Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 34 djela Charles Cottet u našem katalogu
Ukratko
Od svih originala koje je Charles Cottet ostavio, najpoznatiji je Box at the Opera-Comique (1887) u kolekciji muzeja Musée d'Orsay, Pariz. Samo iza njih slijede In the land of the sea. Pain (1908) i Self-Portrait (1883). Naš katalog sadrži 34 djela umjetnika Charles Cottet; galerija je čuvala onih 34 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
The artwork titled Box at the Opera-Comique is an oil on panel painting by the French artist Charles Cottet. Created in 1887, this work captures a specific social setting within a theater. The piece is currently held in the collection of the Musée d'Orsay in Paris, France.
In the land of the sea. Pain is a work by the French painter Charles Cottet. Known also by the titles Les Victimes de la mer or Au pays de la mer. Douleur, the painting was created between 1908 and 1909. It remains a significant example of the artist's engagement with the somber realities of maritime life.
This oil portrait presents a man from the chest up, positioned slightly off-center against a warm, reddish-brown background. The subject possesses light skin, reddish-brown hair, and a mustache. He wears a black silk top hat and a dark coat layered over a white high-collared shirt. Light enters from the upper left, casting soft shadows across the contours of his face and creating a sense of volume. The background contains blurred…
In Mourning, Charles Cottet presents a somber scene set against a coastal backdrop. Created about 1892, the work focuses on two figures positioned in the right foreground. They lean into one another, a gesture of shared grief that anchors the composition. The subjects are rendered in dark browns and blacks, creating a heavy contrast against the pale, desaturated teals and light blues of the sea and sky.
A man emerges from a heavy, dark atmosphere. He wears a dark beret, the fabric absorbing the dim light of a studio. His beard is thick, catching the pale glow that strikes one side of his face while leaving the other in deep shadow. This is a study of a single presence, captured in 1889. The eyes look directly forward, meeting the viewer with a serious, unblinking expression. There is…
In this 1902 oil on canvas, we find ourselves standing at eye level, mere steps away from a religious procession moving through the rural landscape of Landudec. The scene captures a communal moment of faith, where the stark, bright white of the participants' garments creates a rhythmic movement against the darker, more somber tones of the background. There is a weight to the figures, a sense of physical presence that…
A semi-circle of five women anchors the foreground, gathered around a white cloth spread upon the grass. They sit in an intimate arrangement, their presence a quiet nucleus amidst a larger religious festival. The scene captures a moment of respite during the Pardon of Sainte-Anne-la-Palud, where the private ritual of a picnic meets the public devotion of the crowd. In the distance, white tents and a gathering of people lead…
In the quiet, heavy atmosphere of a coastal interior, Mourning in Ouessant by Charles Cottet unfolds a scene of profound grief. Painted about 1903, the work captures a moment of stillness and sorrow. A woman sits alone, her presence defined by the weight of her heavy black clothing. She remains anchored in a domestic space, her posture reflecting the gravity of her loss. The air in the room feels thick…
Breton Women in Mourning is an oil on canvas painted by Charles Cottet in 1903. The work originates from the period when the artist was established within the French art scene, having been born in Le Puy-en-Velay. His career spanned several decades until his death in Paris in 1925.
In this 1899 oil on canvas, we find ourselves drawn into a dimly lit interior, a space defined by the heavy weight of silence and shadow. The composition centers upon a small, pale figure—an infant—whose presence acts as a singular point of light amidst a sea of darkness. Surrounding this central subject, a group of mourners is gathered in a tight, intimate circle. Their downward gazes and somber expressions suggest…
The Three Generations1909 · Columbus Museum of Art
12
Portrait of miss J.L.B.1906 · Museum of Fine Arts Ghent (MSK)
13
Portrait of a Woman1900 · Art Institute of Chicago
14
The Red Sails1894 · Musée des Beaux-Arts
15
Low Mass1895 · Nacionalni muzej zapadne umjetnosti
16
Fellah Women1894 · Musée d'Art Moderne et Contemporain de Strasbourg
17
In the Port1895 · Musée des Beaux-Arts
18
Old Horse in the Wasteland1898 · Ohara Museum of Art
19
The Tagus Seen from Toledo1904 · Musée des Beaux-Arts de Pau
20
View of Pont-en-Royans1905 · Bavarske državne slikopisne zbirke
21
Storm Time on the Sea1904 · Musée des Beaux-Arts
22
Fog at Belle Isle1904 · Musée des Beaux-Arts de Brest
23
Fog1904 · Musée d'Orsay
24
Low Mass (Brittany)1902 · Petit Palais
25
Marine1903 · Musée des Beaux-Arts de Quimper
26
L1899 · Musée des Beaux-Arts de Quimper
27
God's Festival Day in PlougastelMusée Crozatier
28
Mourning, BrittanyCincinnati Art Museum
29
Lamentation des femmes de Camaret autour de la chapelle brûlée de Roch1911 · Musée des Beaux-Arts de Quimper
30
Belle-Isle1912 · Nacionalna galerija Kanade
31
AutoportraitMusée des Beaux-Arts de Quimper
32
Breton Village by The Coast (Camaret)Finnish National Gallery
33
(277 x 65 CM) (1900)
34
Les victimes de la merLe Carton Voyageur - Musée de la carte postale
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Charles Cottet | Slike iz ovog popisa |
|---|---|---|---|
 Musée des Beaux-Arts de Quimper |
Quimper | 5 | Women of Plougastel at the Pardon of Sainte-Anne-la-Palud, Marine, L |
 Musée d'Orsay |
Pariz | 3 | Box at the Opera-Comique, In the land of the sea. Pain, Fog |
 Petit Palais |
Pariz | 3 | Self-portrait, Ouessant People Mourning a Dead Child, Low Mass (Brittany) |
 Musée des Beaux-Arts |
Reims | 3 | The Red Sails, In the Port, Storm Time on the Sea |
 Museum of Fine Arts Ghent (MSK) |
Gent | 2 | Mourning in Ouessant, Portrait of miss J.L.B. |
 Harvard Art Museums |
Cambridge | 1 | Self-Portrait |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | Mourning |
 Kraljevski muzej fine umjetnosti u Antverpenu |
Antverp | 1 | Breton Women in Mourning |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The artwork titled Box at the Opera-Comique is an oil on panel painting by the French artist Charles Cottet. Created in 1887, this work captures a specific social setting within a theater. The piece is currently held in the collection of the Musée d'Orsay in Paris, France.
In Mourning, Charles Cottet presents a somber scene set against a coastal backdrop. Created about 1892, the work focuses on two figures positioned in the right foreground. They lean into one another, a gesture of shared grief that anchors the composition. The subjects are rendered in dark browns and blacks, creating a heavy contrast against the pale, desaturated teals and light blues of the sea and sky.
In the land of the sea. Pain is a work by the French painter Charles Cottet. Known also by the titles Les Victimes de la mer or Au pays de la mer. Douleur, the painting was created between 1908 and 1909. It remains a significant example of the artist's engagement with the somber realities of maritime life.
In the hauntingly beautiful masterpiece Lamentation des femmes de Camaret autour de la chapelle brûlée de Roch, created in 1911, Charles Cottet invites the viewer into a moment of profound communal grief. The canvas captures the devastating aftermath of a fire that consumed the chapel of Roch, leaving behind only a skeletal clock tower and charred ruins to pierce the sky. This is not merely a depiction of architectural destruction,…
Box at the Opera-Comique (1887), Musée d'Orsay, Pariz. Nakon njih slijede In the land of the sea. Pain (1908) i Self-Portrait (1883).
24 godina: Box at the Opera-Comique datira iz 1887, a Charles Cottet je rođen/a 1863.
Box at the Opera-Comique, In the land of the sea. Pain, Self-Portrait, Mourning, Self-portrait, The Corpus Christi Procession in Landudec, Women of Plougastel at the Pardon of Sainte-Anne-la-Palud, Mourning in Ouessant, Breton Women in Mourning i Ouessant People Mourning a Dead Child. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 34 djela umjetnika Charles Cottet, datiranih od 1883 do 1912.
Većinom u Musée des Beaux-Arts de Quimper (Quimper), Musée d'Orsay (Pariz) i Petit Palais (Pariz). Gornja tablica muzeja navodi sve njih.
U 1900s: 15 od 34 djela na ovoj stranici nastalo je tada, od čega je In the land of the sea. Pain In the land of the sea. Pain.
Na ovoj stranici najstarije djelo je iz Self-Portrait (1883), a najnovije iz Belle-Isle (1912).
People (6), Woman (4) i Dark tones (3), kroz svih 34 djela na ovoj stranici.
Oil On Canvas, za 9 od 34 djela na ovoj stranici.
Post-impressionism, sudeći po originalima na ovoj stranici.
Women of Plougastel at the Pardon of Sainte-Anne-la-Palud, Marine i L: Musée des Beaux-Arts de Quimper, Quimper posjeduje 5 djela s ove stranice.
