Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 50 djela Alfred Philippe Roll u našem katalogu
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Od svih originala koje je Alfred Philippe Roll ostavio, najpoznatiji je Portrait de Mme Roll. Samo iza njih slijede Retour du bal i The feast of Silenus (1871). Naš katalog sadrži 50 djela umjetnika Alfred Philippe Roll; galerija je čuvala onih 49 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
The portrait depicts a woman, identified as Madame Roll, positioned in a vertical orientation. She is situated slightly off-center within a domestic interior, appearing to stand near a window. The figure is rendered with a muted color palette, primarily composed of blacks, grays, and browns. Subtle ochre and muted red tones appear in the highlights and the background. Her attire is formal, and her expression remains serene with a slight…
The air in the room feels heavy with the scent of perfume and the soft rustle of silk as two women move through an opulent interior. We watch them from behind, catching only the graceful curve of their backs and the sweeping lines of their attire. They are poised, perhaps caught in a moment of transition between the excitement of a social gathering and the quietude of their private quarters.…
The feast of Silenus emerges from the brush of Alfred Philippe Roll, a painter whose life spanned the transformative decades of the late nineteenth century. Born in the former 8th arrondissement of Paris, France, in 1845, Roll carries the weight of a changing era within his lineage. He remains a figure of the French tradition, having departed this world in 1919. This specific work, The feast of Silenus, captures a…
In this 1880 oil on canvas, we find ourselves standing at eye-level with a solitary woman, a street vendor whose presence commands a quiet, stoic dignity. She is positioned slightly off-center, a choice that lends a sense of naturalism to the vertical composition. There is a certain weight to her figure, anchored by the heavy folds of her skirt and the rounded, organic form of the basket she carries. The…
The canvas depicts a dense, wide-angle view of a Parisian square during a large-scale public celebration. In the center of the composition, a monument rises toward a sky filled with fluttering flags. The scene is populated by a vast, diverse crowd of figures that extend from the immediate foreground into the distance. These people are rendered with varied postures, some standing in groups and others moving through the space. The…
The portrait emerges from a period of transition in French art, moving away from the rigid constraints of academic tradition toward a more grounded, empathetic realism. The visible layering of paint suggests a preoccupation with the authentic human form rather than an idealized version of it. There is a palpable sense of the man's internal life, a quiet intensity that lingers in the way the light interacts with his features.…
The air feels heavy and still within this shadowed woodland, where the light filters through a dense canopy in soft, dappled patches. A nude woman rests in an intimate, quiet moment, her pale skin glowing against the deep, earthy tones of the surrounding meadow. Beside her, the muscular form of a bull emerges from the darkness, its presence a powerful counterpoint to her vulnerability. There is a profound sense of…
In the work Alsatian and Lorrainer by Alfred Philippe Roll, the composition is structured as a tight, intimate close-up of two female figures. The primary subject is positioned in the foreground, presented in a sharp profile facing toward the left side of the frame. Behind her, a second woman is partially visible, also oriented toward the left. This overlapping arrangement creates a sense of depth within the narrow field of…
In this intimate oil on canvas, Alfred Philippe Roll presents Portrait of Thaulow and His Wife. Painted about 1890, the work captures a quiet moment between a man and a woman. The subjects are likely the artist's acquaintances, Thaulow and his wife, rendered with a sense of naturalism that suggests a close proximity to the figures. There is a palpable sense of companionship in the way they are positioned together.
The portrait presents a woman seated centrally within a luxurious interior. She is positioned in a vertical orientation, wearing a sleeveless black gown that features shimmering, light-colored patterns suggestive of sequins or embroidery. A large, dark, textured element, resembling a fur mantle or heavy drapery, surrounds the upper portion of her chair. Her skin is rendered with smooth, luminous textures, and her reddish-brown hair is styled softly around her face.…
André Manaut1890 · Municipal museum (Saverne)
12
Au trot1888 · Municipal museum (Saverne)
13
Adolphe Alphand1888 · Petit Palais
14
Centenary of the Estates General at the Neptune Basin (May 3, 1889)1889
15
Exodus1893 · Petit Palais
16
Louise Cattel, wet nurse1894 · Palais des Beaux-Arts de Lille
17
Alexandre Dumas fils1895 · Musée des Beaux-Arts
18
Roll Painting1900 · Petit Palais
19
Portrait de Mme Henriette Roll1900 · Municipal museum (Saverne)
20
Nu couché1900 · Musée d'Art Moderne et Contemporain de Strasbourg
21
In Summer, Woman with Dog1909 · Petit Palais
22
Sketch for the Petit Palais, south gallery: Apotheosis (central ceiling)1909 · Petit Palais
23
Sketch for the Petit Palais, south gallery: Poetry - Drama1910 · Petit Palais
24
Sketch for the Petit Palais, south gallery: Fantastic Music1911 · Petit Palais
25
Sketch for the South Gallery of the Petit Palais: Apotheosis (central ceiling)1913 · Petit Palais
26
The Big Bed1912 · Municipal museum (Saverne)
27
Bourgeoisie1913 · Municipal museum (Saverne)
28
Portrait of Miss Amélie Diéterle, in 1913. Title : In June, Amélie Diéterle.1913 · Petit Palais
29
The Tea Cup1918 · Municipal museum (Saverne)
30
CHEMIN SOUS BOIS
31
July 14, 1880, Inauguration of the Monument to the Republic1881 · Petit Palais
32
Esquisse pour La fête nationale du 14 juillet 18801881 · Municipal museum (Saverne)
33
Sketch for the Hôtel de Ville de Paris: Art, Movement, Work, Lights1897 · Petit Palais
34
The Vigil under the Arc de Triomphe1903 · Musée Victor Hugo
35
The Wave1911 · Petit Palais
36
Sketch for the Petit Palais, south gallery: Fantastic Music1911 · Petit Palais
37
Peder Severin Kröyer (1851-1909)Nationalmuseum
38
Petite République1907 · Municipal museum (Saverne)
39
La grève de mineurs
40
Portrait de Léon Bourgeois
41
PORTRAIT DE JEUNE FILLE
42
Portrait de jeune femme
43
L'Exécution d'un trompette sous la CommuneMusée Carnavalet
44
Les baigneuses Panneau décoratif (Ancien titre)
45
BathersMusée des Beaux-Arts de Dijon
46
Chevaux à l'écurie
47
Manda Lamétrie, fermière1887 · Musée d'Orsay
48
The Young Republic1908 · Musée d'Orsay
49
The Striker's WifeMusee Baron Martin
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Alfred Philippe Roll | Slike iz ovog popisa |
|---|---|---|---|
 Petit Palais |
Pariz | 16 | July 14, 1880, Inauguration of the Monument to the République, Portrait of Thaulow and His Wife, Portrait of Jane Hading |
 Municipal museum (Saverne) |
Saverne | 8 | André Manaut, Au trot, Portrait de Mme Henriette Roll |
 Musée Carnavalet |
Pariz | 2 | Henri Rochefort (Victor-Henri, marquis de Rochefort-Luçay, 1831-1913), journalist, politician and writer, L'Exécution d'un trompette sous la Commune |
 Musée d'Orsay |
Pariz | 2 | Manda Lamétrie, fermière, The Young Republic |
 Musée d'Arts de Nantes |
Nantes | 1 | Retour du bal |
 Museum of Fine Arts Ghent (MSK) |
Gent | 1 | The feast of Silenus |
 Musée des Beaux-Arts de Pau |
Pau | 1 | Marianne Orfrey, Green Crier |
 National Museum of Fine Arts |
Buenos Aires | 1 | Woman and bull |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The feast of Silenus emerges from the brush of Alfred Philippe Roll, a painter whose life spanned the transformative decades of the late nineteenth century. Born in the former 8th arrondissement of Paris, France, in 1845, Roll carries the weight of a changing era within his lineage. He remains a figure of the French tradition, having departed this world in 1919. This specific work, The feast of Silenus, captures a…
In this 1880 oil on canvas, we find ourselves standing at eye-level with a solitary woman, a street vendor whose presence commands a quiet, stoic dignity. She is positioned slightly off-center, a choice that lends a sense of naturalism to the vertical composition. There is a certain weight to her figure, anchored by the heavy folds of her skirt and the rounded, organic form of the basket she carries. The…
In the work Alsatian and Lorrainer by Alfred Philippe Roll, the composition is structured as a tight, intimate close-up of two female figures. The primary subject is positioned in the foreground, presented in a sharp profile facing toward the left side of the frame. Behind her, a second woman is partially visible, also oriented toward the left. This overlapping arrangement creates a sense of depth within the narrow field of…
Roll Painting by Alfred Philippe Roll presents a close-up profile of an older man. The composition is tightly cropped, focusing the viewer's attention on the subject's head and upper torso. Positioned diagonally across the frame, the figure occupies the space with a sense of immediacy. The man possesses white hair and a beard that appears bright white against the surrounding tones. Light descends from above, illuminating the forehead and the…
A pale orb, like a moon caught in a slow drift, anchors a swirling expanse of blue. Around this light, human forms dissolve into the atmosphere, their limbs stretching through a haze of cerulean and navy. The figures do not stand; they float, caught in a rhythmic, tidal movement that suggests the weightless drift of clouds. Soft purples and muted ochres bleed into the shadows, creating a landscape that feels…
Portrait de Mme Roll. Sljedeći su Retour du bal i The feast of Silenus (1871).
Portrait de Mme Roll, Retour du bal, The feast of Silenus, Marianne Orfrey, Green Crier, July 14, 1880, Inauguration of the Monument to the République, Henri Rochefort (Victor-Henri, marquis de Rochefort-Luçay, 1831-1913), journalist, politician and writer, Woman and bull, Alsatian and Lorrainer, Portrait of Thaulow and His Wife i Portrait of Jane Hading. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 50 djela umjetnika Alfred Philippe Roll, datiranih od 1871 do 1918.
Većinom u Petit Palais (Pariz), Municipal museum (Saverne) (Saverne) i Musée Carnavalet (Pariz). Gornja tablica muzeja navodi sve njih.
U 1880s: 9 od 49 djela na ovoj stranici nastalo je tada, od čega je Marianne Orfrey, Green Crier Marianne Orfrey, Green Crier.
Na ovoj stranici najstarije djelo je iz The feast of Silenus (1871), a najnovije iz The Tea Cup (1918).
Woman (19), Man (8) i Skin tones (5), kroz svih 49 djela na ovoj stranici.
Oil On Canvas, za 17 od 49 djela na ovoj stranici.
July 14, 1880, Inauguration of the Monument to the République, Portrait of Thaulow and His Wife i Portrait of Jane Hading: Petit Palais, Pariz posjeduje 16 djela s ove stranice.
U živopisnom, promjenjivom krajoliku kasnog 19. stoljeća u Francuskoj, malo je umjetnika dočaralo puls promjenjive nacije tako poignantno kao Alfred Philippe Roll. Rođen u Parizu 1846. godine, Roll je izišao iz prestižnih hodnika École des Beaux-Arts, kao student oblikovan rigoroznim akademskim tradicijama majstora kao što su Jean-Léon Gérôme, Léon Bonnat i Charles-François Daubigny. Njegove rane godine obilježila je romantičarska senzibilnost, stilsko razdoblje u kojem su njegova platna disala veličanstvenošću i slikovitim šarmom svojstvenim tom dobu. Tijekom te formativne faze, njegovo je djelo često odjekivalo prostranim emocionalizmom bolonjske tradicije i usledom realizma Gustave Courbeta, stvarajući delikatnu napetost između klasične ljepote i sirove opservacije.
Putanja Rollove karijere neopozorno je promijenjena olujnim vjetrovima povijesti. Francusko-pruski rat, tijekom kojeg je služio kao milicijski poručnik, u njegovu je perspektivu uliio duboko razumijevanje ljudske otpornosti i društvenih previranja. To razdoblje sukoba djelovalo je kao topionički lonac, rafinirajući njegov pogled od čisto romantičarskog prema utemeljenijem, empatičnom realizmu. Njegovo remek-djelo iz 1875. godine, Poplava u Toulouseu, stoji kao jezivo svjedočanstvo tog prijelaza; hvatajući trenutno patanje i krhkost života tijekom prirodne katastrofe, on je otišao izvan okvira puke dekoracije kako bi se susreo s kolektivnom psihom francuskog naroda. To djelo, koje se danas nalazi u Musée Malraux, označilo je njegov dolazak kao umjetnika sposobnog za duboko vizualno pripovijedanje.
Kako su desetljeća prolazila, Rollovi potezi kistom počeli su se otpuštati svojih romantičarskih rubova, prihvaćajući umjesto toga grubost i istinu naturalističkog pokreta. Postao je slikar naroda, okrenuvši pažnju prema socio-političkoj dinamici Treće republike. Ta evolucija nije bila samo stilska, već duboko ideološka. Težio je dokumentirati autentično ljudsko iskustvo, posebno borbe i trijumfe radničke klase. Njegova prekretnica, slika Štrajk rudara (1880), ostaje jedno od njegovih najznačajnijih postignuća, lansirajući ga u više slojeve francuskog svijeta umjetnosti. U ovom djelu on nije samo prikazao radne nemire; on je humanizirao borbu, prožimajući likove dostojanstvom koje je odjekivalo daleko izvan zidova galerija.
Ova posvećenost socijalnom realizmu omogućila je Rollu da s iznimnom spretnošću navigira složenostima svog doba. Njegov repertoar proširio se na:
Njegova sposobnost spajanja tehničke preciznosti naučene od akademskih mentora s progresivnim, gotovo dokumentarističkim pristupom tematici učinila ga je vitalnim glasom u francuskoj umjetnosti. On nije bio samo promatrač života, već kroničar njegovih najhitnijih transformacija.
Naslijeđe Alfred Philippe Roll definira njegova uloga mosta između starog svijeta akademske tradicije i novog svijeta društvenog angažmana. Kao suosnivač Société Nationale des Beaux-Arts, odigrao je ključnu ulogu u preoblikovanju institucionalnog krajolika francuske umjetnosti, zagovarajući prostor u kojem različiti stilovi mogu koegzistirati. Njegovo djelo ostaje vitalni povijesni zapis, hvatajući esenciju Francuske uhvaćene između odjeka romantizma i oštre stvarnosti industrializacije i društvenih reformi.
Kroz svoje majstorstvo u svjetlu, teksturi i kompoziciji, Roll je osigurao da borbe i ljepota svakodnevnog života budu besmrtne. Bilo kroz prostrane vidike regije Champagne ili kroz sumorne tonove radničkog štrajka, njegova umjetnost nastavlja pozivati gledatelje u duboki dijalog s prošlošću. On ostaje značajna figura za svakoga tko želi razumjeti otkucaje srca Francuske u 19. stoljeću—umjetnik koji je svijet gledao ne samo onakvim kakav se činio, već onakvim kakav je bio osjećaj.
