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At the Hippodrome

Ime Razred Datum

William Patrick Roberts, At the Hippodrome (1921), New Walk Museum - Art Gallery. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Činjenice

Umjetnik
William Patrick Roberts originaluniqueart.com/hr/artists/william-patrick-roberts/
Datumi umjetnika
1895 – 1980
Slikano
1921
Prvobitne dimenzije
95 x 91 cm
Održano na lokaciji
New Walk Museum - Art Gallery originaluniqueart.com/hr/museums/new-walk-museum-art-gallery-leicester_hr/

U kontekstu

At the Hippodrome — William Patrick Roberts

Koje su dimenzije?

Originalne dimenzije su 95 × 91 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine.

Kada je ovo naslikano?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 85 u smrti.

Naslikano u 26 godini života umjetnika. Umjetnik je doživio 85. 9 od ukupno 46 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus William Patrick Roberts (1895–1980) ▲ ovo djelo, 1921 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1922 Glavni radni period: 1922–1935 Kasna djela: od 1935

Ta tri dijela dijele djela koja u ovom katalogu imaju navedenu godinu na prvu četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: rjeđi segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Usporedi s

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: originaluniqueart.com/hr/art/similar/william-patrick-roberts-at-the-hippodrome-AQULQP-en/

Paleta boja

Izmjereno na temelju slike

    Glavna boja

    Espresso #49362e

    Katalogirana paleta

    • #49362E
    • #734737
    • #A86345
    • #242122

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna paleta boja na slici.
    Naziv primarne boje
    Espresso
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Strong Color Unity Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Deep_shadow Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora William Patrick Roberts u posljednjih dvanaest mjeseci — ukupno 5 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Kina 53,3%
    2. 2 Sjedinjene Američke Države 20,0%
    3. 3 Njemačka 13,3%
    4. 4 Argentina 6,7%
    5. 5 Italija 6,7%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    13 najgledanijih djela umjetnika William Patrick Roberts

    1. 1 Munitions Factory, 1940 17,6%
    2. 2 Les Routiers, 1931 11,8%
    3. 3 The Dentist, 1925 11,8%
    4. 4 The Rhododendron, 1948 5,9%
    5. 5 At the Hippodrome, 1921 ova slika 5,9%
    6. 6 The Demolition Squad, 1941 5,9%
    7. 7 The Cinema, 1920 5,9%
    8. 8 Kit (Katie Bissett Smith née Knewstub, 1907–2008) 5,9%
    9. 9 The Ballet, 1932 5,9%
    10. 10 The Control Room, 1941 5,9%
    11. 11 Portrait of a Man Lighting a Pipe, 1948 5,9%
    12. 12 Playground (The Gutter), 1934 5,9%
    13. 13 The Char, 1924 5,9%

    Zajedno ova djela zauzimaju 100,0% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 50 djela ovog umjetnika, od kojih je 13 pregledano barem jednom. Ova je slika na 5 mjestu među njima, s 5,9% te pažnje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo sljedeće: navedite jednu stvar koja bi sliku mogla učiniti slavnom, neovisno o tome koliko je dobro naslikana.

    Umjetnik i muzej

    Umjetnik

    William Patrick Roberts

    The Architect of Fragmented Reality: The Life of William Patrick Roberts

    In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.

    Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.

    A Vision of Modernity and War

    The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.

    Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.

    Legacy and Artistic Significance

    The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.

    Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.

    Muzej

    New Walk Museum - Art Gallery

    Izloženo u Leicester, United Kingdom

    A Tapestry of Time: The Soul of Leicester Museum & Art Gallery

    Nestled along the historic promenade of New Walk, the

    Leicester Museum & Art Gallery

    stands as a profound testament to the enduring human impulse to collect, preserve, and celebrate. This venerable institution has evolved from a modest showcase of British art into a sprawling, multidisciplinary sanctuary where the boundaries between science, history, and fine art dissolve. To walk through its halls is to embark on a curated journey through the epochs, moving seamlessly from the primordial whispers of the Mesozoic Era to the avant-garde provocations of the twentieth century. The museum does not merely display objects; it orchestrates an encounter with the very essence of our shared heritage.

    The architectural grandeur of the museum serves as a stately prelude to the treasures within. Designed by the ingenious

    Joseph Hansom

    —the mastermind behind the iconic hansom cab—the building itself is a masterpiece of Victorian ambition, reflecting an era defined by progress and aesthetic rigor. Its structure provides a dignified stage for a collection that is as diverse as it and deep, offering a sense of stability and permanence amidst the ever-changing currents of history.

    A Confluence of Artistic Mastery and Scientific Wonder

    For the art lover, the gallery offers a breathtaking panorama of styles, most notably within its celebrated

    German Expressionist

    section. Here, the canvas erupts with bold, emotive colors and distorted forms that capture the raw psychological intensity of a transformative period in European history. This visceral energy is balanced by the exquisite

    Attenborough Collection of Picasso Ceramics

    , a world-renowned assemblage meticulously curated by Sir David Attenborough. This collection serves as a poignant intersection of scientific curiosity and artistic passion, showcasing how form and medium can transcend their physical boundaries.

    Beyond the realm of the canvas, the museum invites a deeper exploration into the mysteries of life and death. The halls are haunted by the magnificent silhouettes of prehistoric giants, including the formidable

    Tyrannosaurus Rex

    and the intricately detailed skeletons of the

    Cetiosaurus

    and

    Plesiosaur

    . These fossils, such as the beloved "George," offer a humbling perspective on the vast scales of geological time. This sense of wonder extends into the Ancient Egypt exhibit, where the quiet majesty of sarcophagi and intricately decorated mummies transports visitors to the banks of the Nile.

    For the interior designer or the discerning aesthete, the Leicester Museum & Art Gallery offers more than just educational value; it provides a profound source of inspiration. The museum’s unique ability to harmonize the rugged textures of paleontological finds with the delicate elegance of fine ceramics and the dramatic shadows of Expressionist works makes it a cornerstone of cultural enrichment. It remains a beacon for those who seek to find beauty in the intersection of the ancient and the modern, the scientific and the sublime.

    Gdje pročitati više

    Saznajte više online

    QR kod koji povezuje na stranicu za preuzimanje At the Hippodrome

    originaluniqueart.com/hr/art/download/william-patrick-roberts-at-the-hippodrome-AQULQP-en/

    Navedite ovo umjetničko djelo

    MLA
    Roberts, William Patrick. At the Hippodrome. 1921, New Walk Museum - Art Gallery. https://originaluniqueart.com/hr/art/william-patrick-roberts-at-the-hippodrome-AQULQP-en/
    APA
    Roberts, William Patrick (1921). At the Hippodrome [Painting]. New Walk Museum - Art Gallery. https://originaluniqueart.com/hr/art/william-patrick-roberts-at-the-hippodrome-AQULQP-en/
    Chicago
    William Patrick Roberts. At the Hippodrome. 1921. New Walk Museum - Art Gallery. https://originaluniqueart.com/hr/art/william-patrick-roberts-at-the-hippodrome-AQULQP-en/
    Harvard
    Roberts, William Patrick (1921) At the Hippodrome. New Walk Museum - Art Gallery. Available at: https://originaluniqueart.com/hr/art/william-patrick-roberts-at-the-hippodrome-AQULQP-en/

    Pogledajte pažljivije

    At the Hippodrome — William Patrick Roberts

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na djelo Munitions Factory (1940) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    4. William Patrick Roberts je imao oko 26 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?
    5. Što je umjetnik možda želio da osjetite?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Mogu li naručiti uljanu reprodukciju djela "At the Hippodrome"?

    Ručno oslikanu reprodukciju djela "At the Hippodrome" autora William Patrick Roberts možete naručiti izravno na njegovoj stranici Ručno oslikana reprodukcija: ručno oslikana uljana reprodukcija na lanenom platnu, izrađeno po narudžbi.

    Jesu li boje djela "At the Hippodrome" autora William Patrick Roberts zasićene ili prigušene?

    "At the Hippodrome" autora William Patrick Roberts prikazano je s Subtle Color zasićenjem.

    Je li "At the Hippodrome" autora William Patrick Roberts svijetlo ili tamno umjetničko djelo?

    Zabilježene vrijednosti za "At the Hippodrome" autora William Patrick Roberts su: svjetlina deep_shadow, luminancija Dark.