Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 20 djela Cesare Da Sesto u našem katalogu
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Mary with child and Saint John (1513) je slika autora Cesare Da Sesto koja privlači najviše pogleda; original se nalazi u muzeju Bavarske državne slikopisne zbirke, München. Nakon toga, pogled se usmjerava na Madonna and Child with Saint John the Baptist and Saint George (1515) i Christ Carrying His Cross (1520). Među 20 djela umjetnika Cesare Da Sesto u našem katalogu, ovih 20 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
The composition rests upon a stable, pyramidal structure, centering the Virgin Mary within a quiet, sacred geometry. She sits draped in heavy fabrics of deep red, teal, and gold, the textures of the cloth folds rendered with a tactile realism. Across her lap, the Christ Child reclines, a small movement of life as he reaches toward her with one arm while clutching an open book in the other. In the…
The painting presents a pyramidal arrangement of figures set against a receding landscape. At the center, the Madonna sits upon an elevated stone pedestal characterized by detailed relief carvings of classical figures. She wears a red gown and a blue mantle. The Christ Child is positioned with her, creating a focal point within the structured geometry of the work. To the left, Saint John the Baptist is depicted holding an…
The oil painting titled Christ Carrying His Cross, or Le Christ portant sa croix, was executed by the artist Cesare da Sesto. Also known by the epithet Le Milanese, the painter was active during the High Renaissance. This specific work is a religious composition that depicts a central biblical scene through a focused, intimate lens.
Cesare da Sesto's "Holy Family with St Catherine," painted in 1515, is more than just a depiction of a sacred scene; it’s a window into the heart of the Florentine Renaissance and a testament to the enduring power of artistic lineage. This oil on canvas masterpiece, measuring 89 x 71 cm, immediately draws the viewer into a world of serene contemplation, a space where faith, familial love, and divine grace…
A muscular, aged figure kneels upon a grassy slope, his skin textured by years of ascetic discipline. This is Jerome, caught in a moment of profound quietude. He is semi-nude, draped only in a small loincloth, his body angled toward a small figure of the Christ Child. The infant lies upon a wooden cross, which is itself draped in a heavy crimson fabric. The scene is set against a landscape…
The painting depicts a scene from Greek mythology involving Leda and a swan. Two female figures occupy the central space of the composition. Leda is positioned in the foreground, holding a nursing infant in her arms. A second woman stands behind her, observing the scene. The figures are surrounded by several birds; one bird is situated on the left side of the frame, while two others are placed toward the…
A man sits upon the earth, his body anchored by the gravity of thought. He wears a red robe, the color of dried blood or deep wine, which spills in heavy folds across the ground. His hair and beard are long, catching the light in a way that suggests the dust of many years. In his hands, he cradles a skull. The bone is pale against the warmth of his…
In The Wounded Christ appears to Oliviero Carafa, Cesare da Sesto presents a profound moment of spiritual encounter. The composition centers on the figure of Jesus, whose red clothing provides a heavy visual weight against the scene. He stands over a man kneeling in prayerful respect, a figure draped in a pink robe that offers a soft contrast to the more intense tones of the central subject. Around them, several…
Studies of Feet is a work by Cesare da Sesto. The artist was born in Sesto Calende, Italy, in 1477. His hand moved across the surface until his death in 1523.
In the quiet intimacy of Madonna and Child with the Lamb of God, we are invited into a sacred moment that transcends the boundaries of time. Painted around 1515 by the masterful Cesare da Sesto, this work serves as a profound testament to the grace of the High Renaissance. The composition centers on the Virgin Mary, whose presence radiates both maternal warmth and divine serenity. Clad in a striking red…
The Virgin and Child with Saint John the BaptistNational Gallery of Ireland
12
Salomè with head of John the BaptistNational Gallery
13
Study of a BullPierpont Morgan Library
14
Holy Family with the Infant Saint John the Baptist
15
Madonna and ChildPinacoteca di Brera
16
Seated BullRoyal Collection
17
Studija stablaRoyal Collection
18
Virgin, Child and St. John the BaptistNacionalni muzej stare umjetnosti
19
The Adoration of the Magi1516 · Museo di Capodimonte
20
The Last Supper1550
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Cesare Da Sesto | Slike iz ovog popisa |
|---|---|---|---|
 Royal Collection |
London | 2 | Seated Bull, Studija stabla |
 Bavarske državne slikopisne zbirke |
München | 1 | Mary with child and Saint John |
 Fine Arts Museums of San Francisco |
San Francisco | 1 | Madonna and Child with Saint John the Baptist and Saint George |
 Musée de Grenoble |
Grenoble | 1 | Christ Carrying His Cross |
 Ermitaž |
Sankt Peterburg | 1 | Holy Family with St Catherine |
 Nationalmuseum |
Stockholm | 1 | St Jerome |
 Wilton House |
Salisbury | 1 | Leda and the Swan |
 City Art Gallery |
Southampton | 1 | St Jerome |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The painting depicts a scene from Greek mythology involving Leda and a swan. Two female figures occupy the central space of the composition. Leda is positioned in the foreground, holding a nursing infant in her arms. A second woman stands behind her, observing the scene. The figures are surrounded by several birds; one bird is situated on the left side of the frame, while two others are placed toward the…
The composition rests upon a stable, pyramidal structure, centering the Virgin Mary within a quiet, sacred geometry. She sits draped in heavy fabrics of deep red, teal, and gold, the textures of the cloth folds rendered with a tactile realism. Across her lap, the Christ Child reclines, a small movement of life as he reaches toward her with one arm while clutching an open book in the other. In the…
The oil painting titled Christ Carrying His Cross, or Le Christ portant sa croix, was executed by the artist Cesare da Sesto. Also known by the epithet Le Milanese, the painter was active during the High Renaissance. This specific work is a religious composition that depicts a central biblical scene through a focused, intimate lens.
Mary with child and Saint John (1513), Bavarske državne slikopisne zbirke, München. Nakon njih slijede Madonna and Child with Saint John the Baptist and Saint George (1515) i Christ Carrying His Cross (1520).
36 godina: Mary with child and Saint John datira iz 1513, a Cesare Da Sesto je rođen/a 1477.
Mary with child and Saint John, Madonna and Child with Saint John the Baptist and Saint George, Christ Carrying His Cross, Holy Family with St Catherine, St Jerome, Leda and the Swan, St Jerome, The Wounded Christ appears to Oliviero Carafa, Studies of Feet i Madonna and Child with the Lamb of God. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 20 djela umjetnika Cesare Da Sesto, datiranih od 1505 do 1520.
Većinom u Royal Collection (London), Bavarske državne slikopisne zbirke (München) i Fine Arts Museums of San Francisco (San Francisco). Gornja tablica muzeja navodi sve njih.
U 1510s: 5 od 20 djela na ovoj stranici nastalo je tada, od čega je Mary with child and Saint John Mary with child and Saint John.
Na ovoj stranici najstarije djelo je iz Leda and the Swan (1505), a najnovije iz Christ Carrying His Cross (1520).
Man (5), Woman (4) i Child (3), kroz svih 20 djela na ovoj stranici.
Oil, za 7 od 20 djela na ovoj stranici.
High renaissance i Renaissance, sudeći po originalima na ovoj stranici.
Seated Bull i Studija stabla: Royal Collection, London posjeduje 2 djela s ove stranice.
Cesare Da Sesto (1477–1523) predstavlja ključnu figuru florentinskog Renesanse, umjetnika čije je naslijeđe prvenstveno utkano u vibrantno umjetničko okruženje Milana i njegovih okolica. Rođen u Sesto Calendeu u Lombardiji—regiji poznatoj po svojoj zaštiti umjetnosti—Sesto je svoje formativne godine proživio u vrijeme vrhunca utjecaja Leonarda da Vincija, što je potaklo stilsku srodnost koja će prožimati cijelo njegovo djelo. Kao dio utjecajne grupe Leonardeschi, umjetnici poput Bernardinog Luinija i Marca d’Oggione slično su usvojili Da Vincijev inovativni pristup perspektivi i chiaroscuro tehnici, čime je Cesare Da Sesto čvrsto smješten u ovu prestižnu umjetničku lozu.
Njegov put bio je obilježen stalnim kretanjem i dubokim uranjanjem u velike centre talijanske kulture. Dokazi ukazuju na to da je svoje vještine usavršavao pod vodstvom Baldassarea Peruzzija u Rimu tijekom 1505. godine, uranjajući u rastući humanistički duh papalinskog dvora. To razdoblje donijelo je značajne narudžbe, poput lunete koja krase baziliku Sant’Onofrio i nekoliko slika izvršenih u Campagnano Romanu, što dokazuje Sestovo rano talenat za hvatanje emotivnih narativa unutar pedantno izrađenih kompozicija. Njegova umjetnička evolucija obilježena je sposobnošću spajanja mekog, atmosferskog sfumato milanske tradicije sa strukturnom grandioznošću koja se nalazi u rimskom klasicizmu.
Širina Sestovog talenta možda je najvidljivija u njegovom majstorstvu u izražavanju kako monumentalnih religijskih narativa, tako i intimnih, detaljnih studija. Njegova djela često dočaravaju osjećaj duboke duhovne težine, uravnotežen klasičnom pięonom koja definira visoku renesansu. Istaknuti primjeri njegovog vještog stvaralaštva uključuju:
Značajno poglavlje njegove karijere odvijalo se u Napulju između 1514. i 1515. godine, gdje je Cesare Da Sesto ostvario iznimno plodnu umjetničku produkciju koja je učvrstila njegovu reputaciju svestranog slikara. Vrhunac tog razdoblja stigao je dovršetkom monumentalnog djela Adoration of the Magi, umjetničkog djela koje je duboko utjecalo na umjetnike koji su djelovali u južnoj Italiji—djela koje se danas nalazi u Museo Nazionale di Napoli.
Povratak u Milano 1520. godine označio je početak još jednog ambicioznog poduhvata: ciklusa freski za crkvu San Rocco, što je bio zajednički napor s Bernardinom Bernazzanom. Iako je veliki dio njegovih izvornih radova iz određenih projekata nažalost nestao kroz stoljeća, njegov utjecaj na razvoj lombardske škole ostaje neosporan. Uspješno je premostio jaz između eksperimentalnih inovacija Leonarda i strukturiranijih, klasičnih zahtjeva kasnijer Renesanse.
Danas se Cesare Da Sesto ne pamti samo kao sljedbenik Da Vincija, već kao majstor sam po sebi koji je donio jedinstvenu emocionalnu dubinu religijskim i naturalističkim temama svog vremena. Njegova sposobnost navigiranja kroz složene zahtjeve papalskih narudžbi, velikih poliptiča i delikatnih skica osigurava mu mjesto u panteonu velikih talijanskih renesansnih majstora.
