Portret Bernardo Bellotto

100 najpoznatijih djela umjetnika Bernardo Bellotto, galerijska selekcija

Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 230 djela Bernardo Bellotto u našem katalogu

Ukratko

Od svih originala koje je Bernardo Bellotto ostavio, najpoznatiji je Ruine Stare Crkve Kreuzkirche u Dresdenu (1765) u kolekciji muzeja Gemäldegalerie, Dresden. Samo iza njih slijede Dresden, the Frauenkirche and the Rampische Gasse (1749) i The Moat of the Zwinger in Dresden (1749). Naš katalog sadrži 230 djela umjetnika Bernardo Bellotto; galerija je čuvala onih 100 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.

1722 – 1780, Venecija Rococo Najviše djela: Staatliche Kunstsammlungen Dresden
Ruine Stare Crkve Kreuzkirche u Dresdenu (1765) od Bernardo Bellotto1. Ruine Stare Crkve Kreuzkirche u Dresdenu 1765 Dresden, the Frauenkirche and the Rampische Gasse (1749) od Bernardo Bellotto2. Dresden, the Frauenkirche and the Rampische Gasse 1749 The Moat of the Zwinger in Dresden (1749) od Bernardo Bellotto3. The Moat of the Zwinger in Dresden 1749

Top 10 djela umjetnika Bernardo Bellotto: izbor galerije

1
Ruine Stare Crkve Kreuzkirche u Dresdenu (1765) od Bernardo Bellotto

Ruine Stare Crkve Kreuzkirche u Dresdenu

1765 · Ulje na platnu · Gemäldegalerie, Dresden

Razorenje Stare Kreutzkirche u Dresdenu: Svjedočanstvo Otpornosti Bernardo Bellottova očaravajuća gradska slika nudi bolnu sliku poslijeratnog Drezdena, oko 1765. godine. To nije samo prikaz razaranja, već snažna meditacija o gubitku, oporavku i trajanju ljudskog duha. Pred nama se odmotava pomno detaljna scena koja prikazuje skeletne ostatke Stare Kreutzkirche uz još stojeće strukture, hvatajući ključni trenutak u povijesti grada. Bellottovo djelo nije samo dokumentacija; to je duboko emotivna priča o otpornosti…

O ovom originalu
2
Dresden, the Frauenkirche and the Rampische Gasse (1749) od Bernardo Bellotto

Dresden, the Frauenkirche and the Rampische Gasse

1749 · Oil On Canvas · Gemäldegalerie, Dresden

In the quiet, luminous depths of Bernardo Bellotto’s 1749 masterpiece, Dresden, the Frauenkirche and the Rampische Gasse, we are invited to step through a portal into the eighteenth century. This breathtaking oil on canvas is far more than a mere topographical record; it is a soulful meditation on a city at its zenith. As the eye wanders across the panoramic vista, one is immediately struck by the imposing presence of…

Priča koja stoji iza ovog originala
3
The Moat of the Zwinger in Dresden (1749) od Bernardo Bellotto

The Moat of the Zwinger in Dresden

1749 · Oil On Canvas · Gemäldegalerie, Dresden

To look upon The Moat of the Zwinger in Dresden is to witness a moment of profound stillness from 1749. This canvas captures the Zwinger complex not as a mere fortification, but as a serene reflection of royal life during the reign of Augustus III. The water in the moat acts as a liquid mirror, its surface broken only by the gentle movement of small boats and the soft ripples…

O ovom originalu
4
The Moat of the Zwinger in Dresden (detail) (1749) od Bernardo Bellotto

The Moat of the Zwinger in Dresden (detail)

1749 · Oil On Canvas · Gemäldegalerie, Dresden

In the heart of 18th-century Saxony, amidst the burgeoning prosperity of the Enlightenment, Bernardo Bellotto captured a moment of profound serenity and architectural splendor. His masterpiece, The Moat of the Zwinger in Dresden, is far more than a mere topographical record; it is a luminous window into a vanished world. Painted in 1749, this work invites the viewer to step onto the banks of the Zwinger Palace’s moat, where the…

Priča koja stoji iza ovog originala
5
Vienna, Panorama from Palais Kaunitz (1759) od Bernardo Bellotto

Vienna, Panorama from Palais Kaunitz

1759 · Oil On Canvas · Szépművészeti Múzeum, Budimpešta

Completed in 1759, this panoramic view captures Vienna at a moment of imperial expansion under Maria Theresa. The composition utilizes a wide format to document the city's topographical layout, guiding the eye from the immediate foreground toward the distant skyline. St Stephen’s Cathedral and the Hofburg Palace emerge as central anchors within the urban sprawl, their silhouettes defined by the specific quality of light characteristic of the era. The work…

O ovom originalu
6
Grand canal, view from north (1738) od Bernardo Bellotto

Grand canal, view from north

1738 · Oil On Canvas · National Gallery of Victoria, Melbourne

In this work, titled Grand canal, view from north, the artist Bernardo Bellotto captures a specific moment within the Venetian cityscape. Painted about 1738, the scene focuses on the activity along the water, where several boats float upon the river. Some vessels occupy the foreground, while others drift toward the distance, creating a sense of depth across the waterway.

Priča koja stoji iza ovog originala
7
The Fortress of Konigstein (1758) od Bernardo Bellotto

The Fortress of Konigstein

1758 · Oil On Canvas · National Gallery of Art, Washington

The painting titled The Fortress of Konigstein was executed by the Italian artist Bernardo Bellotto in 1758. Bellotto was an urban landscape painter and printmaker who specialized in the veduta style. He was the nephew and pupil of Giovanni Antonio Canal. This specific work was part of a series of views commissioned by the Elector of Saxony, Augustus III.

Priča koja stoji iza ovog originala
8
Allegory Inclinata Resurgit (1762) od Bernardo Bellotto

Allegory Inclinata Resurgit

1762 · Oil On Canvas · Staatliche Kunstsammlungen Dresden, Dresden

The scene unfolds within the allegorical realm of Allegory Inclinata Resurgit, a painting that captures a moment of profound symbolic weight. Created by the hand of Bernardo Bellotto, this work invites the viewer into a staged, theatrical space where figures and architecture converge. The piece emerges from about 1762, a time when the artist was deeply engaged with the visual language of his era. Every element within the frame works…

O ovom originalu
10
Venetian Capriccio, View of Santa Maria dei Miracoli (1740) od Bernardo Bellotto

Venetian Capriccio, View of Santa Maria dei Miracoli

1740 · Oil On Canvas · Niedersächsisches Landesmuseum, Hanover

In this work, titled Venetian Capriccio, View of Santa Maria dei Miracoli, the artist Bernardo Bellotto presents a detailed cityscape of Venice. Painted about 1740, the scene focuses on the architecture of the Santa Maria dei Miracoli church. It is a capriccio, a composition that uses a fanciful or imagined arrangement of real-world elements to create a specific atmosphere.

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Izbor umjetnika Bernardo Bellotto se nastavlja, od 11 do 100

11Pirna Seen from the Right Bank of the Elbe (1750) od Bernardo BellottoPirna Seen from the Right Bank of the Elbe1750 12A Capriccio River Landscape with a Church to the Left (1765) od Bernardo BellottoA Capriccio River Landscape with a Church to the Left1765 13Allegory Ex Arduis Immortalitas (1762) od Bernardo BellottoAllegory Ex Arduis Immortalitas1762 · Staatliche Kunstsammlungen Dresden 14Fantastic architecture with portrait of Franciszek Salezy Potocki and his son Stanisław Szczęsny (1763) od Bernardo BellottoFantastic architecture with portrait of Franciszek Salezy Potocki and his son Stanisław Szczęsny1763 · El Paso Museum of Art 15The Fortress of Königstein: Courtyard with the Magdalenenburg (1758) od Bernardo BellottoThe Fortress of Königstein: Courtyard with the Magdalenenburg1758 · National Gallery of Art 16The Fortress of Königstein (1756) od Bernardo BellottoThe Fortress of Königstein1756 17The Election of the King Stanislaus Augustus (1764) od Bernardo BellottoThe Election of the King Stanislaus Augustus1764 18View of Wilanów meadows (1775) od Bernardo BellottoView of Wilanów meadows1775 · Kraljevski dvorac u Varšavi 19Groom leading a horse (1773) od Bernardo BellottoGroom leading a horse1773 · Narodni muzej u Varšavi 20The Elbe between Pirna and Pillnitz (1766) od Bernardo BellottoThe Elbe between Pirna and Pillnitz1766 · Staatliche Kunstsammlungen Dresden 21Dresden, the Ruins of the Pirnaische Vorstadt (1766) od Bernardo BellottoDresden, the Ruins of the Pirnaische Vorstadt1766 22View of Ujazdów from the Royal Baths (1776) od Bernardo BellottoView of Ujazdów from the Royal Baths1776 · Narodni muzej u Varšavi 23Stable boy leading a horse (1773) od Bernardo BellottoStable boy leading a horse1773 · Narodni muzej u Varšavi 24Rio dei Mendicanti with the Scuola di San Marco (detail) (1738) od Bernardo BellottoRio dei Mendicanti with the Scuola di San Marco (detail)1738 · Gallerie dell'Accademia di Venezia 25The Imperial Palace Schönbrunn, Garden Side (1758) od Bernardo BellottoThe Imperial Palace Schönbrunn, Garden Side1758 · Kunsthistorisches Museum 26View of Pirna from the Sonnenstein Castle (1750) od Bernardo BellottoView of Pirna from the Sonnenstein Castle1750 · Ermitaž 27View of Pirna from the Right Bank of the Elba above the Town (1753) od Bernardo BellottoView of Pirna from the Right Bank of the Elba above the Town1753 · Ermitaž 28The Kreuzkirche in Dresden (1747) od Bernardo BellottoThe Kreuzkirche in Dresden1747 · Gemäldegalerie 29Stairs Leading to the Colonnade of a Palace (1762) od Bernardo BellottoStairs Leading to the Colonnade of a Palace1762 · Staatliche Kunstsammlungen Dresden 30Lagoon landscape (1741) od Bernardo BellottoLagoon landscape1741 31Venice (Marriage of the Doge with the Sea) (1727) od Bernardo BellottoVenice (Marriage of the Doge with the Sea)1727 32The Grand Canal from the Campo San Vio, Venice (1727) od Bernardo BellottoThe Grand Canal from the Campo San Vio, Venice1727 · Scottish National Gallery 33The Pantheon (1742) od Bernardo BellottoThe Pantheon1742 · Dayton Art Institute 34View of the Tiber in Rome with the Castel Sant'Angelo (1743) od Bernardo BellottoView of the Tiber in Rome with the Castel Sant'Angelo1743 · Detroit Institute of Arts 35Piazza San Marco, Venice (1740) od Bernardo BellottoPiazza San Marco, Venice1740 · Cleveland Museum of Art 36The Piazzetta, Venice (1743) od Bernardo BellottoThe Piazzetta, Venice1743 · Nacionalna galerija Kanade 37Piazza del Campidoglio with Santa Maria d'Aracoeli, Rome (1742) od Bernardo BellottoPiazza del Campidoglio with Santa Maria d'Aracoeli, Rome1742 · Petworth House 38A View at the Entrance of the Grand Canal, Venice (1741) od Bernardo BellottoA View at the Entrance of the Grand Canal, Venice1741 · Fitzwilliam Museum 39The Piazza San Martino, Lucca (1742) od Bernardo BellottoThe Piazza San Martino, Lucca1742 · York Art Gallery 40Painting of the Church of Santa Maria Formosa, Venice (1742) od Bernardo BellottoPainting of the Church of Santa Maria Formosa, Venice1742 41The Campo di SS. Giovanni e Paolo, Venice (1743) od Bernardo BellottoThe Campo di SS. Giovanni e Paolo, Venice1743 · National Gallery of Art 42View of Via di Ripetta in Rome (1742) od Bernardo BellottoView of Via di Ripetta in Rome1742 · Museum Kunstpalast 43View of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo (1743) od Bernardo BellottoView of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo1743 · J. Paul Getty Museum 44View of Grand Canal with the Palazzi Foscari and Moro Lin (1734) od Bernardo BellottoView of Grand Canal with the Palazzi Foscari and Moro Lin1734 · Nationalmuseum 45The harbor basin of San Marco on Ascension Day, Venice (1739) od Bernardo BellottoThe harbor basin of San Marco on Ascension Day, Venice1739 46Colosseum and Arch of Constantine (Rome) (1742) od Bernardo BellottoColosseum and Arch of Constantine (Rome)1742 47The Arch of Constantine (1742) od Bernardo BellottoThe Arch of Constantine1742 · Royal Collection 48Signoria Square in Florence (1741) od Bernardo BellottoSignoria Square in Florence1741 49View of the Grand Canal at San Stae (1738) od Bernardo BellottoView of the Grand Canal at San Stae1738 50Arno in Florence (1742) od Bernardo BellottoArno in Florence1742 51Capriccio Padovano (1740) od Bernardo BellottoCapriccio Padovano1740 · Thyssen-Bornemisza Museum 52Pirna with the Dohna Gate (1754) od Bernardo BellottoPirna with the Dohna Gate1754 · Staatliche Kunstsammlungen Dresden 53The Arno in Florence with the Ponte Vecchio (1745) od Bernardo BellottoThe Arno in Florence with the Ponte Vecchio1745 · Fitzwilliam Museum 54The Arno in Florence with the Ponte Alla Carraia (1745) od Bernardo BellottoThe Arno in Florence with the Ponte Alla Carraia1745 · Fitzwilliam Museum 55Capriccio with the Dolo lock (1748) od Bernardo BellottoCapriccio with the Dolo lock1748 · Staatliche Kunstsammlungen Dresden 56The Lock at Dolo (1745) od Bernardo BellottoThe Lock at Dolo1745 · Yale University Art Gallery 57The Grand Canal: Santa Lucia and the Church of the Scalzi, Venice (1750) od Bernardo BellottoThe Grand Canal: Santa Lucia and the Church of the Scalzi, Venice1750 · Scottish National Gallery 58View of Pirna from the West, from the Corner of Wide Street (1755) od Bernardo BellottoView of Pirna from the West, from the Corner of Wide Street1755 · Ermitaž 59View of Pirna, from Sonnestein Castle (1753) od Bernardo BellottoView of Pirna, from Sonnestein Castle1753 · Pushkin State Museum 60View of Verona with the Castelvecchio and Ponte Scaligero (1745) od Bernardo BellottoView of Verona with the Castelvecchio and Ponte Scaligero1745 · Philadelphia Museum of Art 61Dresden from the Right Bank of the Elbe, below the Augustus Bridge (1750) od Bernardo BellottoDresden from the Right Bank of the Elbe, below the Augustus Bridge1750 · National Gallery of Ireland 62Dresden from the Right Bank of the Elbe above the Augustus Bridge (1750) od Bernardo BellottoDresden from the Right Bank of the Elbe above the Augustus Bridge1750 · National Gallery of Ireland 63The Doge's Palace in Venice from the Sea (1750) od Bernardo BellottoThe Doge's Palace in Venice from the Sea1750 · Musée municipal de Bourg-en-Bresse 64View of Pirna from the Right Bank of the Elba (1753) od Bernardo BellottoView of Pirna from the Right Bank of the Elba1753 · Ermitaž 65The Moat of Zwinger in Dresden (1750) od Bernardo BellottoThe Moat of Zwinger in Dresden1750 · Ermitaž 66Old Fortifications of Dresden (1749) od Bernardo BellottoOld Fortifications of Dresden1749 · Ermitaž 67Market-Place of the Neustadt in Dresden (1751) od Bernardo BellottoMarket-Place of the Neustadt in Dresden1751 · Ermitaž 68View of Pirna, from Sonnenstein Castle (1755) od Bernardo BellottoView of Pirna, from Sonnenstein Castle1755 · Staatliche Kunstsammlungen Dresden 69Pirna from Kopitz (1753) od Bernardo BellottoPirna from Kopitz1753 · Staatliche Kunstsammlungen Dresden 70The Zwinger in Dresden (1751) od Bernardo BellottoThe Zwinger in Dresden1751 · Staatliche Kunstsammlungen Dresden 71The Old Ponte delle Navi in Verona (1746) od Bernardo BellottoThe Old Ponte delle Navi in Verona1746 · Staatliche Kunstsammlungen Dresden 72The Old Market in Dresden from Schlossgasse (1750) od Bernardo BellottoThe Old Market in Dresden from Schlossgasse1750 · Staatliche Kunstsammlungen Dresden 73The Old Fortifications in Dresden (1750) od Bernardo BellottoThe Old Fortifications in Dresden1750 · Staatliche Kunstsammlungen Dresden 74Pirna from Posta (1753) od Bernardo BellottoPirna from Posta1753 · Staatliche Kunstsammlungen Dresden 75Dresden from the left Bank of the Elbe above the Bridgehead of the Old Town (1748) od Bernardo BellottoDresden from the left Bank of the Elbe above the Bridgehead of the Old Town1748 · Staatliche Kunstsammlungen Dresden 76View from the Bridge of Dresden on the Elbe (1749) od Bernardo BellottoView from the Bridge of Dresden on the Elbe1749 · Fine Arts Museums of San Francisco 77Abbruch der Kreuzkirche, Dresden (1746) od Bernardo BellottoAbbruch der Kreuzkirche, Dresden1746 78Piazza S. Marco, Venice (1746) od Bernardo BellottoPiazza S. Marco, Venice1746 79The Old Market Square in Dresden (1750) od Bernardo BellottoThe Old Market Square in Dresden1750 · Staatliche Kunstsammlungen Dresden 80The New Market Square in Dresden (1750) od Bernardo BellottoThe New Market Square in Dresden1750 81Verona Veduta (1746) od Bernardo BellottoVerona Veduta1746 · Powys Castle Museum 82View of Turin near the Royal Palace (1745) od Bernardo BellottoView of Turin near the Royal Palace1745 · Galleria Sabauda 83New Market Square in Dresden (1750) od Bernardo BellottoNew Market Square in Dresden1750 · Gemäldegalerie 84Dresden from the Left Bank of the Elbe, below the Fortifications (1748) od Bernardo BellottoDresden from the Left Bank of the Elbe, below the Fortifications1748 · Gemäldegalerie 85Pirna Seen from the Harbour Town (1753) od Bernardo BellottoPirna Seen from the Harbour Town1753 · Gemäldegalerie 86View of an Old Bridge Over the River Po, Turin (1745) od Bernardo BellottoView of an Old Bridge Over the River Po, Turin1745 · Galleria Sabauda 87The Neuer Marktplatz in Dresden (1747) od Bernardo BellottoThe Neuer Marktplatz in Dresden1747 · Ermitaž 88Venice (Rio di S. Fosca and S. Maria dei Servil) (1758) od Bernardo BellottoVenice (Rio di S. Fosca and S. Maria dei Servil)1758 89View of München (1758) od Bernardo BellottoView of München1758 90Venice: Riva degli Schiavoni towards the East (1760) od Bernardo BellottoVenice: Riva degli Schiavoni towards the East1760 · Muzej umjetnosti John i Mabel Ringling 91Venice: Piazza San Marco, Seen from the Campo San Basso (1760) od Bernardo BellottoVenice: Piazza San Marco, Seen from the Campo San Basso1760 · Muzej umjetnosti John i Mabel Ringling 92Saint Mark's Square, Venice (1756) od Bernardo BellottoSaint Mark's Square, Venice1756 · National Gallery of Ireland 93Campo San Stin, Venice (1760) od Bernardo BellottoCampo San Stin, Venice1760 94Old town of Dresden (1765) od Bernardo BellottoOld town of Dresden1765 · Staatliche Kunsthalle Karlsruhe 95Pirna seen from the right bank of the Elbe (1756) od Bernardo BellottoPirna seen from the right bank of the Elbe1756 · San Diego Museum of Art 96Architectural Capriccio (1765) od Bernardo BellottoArchitectural Capriccio1765 · San Diego Museum of Art 97Nymphenburg Castle (1761) od Bernardo BellottoNymphenburg Castle1761 98Architectural Caprice with a Palace (1765) od Bernardo BellottoArchitectural Caprice with a Palace1765 · Muzej lijepih umjetnosti u Bilbauu 99Venice: Canale Grande (1758) od Bernardo BellottoVenice: Canale Grande1758 100View of Vienna with St. Charles's Church (1758) od Bernardo BellottoView of Vienna with St. Charles's Church1758 · Museum Kunstpalast

Slavna djela Bernardo Bellotto po razdobljima

Early Period

1738 – 1743 · 3 djela na ovom popisu
Grand canal, view from north (1738), Bernardo Bellotto #6 Grand canal, view from north 1738 · National Gallery of Victoria The Arsenal, Venice (1743), Bernardo Bellotto #9 The Arsenal, Venice 1743 · Nacionalna galerija Kanade Venetian Capriccio, View of Santa Maria dei Miracoli (1740), Bernardo Bellotto #10 Venetian Capriccio, View of Santa Maria dei Miracoli 1740 · Niedersächsisches Landesmuseum

Mature Period

1738 – 1766 · 17 djela na ovom popisu
Ruine Stare Crkve Kreuzkirche u Dresdenu (1765), Bernardo Bellotto #1 Ruine Stare Crkve Kreuzkirche u Dresdenu 1765 · Gemäldegalerie Dresden, the Frauenkirche and the Rampische Gasse (1749), Bernardo Bellotto #2 Dresden, the Frauenkirche and the Rampische Gasse 1749 · Gemäldegalerie The Fortress of Konigstein (1758), Bernardo Bellotto #7 The Fortress of Konigstein 1758 · National Gallery of Art Allegory Inclinata Resurgit (1762), Bernardo Bellotto #8 Allegory Inclinata Resurgit 1762 · Staatliche Kunstsammlungen Dresden Pirna Seen from the Right Bank of the Elbe (1750), Bernardo Bellotto #11 Pirna Seen from the Right Bank of the Elbe 1750

Late Period

1773 – 1776 · 4 djela na ovom popisu
View of Wilanów meadows (1775), Bernardo Bellotto #18 View of Wilanów meadows 1775 · Kraljevski dvorac u Varšavi Groom leading a horse (1773), Bernardo Bellotto #19 Groom leading a horse 1773 · Narodni muzej u Varšavi View of Ujazdów from the Royal Baths (1776), Bernardo Bellotto #22 View of Ujazdów from the Royal Baths 1776 · Narodni muzej u Varšavi Stable boy leading a horse (1773), Bernardo Bellotto #23 Stable boy leading a horse 1773 · Narodni muzej u Varšavi

Motivi koji su privukli pažnju Bernardo Bellotto

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Sky 15 djela

The Fortress of Konigstein (1758), Bernardo Bellotto #7 The Fortress of Konigstein 1758 · National Gallery of Art The Arsenal, Venice (1743), Bernardo Bellotto #9 The Arsenal, Venice 1743 · Nacionalna galerija Kanade Venetian Capriccio, View of Santa Maria dei Miracoli (1740), Bernardo Bellotto #10 Venetian Capriccio, View of Santa Maria dei Miracoli 1740 · Niedersächsisches Landesmuseum A Capriccio River Landscape with a Church to the Left (1765), Bernardo Bellotto #12 A Capriccio River Landscape with a Church to the Left 1765

Architecture 13 djela

Ruine Stare Crkve Kreuzkirche u Dresdenu (1765), Bernardo Bellotto #1 Ruine Stare Crkve Kreuzkirche u Dresdenu 1765 · Gemäldegalerie The Moat of the Zwinger in Dresden (1749), Bernardo Bellotto #3 The Moat of the Zwinger in Dresden 1749 · Gemäldegalerie The Moat of the Zwinger in Dresden (detail) (1749), Bernardo Bellotto #4 The Moat of the Zwinger in Dresden (detail) 1749 · Gemäldegalerie Fantastic architecture with portrait of Franciszek Salezy Potocki and his son Stanisław Szczęsny (1763), Bernardo Bellotto #14 Fantastic architecture with portrait of Franciszek Salezy Potocki and his son Stanisław Szczęsny 1763 · El Paso Museum of Art

People 10 djela

Grand canal, view from north (1738), Bernardo Bellotto #6 Grand canal, view from north 1738 · National Gallery of Victoria The Election of the King Stanislaus Augustus (1764), Bernardo Bellotto #17 The Election of the King Stanislaus Augustus 1764 Dresden, the Ruins of the Pirnaische Vorstadt (1766), Bernardo Bellotto #21 Dresden, the Ruins of the Pirnaische Vorstadt 1766 View of Ujazdów from the Royal Baths (1776), Bernardo Bellotto #22 View of Ujazdów from the Royal Baths 1776 · Narodni muzej u Varšavi

Trees 7 djela

The Fortress of Königstein (1756), Bernardo Bellotto #16 The Fortress of Königstein 1756 The Elbe between Pirna and Pillnitz (1766), Bernardo Bellotto #20 The Elbe between Pirna and Pillnitz 1766 · Staatliche Kunstsammlungen Dresden The Imperial Palace Schönbrunn, Garden Side (1758), Bernardo Bellotto #25 The Imperial Palace Schönbrunn, Garden Side 1758 · Kunsthistorisches Museum View of Pirna from the Right Bank of the Elba above the Town (1753), Bernardo Bellotto #27 View of Pirna from the Right Bank of the Elba above the Town 1753 · Ermitaž

Muzeji koji čuvaju originalna djela umjetnika Bernardo Bellotto

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Bernardo Bellotto Slike iz ovog popisa
Staatliche Kunstsammlungen Dresden, DresdenStaatliche Kunstsammlungen Dresden Dresden 19 Allegory Inclinata Resurgit, Allegory Ex Arduis Immortalitas, The Elbe between Pirna and Pillnitz
Gemäldegalerie, DresdenGemäldegalerie Dresden 12 Ruine Stare Crkve Kreuzkirche u Dresdenu, Dresden, the Frauenkirche and the Rampische Gasse, The Moat of the Zwinger in Dresden
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 11 View of Pirna from the Sonnenstein Castle, View of Pirna from the Right Bank of the Elba above the Town, View of Pirna from the West, from the Corner of Wide Street
Narodni muzej u Varšavi, VaršavaNarodni muzej u Varšavi Varšava 8 Groom leading a horse, View of Ujazdów from the Royal Baths, Stable boy leading a horse
National Gallery of Art, WashingtonNational Gallery of Art Washington 5 The Fortress of Konigstein, The Fortress of Königstein: Courtyard with the Magdalenenburg, The Campo di SS. Giovanni e Paolo, Venice
Fitzwilliam MuseumFitzwilliam Museum 3 A View at the Entrance of the Grand Canal, Venice, The Arno in Florence with the Ponte Vecchio, The Arno in Florence with the Ponte Alla Carraia
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 3 Dresden from the Right Bank of the Elbe, below the Augustus Bridge, Dresden from the Right Bank of the Elbe above the Augustus Bridge, Saint Mark's Square, Venice
Museum Kunstpalast, DüsseldorfMuseum Kunstpalast Düsseldorf 3 View of Via di Ripetta in Rome, View of Vienna with St. Charles's Church

Bernardo Bellotto desetljeće po desetljeće: original koji definira svako od njih

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Pitanja kolekcionara o slikama umjetnika Bernardo Bellotto

Po kojem je djelu Bernardo Bellotto najpoznatiji/a?Otkrijte odgovor

Ruine Stare Crkve Kreuzkirche u Dresdenu (1765), Gemäldegalerie, Dresden. Nakon njih slijede Dresden, the Frauenkirche and the Rampische Gasse (1749) i The Moat of the Zwinger in Dresden (1749).

Koliko je godina Bernardo Bellotto imao/la kada je nastalo djelo Ruine Stare Crkve Kreuzkirche u Dresdenu?Otkrijte odgovor

43 godina: Ruine Stare Crkve Kreuzkirche u Dresdenu datira iz 1765, a Bernardo Bellotto je rođen/a 1722.

Koja su deset najpoznatijih djela umjetnika Bernardo Bellotto?Otkrijte odgovor

Ruine Stare Crkve Kreuzkirche u Dresdenu, Dresden, the Frauenkirche and the Rampische Gasse, The Moat of the Zwinger in Dresden, The Moat of the Zwinger in Dresden (detail), Vienna, Panorama from Palais Kaunitz, Grand canal, view from north, The Fortress of Konigstein, Allegory Inclinata Resurgit, The Arsenal, Venice i Venetian Capriccio, View of Santa Maria dei Miracoli. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika ostavio/la Bernardo Bellotto?Otkrijte odgovor

Naš katalog sadrži 230 djela umjetnika Bernardo Bellotto, datiranih od 1734 do 1776.

U kojim se muzejima nalaze remek-djela umjetnika Bernardo Bellotto?Otkrijte odgovor

Većinom u Staatliche Kunstsammlungen Dresden (Dresden), Gemäldegalerie (Dresden) i Ermitaž (Sankt Peterburg). Gornja tablica muzeja navodi sve njih.

U kojim je godinama Bernardo Bellotto naslikao svoja najpoznatija djela?Otkrijte odgovor

U 1740s: 39 od 100 djela na ovoj stranici nastalo je tada, od čega je Dresden, the Frauenkirche and the Rampische Gasse Dresden, the Frauenkirche and the Rampische Gasse.

Koja su prva i posljednja poznata originalna djela umjetnika Bernardo Bellotto?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz View of Grand Canal with the Palazzi Foscari and Moro Lin (1734), a najnovije iz View of Ujazdów from the Royal Baths (1776).

Koje je motive Bernardo Bellotto najčešće birao?Otkrijte odgovor

Sky (15), Architecture (13) i People (10), kroz svih 100 djela na ovoj stranici.

Koju je tehniku najčešće koristio/la Bernardo Bellotto?Otkrijte odgovor

Oil On Canvas, za 24 od 100 djela na ovoj stranici.

Pripada li Bernardo Bellotto kojem umjetničkom pokretu?Otkrijte odgovor

Rococo, sudeći po originalima na ovoj stranici.

Koji se radovi umjetnika Bernardo Bellotto nalaze u muzeju Staatliche Kunstsammlungen Dresden?Otkrijte odgovor

Allegory Inclinata Resurgit, Allegory Ex Arduis Immortalitas i The Elbe between Pirna and Pillnitz: Staatliche Kunstsammlungen Dresden, Dresden posjeduje 15 djela s ove stranice.

Bernardo Bellotto: život i djelo

Rani život i obrazovanje

Bernardo Bellotto, istaknuti talijanski slikar, rođen je u Veneciji oko 1721./2. godine ili 30. siječnja 1721. Bio je nećak i učenik poznatog Giovannija Antonia Canala, poznatijeg kao Canaletto, istaknute figure venecijanske škole slikarstva. Njegovo rano obrazovanje bilo je duboko ukorijenjeno u tehnikama i tradicijama obitelji Canaletto, što je postavilo temelje za njegov budući umjetnički razvoj. Učio je preciznost detalja, vještinu perspektive i sposobnost hvatanja jedinstvene atmosfere venecijanskih krajolika. Ovaj temeljni trening bio je ključan u oblikovanju Bellottova prepoznatljivog stila.

Umjetnički stil i karijera

Bellottov umjetnički stil karakterizirao je detaljna reprezentacija arhitektonskih prizora i prirodnih vizura, kao i jedinstvena kvaliteta osvjetljenja svakog mjesta. Bio je poznat po iznimnoj vještini hvatanja suštine urbanih krajolika, što ga je dovelo do poziva da radi za razne europske monarhe. Njegova umjetnost nije bila samo bilježenje vizualnog prizora; to je bio pokušaj uhvatiti duh mjesta, njegovu povijest i atmosferu. Putovao je u Rim (1742.), sjevernu Italiju (1744.-1745.), a zatim se preselio u Dresden (1747.-1758.) na poziv kralja Augusta III od Poljske. Njegova djela u Dresdenu sačuvala su ljepotu grada prije rata, koja je sada uništena. Zatim je primio poziv carice Marije Terezije da radi u Beču (1758.), gdje je slikao spomenike grada. Njegovo putovanje kroz različite europske prijestolnice ne samo da je obogatilo njegov umjetnički stil, već i povećalo njegovu reputaciju kao jednog od najtraženijih slikara tog vremena.

Značajna djela i nasljeđe

Neka od Bellottovih značajnijih djela uključuju: Njegovo nasljeđe seže dalje od njegove umjetnosti, jer njegova djela sada služe kao referenca za obnovu gradova nakon razaranja. Njegovi detaljni prikazi grada Dresdena, na primjer, bili su neprocjenjivi u ponovnoj izgradnji grada nakon Drugog svjetskog rata. Bellottova sposobnost da uhvati arhitektonsku ljepotu i urbanu atmosferu učinila ga je jednim od najvažnijih slikara 18. stoljeća.

Utjecaji i razvoj stila

Bellotto je bio snažno utjecan svojim stricem, Canalettom, ali je razvio vlastiti prepoznatljiv stil koji se razlikovao po većoj preciznosti i detaljima. Dok je Canaletto često naglašavao atmosferu i svjetlo, Bellotto se usredotočio na točnu reprezentaciju arhitektonskih elemenata. Njegova djela odražavaju duboko razumijevanje perspektive i kompozicije, što mu je omogućilo stvaranje uvjerljivih i realističnih prikaza gradova. Tijekom svog putovanja kroz Europu, Bellotto je bio izložen različitim umjetničkim stilovima i tehnikama, koje su utjecale na njegov razvoj kao umjetnika. Njegov rad u Dresdenu i Beču pokazao je njegovu sposobnost prilagodbe svom okruženju i hvatanja jedinstvenih karakteristika svakog grada.

Muzeji i zbirke

Bellottova djela mogu se pronaći u raznim muzejima, uključujući Pinakoteka di Vicenza u Italiji. Njegova djela također se nalaze u važnim zbirkama diljem Europe i svijeta. Da biste istražili više njegovih umjetničkih djela, posjetite [https://OriginalUniqueArt.com/@/bernardo bellotto](https://OriginalUniqueArt.com/@/bernardo bellotto) i otkrijte svijet umjetnosti. Njegova ostavština nastavlja inspirirati i očaravati ljubitelje umjetnosti diljem svijeta, a njegova djela su trajni dokaz njegove vještine i talenta.
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