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Od svih originala koje je Edwin Henry Landseer ostavio, najpoznatiji je Čovjek planira, Bog odlučuje (1864) u kolekciji muzeja Royal Holloway, Egham. Samo iza njih slijede Monarh klane (1851) i Alexander and Diogenes (1848). Naš katalog sadrži 228 djela umjetnika Edwin Henry Landseer; galerija je čuvala onih 100 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
The biting chill of the Arctic air seems to hang heavy over the scene, where the stark white of the snow meets the jagged, dark edges of the ice. In this frozen expanse, two polar bears dominate the landscape, their massive forms creating a sense of raw, primal energy. One bear stands tall upon the rocks, its powerful silhouette etched against the distant, hazy mountains. It hunches over its prize,…
Sir Edwin Landseerov „Monarh u klanjima“ (The Monarch of the Glen), naslikan 1851. godine, nije samo prikaz jelena; to je duboka destilacija fascinacije viktorijanske Englaljke prirodom, plemenitošću i romantičnim idealom visina Škotskih planina. Ova ikonična slika, trenutno prepoznatljiva kroz generacije, uhvaća trenutak uzbudljive moći unutar guste, atmosferske pejzaže – scenu koja govori o divljenju i blagu dodira melankolične samoće. Više nego samo portret životinje, ona oličava pažljivo konstruiran narativ britanske…
The oil on canvas work titled Alexander and Diogenes was executed by the artist Sir Edwin Henry Landseer. This specific painting was first shown at the Royal Academy in London in 1848. It was exhibited during that same year, 1848, to an audience in London. The work is currently held within the Tate collection in London, United Kingdom.
A Moment Frozen in Time: Landseer’s “Mare and Foal” Sir Edwin Henry Landseer's "Mare and Foal," painted in 1865, isn’t merely a depiction of two horses; it’s a profound meditation on maternal love, the cycle of life, and the enduring bond between generations. Born into a family steeped in artistic tradition – his father, John Landseer, was a celebrated engraver – Edwin Henry Landseer inherited not only technical skill but…
Sir Edwin Henry Landseer’s “A Boy and Two Greyhounds Resting,” painted in 1823, is more than just a charming pastoral scene; it's a profound meditation on the relationship between humanity and nature, rendered with an unparalleled sensitivity to animal form and Victorian sensibilities. This iconic work, now housed within the National Trust at Holburne Museum in Bath, England, captures a fleeting moment of quiet companionship – a boy, seemingly no…
Sir Edwin Henry Landseer's “Chiens se Battant, Reprenant Souffle” (Fighting Dogs, Panting for Breath) isn’t merely a depiction of two dogs locked in combat; it’s a visceral exploration of primal instinct, rendered with the dramatic intensity characteristic of Baroque realism. Painted around 1820, this work captures a fleeting, explosive moment – a struggle both brutal and undeniably captivating. The composition immediately draws the viewer into the heart of the action,…
Alpine Mastiffs Reanimating a Distressed Traveler is a work by Sir Edwin Henry Landseer. Born in London, United Kingdom, in 1802, Landseer produced this oil on canvas in 1820. The composition captures a rescue occurring within the Great Saint Bernard Pass in the Alps.
Sir Edwin Henry Landseer’s “The Illicit Highland Whisky Still,” painted in 1829, is far more than a picturesque scene of a rural gathering; it's a meticulously crafted snapshot of Victorian society grappling with moral complexities and the allure of illicit enterprise. This oil on panel, measuring an impressive 80 x 102 cm, transports us to a remote corner of Scotland, where tradition clashes with burgeoning modernity and the simple pleasures…
In the painting Saved, the English painter and sculptor Sir Edwin Landseer depicts a Newfoundland dog with black and white markings. The animal is positioned within the surf, engaged in the act of rescuing a young child. The dog's physical presence is centered in the composition, pulling the child from the water toward the shore. This scene captures the specific instinct of the Newfoundland breed to provide comfort and rescue…
To gaze upon this detail from Sir Edwin Henry Landseer’s work, Isaac van Amburgh and his Animals, is to step directly into the richly textured heart of Victorian sentiment. It is a scene that transcends mere portraiture; it is an eloquent meditation on the bonds between humanity and the animal kingdom. The composition immediately draws the eye to the central interaction: the gentle man amidst the wild majesty of the…
The Faithful Hound1830
12
Queen Victoria in Windsor Home Park1865 · Wolverhampton Art Gallery
13
Hawking in the Olden Time1832 · English Heritage
14
Sir Walter Scott (1771–1832)1824 · Walker Art Gallery
15
Lord Henniker's Bay Mare, Brunette1823 · The Vestey Gallery of British Sporting Art
16
Doubtful Crumbs1859 · Wallace Collection
17
The Pot of Gartness, Drymen, Stirlingshire1830 · Fitzwilliam College
18
The Old Shepherd's Chief Mourner1837
19
Head of a Goat1833 · National Trust
20
Head of a Hind1840 · Walker Art Gallery
21
Queen Victoria on a highland Pony1838 · The Ashmolean Museum of Art and Archaeology
22
Two Studies of a Stag's Head (recto)The Ashmolean Museum of Art and Archaeology
23
Hawking1832
24
Wounded Stag and Dog1825 · Art Institute of Chicago
25
Study of a Lion1862
26
Lady Godiva's Prayer1865 · Herbert Art Gallery - Museum
27
Retrievers with a Hare1870
28
Deer in a Landscape (Studies of Deer)Nottingham Castle Museum And Art Gallery
29
Jocko with a Hedgehog1828
30
King Charles Spaniels ('The Cavalier's Pets')1845
31
The Honourable E. S. Russell and His Brother1834 · English Heritage
32
Scene in the Highlands, with portraits of the Duchess of Bedford, the Duke of Gordon and Lord Alexander Russell1826 · Scottish National Gallery
33
Donald McIntyre1830 · Yale Center for British Art
34
Copy after Rubens's "Wolf and Fox Hunt"1824 · Metropolitan Museum of Art
35
Scottish Landscape Bringing in a Stag (figure and animals by Sir E. Landseer)1830
36
Queen Victoria (1819-1901)1839 · Royal Collection
37
The Falcon1834 · Harvard Art Museums
38
The Duchess of Abercorn and Child1834
39
A Highland Breakfast1834
40
Deer and Deer Hounds in a Mountain Torrent1832 · Tate Britain
41
Members of the Sheridan Family1847 · National Gallery of Ireland
42
Victoria, Princess Royal, with a Pony1842 · Royal Collection
43
Princess Alice and Eos1844 · Royal Collection
44
Windsor Castle in modern times; Queen Victoria, Prince Albert and Victoria, Princess Royal1842 · Royal Collection
45
Queen Victoria (1819-1901) in Fancy Dress1845 · Royal Collection
46
The Hunter and the Bloodhound1840 · Royal Collection
47
Queen Victoria with the Princess Royal and the Prince of Wales1842 · Royal Collection
48
Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatre1846 · Yale Center for British Art
49
John George Landseer1848 · National Portrait Gallery
50
War1845 · Walker Art Gallery
51
The Free Kirk1849 · Royal Collection
52
The Highland Lassie1850 · Royal Collection
53
The Highlander1850 · Royal Collection
54
Queen Victoria landing at Loch Muick1850 · Royal Collection
55
Däckel1849 · Royal Collection
56
Study of a Dog Lying Down1860 · Yale Center for British Art
57
The Dog and the Shadow1822
58
Chevy1868 · Detroit Institute of Arts
59
The Baptismal Font1870 · Royal Collection
60
Rent-day in the Wilderness1868
61
Queen Victoria's Spaniel, 'Tilco' (d.1850)1838 · National Trust
62
John Gibson (1790–1866), RA1850
63
'The Twa Dogs' (from the poem by Robert Burns)1822
64
The Stone Breaker and His Daughter1830
65
Suspense1834
66
High Life1831
67
The First Leap, Lord Alexander Russell on His Pony 'Emerald'1829 · Guildhall Art Gallery
68
Study of a Ruff1845 · The Ashmolean Museum of Art and Archaeology
69
Low Life1831
70
The Eagle's Nest1833
71
A Dog with a Slipper1848
72
A Deer Fallen from a Precipice
73
A Highland Shepherd's Home1836 · Government Art Collection
74
Favourites, the Property of H.R.H. Prince George of Cambridge1835 · Yale Center for British Art
75
John Gibson (1790–1866)1850 · Walker Art Gallery
76
The Harper1821
77
Count d'Orsay's Charger1822
78
Ratcatchers1821
79
The Champion Venus1819
80
A Highland Landscape1830 · Yale Center for British Art
81
Head of a Roebuck and Two Ptarmigan1830 · Art Institute of Chicago
82
A Moonlight Landscape1827
83
The Faithful Hound1830
84
Low Life1829
85
John Crerar and His Pony1824
86
'Lion', a Newfoundland Dog1824
87
A Lake Scene1830
88
The Champion Venus , a Landseer Newfoundland with a rabbit1830
89
A Fireside Party1829
90
Sir Walter Scott, 1st Bt1824 · National Portrait Gallery
91
Sancho Panza and Dapple (from Cervantes' 'Don Quixote')1824
92
Study of a Dead Heron1832 · Muzej fine umjetnosti u Houstonu
93
Hector, Nero, and Dash with the parrot, Lory1838 · Royal Collection
94
Princess Victoire of Saxe-Coburg-Gotha (1822-57)1839 · Royal Collection
95
Islay, Tilco, a Macaw and two Lovebirds1839 · Royal Collection
96
The Lory1837 · Royal Collection
97
Dash1836 · Royal Collection
98
Ptarmigan1833
99
The Falcon1837
100
Portrait of Rachel Russell1835
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Edwin Henry Landseer | Slike iz ovog popisa |
|---|---|---|---|
 Royal Collection |
London | 40 | Isaac van Amburgh and his Animals (detail), Queen Victoria (1819-1901), Victoria, Princess Royal, with a Pony |
 Yale Center for British Art |
New Haven | 7 | Donald McIntyre, Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatre, Study of a Dog Lying Down |
 Walker Art Gallery |
Liverpool | 5 | Mare and Foal, Sir Walter Scott (1771–1832), Head of a Hind |
 The Ashmolean Museum of Art and Archaeology |
Oxford | 4 | Queen Victoria on a highland Pony, Two Studies of a Stag's Head (recto), Study of a Ruff |
 English Heritage |
London | 3 | The Illicit Highland Whisky Still, Hawking in the Olden Time, The Honourable E. S. Russell and His Brother |
 National Portrait Gallery |
London | 5 | John George Landseer, Sir Walter Scott, 1st Bt |
 Scottish National Gallery |
Edinburgh | 3 | Monarh klane, Scene in the Highlands, with portraits of the Duchess of Bedford, the Duke of Gordon and Lord Alexander Russell |
 National Trust |
Cambridge | 3 | Head of a Goat, Queen Victoria's Spaniel, 'Tilco' (d.1850) |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
Sir Edwin Henry Landseer’s “A Boy and Two Greyhounds Resting,” painted in 1823, is more than just a charming pastoral scene; it's a profound meditation on the relationship between humanity and nature, rendered with an unparalleled sensitivity to animal form and Victorian sensibilities. This iconic work, now housed within the National Trust at Holburne Museum in Bath, England, captures a fleeting moment of quiet companionship – a boy, seemingly no…
To gaze upon this detail from Sir Edwin Henry Landseer’s work, Isaac van Amburgh and his Animals, is to step directly into the richly textured heart of Victorian sentiment. It is a scene that transcends mere portraiture; it is an eloquent meditation on the bonds between humanity and the animal kingdom. The composition immediately draws the eye to the central interaction: the gentle man amidst the wild majesty of the…
The oil on canvas work titled Alexander and Diogenes was executed by the artist Sir Edwin Henry Landseer. This specific painting was first shown at the Royal Academy in London in 1848. It was exhibited during that same year, 1848, to an audience in London. The work is currently held within the Tate collection in London, United Kingdom.
Sir Edwin Landseerov „Monarh u klanjima“ (The Monarch of the Glen), naslikan 1851. godine, nije samo prikaz jelena; to je duboka destilacija fascinacije viktorijanske Englaljke prirodom, plemenitošću i romantičnim idealom visina Škotskih planina. Ova ikonična slika, trenutno prepoznatljiva kroz generacije, uhvaća trenutak uzbudljive moći unutar guste, atmosferske pejzaže – scenu koja govori o divljenju i blagu dodira melankolične samoće. Više nego samo portret životinje, ona oličava pažljivo konstruiran narativ britanske…
The biting chill of the Arctic air seems to hang heavy over the scene, where the stark white of the snow meets the jagged, dark edges of the ice. In this frozen expanse, two polar bears dominate the landscape, their massive forms creating a sense of raw, primal energy. One bear stands tall upon the rocks, its powerful silhouette etched against the distant, hazy mountains. It hunches over its prize,…
We are looking at Retrievers with a Hare, a work by the English artist Edwin Landseer. This particular piece was painted about 1870, a period during which Landseer had already established his profound understanding of animal form and character. The scale of the canvas is quite substantial, measuring 122 x 160 cm, which allows the viewer to engage closely with the subjects on the beach.
Čovjek planira, Bog odlučuje (1864), Royal Holloway, Egham. Nakon njih slijede Monarh klane (1851) i Alexander and Diogenes (1848).
62 godina: Čovjek planira, Bog odlučuje datira iz 1864, a Edwin Henry Landseer je rođen/a 1802.
Čovjek planira, Bog odlučuje, Monarh klane, Alexander and Diogenes, Mare and Foal, A Boy and Two Greyhounds Resting, CHIENS SE BATTANT , REPRENANT SOUFFLE, Alpine Mastiffs Reanimating a Distressed Traveler, The Illicit Highland Whisky Still, Saved i Isaac van Amburgh and his Animals (detail). Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 228 djela umjetnika Edwin Henry Landseer, datiranih od 1819 do 1870.
Većinom u Royal Collection (London), Yale Center for British Art (New Haven) i Walker Art Gallery (Liverpool). Gornja tablica muzeja navodi sve njih.
U 1830s: 38 od 100 djela na ovoj stranici nastalo je tada, od čega je Isaac van Amburgh and his Animals (detail) Isaac van Amburgh and his Animals (detail).
Na ovoj stranici najstarije djelo je iz The Champion Venus (1819), a najnovije iz Retrievers with a Hare (1870).
Victorian era (21), Dogs (17) i Dog (17), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, za 52 od 100 djela na ovoj stranici.
Romantizam, sudeći po originalima na ovoj stranici.
Isaac van Amburgh and his Animals (detail), Queen Victoria (1819-1901) i Victoria, Princess Royal, with a Pony: Royal Collection, London posjeduje 19 djela s ove stranice.
