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Were 12

Ime Razred Datum

Roni Horn, Were 12 (2004), Tate Modern. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Činjenice

Umjetnik
Roni Horn originaluniqueart.com/hr/artists/roni-horn/
Datumi umjetnika
1955 –
Slikano
2004
Pokret
Conceptual Art Work where the idea matters more than the object — sometimes there is barely an object at all.
Održano na lokaciji
Tate Modern originaluniqueart.com/hr/museums/tate-modern-london_hr/

U kontekstu

Were 12 — Roni Horn

Kada je ovo naslikano?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja, pri čemu se rođenje računa kao nula.

Naslikano u 49 godini života umjetnika. 3 od ukupno 4 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

▲ ovo djelo, 2004 svaka datirana slika, desetljeće po desetljeće

Usporedi s

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: originaluniqueart.com/hr/art/similar/roni-horn-were-12-D663F8-en/

Paleta boja

Izmjereno na temelju slike

    Glavna boja

    White #f4f6ed

    Katalogirana paleta

    • #F4F6ED
    • #E2E1D9
    • #ECEDE4
    • #CEACA0

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Monochrome Dominantna paleta boja na slici.
    Naziv primarne boje
    White
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Unified Palette Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Brilliant Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Umjetnik i muzej

    Umjetnik

    Roni Horn

    Rođeni u New York, United States of America

    The Convergence of Heritage and Horizon

    Born in the vibrant, complex landscape of New York City in 1955, Roni Horn carries within her a heritage shaped by the profound stories of Eastern European immigrants. Yet, it was not the urban sprawl of her birthplace that would most fundamentally define her artistic gaze, but rather the stark, elemental beauty of Iceland. Following a transformative fellowship from Yale, Horn found herself intimately entwared with the island’s singular geography and geology. This encounter with the North Atlantic landscape became more than a mere subject; it became a fundamental component of her creative consciousness, where the shifting climates and rugged terrains began to mirror the complexities of human perception and the ephemeral nature of existence.

    Sculpting Perception and Presence

    Horn’s practice is characterized by an extraordinary fluidity, moving effortlessly across the disciplines of sculpture, photography, and installation art. Her work does not merely exist as a static object but functions as a site for interaction, where the viewer's presence completes the piece. By utilizing materials that evoke the qualities of water, light, and stone, she captures the essence of post-minimalism and conceptual depth. Through her lens, concepts of transience and identity are rendered tangible. Her ability to manipulate perception allows her to present subjects that seem to change depending on the angle of sight or the quality of light, mirroring the way human memory and identity are constantly being reconstructed. This mastery of the ephemeral has made her a pivotal figure in the evolution of contemporary art throughout the late 20th century.

    A Legacy of Conceptual Depth

    The historical significance of Roni Horn lies in her ability to bridge the gap between the physical and the metaphysical, leaving an indelible mark on the history of conceptual art. Her work continues to challenge the boundaries of medium and meaning, creating spaces where the observer is an active participant in the creation of meaning.

    Exploration of Place: A unique synthesis of Icelandic geography and American conceptualism.

    Medium Fluidity: The seamless integration of photography, sculpture, and written word.

    Thematic Resonance: An enduring investigation into the nature of identity, permanence, and change.

    Muzej

    Tate Modern

    Izloženo u London, Velika Britanija

    Tate Modern: A Chronicle of Urban Innovation

    Nestled within the skeletal remains of a colossal Bankside power station, Tate Modern stands as more than just a gallery; it’s a testament to London's relentless reinvention and a vibrant hub for contemporary art. Completed in 2000 after a painstaking fifteen-year transformation, the building itself is an immediate draw – a dramatic juxtaposition of brutalist concrete and shimmering glass that dominates the Southwark skyline. Designed by Herzog & de Meuron, it’s a structure that doesn't simply house art; it becomes part of the artwork, reflecting the city’s dynamic energy and its ongoing dialogue with the past. The power station’s original industrial heart – the Turbine Hall, now a cavernous space capable of hosting monumental installations – remains a powerful reminder of London’s manufacturing heritage, while the surrounding exhibits celebrate the evolution of artistic expression in the 20th and 21st centuries.

    The Turbine Hall is arguably Tate Modern's most defining feature. Measuring an astounding 155 metres long and 23 metres wide, it’s a space that defies conventional gallery proportions, transforming into a stage for immersive artistic experiences. Originally conceived as the powerhouse’s boiler room, this area has undergone a remarkable metamorphosis, now housing exhibitions that push the boundaries of creative convention and challenge visitors' perceptions. Installations here are often ambitious in scale and conceptual complexity, inviting contemplation and prompting dialogue about pressing social issues – a deliberate strategy to engage audiences beyond mere aesthetic appreciation.

    A Collection Rooted in Modernism

    Tate Modern’s collection is deliberately focused on international modern and contemporary art created from 1900 onwards, offering a panoramic view of artistic movements and styles that have shaped our world. It's not simply a chronological survey; instead, the gallery prioritizes works that embody innovation, experimentation, and social commentary. You’ll find iconic pieces by Picasso, Matisse, Warhol, Rothko, and countless others – artists whose work continues to resonate with audiences today. The collection isn’t limited to painting and sculpture; it encompasses photography, film, performance art, and digital media, reflecting the evolving nature of artistic practice.

    Among its most celebrated treasures is Picasso's “Les Demoiselles d’Avignon,” a seminal work in the development of Cubism. Painted in 1907, this canvas shattered established artistic norms by presenting fragmented perspectives and distorted forms—a bold declaration of artistic rebellion against academic conventions. Similarly captivating is Warhol’s “Campbell’s Soup Cans,” a cornerstone of Pop Art that elevated commonplace consumer products to the realm of high culture, questioning notions of artistic elitism and celebrating the influence of mass media on visual culture.

    Exhibitions That Spark Dialogue

    Tate Modern’s strength lies not just in its permanent collection but also in its consistently thought-provoking temporary exhibitions. The gallery regularly hosts major retrospectives, thematic group shows, and site-specific installations that engage with current social and political issues. These exhibitions often invite dialogue and debate, prompting visitors to consider their own perspectives on the world around them. Recent highlights have included explorations of identity, climate change, and the role of art in society.

    Notable past exhibitions include “Marina Abramović: Artist as Activist,” which confronted audiences with challenging performance pieces designed to provoke emotional responses and stimulate critical reflection; “Ai Weiwei: Made in China,” which scrutinized governmental censorship and championed artistic freedom through a multifaceted presentation of sculptural works and photographic documentation; and “Jeff Koons: Balloon Dog,” an exuberant celebration of playful materiality that captivated viewers with its monumental scale and whimsical aesthetic.

    A Space for the Future of Art

    Tate Modern isn’t merely a museum; it's an active participant in shaping its future. The gallery invests heavily in research, education, and community engagement, fostering a vibrant ecosystem of artistic creativity. Its ongoing expansion projects – including the planned completion of the Southern Extension – demonstrate a commitment to providing ever-evolving spaces for artists and audiences alike. More than just a repository of art, Tate Modern embodies London’s spirit of innovation, resilience, and its unwavering belief in the power of art to transform our understanding of ourselves and the world.

    Gdje pročitati više

    Saznajte više online

    QR kod koji povezuje na stranicu za preuzimanje Were 12

    originaluniqueart.com/hr/art/download/roni-horn-were-12-D663F8-en/

    Navedite ovo umjetničko djelo

    MLA
    Horn, Roni. Were 12. 2004, Tate Modern. https://originaluniqueart.com/hr/art/roni-horn-were-12-D663F8-en/
    APA
    Horn, Roni (2004). Were 12 [Painting]. Tate Modern. https://originaluniqueart.com/hr/art/roni-horn-were-12-D663F8-en/
    Chicago
    Roni Horn. Were 12. 2004. Tate Modern. https://originaluniqueart.com/hr/art/roni-horn-were-12-D663F8-en/
    Harvard
    Horn, Roni (2004) Were 12. Tate Modern. Available at: https://originaluniqueart.com/hr/art/roni-horn-were-12-D663F8-en/

    Pogledajte pažljivije

    Were 12 — Roni Horn

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: icelandic landscape, identity exploration, text and form. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na djelo Untitled (from the series Still Water (The River Thames, for Example)) (1999) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    5. Conceptual Art: Work where the idea matters more than the object — sometimes there is barely an object at all. Gdje se to može primijetiti u ovom djelu?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Koja je koloristička identiteta djela "Were 12" autora Roni Horn?

    Koloristički identitet djela "Were 12" autora Roni Horn: paleta u nijansama Monochrome, s dominantnom bojom White (#f4f6ed).

    Koja je paleta boja korištena u djelu "Were 12" autora Roni Horn?

    Paleta djela "Were 12" autora Roni Horn opisana je kao Monochrome. To je sažet opis boja ovog umjetničkog djela.

    Je li "Were 12" autora Roni Horn svijetlo ili tamno umjetničko djelo?

    Zabilježene vrijednosti za "Were 12" autora Roni Horn su: svjetlina brilliant, luminancija Luminous.