The mocking of Christ
The light fades into the dark.
Ukratko
The mocking of Christ (1699) je slika autora Anthoni Schoonjans koja privlači najviše pogleda; original se nalazi u muzeju Kunsthistorisches Museum, Beč. Nakon toga, pogled se usmjerava na The Apple of Eris (1690) i Portrait of an unknown lady (1690). Među 15 djela umjetnika Anthoni Schoonjans u našem katalogu, ovih 15 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
3 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Anthoni Schoonjans | Slike iz ovog popisa |
|---|---|---|---|
| München | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| Beč | 2 | The mocking of Christ, Vestal virgins | |
| Berlin | 1 | Portrait of crown prince Frederick William as David with a sling |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The light fades into the dark.
The mocking of Christ (1699), Kunsthistorisches Museum, Beč. Nakon njih slijede The Apple of Eris (1690) i Portrait of an unknown lady (1690).
44 godina: The mocking of Christ datira iz 1699, a Anthoni Schoonjans je rođen/a 1655.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew i Elector Johann Wilhelm on Horseback. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 15 djela umjetnika Anthoni Schoonjans, datiranih od 1690 do 1716.
Većinom u Bavarske državne slikopisne zbirke (München), Kunsthistorisches Museum (Beč) i Charlottenburg Palace (Berlin). Gornja tablica muzeja navodi sve njih.
U 1690s: 10 od 15 djela na ovoj stranici nastalo je tada, od čega je The mocking of Christ The mocking of Christ.
Na ovoj stranici najstarije djelo je iz The Apple of Eris (1690), a najnovije iz Saint Elizabeth of Hungary Distributing Alms to the Poor (1716).
Oil, za 2 od 15 djela na ovoj stranici.
The Apple of Eris, Portrait of an unknown lady i Jacob blames Laban of his deception with Lea (Genesis 29:25-27): Bavarske državne slikopisne zbirke, München posjeduje 11 djela s ove stranice.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.