Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 7 djela Charles Walch u našem katalogu
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Od svih originala koje je Charles Walch ostavio, najpoznatiji je Bad-Mouthing (1933) u kolekciji muzeja Centre Pompidou, Pariz. Samo iza njih slijede Winter (1934) i The Shepherdess (1934). Naš katalog sadrži 7 djela umjetnika Charles Walch; galerija je čuvala onih 7 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
In 1933, Charles Walch captured a moment of quiet friction in Bad-Mouthing. The scene unfolds within an outdoor or semi-outdoor setting, where a crowd of figures gathers under a dark blue sky. The air feels heavy with the weight of unspoken words. In the foreground, a man and a woman lean toward one another, their bodies angled in a close, secretive interaction. They appear to be whispering, their proximity suggesting…
3 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Charles Walch | Slike iz ovog popisa |
|---|---|---|---|
 Musée Des Beaux Arts |
Mulhouse | 3 | Birthday, Bâtisseurs et architectes, L'armoire à l'ange |
 Centre Pompidou |
Pariz | 2 | Bad-Mouthing, Winter |
 Musée d'Art Moderne et Contemporain de Strasbourg |
Strasbourg | 2 | The Shepherdess, The Triumphant Bouquet |
Svega deset godina, od 1933 do 1942, posvetio je svijetu svako datirano originalno djelo Charles Walch u ovom odabiru: evo ih, godinu po godinu.
Odaberite godinu kako biste vidjeli originalna djela.
In 1933, Charles Walch captured a moment of quiet friction in Bad-Mouthing. The scene unfolds within an outdoor or semi-outdoor setting, where a crowd of figures gathers under a dark blue sky. The air feels heavy with the weight of unspoken words. In the foreground, a man and a woman lean toward one another, their bodies angled in a close, secretive interaction. They appear to be whispering, their proximity suggesting…
Bad-Mouthing (1933), Centre Pompidou, Pariz. Nakon njih slijede Winter (1934) i The Shepherdess (1934).
37 godina: Bad-Mouthing datira iz 1933, a Charles Walch je rođen/a 1896.
Naš katalog sadrži 7 djela umjetnika Charles Walch, datiranih od 1933 do 1942.
Većinom u Musée Des Beaux Arts (Mulhouse), Centre Pompidou (Pariz) i Musée d'Art Moderne et Contemporain de Strasbourg (Strasbourg). Gornja tablica muzeja navodi sve njih.
U 1942: 3 od 7 djela na ovoj stranici nastalo je tada, od čega je The Triumphant Bouquet The Triumphant Bouquet.
Na ovoj stranici najstarije djelo je iz Bad-Mouthing (1933), a najnovije iz The Triumphant Bouquet (1942).
Birthday, Bâtisseurs et architectes i L'armoire à l'ange: Musée Des Beaux Arts, Mulhouse posjeduje 3 djela s ove stranice.
Born in Thann, France, Charles Walch was a versatile visual artist who mastered the disciplines of painting, sculpture, and printmaking. His journey was marked by a profound personal challenge; born with a physical malformation that left his right arm atrophied and his right leg shorter than the left, he learned to navigate the world and his craft using his left hand. This necessity fostered a remarkable dexterity that would define his career. After studying at the Société Industrielle de Mulhouse, he initially worked as a fabric designer. His artistic potential was recognized by Paul Bonnet, who encouraged him to pursue formal training. This support allowed him to move to Paris to study at the Arts décoratifs, eventually establishing a lifelong studio on rue Borromée in the 15th arrondissement.
Walch's career saw significant recognition, including receiving a gold medal at the Exposition universelle de Paris in 1937 and being named a Chevalier de la Légion d'honneur. His work spanned various media, from vibrant paintings and stone sculptures such as Tendresse and Femme au chat to intricate prints like aquatints and etchings. He was part of the 1941 exhibition of the "Vingt jeunes peintres de tradition française" and contributed a flamboyant rooster as a poster for the 1944 Salon d’Automne. His artistic output included:
He passed away suddenly in his Paris studio in 1948 while actively engaged in his painting.
