Portret Edwin Austin Abbey

100 najpoznatijih djela umjetnika Edwin Austin Abbey, svako jedinstveno

Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 119 djela Edwin Austin Abbey u našem katalogu

Ukratko

'Who Is Sylvia? What Is She, That All the Swains Commend Her?' (1900) je slika autora Edwin Austin Abbey koja privlači najviše pogleda; original se nalazi u muzeju National Gallery of Art, Washington. Nakon toga, pogled se usmjerava na King Henry IV, Part II: Sir John Falstaff with His Page (Act I, Scene ii) (1905) i Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library (1897). Među 119 djela umjetnika Edwin Austin Abbey u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.

1852 – 1911, Philadelphia Academic realism Najviše djela: Yale University Art Gallery
'Who Is Sylvia? What Is She, That All the Swains Commend Her?' (1900) od Edwin Austin Abbey1. 'Who Is Sylvia? What Is She, That All the Swains Commend Her?' 1900 King Henry IV, Part II: Sir John Falstaff with His Page (Act I, Scene ii) (1905) od Edwin Austin Abbey2. King Henry IV, Part II: Sir John Falstaff with His Page (Act I, Scene ii) 1905 Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library (1897) od Edwin Austin Abbey3. Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library 1897

Top 10 djela Edwin Austin Abbey kroz oči galerije

1
'Who Is Sylvia? What Is She, That All the Swains Commend Her?' (1900) od Edwin Austin Abbey

'Who Is Sylvia? What Is She, That All the Swains Commend Her?'

1900 · Oil On Canvas · National Gallery of Art, Washington

Edwin Austin Abbey's “Who Is Sylvia? What Is She, That All the Swains Commend Her?” (1900) is more than just a beautiful painting; it’s a meticulously crafted window into the social and aesthetic sensibilities of late 19th-century England. Measuring 158 x 158 cm, this oil on canvas captures a moment of intense admiration – Sylvia, the central figure, surrounded by an entourage of musicians and admirers, embodies the idealized beauty…

Pogledajte ovo djelo izbliza
2
King Henry IV, Part II: Sir John Falstaff with His Page (Act I, Scene ii) (1905) od Edwin Austin Abbey

King Henry IV, Part II: Sir John Falstaff with His Page (Act I, Scene ii)

1905 · Oil On Canvas · Yale University Art Gallery, New Haven

The figure of Sir John Falstaff dominates the frame, a mountain of tattered red robes and heavy, folded fabric. He sits with a bulk that seems to pull at the very air around him. Beside this imposing presence, a youthful page stands in dark, layered clothing, accented by small touches of green. The light descends from an unseen height, carving deep shadows into the rugged stone floor and catching the…

O ovom originalu
3
Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library (1897) od Edwin Austin Abbey

Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library

1897 · Oil On Canvas · Yale University Art Gallery, New Haven

An elderly man reclines in the lower half of the frame, his white beard a cascade of thick, textured strokes. He reaches upward, hands grasping at the air as if to catch a fading memory or a divine touch. His face is turned toward a celestial arc that sweeps from the top left, a luminous curve of pink, white, and light blue. Behind him, a figure in deep red robes…

Priča koja stoji iza ovog originala
4
The Quest for the Holy Grail - part XV - The Golden Tree od Edwin Austin Abbey

The Quest for the Holy Grail - part XV - The Golden Tree

Oil On Canvas

The Quest for the Holy Grail - part XV - The Golden Tree is a significant work by Edwin Austin Abbey. This painting belongs to a larger series that explores the legends of King Arthur and his knights. Through this sequence, the artist translates the narratives of the Round Table into a visual language, focusing on the spiritual and mythic elements of the quest. The piece captures a specific moment…

Pogledajte ovo djelo izbliza
5
The Penance of Eleanor, Duchess of Glouster (1900) od Edwin Austin Abbey

The Penance of Eleanor, Duchess of Glouster

1900 · Oil On Canvas

The Penance of Eleanor, Duchess of Glouster is a large oil on canvas painting created in 1900. The artwork depicts a dramatic and intense scene in which the Duchess is being punished for her sins. She is shown standing in an outdoor environment with rocks visible in the background, enduring a punishment where hot coals are placed on her body. A crowd of people is present in the scene, with…

Priča koja stoji iza ovog originala
6
King Henry VI, Part II: “Come hither, gracious sovereign, view this body.” (Act III, Scene ii) (1891) od Edwin Austin Abbey

King Henry VI, Part II: “Come hither, gracious sovereign, view this body.” (Act III, Scene ii)

1891 · Oil On Canvas · Yale University Art Gallery, New Haven

The composition centers on a somber gathering within a dimly lit interior, where a group of figures clusters around a shrouded form. A stark, white shroud provides the primary focal point, cutting through a palette of deep crimsons and heavy blacks. The floor, a geometric pattern of black and white checkers, provides a rigid foundation to the organic, bowed postures of the mourners. Lighting emerges from an unseen source, casting…

Priča koja stoji iza ovog originala
7
King Henry IV, Part I: The King to the Prince of Wales: “Thou shalt have charge and sovereign trust herein.”, (Act III, Scene ii) (1905) od Edwin Austin Abbey

King Henry IV, Part I: The King to the Prince of Wales: “Thou shalt have charge and sovereign trust herein.”, (Act III, Scene ii)

1905 · Oil On Canvas · Yale University Art Gallery, New Haven

The oil on canvas painting titled King Henry IV, Part I: The King to the Prince of Wales: “Thou shalt have charge and sovereign trust herein.”, (Act III, Scene ii) was executed by the artist Edwin Austin Abbey. This work dates to about 1905. The composition focuses on a specific moment from Shakespeare's King Henry IV, Part I.

Pogledajte ovo djelo izbliza
8
King Lear: Goneril and Regan (Act I, Scene i) (1902) od Edwin Austin Abbey

King Lear: Goneril and Regan (Act I, Scene i)

1902 · Oil · Yale University Art Gallery, New Haven

In this oil painting, King Lear: Goneril and Regan (Act I, Scene i) by Edwin Austin Abbey, we encounter two regal women positioned in a formal, imposing arrangement. Painted about 1902, the work captures the figures of Goneril and Regan from Shakespeare's play. The figure on the left is draped in a voluminous red gown, detailed with gold embroidery and layered necklaces. Her expression remains stern and resolute. Beside her,…

Priča koja stoji iza ovog originala
10
Within the Tent of Brutus: Enter the Ghost of Caesar, Julius Caesar, Act IV, Scene III (1905) od Edwin Austin Abbey

Within the Tent of Brutus: Enter the Ghost of Caesar, Julius Caesar, Act IV, Scene III

1905 · Oil On Canvas · Yale University Art Gallery, New Haven

The oil painting titled Within the Tent of Brutus: Enter the Ghost of Caesar, Julius Caesar, Act IV, Scene III captures a singular moment of supernatural tension. Created by the American artist Edwin Austin Abbey, the work emerged about 1905. It occupies a space between the physical world of the living and the spectral realm of the dead.

Priča koja stoji iza ovog originala

Slavna djela umjetnika Edwin Austin Abbey, od 11. do 100. broj

11Man in Armor (1891) od Edwin Austin AbbeyMan in Armor1891 · Yale University Art Gallery 12Woman with osprey headdress and white fur collar (1891) od Edwin Austin AbbeyWoman with osprey headdress and white fur collar1891 · Yale University Art Gallery 13Figure study: an Angel (1891) od Edwin Austin AbbeyFigure study: an Angel1891 · Yale University Art Gallery 14Study of a head (1891) od Edwin Austin AbbeyStudy of a head1891 · Yale University Art Gallery 15The Duke and Friar Thomas, from Measure for Measure, Act I, Scene iii (1888) od Edwin Austin AbbeyThe Duke and Friar Thomas, from Measure for Measure, Act I, Scene iii1888 · Yale University Art Gallery 16Study for Falstaff (1891) od Edwin Austin AbbeyStudy for Falstaff1891 · Yale University Art Gallery 17Richard, Duke of Gloucester, and the Lady Anne od Edwin Austin AbbeyRichard, Duke of Gloucester, and the Lady AnneYale University Art Gallery 18Head of Ophelia, study (1896) od Edwin Austin AbbeyHead of Ophelia, study1896 · Yale University Art Gallery 19Head of Hamlet, study (1896) od Edwin Austin AbbeyHead of Hamlet, study1896 · Yale University Art Gallery 20Compositional study, for Richard, Duke of Gloucester, and the Lady Anne (1895) od Edwin Austin AbbeyCompositional study, for Richard, Duke of Gloucester, and the Lady Anne1895 · Yale University Art Gallery 21Compositional study, for Richard, Duke of Gloucester, and the Lady Anne (1895) od Edwin Austin AbbeyCompositional study, for Richard, Duke of Gloucester, and the Lady Anne1895 · Yale University Art Gallery 22Compositional study, for Richard, Duke of Gloucester, and the Lady Anne (1895) od Edwin Austin AbbeyCompositional study, for Richard, Duke of Gloucester, and the Lady Anne1895 · Yale University Art Gallery 23The Squire of Low Degree (one of 15 paintings, intended as a series, some unfinished) (1897) od Edwin Austin AbbeyThe Squire of Low Degree (one of 15 paintings, intended as a series, some unfinished)1897 · Yale University Art Gallery 24The Play Scene in “Hamlet,” composition study (1897) od Edwin Austin AbbeyThe Play Scene in “Hamlet,” composition study1897 · Yale University Art Gallery 25Hamlet. (1896) od Edwin Austin AbbeyHamlet.1896 · Yale University Art Gallery 26The Play Scene in “Hamlet” composition study (1896) od Edwin Austin AbbeyThe Play Scene in “Hamlet” composition study1896 · Yale University Art Gallery 27The Queen in Hamlet (1895) od Edwin Austin AbbeyThe Queen in Hamlet1895 28Figure study, for The Spirit of Vulcan, Genius of the Workers in Iron and Steel, Rotunda, Pennsylvania State Capitol, Harrisburg (1905) od Edwin Austin AbbeyFigure study, for The Spirit of Vulcan, Genius of the Workers in Iron and Steel, Rotunda, Pennsylvania State Capitol, Harrisburg1905 · Yale University Art Gallery 29Columbus in the New World (1906) od Edwin Austin AbbeyColumbus in the New World1906 · Yale University Art Gallery 30The Three Mary (1908) od Edwin Austin AbbeyThe Three Mary1908 · Yale University Art Gallery 31Figure study, possibly for The Apotheosis of Pennsylvania, House of Representatives Chamber, Pennsylvania State Capitol, Harrisburg (1906) od Edwin Austin AbbeyFigure study, possibly for The Apotheosis of Pennsylvania, House of Representatives Chamber, Pennsylvania State Capitol, Harrisburg1906 · Yale University Art Gallery 32Near Easthampson (1878) od Edwin Austin AbbeyNear Easthampson1878 33My Phyllida (1882) od Edwin Austin AbbeyMy Phyllida1882 · Brandywine Museum of Art 34Young Woman in the Woods (1879) od Edwin Austin AbbeyYoung Woman in the Woods1879 35Study for “Harvest Home” (1891) od Edwin Austin AbbeyStudy for “Harvest Home”1891 · Yale University Art Gallery 36At the Cottage Door (17th Century New England Scene) (1891) od Edwin Austin AbbeyAt the Cottage Door (17th Century New England Scene)1891 · Yale University Art Gallery 37Arles, view through archway (1891) od Edwin Austin AbbeyArles, view through archway1891 · Yale University Art Gallery 38View of Italian Loggia–study (1891) od Edwin Austin AbbeyView of Italian Loggia–study1891 · Yale University Art Gallery 39Figure study of nun, for The Infancy of Galahad, in The Quest and Achievement of the Holy Grail, Book Delivery Room, Boston Public Library (1892) od Edwin Austin AbbeyFigure study of nun, for The Infancy of Galahad, in The Quest and Achievement of the Holy Grail, Book Delivery Room, Boston Public Library1892 · Yale University Art Gallery 40Figure study of nun, for The Infancy of Galahad, in The Quest and Achievement of the Holy Grail, Book Delivery Room, Boston Public Library (1892) od Edwin Austin AbbeyFigure study of nun, for The Infancy of Galahad, in The Quest and Achievement of the Holy Grail, Book Delivery Room, Boston Public Library1892 · Yale University Art Gallery 41Study of a fountain (1891) od Edwin Austin AbbeyStudy of a fountain1891 · Yale University Art Gallery 42Architectural study (1891) od Edwin Austin AbbeyArchitectural study1891 · Yale University Art Gallery 43Architectural study (1891) od Edwin Austin AbbeyArchitectural study1891 · Yale University Art Gallery 44Harvest Home (1887) od Edwin Austin AbbeyHarvest Home1887 45King Lear, Act I, Scene I (1898) od Edwin Austin AbbeyKing Lear, Act I, Scene I1898 46Seated Woman Wearing Elizabethan Headdress (1897) od Edwin Austin AbbeySeated Woman Wearing Elizabethan Headdress1897 47King Lear. Cordelia's Farewell (also known as King Lear Act I, Scene I) (1898) od Edwin Austin AbbeyKing Lear. Cordelia's Farewell (also known as King Lear Act I, Scene I)1898 · Metropolitan Museum of Art 48The Coronation of Edward VII, study of Westminster Abbey Interior (1902) od Edwin Austin AbbeyThe Coronation of Edward VII, study of Westminster Abbey Interior1902 · Yale University Art Gallery 49Science Revealing the Treasues of the Earth, sketch, lunette shaped (1905) od Edwin Austin AbbeyScience Revealing the Treasues of the Earth, sketch, lunette shaped1905 · Yale University Art Gallery 50Potpourri (1899) od Edwin Austin AbbeyPotpourri1899 51A Lute Player (1899) od Edwin Austin AbbeyA Lute Player1899 52Early figure study for “The Hours,” mural for the state capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent) (1907) od Edwin Austin AbbeyEarly figure study for “The Hours,” mural for the state capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent)1907 · Yale University Art Gallery 53Early figure study for “The Hours,” mural for the state capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent) (1907) od Edwin Austin AbbeyEarly figure study for “The Hours,” mural for the state capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent)1907 · Yale University Art Gallery 54Study for The Apotheosis of Pennsylvania, House of Representatives Chamber, Pennsylvania State Capitol, Harrisburg (1906) od Edwin Austin AbbeyStudy for The Apotheosis of Pennsylvania, House of Representatives Chamber, Pennsylvania State Capitol, Harrisburg1906 · Yale University Art Gallery 55Cartoon for The Hours, House of Representatives Chamber, Pennsylvania State Capitol, Harrisburg (1907) od Edwin Austin AbbeyCartoon for The Hours, House of Representatives Chamber, Pennsylvania State Capitol, Harrisburg1907 · Yale University Art Gallery 56Small scale study for design of The Hours. (1907) od Edwin Austin AbbeySmall scale study for design of The Hours.1907 · Yale University Art Gallery 57Untitled (Seated Woman with Palette) od Edwin Austin AbbeyUntitled (Seated Woman with Palette) 58The Hat with the Blue Ribbons od Edwin Austin AbbeyThe Hat with the Blue Ribbons 59Sally in our Alley od Edwin Austin AbbeySally in our Alley 60Illustration for Barbara Allen Kneeling in Sorrow od Edwin Austin AbbeyIllustration for Barbara Allen Kneeling in Sorrow 61Quince od Edwin Austin AbbeyQuince 62Entrance of the Serving Maid od Edwin Austin AbbeyEntrance of the Serving Maid 63Illustration to a Pastoral Poem by Herrick od Edwin Austin AbbeyIllustration to a Pastoral Poem by Herrick 64Illustration to `She Stoops to Conquer od Edwin Austin AbbeyIllustration to `She Stoops to Conquer 65Jester od Edwin Austin AbbeyJester 66In a Tavern, Illustration for Phillada Flouts Me od Edwin Austin AbbeyIn a Tavern, Illustration for Phillada Flouts Me 67Illustration for Barbara Allen At Sick Bed od Edwin Austin AbbeyIllustration for Barbara Allen At Sick Bed 68In the Library od Edwin Austin AbbeyIn the Library 69A Love Song, Illustration for A Love Song by George Wither od Edwin Austin AbbeyA Love Song, Illustration for A Love Song by George Wither 70The Dance od Edwin Austin AbbeyThe Dance 71Market, Stratford-on-Avon od Edwin Austin AbbeyMarket, Stratford-on-Avon 72Illustration to `She Stoops to Conquer' od Edwin Austin AbbeyIllustration to `She Stoops to Conquer' 73Washington's head-quarters at Newburgh, New York od Edwin Austin AbbeyWashington's head-quarters at Newburgh, New York 74Castle of Maidens od Edwin Austin AbbeyCastle of Maidens 75Around the council fire - the young brave's speech od Edwin Austin AbbeyAround the council fire - the young brave's speech 76Trial of Mrs. Hutchinson od Edwin Austin AbbeyTrial of Mrs. Hutchinson 77Son rise in the tropics od Edwin Austin AbbeySon rise in the tropics 78The Bridge od Edwin Austin AbbeyThe BridgeMuzej likovnih umjetnosti 79Lady in pink dress as shepherdess (1895) od Edwin Austin AbbeyLady in pink dress as shepherdess1895 · Yale University Art Gallery 80Figure study, for The Spirit of Light, Rotunda, Pennsylvania State Capitol, Harrisburg od Edwin Austin AbbeyFigure study, for The Spirit of Light, Rotunda, Pennsylvania State Capitol, HarrisburgYale University Art Gallery 81Composition study for The Quest of the Holy Grail mural series at Boston Public Library od Edwin Austin AbbeyComposition study for The Quest of the Holy Grail mural series at Boston Public LibraryYale University Art Gallery 82Upon Sappho od Edwin Austin AbbeyUpon Sappho 83The sisters od Edwin Austin AbbeyThe sisters 84Quest for the Holy Grail od Edwin Austin AbbeyQuest for the Holy Grail 85Jael killeth Sisera od Edwin Austin AbbeyJael killeth Sisera 86Woman in a White Dress od Edwin Austin AbbeyWoman in a White Dress 87A game of dominoes, Bellevue Hospital od Edwin Austin AbbeyA game of dominoes, Bellevue Hospital 88Ichabod Crane od Edwin Austin AbbeyIchabod Crane 89Katrina van Tassel od Edwin Austin AbbeyKatrina van Tassel 90On guard od Edwin Austin AbbeyOn guard 91The Widower od Edwin Austin AbbeyThe Widower 92The three guardsmen od Edwin Austin AbbeyThe three guardsmen 93Fiammetta's Song od Edwin Austin AbbeyFiammetta's Song 94Expulsion of Oldham od Edwin Austin AbbeyExpulsion of Oldham 95Fair Is My Love od Edwin Austin AbbeyFair Is My Love 96Cartier at Hochelaga od Edwin Austin AbbeyCartier at Hochelaga 97And General Muster-Day od Edwin Austin AbbeyAnd General Muster-Day 98Give me liberty, or give me death! od Edwin Austin AbbeyGive me liberty, or give me death! 99O, Mistress Mine where are you roaming od Edwin Austin AbbeyO, Mistress Mine where are you roamingWalker Art Gallery 100May Day Morning od Edwin Austin AbbeyMay Day MorningYale University Art Gallery

Slavna djela Edwin Austin Abbey po razdobljima

Mature Period

1888 – 1906 · 39 djela na ovom popisu
King Henry IV, Part II: Sir John Falstaff with His Page (Act I, Scene ii) (1905), Edwin Austin Abbey #2 King Henry IV, Part II: Sir John Falstaff with His Page (Act I, Scene ii) 1905 · Yale University Art Gallery Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library (1897), Edwin Austin Abbey #3 Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library 1897 · Yale University Art Gallery The Quest for the Holy Grail - part XV - The Golden Tree, Edwin Austin Abbey #4 The Quest for the Holy Grail - part XV - The Golden Tree The Penance of Eleanor, Duchess of Glouster (1900), Edwin Austin Abbey #5 The Penance of Eleanor, Duchess of Glouster 1900 King Henry VI, Part II: “Come hither, gracious sovereign, view this body.” (Act III, Scene ii) (1891), Edwin Austin Abbey #6 King Henry VI, Part II: “Come hither, gracious sovereign, view this body.” (Act III, Scene ii) 1891 · Yale University Art Gallery

Late Period

1895 – 1908 · 4 djela na ovom popisu
Panel XV The Golden Tree and the Achievement of the Grail, Edwin Austin Abbey #9 Panel XV The Golden Tree and the Achievement of the Grail The Queen in Hamlet (1895), Edwin Austin Abbey #27 The Queen in Hamlet 1895 The Three Mary (1908), Edwin Austin Abbey #30 The Three Mary 1908 · Yale University Art Gallery Figure study, possibly for The Apotheosis of Pennsylvania, House of Representatives Chamber, Pennsylvania State Capitol, Harrisburg (1906), Edwin Austin Abbey #31 Figure study, possibly for The Apotheosis of Pennsylvania, House of Representatives Chamber, Pennsylvania State Capitol, Harrisburg 1906 · Yale University Art Gallery

Motivi koji su privukli pažnju Edwin Austin Abbey

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Man 14 djela

King Henry IV, Part II: Sir John Falstaff with His Page (Act I, Scene ii) (1905), Edwin Austin Abbey #2 King Henry IV, Part II: Sir John Falstaff with His Page (Act I, Scene ii) 1905 · Yale University Art Gallery Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library (1897), Edwin Austin Abbey #3 Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library 1897 · Yale University Art Gallery The Quest for the Holy Grail - part XV - The Golden Tree, Edwin Austin Abbey #4 The Quest for the Holy Grail - part XV - The Golden Tree King Henry IV, Part I: The King to the Prince of Wales: “Thou shalt have charge and sovereign trust herein.”, (Act III, Scene ii) (1905), Edwin Austin Abbey #7 King Henry IV, Part I: The King to the Prince of Wales: “Thou shalt have charge and sovereign trust herein.”, (Act III, Scene ii) 1905 · Yale University Art Gallery

Woman 13 djela

'Who Is Sylvia? What Is She, That All the Swains Commend Her?' (1900), Edwin Austin Abbey #1 'Who Is Sylvia? What Is She, That All the Swains Commend Her?' 1900 · National Gallery of Art The Penance of Eleanor, Duchess of Glouster (1900), Edwin Austin Abbey #5 The Penance of Eleanor, Duchess of Glouster 1900 King Lear: Goneril and Regan (Act I, Scene i) (1902), Edwin Austin Abbey #8 King Lear: Goneril and Regan (Act I, Scene i) 1902 · Yale University Art Gallery Woman with osprey headdress and white fur collar (1891), Edwin Austin Abbey #12 Woman with osprey headdress and white fur collar 1891 · Yale University Art Gallery

People 9 djela

King Henry VI, Part II: “Come hither, gracious sovereign, view this body.” (Act III, Scene ii) (1891), Edwin Austin Abbey #6 King Henry VI, Part II: “Come hither, gracious sovereign, view this body.” (Act III, Scene ii) 1891 · Yale University Art Gallery Study for Falstaff (1891), Edwin Austin Abbey #16 Study for Falstaff 1891 · Yale University Art Gallery The Squire of Low Degree (one of 15 paintings, intended as a series, some unfinished) (1897), Edwin Austin Abbey #23 The Squire of Low Degree (one of 15 paintings, intended as a series, some unfinished) 1897 · Yale University Art Gallery The Play Scene in “Hamlet,” composition study (1897), Edwin Austin Abbey #24 The Play Scene in “Hamlet,” composition study 1897 · Yale University Art Gallery

Women 9 djela

The Three Mary (1908), Edwin Austin Abbey #30 The Three Mary 1908 · Yale University Art Gallery Young Woman in the Woods (1879), Edwin Austin Abbey #34 Young Woman in the Woods 1879 Seated Woman Wearing Elizabethan Headdress (1897), Edwin Austin Abbey #46 Seated Woman Wearing Elizabethan Headdress 1897 Untitled (Seated Woman with Palette), Edwin Austin Abbey #57 Untitled (Seated Woman with Palette)

Muzeji koji čuvaju originalna djela umjetnika Edwin Austin Abbey

6 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Edwin Austin Abbey Slike iz ovog popisa
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 48 King Henry IV, Part II: Sir John Falstaff with His Page (Act I, Scene ii), Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library, King Henry VI, Part II: “Come hither, gracious sovereign, view this body.” (Act III, Scene ii)
Muzej likovnih umjetnosti, BostonMuzej likovnih umjetnosti Boston 2 The Bridge
National Gallery of Art, WashingtonNational Gallery of Art Washington 1 'Who Is Sylvia? What Is She, That All the Swains Commend Her?'
Brandywine Museum of Art, Delaware CountyBrandywine Museum of Art Delaware County 1 My Phyllida
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 King Lear. Cordelia's Farewell (also known as King Lear Act I, Scene I)
Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 1 O, Mistress Mine where are you roaming

Edwin Austin Abbey kroz desetljeća: jedan jedinstveni original za svako

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Slike umjetnika Edwin Austin Abbey: pitanja za galeriju

Koje je najpoznatije djelo umjetnika Edwin Austin Abbey?Otkrijte odgovor

'Who Is Sylvia? What Is She, That All the Swains Commend Her?' (1900), National Gallery of Art, Washington. Nakon njih slijede King Henry IV, Part II: Sir John Falstaff with His Page (Act I, Scene ii) (1905) i Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library (1897).

U kojoj je dobi Edwin Austin Abbey stvorio/la 'Who Is Sylvia? What Is She, That All the Swains Commend Her?'?Otkrijte odgovor

48 godina: 'Who Is Sylvia? What Is She, That All the Swains Commend Her?' datira iz 1900, a Edwin Austin Abbey je rođen/a 1852.

Koja su deset najpoznatijih slika umjetnika Edwin Austin Abbey?Otkrijte odgovor

'Who Is Sylvia? What Is She, That All the Swains Commend Her?', King Henry IV, Part II: Sir John Falstaff with His Page (Act I, Scene ii), Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library, The Quest for the Holy Grail - part XV - The Golden Tree, The Penance of Eleanor, Duchess of Glouster, King Henry VI, Part II: “Come hither, gracious sovereign, view this body.” (Act III, Scene ii), King Henry IV, Part I: The King to the Prince of Wales: “Thou shalt have charge and sovereign trust herein.”, (Act III, Scene ii), King Lear: Goneril and Regan (Act I, Scene i), Panel XV The Golden Tree and the Achievement of the Grail i Within the Tent of Brutus: Enter the Ghost of Caesar, Julius Caesar, Act IV, Scene III. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je poznatih djela umjetnika Edwin Austin Abbey?Otkrijte odgovor

Naš katalog sadrži 119 djela umjetnika Edwin Austin Abbey, datiranih od 1878 do 1908.

Gdje se mogu vidjeti najpoznatiji originali umjetnika Edwin Austin Abbey?Otkrijte odgovor

Većinom u Yale University Art Gallery (New Haven), Muzej likovnih umjetnosti (Boston) i National Gallery of Art (Washington). Gornja tablica muzeja navodi sve njih.

U kojem je razdoblju Edwin Austin Abbey stvorio/la svoje najpoznatije slike?Otkrijte odgovor

U 1890s: 32 od 100 djela na ovoj stranici nastalo je tada, od čega je Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library.

Koje je najranije, a koje najkasnije poznato djelo Edwin Austin Abbey?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Near Easthampson (1878), a najnovije iz The Three Mary (1908).

Koje je motive Edwin Austin Abbey preferirao?Otkrijte odgovor

Man (14), Woman (13) i People (9), kroz svih 100 djela na ovoj stranici.

S kojim je materijalima Edwin Austin Abbey najčešće slikao?Otkrijte odgovor

Oil On Canvas, za 15 od 100 djela na ovoj stranici.

Kojem umjetničkom pravcu pripada rad Edwin Austin Abbey?Otkrijte odgovor

Academic realism, sudeći po originalima na ovoj stranici.

Koje originale umjetnika Edwin Austin Abbey mogu vidjeti u muzeju Yale University Art Gallery?Otkrijte odgovor

King Henry IV, Part II: Sir John Falstaff with His Page (Act I, Scene ii), Amfortas Released by Galahad, study for The Quest of the Holy Grail murals, Boston Public Library i King Henry VI, Part II: “Come hither, gracious sovereign, view this body.” (Act III, Scene ii): Yale University Art Gallery, New Haven posjeduje 46 djela s ove stranice.

Edwin Austin Abbey: portret umjetnika

Početak u Philadelphiji i uspon zlatnog doba ilustracije

Edwin Austin Abbey, rođen u Philadelphiji 1. travnja 1852. godine, izrastao je u ključnu figuru onoga što se danas slavi kao “zlatno doba” ilustracije. Njegovo putovanje započelo je formalnim obrazovanjem na Pennsylvania Academy of the Fine Arts pod vodstvom Christiana Schusselea, gdje je njegovao snažan tehnički temelj koji će mu služiti tijekom plodonosne karijere. Međutim, Abbeyjeve rane ambicije nisu bile usmjerene isključivo na tradicionalno slikarstvo; brzo se okrenuo rastućem svijetu časopisne ilustracije. Prije navršene dvadesete godine, njegovi su radovi počeli pojavljivati ​​se u istaknutim publikacijama poput *Harper’s Weekly*, odmah ga uspostavljajući kao talent koji treba pratiti. Ovaj početni uspjeh nije nastao izolirano – Abbey je pažljivo proučavao djela europskih majstora, upijajući dramatični chiaroscuro i složene detalje umjetnika poput Adolfa Menzela i Daniela Viergea, uz njihove engleske kolege. Ti su utjecaji oblikovali njegov prepoznatljiv stil, karakteriziran majstorstvom linije i sjene te sposobnošću da čak i jednostavne ilustracije prožme narativnom dubinom. Njegovi rani radovi pokazali su ne samo tehničku vještinu, već i rastuću sposobnost pripovijedanja koja će definirati njegov umjetnički put.

Od književnih vizija do Shakespeareove veličine

Abbeyjeva karijera procvala je kako je postajao sve traženiji za ilustriranje literarnih divova viktorijanskog doba. Posudio je svoje umijeće izdanjima Charlesa Dickensa *Božićne priče* (1875.), poezije Roberta Herricka (1882.) i Olivera Goldsmitha *She Stoops to Conquer* (1887.), svaka narudžba mu je omogućila da dodatno usavršava sposobnost hvatanja atmosfere i karaktera. Ključan trenutak nastupio je 1878. godine kada su ga njegovi poslodavci poslali u Englesku kako bi prikupili inspiraciju za ilustracije Herrickove poezije. Ovo se putovanje pokazalo transformativnim; Abbey bio je očaran engleskim krajolikom i umjetničkom zajednicom, te na kraju odlučio učiniti Englesku svojim trajnim domom 1883. godine. Upravo je ondje uistinu utvrdio svoj ugled vodećeg ilustratora, kulminirajući jednim od njegovih najambicioznijih projekata: četverotomnim djelom *The Comedies of Shakespeare* objavljenim od strane Harper & Brothers 1896. godine. Ovaj monumentalni pothvat pokazao je ne samo Abbeyjevu tehničku snagu, već i duboko razumijevanje Shakespeareove drame i karakterizacije. Ilustracije nisu bile samo popratne tekstovima; to su bile interpretacije koje su udahnule novi život poznatim scenama jedinstvenom mješavinom realizma i romantizma.

Iznad ilustracije: Trijumf muralista

Iako je Abbey prvotno stekao slavu kao ilustrator, njegove umjetničke ambicije protezale su se daleko izvan tiskanu stranicu. Uspješno je prešao u zidno slikarstvo, postigavši značajan prijelom za svoja velika djela koja su pokazala iznimnu kompozicijsku snagu i kontrolu boje. Njegovo najslavnije dostignuće u ovom području nesumnjivo je niz murala koji krase Boston Public Library, kolektivno nazvan *The Quest and Achievement of the Holy Grail*. Ovaj epski ciklus, započet 1890-ih godina, predstavlja vrhunac njegovih umjetničkih vještina – sveobuhvatnu naraciju prikazanu zadivljujućim detaljima i evocativnom simbolikom. Projekt je trebalo jedanaest godina da se dovrši, a Abbey je pedantno izradio svaku ploču u svom engleskom studiju prije njezine instalacije u Bostonu. Njegov talent nije prošao nezamijećen na međunarodnoj pozornici; primio je zlatnu medalju na Pan-Američkoj izložbi i počašćen je povjeravanjem slikanja krunidbe kralja Edwarda VII. – svjedočanstvo njegovog umjetničkog statusa i prestiža. Godine 1898., Abbey je dosegnuo još jednu prekretnicu kada je izabran za punopravnog člana Royal Academy, učvršćujući svoj položaj unutar britanskog umjetničkog svijeta.

Stil, nasljeđe i trajni utjecaj

Edwin Austin Abbeyjev stil je odmah prepoznatljiv po majstorstvu korištenja *chiaro-oscuro*, dramatičnom osvjetljenju koje naglašava oblik i stvara osjećaj dubine. Kritičari su dosljedno hvalili njegovu “neiscrpnu kreativnost”, “jasnoću i živost koncepcije” u njegovom radu te njegovu “poetsku percepciju ljepote”. Imao je ključnu ulogu u podizanju statusa ilustracije, premošćujući jaz između nje i likovne umjetnosti tijekom ere kada su se ilustratori često podcjenjivali. Njegovi murali ostaju značajni primjeri kasnog 19. stoljeća američke umjetnosti, pokazujući njegovu sposobnost sintetiziranja književnih tema s vizualnom veličinom. Bio je u stanju uhvatiti i grandiozni zamah povijesnih događaja i intimne emocije pojedinih likova. Abbeyjev utjecaj se može vidjeti u kasnijim generacijama umjetnika koji su nastojali kombinirati uvjerljivo pripovijedanje s umjetničkom izvrsnošću. Umro je neočekivano 1. kolovoza 1911., radeći na muralu za zgradu Državnog Capitola Pennsylvanije u Harrisburgu, ostavljajući iza sebe nasljeđe koje nastavlja nadahnjivati ​​i očaravati publiku i danas. Njegov rad stoji kao svjedočanstvo moći ilustracije i trajne privlačnosti vječnih priča.
Sva 119 djela umjetnika Edwin Austin Abbey →