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Iz perspektive galerije, najpoznatije djelo umjetnika Elisabeth Jerichau-Baumann je Mother Poland (Moder Polen) (preliminary study) (1857). An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming) (1872) i Self-portrait (1845) upotpunjuju triju koju svako oko prepoznaje. Od 31 djela umjetnika Elisabeth Jerichau-Baumann u našem katalogu, galerija u nastavku prikazuje 31 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
A woman sits amidst a rugged landscape, her red hair catching the light as she rests her hand against her head. She is lost in a deep, silent thought, her gaze turned inward while the world around her remains in motion. A red cloak drapes over her shoulders, providing a sharp contrast to the grey, unyielding rocks that form her seat. The air feels heavy with her unspoken reflections, a…
An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming) is a work by Elisabeth Baumann. Created about 1872, the painting captures a specific moment of quietude within an Italian setting. The piece reflects the artist's engagement with the local life and landscapes encountered during her time in the region.
Elisabeth Baumann's Self-portrait is an oil-on-canvas work created about 1845. The artist, born in Warsaw, Poland, in 1818, produced this intimate study during a formative period of her early career. This work captures the artist in a medium close-up, focusing on the subject from the waist up.
In "A Roman Woman" by Elisabeth Baumann, we encounter a medium close-up that invites a quiet, intimate observation. The subject is positioned slightly off-center, a subtle choice that lends a sense of natural poise to her presence. She is depicted with dark hair pulled back, revealing the contours of her face and the delicate detail of a single gold earring. Her hands hold a closed fan, a quiet gesture that…
Violinist Ole Bull is a portrait executed by Elisabeth Baumann in 1851. The work captures the likeness of the violinist Ole Bull, a prominent figure of the era. Baumann, a Polish-Danish painter, produced this oil on canvas during a period of significant international activity in her career.
A young woman sits in a heavy wooden chair, her form anchored by the weight of dark fabric. The light enters from the upper left, a soft, directional glow that carves the contours of her face against a backdrop of muted earth tones. She is dressed in the deep blacks of mourning, the matte texture of her clothing absorbing the light. Her skin possesses a porcelain quality, smooth and pale…
In this 1851 work, Elisabeth Baumann presents us with Denmark, a painting that functions as a patriotic emblem of the Danish nation. The subject is a female personification of the country, rendered as a young woman. She moves through the landscape with a sense of purpose, embodying the spirit of a nation during a period of significant historical movement. This choice of personification was a common way to manifest national…
In this intimate oil portrait from 1849, we find ourselves looking into the eyes of a four-year-old boy, Holger Aagaard Hammerich. There is a profound stillness here, a sense of a single, fleeting moment captured before the complexities of childhood give way to adulthood. The composition is framed within an oval format, drawing the viewer into a close, bust-length encounter that feels deeply personal. The light, descending softly from the…
In "A happy reunion." by Elisabeth Baumann, we find ourselves drawn into a quiet, domestic moment of profound human connection. Painted about 1850, this genre scene captures a soldier or sailor returning home to his family, bringing with him an infant. The composition is centered upon a woman reclining in a bed, who acts as the emotional and visual anchor of the work. Through an eye-level perspective, the viewer is…
The soft light catches the curve of a profile, illuminating a face that carries the quiet dignity of a future queen. In this 1861 portrait, the young Princess Alexandra of Denmark emerges from a deep, atmospheric darkness, her presence felt through the delicate interplay of shadow and light. She is captured in an intimate, oval vignette, a composition that draws the eye immediately to the porcelain smoothness of her skin…
Self-portrait1858
12
Forfatterinden Emma Kraft1857 · Statens Museum For Kunst
13
Portrætskitse. Formodentlig kunstnerens søn Thorald Jerichau1860 · Statens Museum For Kunst
14
Italy1859 · Ackland Art Museum
15
Queen Olga of Greece1868 · Statens Museum For Kunst
16
Scene from a stranding.1867 · Kunsten Museum of Modern Art Aalborg
17
A young girl reads out the Bible, the grandparents listen devoutly.1867
18
Portrait of Caroline Elisabeth Nanny Jerichau.1871
19
Young Mother and her Child1880 · Nationalmuseum
20
A young nude Egyptian woman with a child.1879
21
A Mermaid (En havfrue)1873 · Ny Carlsberg Glyptotek
22
An Egyptian Fellah Woman with her Child1872 · Statens Museum For Kunst
23
Interior with an Elderly Man who Reads Aloud to a Girl1865
24
The Madonna and Child1881
25
Italian Woman (Italienerinde)
26
The Sculptor Jens Adolf Jerichau, the Artist's Husband1846 · Statens Museum For Kunst
27
Mermaid1873 · Ny Carlsberg Glyptotek
28
Portrait of the Brothers Jacob and Wilhelm Grimm1855 · Alte Nationalgalerie
29
An Egyptian Pot Seller at Gizeh1878 · Statens Museum For Kunst
30
A Wounded Danish Soldier1865 · Statens Museum For Kunst
31
Italian Inn1850 · Nationalmuseum
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Elisabeth Jerichau-Baumann | Slike iz ovog popisa |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhagen | 9 | A Roman Woman, Portræt af Holger Aagaard Hammerich som 4-årig, Forfatterinden Emma Kraft |
 Ny Carlsberg Glyptotek |
Kopenhagen | 3 | Denmark, A Mermaid (En havfrue), Mermaid |
 Royal Collection |
London | 2 | 'The Norwegian Widow', Princess Alexandra of Denmark, later Queen Alexandra (1844-1925) |
 Nationalmuseum |
Stockholm | 2 | Young Mother and her Child, Italian Inn |
 National Museum of Art, Architecture and Design |
Oslo | 1 | Violinist Ole Bull |
 Ackland Art Museum |
Chapel Hill | 1 | Italy |
 Kunsten Museum of Modern Art Aalborg |
Aalborg | 1 | Scene from a stranding. |
 Alte Nationalgalerie |
Berlin | 1 | Portrait of the Brothers Jacob and Wilhelm Grimm |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
Elisabeth Baumann's Self-portrait is an oil-on-canvas work created about 1845. The artist, born in Warsaw, Poland, in 1818, produced this intimate study during a formative period of her early career. This work captures the artist in a medium close-up, focusing on the subject from the waist up.
A woman sits amidst a rugged landscape, her red hair catching the light as she rests her hand against her head. She is lost in a deep, silent thought, her gaze turned inward while the world around her remains in motion. A red cloak drapes over her shoulders, providing a sharp contrast to the grey, unyielding rocks that form her seat. The air feels heavy with her unspoken reflections, a…
The soft light catches the curve of a profile, illuminating a face that carries the quiet dignity of a future queen. In this 1861 portrait, the young Princess Alexandra of Denmark emerges from a deep, atmospheric darkness, her presence felt through the delicate interplay of shadow and light. She is captured in an intimate, oval vignette, a composition that draws the eye immediately to the porcelain smoothness of her skin…
An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming) is a work by Elisabeth Baumann. Created about 1872, the painting captures a specific moment of quietude within an Italian setting. The piece reflects the artist's engagement with the local life and landscapes encountered during her time in the region.
Young Mother and her Child is an oil painting by the artist Elisabeth Baumann. Known in its original context as Ung moder med sitt barn, the work is cataloged under the alternative name 18347. It was executed in 1880.
Mother Poland (Moder Polen) (preliminary study) (1857). Sljedeći su An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming) (1872) i Self-portrait (1845).
39 godina: Mother Poland (Moder Polen) (preliminary study) datira iz 1857, a Elisabeth Jerichau-Baumann je rođen/a 1818.
Mother Poland (Moder Polen) (preliminary study), An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming), Self-portrait, A Roman Woman, Violinist Ole Bull, 'The Norwegian Widow', Denmark, Portræt af Holger Aagaard Hammerich som 4-årig, A happy reunion. i Princess Alexandra of Denmark, later Queen Alexandra (1844-1925). Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 31 djela umjetnika Elisabeth Jerichau-Baumann, datiranih od 1845 do 1881.
Većinom u Statens Museum For Kunst (Kopenhagen), Ny Carlsberg Glyptotek (Kopenhagen) i Royal Collection (London). Gornja tablica muzeja navodi sve njih.
U 1850s: 10 od 31 djela na ovoj stranici nastalo je tada, od čega je Mother Poland (Moder Polen) (preliminary study) Mother Poland (Moder Polen) (preliminary study).
Na ovoj stranici najstarije djelo je iz Self-portrait (1845), a najnovije iz The Madonna and Child (1881).
Woman (17), Dark background (7) i Child (6), kroz svih 31 djela na ovoj stranici.
Oil On Canvas, za 19 od 31 djela na ovoj stranici.
Düsseldorf school, sudeći po originalima na ovoj stranici.
A Roman Woman, Portræt af Holger Aagaard Hammerich som 4-årig i Forfatterinden Emma Kraft: Statens Museum For Kunst, Kopenhagen posjeduje 9 djela s ove stranice.
Rođena u Varšavi, 1819. godine, Elisabeth Jerichau-Baumann odrasla je u svijetu koji je oblikovao njezin talent. Njezini roditelji, Philip Adolph Baumann, kartograf, i Johanne Frederikke Reyer, pružili su joj temelje za umjetničko istraživanje. Njezino formalno obrazovanje započelo je 1838. godine u prestižnoj Kunstakademiji u Düsseldorfu, jednom od najvažnijih europskih umjetničkih središta tog vremena. Rani radovi umjetnice crpili su inspiraciju iz slovačkog života, odražavajući okruženje u kojem je odrasla, te se snažno povezivala s Düsseldorfskom školom slikarstva.
Njezina put do priznanja započela je izlaganjem u Düsseldorfu, gdje je već 1844. godine privukla pažnju javnosti. Preseljenje u Rim otvorilo je novo poglavlje u njezinoj karijeri, usmjeravajući njezino platno prema svakodnevnom talijanskom životu. Međunarodna priznatost stigla je kasnije, posebno u Francuskoj, gdje je dva puta predstavljena na Svjetskom izložiteljskom sajmu (1867. i 1878.). Njezina umjetnost privukla je i kraljevsku pažnju; nakon izlaganja u Londonu 1852. godine, primila je privatni dar za kraljicu Victoriju, što uključuje i njezino znamenito uljedomljenje Hansa Christiana Andersena.
Posebno iznimno razdoblje u njezinoj karijeri bilo je orijentalističko razdoblje. Putovanja kroz Istočnu Sredozemno more i Bliski istok (1869–1870. i 1874–1875.) omogućila su joj da slika život u haremima na temelju izravnog promatranja, a ne mašte, što je za umjetnicu tog vremena bilo rijetko postignuće. Ovaj jedinstveni pristup omogućila joj je patronaža princeze Alexandrije Danske. Njezin stil često je bio dekorativan i sentimentalan, prožet izvrsnim osjećajem za boju i svjetlo, dok su neka djela istraživala senzualne teme koje su ponekad izazivale kontroverze.
Kroz svoje radove, Elisabeth Jerichau-Baumann istraživala je širok spektar tema. Njezin portret Hansa Christiana Andersena iz 1850. godine ostao je kao dokaz ranog uspjeha. Njezine scene iz haremâ u Osmanskom Carstvu ostale su poznate po svojoj autentičnosti i portretima turskih princeza, poput Nazlı. S druge strane, njezina serija o sirenama, uključujući znamenito djelo "Sirena" (1873.) koje se danas nalazi u Ny Carlsberg Glyptoteku, bila je duboko inspirirana bajkama i folklorom Hansa Christiana Andersena. Uz to, njezine žanrovske scene često su prikazivale svakodnevni život, s posebnim naglaskom na ženske figure u raznim ulogama.
Umjetnički i osobni život njezine umjetnosti bili su usko povezani. Godine 1846. udala se za kipara Jensa Adolfa Jerichaua, s kojim je imala devet djece. Njezino umjetničko naslijeđe nastavili su i njezini potomci, od kojih su se nekoliko njih razvilo u istaknutite umjetnike: Harald Jerichau (slikar pejzaža), Holger Hvitfeldt Jerichau (slikar impresionističkih pejzaža) i J.A. Jerichau (modernistički slikar).
Kao pionirka među umjetnicama, Elisabeth Jerichau-Baumann suočila se s brojnim izazovima u svijetu umjetnosti kojim su dominirali muškarci, pokazujući nevjerojatnu izdržljivost i talent. Njezina sposobnost pristupa haremima pružila je jedinstvene perspektive o osmanskom društvu, iako su njezini prikazi ponekad bili pod utjecajem europskih očekivanja. Kroz uspješnu međunarodnu karijeru, stekla je priznanje i patronažu širom Europe. Njezino djelo se danas sve više prepoznaje zbog umjetničke vrijednosti i povijesnog značaja, a izložbe njezinih radova nastavljaju prikazivati njezinu raznoliku tematiku i jedinstveni pogled na svijet.
