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Vodič za studentska djela

Metamorphosis #V

Ime Razred Datum

verapong sritrakulkitjakarn, Metamorphosis #V (2006), Art Centre Silpakorn University. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava.

Osnovne informacije

Umjetnik
verapong sritrakulkitjakarn originaluniqueart.com/hr/artists/verapong-sritrakulkitjakarn/
Životopis umjetnika
1982 – ?
Slikano
2006
Pokret
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.
Lokacija izložbe
Art Centre Silpakorn University originaluniqueart.com/hr/museums/art-centre-silpakorn-university-bangkok/

U kontekstu

Metamorphosis #V — verapong sritrakulkitjakarn

Godina nastanka

  1. 1980
  2. 1990
  3. 2000

Shaded: životni opus verapong sritrakulkitjakarn (1982–?) ▲ ovo djelo, 2006

Slična djela

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Boje

Izmjereno na temelju slike

    Glavna boja

    Driftwood #d1935f

    Spremljena paleta

    • #D1935F
    • #B55442
    • #4D433F
    • #7B6856
    Paleta
    Earthy Dominantna paleta boja na slici.
    Naziv glavne boje
    Driftwood
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Balanced Harmony Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Balanced Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    O ovom umjetničkom djelu

    Metamorphosis #V — verapong sritrakulkitjakarn

    The 52nd National Exhibition of Art, 20063rd Prize, Bronze Medal Award in PrintsThe National Exhibition of Art is the oldest national competition stage of Thailand that has been organized constantly until now. It aims to encourage Thai artists to produce painting, sculpture, prints and multimedia works which present their artistic skills. Gold medal, silver medal and bronze medal award-winning works will become the property of Silpakorn University, who reserves the right to promote works in all channels.

    Umjetnik i muzej

    Umjetnik

    verapong sritrakulkitjakarn

    Mjesto rođenja Bangkok, Thailand

    The Vibrant Tapestry of ayino: A Fusion of Heritage and Modernity

    In the bustling, neon-lit heart of Bangkok, the work of Verapong Sritrakulkitjakarn, known to the international art world as ayino, emerges as a profound dialogue between the ancient and the contemporary. Born in 1982, Verapong has cultivated an artistic language that does not merely observe the passage of time but actively deconstructs it. His journey began within the prestigious halls of Silpakorn University, where he mastered the rigorous disciplines of painting, printmaking, and sculpture. This academic foundation provided him with a deep reverence for classical techniques, yet his spirit remained inherently restless, seeking to weave the threads of Thai identity into the complex fabric of a globalized, modern existence.

    The artist’s early development was profoundly shaped by a fascination with visual storytelling, particularly the rhythmic and graphic precision of Japanese Ukiyo-e woodblock prints and the whimsical, powerful narratives of manga. These influences are not merely decorative in his work; they serve as structural pillars. One can observe the meticulous color gradations and intricate linework reminiscent of traditional Japanese masters, yet these are juxtaposed against the chaotic energy of modern Bangkok. By integrating iconic characters like Doraemon or Anpanman alongside the weathered textures of Thai stupas and street-side signs, Verapong creates a surreal landscape where nostalgia and consumerism collide.

    A Symphony of Contrast: Technique and Symbolism

    To encounter a work by ayino is to enter a space of intense sensory experience. His aesthetic is often described as a "montage of time," where large-scale oil paintings function like epic battle scenes, heavy with tension and monumental figures. These oversized characters—representing virtues such as bravery, honor, and persistence—often loom over a landscape cluttered with the flashy, ephemeral symbols of modern life. This deliberate contrast creates a striking visual metaphor for the human condition: the struggle to maintain core values amidst the overwhelming influx of global pop culture and mass consumption.

    His technical prowess extends far beyond the canvas, manifesting in a diverse range of media:

    Printmaking: His prints are celebrated for their masterful use of color and layered textures, often exploring themes of metamorphosis and the fluidity of form.

    Sculpture: Through three-dimensional works, he pushes the boundaries of physical space, translating his graphic sensibilities into tangible, emotive objects.

    Painting: His large-scale canvases serve as historical snapshots, utilizing vibrant, often surreal palettes to depict deconstructed realities, such as the unexpected inner fruit of a red apple in his Mutant (GMOs) #G series.

    Legacy and International Recognition

    The significance of Verapong Sritrakulkitjakarn lies in his ability to act as a cultural bridge. He does not shy away from the "mutant" nature of contemporary life; instead, he embraces the transformation. His work has garnered significant acclaim within Thailand’s prestigious National Exhibition of Art, earning multiple honors including Gold, Silver, and Bronze medals. These accolades reflect his standing as a vital voice in the Thai contemporary art scene, recognized for his ability to elevate local motifs to a universal stage.

    Beyond the borders of Thailand, his exhibitions in Poland, Italy, Macedonia, Spain, and Romania have introduced a global audience to his unique brand of "pop-historical" surrealism. As he continues to evolve, his art remains a poignant reflection on whether humanity is destined to repeat the cycles of the past or if we can learn to navigate the beautiful, chaotic metamorphosis of the future. Through every brushstroke and carved line, ayino invites us to find meaning in the intersection of our deepest traditions and our most fleeting modern impulses.

    Muzej

    Art Centre Silpakorn University

    Prikazano u Bangkok, Thailand

    A Palace of Artistic Dialogue: The Soul of Thai Heritage

    Nestled within the historic embrace of Wang Thaphra Palace in Bangkok, the Art Centre Silpakorn University stands as a vibrant crossroads where centuries of Thai heritage meet the dynamic pulse of contemporary expression. Stepping through its gates is akin to entering a living dialogue between past and present, a space where ancient spiritual traditions resonate alongside bold explorations of modern life. The palace itself, steeped in royal history, provides an exquisite backdrop for the diverse collection housed within, its elegant architecture subtly enhancing the emotional impact of each artwork. It is not merely a repository of objects but a sanctuary where the architectural grandeur of the old world serves to elevate the creative spirit of the new.

    The strength of this institution lies in its profound and comprehensive representation of Thai art, spanning both traditional and contemporary forms with seamless grace. A significant portion of the collection is dedicated to Buddhist art, offering a spiritual window into Thailand's heartland. Here, intricately carved sculptures and serene paintings depict scenes from the life of Buddha and the tenets of Buddhist philosophy, showcasing not only masterful artistic skill but also deeply held cultural beliefs. These historical artifacts are never presented as static relics; instead, they serve as foundational elements that inform and breathe life into the contemporary works displayed alongside them, creating a continuous thread of cultural evolution.

    Innovation, Education, and the Visible Artistry

    As an integral part of Silpakorn University—an institution famously founded by the Italian-born professor Corrado Feroci, known as Silpa Bhirasri—the Art Centre functions as a vital hub for aspiring artists and scholars. This academic environment translates into exhibitions that are thoughtfully curated and often push boundaries, challenging conventional notions of art and encouraging viewers to engage with complex themes. The centre actively champions emerging talent alongside established masters, frequently exhibiting pieces from the university's own students and faculty, ensuring that the museum remains at the very forefront of Thailand’s evolving artistic landscape.

    What truly distinguishes this museum is its dedication to transparency and the celebration of the artistic process itself. The Unique Visible Storage Gallery offers an unprecedented behind-the-scenes look at art preservation, allowing visitors to witness the meticulous care that goes into maintaining these cultural treasures. This rare opportunity fosters a deeper appreciation for the artwork and the dedicated hands that safeguard it. Furthermore, the centre has garnered national recognition through award-winning showcases of contemporary Thai art, where carefully constructed narratives explore pressing social issues, cultural identities, and the universal human condition.

    A Destination for the Discerning Eye

    For the art lover, the collector, or the interior designer seeking inspiration, the Art Centre Silpakorn University offers a journey of discovery that transcends mere observation. Recent projects, such as the ‘Art Camera Behind the Scene’ series, demonstrate the centre’s willingness to embrace diverse mediums and perspectives, utilizing striking black and white reproductions to capture the essence of modern life. The work of artists like Verapong Sritrakulkitjakarn (ayino), whose vibrant paintings explore emotional depth with compelling intensity, highlights the breadth and dynamism available to those who wander through these historic halls.

    Located in the heart of Bangkok, near the Grand Palace, the centre is an accessible cultural gem that promises a memorable and enriching experience. Whether one is drawn by the allure of ancient Buddhist iconography or the provocative nature of modern installations, the museum provides a captivating exploration of Thailand’s artistic soul. It remains a premier destination for anyone seeking to immerse themselves in a space where history is not just remembered, but actively reimagined through the lens of contemporary creativity.

    Dodatne informacije

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje Metamorphosis #V

    originaluniqueart.com/hr/art/download/verapong-sritrakulkitjakarn-metamorphosis-v-D7SH2T-en/

    Izvor za ovo umjetničko djelo

    MLA
    sritrakulkitjakarn, verapong. Metamorphosis #V. 2006, Art Centre Silpakorn University. https://originaluniqueart.com/hr/art/verapong-sritrakulkitjakarn-metamorphosis-v-D7SH2T-en/
    APA
    sritrakulkitjakarn, verapong (2006). Metamorphosis #V [Painting]. Art Centre Silpakorn University. https://originaluniqueart.com/hr/art/verapong-sritrakulkitjakarn-metamorphosis-v-D7SH2T-en/
    Chicago
    verapong sritrakulkitjakarn. Metamorphosis #V. 2006. Art Centre Silpakorn University. https://originaluniqueart.com/hr/art/verapong-sritrakulkitjakarn-metamorphosis-v-D7SH2T-en/
    Harvard
    sritrakulkitjakarn, verapong (2006) Metamorphosis #V. Art Centre Silpakorn University. Available at: https://originaluniqueart.com/hr/art/verapong-sritrakulkitjakarn-metamorphosis-v-D7SH2T-en/

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    Metamorphosis #V — verapong sritrakulkitjakarn

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    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (naš katalog broji 7 — slažete li se?)
    4. Naš katalog ovo djelo klasificira pod: abstract faces, vibrant colors, human emotion. Slažete li se? Što biste dodali ili uklonili?
    5. Vratite se na djelo Transform - Invader - Silent Dangerous (2008) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.

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