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Self-Portrait

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Vasili Ivanovič Surikov, Self-Portrait (1879), Tretyakovska galerija. Javno dobro. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Činjenice

Umjetnik
Vasili Ivanovič Surikov originaluniqueart.com/hr/artists/vasili-ivanovic-surikov_hr/
Datumi umjetnika
1848 – 1916
Slikano
1879
Razdoblje
19th Century
Održano na lokaciji
Tretyakovska galerija originaluniqueart.com/hr/museums/tretyakovska-galerija-moskva_hr/
Artistic style
Psychological realism
Influences
Russian Realism
Notable elements
Formal attire, beard, mustache
Subject or theme
Self-portraiture

U kontekstu

Self-Portrait — Vasili Ivanovič Surikov

Kada je ovo naslikano?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 68 u smrti.

Naslikano u 31 godini života umjetnika. Umjetnik je doživio 68. 29 od ukupno 253 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Vasili Ivanovič Surikov (1848–1916) ▲ ovo djelo, 1879 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1884 Glavni radni period: 1884–1903 Kasna djela: od 1903

Ta tri dijela dijele djela koja u ovom katalogu imaju navedenu godinu na prvu četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: rjeđi segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Usporedi s

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: originaluniqueart.com/hr/art/similar/vasily-ivanovich-surikov-self-portrait-8YDTYT-en/

Paleta boja

Izmjereno na temelju slike

    Glavna boja

    Putty #e4c09a

    Katalogirana paleta

    • #E4C09A
    • #1A0E1A
    • #714B40
    • #9E795C

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna paleta boja na slici.
    Naziv primarne boje
    Putty
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Balanced Harmony Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Deep_shadow Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Vasili Ivanovič Surikov u posljednjih dvanaest mjeseci — ukupno 6 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Kina 73,7%8.400 posjeta
    2. 2 Singapur 10,5%1.200 posjeta
    3. 3 Hong Kong 6,1%700 posjeta
    4. 4 Sjedinjene Američke Države 6,1%700 posjeta
    5. 5 Njemačka 2,6%300 posjeta
    6. 6 Švedska 0,9%100 posjeta

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    20 najgledanijih djela umjetnika Vasili Ivanovič Surikov

    1. 1 Siberian Belle (also known as E. Rachkovskaya), 1891 3,1%400 posjeta
    2. 2 A Tartar Horseman, 1894 3,1%400 posjeta
    3. 3 Portrait of I. S. Ostroukhov, 1884 3,1%400 posjeta
    4. 4 Strelets in a Cap (study), 1879 2,4%300 posjeta
    5. 5 On Nevsky Prospekt on day, 1874 2,4%300 posjeta
    6. 6 Isba, 1873 2,4%300 posjeta
    7. 7 Roman Carnival, 1884 2,4%300 posjeta
    8. 8 Soldier's head in a cocked hat, 1898 2,4%300 posjeta
    9. 9 Suvorov Crossing the Alps, 1899 1,6%200 posjeta
    10. 10 Annunciation, 1914 1,6%200 posjeta
    11. 11 Pompeii. Frescoed Walls of a House, 1884 1,6%200 posjeta
    12. 12 The old woman with a patterned headscarf, 1886 1,6%200 posjeta
    13. 13 Portrait of Olga Surikova, the artist's daughter, 1888 1,6%200 posjeta
    14. 14 Cossacks in a Boat, 1893 1,6%200 posjeta
    15. 15 House of Surikov family in Krasnoyarsk, 1890 1,6%200 posjeta
    16. 16 Scene from the Roman carnival, 1884 1,6%200 posjeta
    17. 17 Portrait of E. K. Deryagina, 1879 1,6%200 posjeta
    18. 18 Samara, 1880 1,6%200 posjeta
    19. 19 Portrait of E. V. Surikova, 1908 1,6%200 posjeta
    20. — Self-Portrait, 1879 ova slika 0,0%0 posjeta

    Zajedno ova djela zauzimaju 38,9% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 283 djela ovog umjetnika, od kojih je 90 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo sljedeće: navedite jednu stvar koja bi sliku mogla učiniti slavnom, neovisno o tome koliko je dobro naslikana.

    O ovom umjetničkom djelu

    Self-Portrait — Vasili Ivanovič Surikov

    A Glimpse into the Soul of the Artist

    Vasily Ivanovich Surikov’s Self-Portrait from 1879 offers more than just a likeness; it is an intimate confrontation between the artist and the viewer, filtered through the rich lens of late 19th-century Russian portraiture. To gaze into these painted eyes is to encounter not merely a man in fine attire—the dark suit, the crisp bowtie, the distinguished beard—but a mind at work, poised between public presentation and private introspection. Surikov, a titan of Russian Realism, possessed an uncanny ability to capture the psychological undercurrents beneath the polished surface of society. This portrait is a masterclass in controlled formality, suggesting a moment captured just before or after a significant social engagement.

    Mastery of Formality and Presence

    The technical execution speaks volumes about Surikov’s skill. The rendering of the fabric, the subtle sheen on the lapels, and the precise knot of the bowtie demonstrate an acute understanding of texture and light. Yet, it is the sitter's gaze that anchors the piece. He looks directly out, engaging us in a silent dialogue. This direct address transforms the painting from a mere record into an active participant in our viewing experience. The inclusion of the chair in the background grounds the figure within a tangible, albeit somewhat undefined, domestic or studio setting, lending an air of established permanence to the moment.

    The Context of Russian Realism

    To appreciate this work is to understand its historical cradle: the zenith of Russian Realism. While Surikov is perhaps more famous for his sweeping historical epics detailing Russia's grand narratives, even in a seemingly personal study like this self-portrait, one senses that commitment to truth. His background, steeped in the realities of Siberian life and folklore, informs every gesture here—a dedication to portraying humanity with unflinching honesty, whether depicting peasant struggle or the measured composure of an urban gentleman.

    Symbolism of Self-Presentation

    The very act of painting a self-portrait during this era was often a negotiation between public persona and private identity. The formal suit and bowtie symbolize adherence to societal expectations—the respectable, successful man of his time. However, the intensity in his expression hints at the complexity beneath that veneer. It invites us, the modern viewer, to consider our own carefully constructed facades. This painting whispers secrets about ambition, self-awareness, and the enduring weight of expectation.

    Bringing the Masterpiece Home

    For collectors or those seeking art that speaks with intellectual depth, this reproduction offers an unparalleled opportunity to connect with a pivotal moment in Russian artistic history. It is a piece designed not just for admiration, but for contemplation. Imagine it gracing a study or drawing-room; its sophisticated narrative quality elevates any space, suggesting the cultured taste of someone who appreciates both technical brilliance and profound human psychology.

    Umjetnik i muzej

    Umjetnik

    Vasili Ivanovič Surikov

    Rođeni u Krasnojarsk, Rusija

    Duša nacije zarobljena u bojama

    Vasily Ivanovich Surikov stoji kao jedna od najslavlnijih figura u povijesti ruske umjetnosti, slikar čija platna ne prikazuju samo vizualne prikaze, već duboka istraživanja duše Rusije. Rođen 1848. godine u Krasnojarsku, u Sibiru, Surikovljev rani život obilježili su poteškoće i obiteljske borbe—formativno iskustvo koje je u njega usadilo nepokolebljivu predanost prikazivanju stvarnosti ruskog ruralnog društva s neustrašivom iskrenošću. Ta se posvećenost postala temelj njegove umjetničke vizije, pokrećući ga da stvara monumentalna djela koja i danas snažno odjekuju.

    Njegove su umjetničke osjetilnosti rasle uz fascinaciju folklorom i seljačkim životom, temama koje su duboko prožimale sibirsku kulturu. Njegov otac, učitelj, usadio je u njega ljubav prema književnosti i povijesti, oblikujući njegovu intelektualnu znatiželju i pružajući mu osnovu za pedantno istraživanje povijesnih tema. Prepoznajući Surikovljev talent, otac mu je osigurao upis u Sankt Peterburšku akademiju umjetnosti, gdje je usavršavao svoje vještine pod vodstvom majstora poput Konstantina Dmitrieviča Makovskog i Ivana Aleksejevča Kramskoga. Ove utjecajne figure zagovarale su realizam kao dominantan umjetnički stil, potičući Surikova da prikazuje svakodnevni život s psihološkom dubinom i emocionalnom rezonancijom.

    Majstor povijesnog epa i psihološke dubine

    Surikovljev opus odlikuje izvanredna sposobnost prenošenja atmosfere i emocija kroz majstorsku tehniku. Primjenjivao je prepoznatljiv pristup slikarstvu, pedantno proučavajući nijanse svjetla i boje kako bi postigao neusporediv realizam. Njegovi su potezi četkicom bili namjerni i ekspresivni, hvatajući ne samo ono što je viđeno, već i ono što je osjećeno—što je obilježje ambicije pokreta realista da istinito prikaže ljudsko iskustvo. Njegova su platna poznata po dramatičnim kompozicijama i evokativnom osvjetljenju, prenoseći gledatelje izravno u srce najturbulentnijih era Rusije.

    Umjetnik je stekao široku priznatost zbog svojih velikih formata posvećenih ključnim epizodama iz ruske povijesti. Ova djela odlikovala su se golemim razmjerom, rigoroznom pažnjom prema povijesnim detaljima i dubokom psihološkom izražajnošću koja je u povijesne likove udahivala život. Neki od njegovih najtrajnijih doprinosa umjetničkom svijetu uključuju:

    Jutro pogubljenja Streljaca: Potresno snažan prikaz političkih previranja i ljudske tragedije.

    Boyarynya Morozova: Monumentalno istraživanje vjerskog uvjerenja i društvenog sukoba.

    Suvorov prelazak Alpa: Nevjerojatna scena vojnog vodstva i epskog izdržljivosti.

    Jermakovo osvajanje Sibira: Odavanje počasti širenju i neukrotivom duhu ruskog graničnjaka.

    Naslijeđe i povijesni značaj

    Kao istaknuti član pokreta Peredvizhniki (Kružnici) i Saveza ruskih umjetnika, Surikov je odigrao vitalnu ulogu u pomicanju fokusa ruske umjetnosti prema nacionalnom identitetu i društvenoj istini. Njegov je rad premostio jaz između akademske tradicije i novog, visceralnog realizma koji je nastojao dokumentirati borbe i trijumfe običnog naroda uz velike narative careva. Kroz njegov leću, povijest nije bila samo zbirka datuma, već živa, dišuća drama ljudske volje.

    Danas se remek-djela Vasilija Surikova čuvaju u najprestižnijim svjetskim kolekcijama, uključujući Državnu galeriju Tretyakov u Moskvi i Državni ruski muzej u Sankt Peterburgu. Njegov utjecaj opstaje kao svjedočanstvo njegove sposobnosti da povijesno istraživanje pretvori u emocionalnu istinu, osiguravajući da njegova vizija ruskog duha ostane neizbrisiv dio svjetske umjetničke baštine.

    Muzej

    Tretyakovska galerija

    Izloženo u Moskva, Rusija

    A Pilgrimage into the Soul of Russia: The State Tretyakov Gallery

    The State Tretyakov Gallery in Moscow isn’t merely a museum; it's an immersive journey into the very heart and soul of Russia itself. Founded in 1856 by Pavel Mikhailovich Tretyakov, a visionary merchant driven by a profound patriotic desire to cultivate a national identity through artistic expression, the gallery began as a deeply personal collection—a testament to his unwavering belief in art’s power to reflect the Russian spirit. This intimate foundation imbues the entire institution with an atmosphere of cherished intimacy, inviting visitors into a space where centuries whisper stories across its hallowed halls. More than just a repository of art; it feels like stepping into a beloved family home brimming with artistic treasures and historical narratives.

    The architectural narrative of the Tretyakov is as compelling as the artworks within. The main building on Lavrushinsky Lane began life as a private residence for the Mamontov family, retaining an intimate scale that belies its transformation into a public institution. Viktor Vasnetsov’s striking façade—a masterpiece of Russian Revival style—evokes a sense of ancient grandeur and national pride, drawing inspiration from folklore and religious traditions woven deeply into Russia's cultural fabric. The building itself seems to rise organically from the earth of Moscow, adorned with intricate details that hint at the nation’s rich heritage. Later expansions, notably the New Tretyakov Gallery on Krymsky Val, offer a striking counterpoint—a modern space designed to house the revolutionary movements and bold experimentation of the 20th and 21st centuries, reflecting a deliberate juxtaposition between tradition and modernity. The contrast is not one of conflict, but rather a powerful statement about Russia’s ongoing evolution.

    Echoes of Faith and Empire: A Journey Through Time

    Wandering through the Tretyakov’s halls is akin to embarking on a chronological odyssey through Russian artistic evolution. The gallery's collection of ancient icons—particularly Theotokos of Vladimir, with its vibrant colors, gilded surfaces, and serene expressions—offers an unparalleled glimpse into the spiritual life of medieval Russia—windows into a world steeped in Byzantine tradition, where symbolism and meticulous craftsmanship converged to create objects of breathtaking beauty and devotional power. These aren’t simply religious images; they are profound cultural artifacts, revealing the beliefs, customs, and artistic sensibilities of a bygone era. The sheer luminosity of these icons, achieved through painstaking layering of gold leaf and pigment, speaks volumes about the devotion invested in their creation – each brushstroke imbued with prayer and reverence.

    Moving forward through the 19th century, one encounters a panorama of Russian life rendered with remarkable realism and emotional depth. Masters such as Ilya Repin capture the social and political currents of Imperial Russia—the struggles of the peasantry, the opulence of courtly life, and the intellectual ferment that characterized the period. Landscapes by Ivan Shishkin evoke the vastness and majesty of the Russian countryside, capturing the soul of the birch forests and the resilience of the people who inhabit them. The atmospheric paintings of Isaac Levitan convey a poignant sense of melancholy beauty, often imbued with a deep connection to nature and human suffering – scenes of solitary figures contemplating the endless expanse of the Russian winter or the quiet dignity of a rural village.

    The Avant-Garde Revolution: Breaking Boundaries

    The early 20th century witnessed a seismic shift in Russian art as artists boldly embraced radical new forms of expression. The Tretyakov Gallery houses a remarkable collection of avant-garde masterpieces that challenged conventional notions of representation and paved the way for modern art worldwide. Kazimir Malevich’s iconic Black Square—a seemingly simple geometric form—became a potent symbol of pure abstraction, rejecting representational imagery in favor of a spiritual exploration of color and shape. Wassily Kandinsky's vibrant compositions, brimming with abstract forms and dynamic energy, explored the profound relationship between art and music, while Marc Chagall’s dreamlike canvases blended elements of folklore, memory, and personal experience into evocative and deeply emotional works. This period wasn’t simply about artistic innovation; it was a direct reflection of the tumultuous social and political upheaval that gripped Russia – a desire to forge a new visual language for a new era.

    The gallery's collection during this time is particularly significant, showcasing not just the finished works but also preparatory sketches and studies, offering insight into the artists’ creative processes. It’s a testament to the daring experimentation that defined this period – an embrace of color, form, and emotion that fundamentally altered the course of art history.

    A Living Legacy: Current Exhibitions and Enduring Appeal

    Today, the State Tretyakov Gallery continues to evolve, hosting dynamic exhibitions that showcase both historical treasures and contemporary creations. Recent displays like “To See the Unknown,” which recontextualizes familiar masterpieces alongside lesser-known works, demonstrate a commitment to fresh perspectives and scholarly inquiry—a dedication to revealing new layers of meaning within established artworks. The gallery’s ongoing efforts to preserve its collection while simultaneously engaging with current artistic trends ensure its continued relevance for generations to come. For art lovers, collectors, and interior designers alike, the State Tretyakov Gallery is more than just a museum; it's an immersive experience, a profound connection to the soul of Russia.

    Useful Links:

    Tretyakov Gallery:

    https://en.wikipedia.org/wiki/Tretyakov_Gallery

    Notable Exhibitions (Recent & Ongoing): The gallery regularly hosts temporary exhibitions exploring diverse themes within Russian art history and contemporary practice. Check their website for current events.

    Gdje pročitati više

    Saznajte više online

    QR kod koji povezuje na stranicu za preuzimanje Self-Portrait

    originaluniqueart.com/hr/art/download/vasily-ivanovich-surikov-self-portrait-8YDTYT-en/

    Navedite ovo umjetničko djelo

    MLA
    Surikov, Vasili Ivanovič. Self-Portrait. 1879, Tretyakovska galerija. https://originaluniqueart.com/hr/art/vasily-ivanovich-surikov-self-portrait-8YDTYT-en/
    APA
    Surikov, Vasili Ivanovič (1879). Self-Portrait [Painting]. Tretyakovska galerija. https://originaluniqueart.com/hr/art/vasily-ivanovich-surikov-self-portrait-8YDTYT-en/
    Chicago
    Vasili Ivanovič Surikov. Self-Portrait. 1879. Tretyakovska galerija. https://originaluniqueart.com/hr/art/vasily-ivanovich-surikov-self-portrait-8YDTYT-en/
    Harvard
    Surikov, Vasili Ivanovič (1879) Self-Portrait. Tretyakovska galerija. Available at: https://originaluniqueart.com/hr/art/vasily-ivanovich-surikov-self-portrait-8YDTYT-en/

    Pogledajte pažljivije

    Self-Portrait — Vasili Ivanovič Surikov

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: portrait, historical, russian. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na djelo Townswoman (also known as A. Yemelyanova, née Schreider) (1902) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    5. Vasili Ivanovič Surikov je imao oko 31 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Kviz o umjetnosti

    Self-Portrait — Vasili Ivanovič Surikov

    Koliko dobro poznajete ovo umjetničko djelo?

    Označite jedan odgovor za svako od 5 pitanja u nastavku. Svako pitanje ima točno jedan točan odgovor.

    1. 1. What is the primary style of art associated with Vasily Ivanovich Surikov?

      • A Impressionism
      • B Romanticism
      • C Realism
    2. 2. Based on the description, what is a notable element of the man's attire in this self-portrait?

      • A A military uniform
      • B A bowtie
      • C A velvet cloak
    3. 3. The painting was created in what year, according to the provided information?

      • A 1848
      • B 1916
      • C 1879
    4. 4. What biographical detail about Surikov suggests his early artistic focus?

      • A His interest in Parisian salons
      • B A fascination with folklore and peasant life
      • C His study of classical Greek sculpture
    5. 5. The setting described for the portrait includes what visible object?

      • A A bookshelf
      • B A window overlooking a city
      • C A chair in the background

    Moj rezultat: ____ od ukupno 5

    Ključ odgovora — za nastavnike

    Ovo započinje novu ispisanu stranicu, pa se može jednostavno izostaviti iz kopija.

    1B · 2A · 3B · 4A · 5B

    Provjerite točnost svakog odgovora uspoređujući ga s katalogskim zapisom za ovu sliku

    Pitanja i odgovori

    Iz koje zemlje dolazi djelo Historical Realism "Self-Portrait"?

    "Self-Portrait" povezuje pokret Historical Realism s Rusija kroz rodno mjesto svog tvorca.

    Kakvu paletu boja koristi "Self-Portrait"?

    Paleta djela "Self-Portrait" autora Vasili Ivanovič Surikov opisana je kao Earthy. To je sažet opis boja ovog umjetničkog djela.

    Koji umjetnik i koji stil stoje iza "Self-Portrait"?

    "Self-Portrait" stvorio/la je Vasili Ivanovič Surikov u stilu Historical Realism. Umjetnik i umjetnički pravac definiraju tradiciju ovog djela.