Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 82 djela Daniel Mijtens u našem katalogu
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Iz perspektive galerije, najpoznatije djelo umjetnika Daniel Mijtens je Charles I, King of England (detail) (1629), čiji se original nalazi u muzeju Metropolitan Museum of Art, New York. Charles I (1600–1649), King of England (1629) i Portrait of a Man (1627) upotpunjuju triju koju svako oko prepoznaje. Od 82 djela umjetnika Daniel Mijtens u našem katalogu, galerija u nastavku prikazuje 74 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
In the quiet intensity of Daniel Mijtens’s 1629 portrait of Charles I, King of England, we encounter more than a mere likeness; we witness the carefully orchestrated visual language of a monarchy at a crossroads. This exquisite detail captures the essence of an era where the grandeur of the Elizabethan age was being reshaped into the solemn, dignified weight of the Stuart period. As the viewer’s eye is drawn to…
In the year 1629, a portrait emerged from the studio of Daniel Mijtens that would do more than merely capture a likeness; it would crystallize an era. The portrait of Charles I stands as a profound testament to the burgeoning artistic landscape of England during the reign of James I and his son. At a time when the English court was navigating complex political waters, Mijtens offered a vision of…
In this 1627 portrait, we encounter a man of quiet authority, captured in a moment of composed stillness. The composition follows a traditional three-quarter view, focusing on the subject from the waist up against a dark, indeterminate background that pushes his presence forward. There is a certain gravity to his posture, a sense of dignity that suggests a life of significant standing. The lighting is deliberate, descending from the upper…
In this portrait by Daniël Mijtens, we encounter John Cotton, a man whose presence carries the weight of significant theological influence. Painted around 1628, the work captures the clergyman during a period of profound religious transition. Cotton was a central figure in the religious life of both England and the American colonies, eventually becoming the preeminent minister and theologian of the Massachusetts Bay Colony. There is a quiet gravity in…
In this 1624 portrait, we encounter Charles I during his tenure as Prince of Wales, a period before his ascension to the English throne. The subject is positioned with a quiet, commanding presence, his gaze meeting the viewer with a directness that suggests both nobility and a burgeoning sense of responsibility. There is a certain stillness to his posture, a composure that defines the Baroque portraiture of the era. He…
The young man gazes out from the canvas, caught in a moment of quiet dignity before the weight of a crown settles upon his brow. He is Charles I, yet he is not yet the King; he is the Prince of Wales, a figure of burgeoning authority and youthful grace. A green coat wraps around his frame, its fabric catching the light in a way that suggests the heavy, luxurious…
Venus and Amor (Allegory of Love) is an oil on canvas work by the Dutch Golden Age painter Daniël Mijtens. Executed in 1619, the painting presents a mythological subject through a Baroque lens. The composition focuses on the intimate interaction between the goddess Venus and the young Amor.
A formal, full-length Baroque portrait captures Lionel Cranfield, 1st Earl of Middlesex, in a moment of composed dignity. He is positioned slightly off-center, leaning against a table draped in heavy red cloth. The composition is vertical, emphasizing his stature through a three-quarter length view. His attire consists of dark, heavy robes that absorb the light, contrasted sharply by a crisp white ruff and the metallic sheen of gold embroidery on…
The subject, Thomas Howard, 1st Earl of Suffolk, is depicted in a full-length, vertical composition. He stands in a three-quarter view, his body angled slightly to the right while his gaze is directed toward the viewer. He wears a red surcoat over a dark doublet, accented by a large, stiffly pleated white ruff at the neck. Heavy gold livery collars and jewelry hang from his shoulders, catching the light against…
A full-length portrait of James Hamilton, 2nd Marquess of Hamilton, presents a single male figure positioned slightly off-center. He is depicted in a standing pose, holding a slender staff in one hand and a hat in the other. The subject wears a dark doublet with structured, geometric folds and a crisp, white lace ruff that encircles the neck. His legs are clad in light tan leather boots, which contrast with…
Portrait of Maurits van Oranje-Nassau (1567-1625)1611 · Amsterdam Museum
12
Portrait of a Young Girl1610 · National Trust
13
Sir Thomas Edmondes1622 · National Portrait Gallery
14
Charles I1633 · Saint Louis Art Museum
15
Lady Martha Cranfield, Countess of Monmouth (1601-1667)1634 · Knole House
16
Elizabeth, Queen of Bohemia (1596-1662)1626 · Royal Collection
17
Charles I and Henrietta Maria1631 · Royal Collection
18
Self-Portrait1630 · Buckingham Palace
19
Charles I1628 · Royal Collection
20
Charles I and Henrietta Maria Departing for the Chase1631 · Royal Collection
21
Charles I1623 · Royal Collection
22
Mary, Queen of Scots (1542-87)1627 · Royal Collection
23
Margaret Tudor, Queen of Scotland (1489-1541)1629 · Royal Collection
24
Charles I (1600-1649) when Prince of Wales1623 · Royal Collection
25
Ernst von Mansfeld (1585-1626)1624 · Royal Collection
26
Jeffrey Hudson (1619-1682)1629 · Royal Collection
27
Charles I of England (1600–1649) as Prince of Wales1624 · Statens Museum For Kunst
28
James Hamilton (1589–1625), 2nd Marquess of Hamilton and 4th Earl of Arran, KG, PC1623
29
Thomas Howard (1585–1646), Earl of Arundel1630 · Temple Newsam House
30
Portrait of Gerard Schaep Pietersz. (1599-1655) (copy)1724 · Amsterdam Museum
31
Portrait of Johanna de Vissere (1604-1676) (copy)1725 · Amsterdam Museum
32
Charles I, King of England1629 · Metropolitan Museum of Art
33
Charles Howard (1536–1624), 2nd Lord Howard of Effingham and 1st Earl of Nottingham1620 · Nostell Priory
34
Sir John Garrard (c.1546–1625), Lord Mayor of London (1601)1618 · Guildhall Art Gallery
35
Lionel Cranfield (1575–1645), 1st Earl of Middlesex1620 · National Trust
36
Nicolò Molino, Venetian Ambassador1622 · National Trust
37
Charles Howard (1536–1624), 1st Earl of Nottingham1620
38
King James I of England and VI of Scotland1621 · National Portrait Gallery
39
Thomas Howard, 2nd Earl of Arundel and Surrey1618 · National Portrait Gallery
40
William Laud (1573–1645), Archbishop of Canterbury (1633–1645)1631
41
Philip Herbert (1584–1650), 4th Earl of Pembroke, 1st Earl of Montgomery, KG1634 · National Trust
42
Robert Rich (1587–1658), 2nd Earl of Warwick, Aged 451633 · National Trust
43
James Hamilton (1606–1649), 1st Duke of Hamilton, Royalist1629 · Skotska nacionalna galerija portreta
44
Portrait of James Hamilton, Earl of Arran, Later 3rd Marquis and 1st Duke of Hamilton, Aged 171623 · Tate Britain
45
Robert Rich (1587–1658), 2nd Earl of Warwick1632 · National Maritime Museum
46
Chief Justice Sir Henry Hobart (d.1625), 1st Bt1624 · National Trust
47
King Charles I (1600–1649)1629 · Government Art Collection
48
Charles I (1600–1649), King of Great Britain and Ireland1631 · National Maritime Museum
49
Lady Anne Montagu, née Rich (1604–1642), Wife of Edward Montagu, 2nd Duke of Manchester (Viscount Mandeville)1626 · Government Art Collection
50
Endymion Porter1627 · National Portrait Gallery
51
Allegorizing Group Portrait of the Children of Diederic Pietersz van Leyden van Leeuwen, Burgomaster of Leiden, and Alida Paets, Daniël Mijtens (II), 16791679 · Rijksmuseum
52
Thomas Bruce, 3rd Lord Bruce of Kinloss, 1st Earl of Elgin (1599-1663)Hardwick Hall
53
An Unknown LadyNational Trust
54
Christian, Duke of Brunswick and Lüneburg (1599-1626)Royal Collection
55
Elizabeth Knollys, née Howard
56
Mary, Queen of Scots
57
Alathea, Countess of Arundel and Surrey
58
Duke of Hamilton1629 · Skotska nacionalna galerija portreta
59
Ralph hopton
60
Paul and Barnabas at Lycaonia
61
James I and VI
62
Healing of the Lame ManKnole House
63
Charles I , in Robes of State
64
Christ's Charge to Peter
65
James VI
66
William Herbert, 3rd Earl of Pembroke
67
Duke of Buckingham
68
Elizabeth Leicester (b.1587)
69
William Herbert (1580–1630), 3rd Earl of Pembroke, KG, PCNational Trust
70
George Villiers (1592–1628), 1st Duke of BuckinghamNational Maritime Museum
71
George Villiers (1592–1628), 1st Duke of Buckingham
72
King Charles I (1600–1649)Government Art Collection
73
The Death of AnaniasVictoria and Albert Museum
74
King Charles I1631 · National Portrait Gallery
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Daniel Mijtens | Slike iz ovog popisa |
|---|---|---|---|
 Royal Collection |
London | 11 | Elizabeth, Queen of Bohemia (1596-1662), Charles I and Henrietta Maria, Charles I |
 National Portrait Gallery |
London | 5 | Sir Thomas Edmondes, King James I of England and VI of Scotland, Thomas Howard, 2nd Earl of Arundel and Surrey |
 National Maritime Museum |
London | 4 | Thomas Howard (1561-1626), 1st Earl of Suffolk, Robert Rich (1587–1658), 2nd Earl of Warwick, Charles I (1600–1649), King of Great Britain and Ireland |
 Metropolitan Museum of Art |
New York | 3 | Charles I, King of England (detail), Charles I (1600–1649), King of England, Charles I, King of England |
 Knole House |
Sevenoaks | 3 | Lionel Cranfield, 1st Earl of Middlesex (1575-1645), Lady Martha Cranfield, Countess of Monmouth (1601-1667), Healing of the Lame Man |
 Amsterdam Museum |
Amsterdam | 3 | Portrait of Maurits van Oranje-Nassau (1567-1625), Portrait of Gerard Schaep Pietersz. (1599-1655) (copy), Portrait of Johanna de Vissere (1604-1676) (copy) |
 National Trust |
Chesterfield | 3 | Philip Herbert (1584–1650), 4th Earl of Pembroke, 1st Earl of Montgomery, KG, Robert Rich (1587–1658), 2nd Earl of Warwick, Aged 45, William Herbert (1580–1630), 3rd Earl of Pembroke, KG, PC |
 Government Art Collection |
London | 3 | King Charles I (1600–1649), Lady Anne Montagu, née Rich (1604–1642), Wife of Edward Montagu, 2nd Duke of Manchester (Viscount Mandeville), King Charles I (1600–1649) |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
Venus and Amor (Allegory of Love) is an oil on canvas work by the Dutch Golden Age painter Daniël Mijtens. Executed in 1619, the painting presents a mythological subject through a Baroque lens. The composition focuses on the intimate interaction between the goddess Venus and the young Amor.
In the quiet intensity of Daniel Mijtens’s 1629 portrait of Charles I, King of England, we encounter more than a mere likeness; we witness the carefully orchestrated visual language of a monarchy at a crossroads. This exquisite detail captures the essence of an era where the grandeur of the Elizabethan age was being reshaped into the solemn, dignified weight of the Stuart period. As the viewer’s eye is drawn to…
This oil on canvas work by Daniël Mijtens depicts Charles I, King of England. Dated 1633, the portrait presents the monarch in a formal manner. The subject is rendered in a full-length view, positioned as a royal portrait intended to convey the status of the sitter. The figure is shown in a three-quarter view against a dark, atmospheric background.
Charles I, King of England (detail) (1629), Metropolitan Museum of Art, New York. Nakon njih slijede Charles I (1600–1649), King of England (1629) i Portrait of a Man (1627).
39 godina: Charles I, King of England (detail) datira iz 1629, a Daniel Mijtens je rođen/a 1590.
Charles I, King of England (detail), Charles I (1600–1649), King of England, Portrait of a Man, John Cotton, Charles I as Prince of Wales, Charles I (1600–1649) (kad je bio princ Walesa), Venus and Amor (Allegory of Love), Lionel Cranfield, 1st Earl of Middlesex (1575-1645), Thomas Howard (1561-1626), 1st Earl of Suffolk i James Hamilton, 2nd Marquess of Hamilton (1589-1625). Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 82 djela umjetnika Daniel Mijtens, datiranih od 1610 do 1634.
Većinom u Royal Collection (London), National Portrait Gallery (London) i National Maritime Museum (London). Gornja tablica muzeja navodi sve njih.
U 1620s: 31 od 74 djela na ovoj stranici nastalo je tada, od čega je Charles I, King of England (detail) Charles I, King of England (detail).
Na ovoj stranici najstarije djelo je iz Portrait of a Young Girl (1610), a najnovije iz Lady Martha Cranfield, Countess of Monmouth (1601-1667) (1634).
Man (33), Lace ruff (11) i Portrait (9), kroz svih 74 djela na ovoj stranici.
Oil On Canvas, za 39 od 74 djela na ovoj stranici.
Dutch golden age portraiture i Baroque, sudeći po originalima na ovoj stranici.
Elizabeth, Queen of Bohemia (1596-1662), Charles I and Henrietta Maria i Charles I: Royal Collection, London posjeduje 11 djela s ove stranice.
