857 · Musée d'Orsay
14
Adela1859
15
Pensive young Neapolitan1857
16
Self-Portrait With Red Tie1870 · Musée Hébert
17
La lavandière à Capri1874
18
The music (Agathe Calmel)1882 · Petit Palais
19
At the well1879 · Walters Art Museum
20
Ophelia1887 · Royal Collection
21
Marie-Thérèse de Ségur, countess of Guerne (1859-1933)1898 · Musée Carnavalet
22
Lily Schneider, Countess of Ganay1905 · Musée d'Orsay
23
Morning star1900
24
Souvenir d'Italie1908 · Musée Des Beaux Arts
25
Virgin And Child
26
VILLA MEDICIS, BASSIN A BALUSTRADEMusée National Ernest Hébert
27
The Mal'aria1848 · Musée d'Orsay
28
The Kiss of Judas1853 · Musée d'Orsay
29
Study for 'Les Filles d'Alvito'1855 · British Museum
30
Returning from the well1860 · Walters Art Museum
31
Young girls of IschiaMusée d'Orsay
32
PORTRAIT DE MADAME JANVIER D'ATTAINVILLELouvre
33
Portrait of Catherine du Bouchage
34
Marie-clotilde Therese Louise
35
Addolorata
36
The Virgin In Paradise
37
Bibiana (Ne m'oubliez pas)
38
Sainte Geneviève
39
Le Christ
40
Tête du ChristMuseum Catharijneconvent
41
Portrait du Général de BeyliéMusée de Grenoble
42
PORTRAIT DE MARIA PUCCIMusée National Ernest Hébert
43
LA VIERGE AU PARADISMusée National Ernest Hébert
44
BibianaMusée National Ernest Hébert
45
Sainte MargueriteMusée National Ernest Hébert
46
ROME, LE BOTTEGHE OSCUREMusée National Ernest Hébert
47
PORTRAIT DE GABRIELLE D'UCKERMANN, MME ERNEST HEBERTMusée National Ernest Hébert
48
LES FILLES D'ALVITOMusée National Ernest Hébert
49
Tête de Jeanne d'Arc
50
PORTRAIT DE MME HOLLANDER NEE VICTORINE WERTHEIMMusée National Ernest Hébert
51
Le Tasse en prison visité par Expilly
52
TETE D'ITALIENNE DE PROFILMusée National Ernest Hébert
53
Tête de Vierge
54
JOUEUSE DE HARPEMusée National Ernest Hébert
55
SAINTE AGNESMusée National Ernest Hébert
56
PAYSANNE PENSIVEMusée National Ernest Hébert
57
TERRACINAMusée National Ernest Hébert
58
PORTRAIT DE ROSEMONDE GERARD, MME EDMOND ROSTANDMusée National Ernest Hébert
59
LES CERVAROLLES (ETATS ROMAINS)
60
MUSE EN DALMATIQUE JOUANT DE LA HARPEMusée National Ernest Hébert
61
OPHELIEMusée National Ernest Hébert
62
LE PETIT BRIGANDMusée National Ernest Hébert
63
LE MARCHAND D'IMAGESMusée National Ernest Hébert
64
Marcelle NéeMusée National Ernest Hébert
65
FEMME SONGEUSE DANS UN SOUS BOISMusée National Ernest Hébert
66
MADAME HEBERT, MERE DE L'ARTISTEMusée Hébert
67
Madame de Villegruy Baronne de VillegruyMusée National Ernest Hébert
68
ADELAIDE SONGEUSEMusée National Ernest Hébert
69
PAYSANNE ASSISE SONGEUSEMusée National Ernest Hébert
70
INTERIEUR DU COLISEEMusée National Ernest Hébert
71
ANTONIETTAMusée National Ernest Hébert
72
PORTRAIT D'AGNES DE POURTALES, MARQUISE DE LOYS CHANDIEUMusée National Ernest Hébert
73
PORTRAIT DE LA COMTESSE EUGENE PASTRE, NEE CELINE DE BEAULAINCOURTMusée National Ernest Hébert
74
CRESCENZA A LA FENETRE DE LA PRISONMusée National Ernest Hébert
75
PASTORELLAMusée National Ernest Hébert
76
PORTRAIT D'ISABELLE PUCCIMusée National Ernest Hébert
77
LA MARQUISE DE MODENE , NEE JEANNE MARIE CLEMENTINE THOMAS DE BOJANO (1862 1937)
78
PAYSAN DE SARACINESCOMusée National Ernest Hébert
79
Sainte AgnèsMusée National Magnin
80
Madame Maximilien Wey
81
SAINTE AMELIEMusée National Ernest Hébert
82
REVERIE AU CREPUSCULEMusée National Ernest Hébert
83
Pasqua MariaMusée National Ernest Hébert
84
JOUEUSE DE MANDOLINEMusée National Ernest Hébert
85
ROSA NERA A LA FONTAINEMusée National Ernest Hébert
86
JOSEPH CHARLES PAUL, PRINCE NAPOLEON (1822 1891)
87
MONA LUCCIAMusée Hébert
88
BARONNE ELEONORE D'UCKERMANN, BELLE SOUR DE L'ARTISTEMusée National Ernest Hébert
89
FAMILLE PAYSANNEMusée National Ernest Hébert
90
PORTRAIT DE CATHERINE DU BOUCHAGE, PLUS TARD MME DANIEL OLLIVIERMusée National Ernest Hébert
91
ANGE A L'EPEEMusée National Ernest Hébert
92
Comtesse de Pourtalès, née Mélanie Renouard de BussièresMusée National Ernest Hébert
93
JEUNE CHASSERESSEMusée National Ernest Hébert
94
PETIT SAVOYARD MONTREUR DE MARMOTTE APPELE ACTUELLEMENT PETIT SAVOYARD ET SON SINGEMusée National Ernest Hébert
95
Madame Hochon (née Louise Lefuel)
96
Female bathers
97
Et Toujours! Et Jamais!1863
98
PORTO D'ANZIOMusée National Ernest Hébert
99
Italian market scene
100
The Washerwoman
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Ernest Hébert | Slike iz ovog popisa |
|---|---|---|---|
 Musée National Ernest Hébert |
Paris | 69 | LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE, ROMA SDEGNATA, Peasants at the fountain |
 Musée d'Orsay |
Pariz | 11 | Self-portrait at 17 when he arrived in Paris, The Virgin of Deliverance, Oriental dance |
 Walters Art Museum |
Baltimore | 3 | Going to the Well, At the well, Returning from the well |
 Musée Hébert |
Paris | 3 | Self-Portrait With Red Tie, MADAME HEBERT, MERE DE L'ARTISTE, MONA LUCCIA |
 Art Institute of Chicago |
Chicago | 1 | On Guard |
 Musée Condé |
Chantilly | 1 | LA MALARIA |
 Petit Palais |
Pariz | 1 | The music (Agathe Calmel) |
 Royal Collection |
London | 1 | Ophelia |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The Subject and Composition A young man occupies the center of this oil portrait, presented in a bust-length view. He is positioned slightly off-center, his torso turned partially away while his gaze meets the viewer directly. The subject possesses dark eyes, well-defined eyebrows, and full lips. His hair is rendered with fine, dark, textured strokes that suggest volume and curls. He wears dark clothing, primarily deep blacks, which merge into…
is an oil on canvas painting by the French academic artist Ernest Hébert. Executed in 1846, the work belongs to the genre art classification. It represents a mid-19th-century approach to the Orientalist style, focusing on a specific scene of movement and music.
The title suggests an allegorical reading, linking the rhythmic patterns of nature to a sense of auditory harmony. The soft focus and idealized features of the woman evoke a dreamlike state, moving away from strict realism toward a more poetic interpretation of the landscape. This approach emphasizes a sense of quietude and the seamless integration of the individual into the wild, growing world.
A somber monochrome scene unfolds within a dark, cavernous setting, defined by deep blacks and sharp highlights. A central female figure stands in the foreground, her face and shoulder caught in a dramatic light that suggests an unseen source above. At her feet lies a recumbent figure, creating a composition of tension and mourning. The environment is composed of textured, organic shapes, suggesting the earthen walls of a cave or…
The Virgin of Deliverance is a religious oil on wood executed by Ernest Hébert in 1872. This specific work functions as a variant of a larger-scale altarpiece produced by the artist. The original composition was created for the Salon of 1872 and was subsequently installed in the church of La Tronche the following year.
LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE, Musée National Ernest Hébert, Paris. Nakon njih slijede ROMA SDEGNATA i Peasants at the fountain.
LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE, ROMA SDEGNATA, Peasants at the fountain, Self-portrait at 17 when he arrived in Paris, The Virgin of Deliverance, On Guard, PETITE EVE AU PAVOT, LA SULAMITE, DIT AUSSI LA FILLE DU LIBAN OU LA FLEUR DU LIBAN, LA MALARIA i Oriental dance. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 131 djela umjetnika Ernest Hébert, datiranih od 1833 do 1908.
Većinom u Musée National Ernest Hébert (Paris), Musée d'Orsay (Pariz) i Walters Art Museum (Baltimore). Gornja tablica muzeja navodi sve njih.
U 1850s: 7 od 100 djela na ovoj stranici nastalo je tada, od čega je Music Music.
Na ovoj stranici najstarije djelo je iz Self-portrait at 17 when he arrived in Paris (1833), a najnovije iz Souvenir d'Italie (1908).
Woman (17), Portrait (15) i 19th century (7), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, za 14 od 100 djela na ovoj stranici.
Romanticism, sudeći po originalima na ovoj stranici.
LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE, ROMA SDEGNATA i Peasants at the fountain: Musée National Ernest Hébert, Paris posjeduje 50 djela s ove stranice.
Antoine Auguste Ernest Hébert (1817. – 1908.), ime možda manje poznato od mnogih njegovih suvremenika iz 19. stoljeća, ipak predstavlja značajnu figuru u francuskoj akademskoj slikarstvu. Rođen u Grenobleu i odgojen u obitelji duboko utopljenoj u pravnu tradiciju, Hébertovo umjetničko putovanje nije počelo samo formalnim obrazovanjem, već samoiniciranom strasti koju su pokrenuli podučavanja kiparâ i povijesnih slikara. Ovaj nekonvencionalni početak oblikovao je njegov prepoznatljiv stil – onaj koji karakteriziraju pedantni detalji, duboko razumijevanje svjetla i sjene te neosporna romantičarska senzibilnost.
Hébertovo rano djetinjstvo u Grenobleu usadilo mu je duboko poštovanje prema prirodnom svijetu, što će postati središnja tema njegovog umjetničkog stvaralaštva. Preselivši se u Pariz s osamnaest godina, uronio je u živopisnu umjetničku scenu, studirajući pod Davidom d'Angersom i Paulom Delarocheom – majstorima koji su ga izložili klasičnim tehnikama i povijesnom narativu. Ipak, upravo je vrijeme provedeno u Rimu, stečeno zahvaljujući prestižnoj nagradi Prix de Rome 1839. godine, uistinu kristaliziralo njegovu umjetničku viziju. Ova stipendija omogućila mu je dugotrajno razdoblje studija u Villa Medici, dopuštajući mu da upije veličanstvenost talijanskih krajolika i kulture, što su iskustva duboko utjecala na njegova kasnija djela.
Hébertovo najslavnije djelo, „La Mal'aria” (1s48. – 49.), koje se danas nalazi u Musée d’Orsay, primjer je tog talijanskog utjecaja. Slika prikazuje dirljiv prizor seljačke obitelji koja bježi od izbijanja malarije duž venecijanskih kanala – temu koja je duboko odjeknula s fascinacijom romantičarskog pokreta za patnjom i uzvišenim. No, Hébert ne prikazuje samo dramatičan događaj; on pedantno prikazuje svaki detalj—istrošenu odjeću, izbružena lica, svjetlucavu vodu—s nevjerojatnim realizmom. Ova posvećenost akademskoj preciznosti, izbrušena tijekom rimskih studija, vidljiva je kroz cijelo njegovo djelo.
Njegova talijanska serija, međutim, protezala se izvan običnih slikovitih krajolika. Hébert je nastojao uhvatiti samu bit talijanskog života – njegov narod, običaje i atmosferu. Slikao je prizore pastira koji čuvaju svoje stado, ribara kako bacaju mreže i obitelji koje se okupljaju na suncem okupanim trgovima. Ova djela nisu samo prikazi krajolika; ona su prožeta osjećajem melanholije i nostalgije, odražavajući Hébertova vlastita promatranja blijedih tradicija ruralne Italije.
Unatoč vremenu provedenom u inozemstvu, Hébert je ostao čvrsto ukorijenjen u Parizu, postajući istaknuta figura na prestižnim izložbama Salona. Njegove su slike dosljedno dobivale kritičke pohvale, osiguravajući mu brojne narudžbe i utemeljivši ga kao jednog od vodećih akademskih slikara svog doba. Čak je dva puta bio imenovan direktor Francuske akademije u Rimu, što je dokaz njegovog položaja unutar umjetničke zajednice.
Osim krajolika, Hébert se izvrsno snalazio u portretiranju, bilježeći sličnosti istaknutih figura iz pariskog društva. Njegovi su portreti poznati po svojoj eleganciji i psihološkoj dubini, otkrivajući ne samo vanjski izgled, već i unutarnji karakter svojih subjekata. Ova djela pokazuju iznimnu sposobnost prenosa osobnosti kroz suptilne geste i izraze lica.
Hébertovo naslijeđe proteže se izvan njegovih pojedinačnih slika. U Parizu je osnovao Musée Hébert, danas poznat kao Nacionalni muzej Ernest Hébert, koji čuva opsežnu kolekciju njegovih djela uz nevjerojatan ansambl povijesnih prostorija koje nude uvid u pariski život 19. stoljeća. Muzej služi kao vitalan izvor za znanstvenike i ljubitelje umjetnosti, osiguravajući da se Hébertovi umjetnički doprinosi čuvaju i slave.
Njegov rad nastavlja se proučavati i cijeniti zbog svoje tehničke majstorstva, evokativnih slika i dirljivog prikaza ljudskog stanja. Ernest Hébert ostaje uvjerljiv primjer umjetnika koji je uspješno spojio akademsku rigoroznost s romantičarskom senzibilnošću, ostavljajući za sobom bogat i trajan korpus umjetnosti koji odražava i ljepotu i melanholiju 19. stoljeća Francuske.
