Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 18 djela Robert William Buss u našem katalogu
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Iz perspektive galerije, najpoznatije djelo umjetnika Robert William Buss je The pifferari in front of the Madonna (1829). The Origin of Music (1845) i The Triumph of Music (1845) upotpunjuju triju koju svako oko prepoznaje. Od 18 djela umjetnika Robert William Buss u našem katalogu, galerija u nastavku prikazuje 17 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The composition unfolds in a sweeping arc, designed to inhabit a curved space such as a lunette or ceiling. Within this semi-circular arrangement, a multitude of cherubic figures interact with symbolic animals and musical instruments. The scene is one of movement and celebration, where draped figures in shades of red, blue, and yellow engage in various musical activities. A lion rests on the left, adorned with floral garlands, while a…
In the vintage oil painting Masters Boydell Sidney Graves by Aurèle Robert, a quiet moment unfolds within an interior setting. The scene centers on two young children, a girl and a boy, who inhabit the space with a sense of stillness. The girl is positioned slightly to the left, her presence anchoring one side of the frame, while the boy sits upon a chair to the right. This arrangement creates…
In A Funeral Bearer by Aurèle Robert, the viewer is met with a quiet, centered portrait of a gentleman. The composition focuses entirely on the figure, which is presented within an oval frame that lends a sense of formality and isolation to the subject. He is dressed in full formal attire, including a black top hat, a tailcoat, a waistcoat, trousers, and boots. To complete his ensemble, he carries a…
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
Robert William Buss’s “John Cooper as Captain Mouth in ‘The Bride of Ludgate’” is a captivating portrait that transcends mere representation, embodying the grandeur and theatricality characteristic of Baroque art. Executed around 1927, this piece hails from the University of Bristol Theatre Collection, offering a glimpse into the artistic sensibilities of the early 20th century amidst a fascination with operatic performance.
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Robert William Buss | Slike iz ovog popisa |
|---|---|---|---|
 Wimpole Hall |
2 | The Origin of Music, The Triumph of Music | |
 Theatre Royal |
Bath | 1 | Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook |
 University of Bristol |
Bristol | 1 | John Cooper as Captain Mouth in 'The Bride of Ludgate' |
 Holburne Museum |
Bath | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 The Holburne Museum |
Bath | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 Guildhall Art Gallery |
London | 1 | The Crowd |
 Borough Museum - Art Gallery |
New South Wales | 1 | The Mock Mayor |
 Walker Art Gallery |
Liverpool | 1 | Scene from 'Don Juan' |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The pifferari in front of the Madonna (1829). Sljedeći su The Origin of Music (1845) i The Triumph of Music (1845).
24 godina: The pifferari in front of the Madonna datira iz 1829, a Robert William Buss je rođen/a 1805.
The pifferari in front of the Madonna, The Origin of Music, The Triumph of Music, Masters Boydell Sidney Graves, A Funeral Bearer, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook, John Cooper as Captain Mouth in 'The Bride of Ludgate', J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833, J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 i A Funeral Bearer. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 18 djela umjetnika Robert William Buss, datiranih od 1829 do 1847.
Većinom u Wimpole Hall, Theatre Royal (Bath) i University of Bristol (Bristol). Gornja tablica muzeja navodi sve njih.
U 1840s: 7 od 17 djela na ovoj stranici nastalo je tada, od čega je The Origin of Music The Origin of Music.
Na ovoj stranici najstarije djelo je iz The pifferari in front of the Madonna (1829), a najnovije iz The Crowd (1847).
Sky (2), Cherubs (2) i Foliage (2), kroz svih 17 djela na ovoj stranici.
Oil On Canvas, za 4 od 17 djela na ovoj stranici.
The Origin of Music i The Triumph of Music: Wimpole Hall posjeduje 2 djela s ove stranice.
