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White-necked Rockfowl

Ime Razred Datum

Jane Kim, White-necked Rockfowl (2015), Cornell Lab of Ornithology. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Činjenice

Umjetnik
Jane Kim originaluniqueart.com/hr/artists/jane-kim_hr/
Datumi umjetnika
1981 –
Slikano
2015
Medij
Watercolor
Pokret
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Razdoblje
Modern
Održano na lokaciji
Cornell Lab of Ornithology originaluniqueart.com/hr/museums/cornell-lab-of-ornithology-ithaca_hr/
Artistic style
Realistic with Illustrative Quality
Influences
Graffiti Culture
Notable elements or techniques
Detailed brushwork, layered washes
Subject or theme
Wildlife; Bird Observation

U kontekstu

White-necked Rockfowl — Jane Kim

Kada je ovo naslikano?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja, pri čemu se rođenje računa kao nula.

Naslikano u 34 godini života umjetnika. 0 od ukupno 55 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

▲ ovo djelo, 2015 svaka datirana slika, desetljeće po desetljeće

Usporedi s

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: originaluniqueart.com/hr/art/similar/jane-kim-white-necked-rockfowl-DD2KCY-en/

Paleta boja

Izmjereno na temelju slike

    Glavna boja

    White #f3f2ed

    Katalogirana paleta

    • #F3F2ED
    • #78777B
    • #CCC9BC
    • #403F47

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna paleta boja na slici.
    Naziv primarne boje
    White
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Strong Color Unity Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Brilliant Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Jane Kim u posljednjih dvanaest mjeseci — ukupno 2 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Kina 85,7%
    2. 2 Sjedinjene Američke Države 14,3%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    17 najgledanijih djela umjetnika Jane Kim

    1. 1 South America mural detail, 2015 11,8%
    2. 2 Sapayoa, 2015 5,9%
    3. 3 Shoebill, 2015 5,9%
    4. 4 Gray-crowned Babbler, 2015 5,9%
    5. 5 Oilbird, 2015 5,9%
    6. 6 Magpie Goose, 2015 5,9%
    7. 7 American Oystercatcher, 2015 5,9%
    8. 8 Pale-winged Trumpeter, 2015 5,9%
    9. 9 Black Caiman, 2015 5,9%
    10. 10 Oriental Darter, 2015 5,9%
    11. 11 Europe and Eurasia mural detail, 2015 5,9%
    12. 12 Gastornis, 2015 5,9%
    13. 13 Africa and Madagascar mural detail, 2015 5,9%
    14. 14 Pelagornis, 2015 5,9%
    15. 15 Microraptor, 2015 5,9%
    16. 16 Tiktaalik, 2015 5,9%
    17. — White-necked Rockfowl, 2015 ova slika 0,0%

    Zajedno ova djela zauzimaju 100,0% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 55 djela ovog umjetnika, od kojih je 16 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo sljedeće: navedite jednu stvar koja bi sliku mogla učiniti slavnom, neovisno o tome koliko je dobro naslikana.

    O ovom umjetničkom djelu

    White-necked Rockfowl — Jane Kim

    White-necked Rockfowl by Jane Kim: A Study in Natural Detail and Unexpected Juxtaposition

    Jane Kim’s “White-necked Rockfowl,” painted in 2015, is more than just a depiction of three striking birds; it's an immersive exploration of texture, form, and the subtle interplay between the natural world and human contemplation. The artwork immediately draws the eye to its meticulous realism – a testament to Kim’s skill in rendering the delicate plumage of the White-necked Rockfowl alongside the shimmering scales of two accompanying fish and the intriguing presence of a vintage clock. This seemingly disparate collection creates an immediate tension, inviting viewers to consider the narrative woven within this carefully constructed scene.

    Subject Matter & Composition: The central focus is undeniably the birds themselves, presented with remarkable detail in an asymmetrical composition that guides the viewer’s eye across the canvas. The inclusion of the fish and clock introduces a layer of complexity, disrupting the purely naturalistic theme and prompting questions about their symbolic significance.

    Technique & Materials: Kim employs a masterful technique utilizing watercolor or gouache on paper. Layered washes build up color and texture with painstaking precision, creating a palpable sense of depth and realism. The artist’s deliberate brushstrokes mimic the very qualities they depict – the fluffy softness of feathers, the smooth sheen of scales, and the metallic coolness of the clock face.

    Color Palette & Lighting: A muted color palette dominates, punctuated by vibrant hues in the birds' plumage and the fish, creating a harmonious balance between warm and cool tones. The soft, diffused lighting further enhances this effect, casting gentle highlights and shadows that emphasize the three-dimensionality of the subjects and contribute to an overall atmosphere of quiet observation.

    Decoding the Symbolism: Time, Nature, and Human Presence

    Beyond its technical brilliance, “White-necked Rockfowl” resonates with deeper symbolic layers. The presence of the clock is particularly noteworthy, often interpreted as a meditation on time’s relentless passage, mortality, or perhaps even the impact of human intervention upon the natural world. Juxtaposed against the vibrant life of the birds and fish, it serves as a poignant reminder of our own fleeting existence within the grand scheme of nature. The partial map background subtly reinforces this theme, suggesting a location – potentially an area facing environmental challenges – adding another layer to the artwork’s narrative.

    The Clock's Significance: While open to interpretation, the clock could represent humanity's attempt to control or measure nature, highlighting the potential disconnect between our perceptions and the rhythms of the natural world.

    Environmental Undertones: The map element subtly introduces an environmental theme, prompting reflection on conservation and the preservation of biodiversity.

    Style & Context: Realism with a Touch of Surrealism

    Kim’s style is best described as realistic with a subtle illustrative quality – a delicate balance between meticulous observation and artistic interpretation. This approach avoids photorealism, instead favoring a heightened sense of detail and texture that elevates the artwork beyond a simple depiction of wildlife. The piece speaks to a broader tradition of naturalist painting while simultaneously incorporating elements of surrealism through its unexpected juxtaposition of subjects. Considering Kim’s background as an American artist, born in 2015, her work reflects contemporary interests in ecological awareness and the beauty found within the natural world – themes that are increasingly relevant in our time.

    Umjetnik i muzej

    Umjetnik

    Jane Kim

    Rođeni u New York, Sjedinjene Američke Države

    The Art of Advocacy: The Visionary World of Jane Kim

    Jane Kim stands at the intersection of fine art and scientific precision, a painter and science illustrator whose work serves as a vibrant bridge between humanity and the natural world. Born in 1981 and raised in Mount Prospect, Illinois, Kim’s artistic journey is deeply rooted in an intimate observation of life. Her practice, often executed through her Ink Dwell studio, transcends mere decoration; it is a form of visual advocacy designed to promote the protection and celebration of our planet's diverse ecosystems. By blending the meticulous detail of scientific illustration with the grand scale of public murals, she transforms urban landscapes into immersive educational experiences.

    Kim’s formal training provided the technical foundation for her unique aesthetic. She earned her B.F.A. in printmaking from the Rhode Island School of Design in 2003, a period that likely honed her appreciation for texture and layered composition. Seeking to deepen the connection between art and ecology, she later attended California State University, Monterey Bay, where she studied scientific illustration, graduating in 2010. This dual expertise allows her to capture the iridescent qualities of plumage and the delicate anatomy of flora with an accuracy that honors the biological reality of her subjects while maintaining a profound emotional resonance.

    A Symphony of Scale and Species

    The true impact of Kim’s work is perhaps most felt in her large-scale murals, which turn city walls into windows onto vanishing habitats. Her projects are often much more than aesthetic endeavors; they are ecological narratives. One of her most ambitious undertakings was the Migrating Mural, a series of six works spanning 120 miles along California’s Highway 395, featuring the Sierra Nevada bighorn sheep. Such works demonstrate her ability to use public space to foster a sense of shared stewardship for local wildlife.

    Her mastery of detail is equally evident in her more concentrated works, such as the monumental Wall of Birds at Cornell University's Lab of Ornithology. Completed in 2015, this massive piece depicts 243 modern bird families, rendered at life size and superimposed upon a map of the earth. In pieces like South Island Wren or Jocotoco Antpitta, Kim invites viewers into a meditative state, using a layered painting technique that builds richness through visible brushstrokes and a vibrant palette. Through these works, she captures the fragility of endangered species, turning every stroke of paint into a plea for conservation.

    Legacy and Ecological Connection

    Beyond the technical execution, Kim’s significance lies in her ability to weave social and historical narratives into the natural landscape. Her Flora From Fauna series in Redwood City, California, serves as a poignant example, commemorating the lost chrysanthemum industry of the 1920s and the history of Japanese immigrants in the region. This ability to intertwate human history with ecological study defines her contribution to contemporary art.

    Whether through her residency at the de Young Museum or her presence on corporate campuses, Kim continues to push the boundaries of where art can live and what it can achieve. Her work remains a testament to the power of observation, reminding us that by truly seeing the intricate beauty of a single bird or a hidden flower, we might find the inspiration necessary to protect the entire tapestry of life.

    Muzej

    Cornell Lab of Ornithology

    Izloženo u Ithaca, Sjedinjene Američke Države

    U srcu umjetnosti: Povijest i ljepota Muzeja Cornell Lab of Ornithology

    Smješten u prekrasnim brežuljcima Ithace, New York, Muzej Cornell Lab of Ornithology nije samo institucija za istraživanje; on je živi testament našoj trajnoj povezanosti s ptičjim svijetom. Osnovan 1915. godine od strane Arthura A. Allena – vizionara koji se zalagao za formalno proučavanje ptica – Muzej je procvetao u globalno središte ornitološke znanosti, očuvanja i angažmana građana. Od skromnih početaka unutar entomološkog odjela Sveučilišta Cornell do sadašnjih modernih postrojenja u Svetištu Sapsucker Woods, priča Muzeja je priča o strastvenoj predanosti i revolucionarnom otkriću. To je mjesto gdje znanstvena strogost pleše s javnim entuzijazmom, njegujući jedinstveno okruženje koje poziva svakoga da podigne pogled i sluša. Sama srž Muzeja leži u njegovoj sposobnosti pretvaranja povremenih promatrača ptica u dragocjene znanstvene suradnike, utirući put duhu kolektivnog promatranja koji je revolucionirao naše razumijevanje ptičjeg života.

    Snaga kolektivnog promatranja: eBird i izvan njega

    U srcu ove institucije kuca predanost iskorištavanju snage zajedničkog znanja. Za razliku od tradicionalnih istraživačkih okruženja, Muzej Cornell aktivno poziva sudjelovanje ljubitelja ptica svih nivoa. Ovaj pionirski duh najživlje je utjelovljen u eBirdu, internetskoj bazi podataka koja je temeljito promijenila naše razumijevanje raspodjele i migracijskih obrazaca ptica. Zamislite kartu u stvarnom vremenu, neprestano ažuriranu tisućama promatrača, otkrivajući složene pokrete pernatih putnika diljem kontinenata! To je zadivljujuća vizualizacija povezanosti, koja pokazuje kako se pojedinačna opažanja spajaju u sveobuhvatnu sliku ptičjeg života na Zemlji. Dopunjujući ovaj digitalni fenomen je All About Birds, nagrađivana web stranica koja nudi iscrpne profile sjevernoameričkih vrsta – riznicu savjeta za identifikaciju, detalja životnog vijeka i zadivljujućih zvučnih zapisa. Ovi resursi nisu samo informativni; oni njeguju dublje cijenjenje ljepote i složenosti ptičjeg postojanja, potičući znatiželju i nadahnjujući napore očuvanja.

    Arhitektonska harmonija s prirodom

    Fizički izraz ove predanosti je Centar Imogene Powers Johnson za ptice i bioraznolikost, otvoren 2003. godine, a nedavno poboljšan višemilijunskim redizajnom dovršenim u lipnju 2024. Posjetiteljski centar nije samo mjesto za razgledanje izložaka; to je impresivno iskustvo osmišljeno da posjetitelje poveže s prirodnim svijetom. Sama arhitektura odražava ovu etiku, besprijekorno se uklapajući u okolno Svetište Sapsucker Woods – rezervat od 300 hektara koji se može pohvaliti s više od pet milja vijugavih staza i dom je više od 230 vrsta ptica. Hodanjem ovim putovima, zaista možete razumjeti zašto je Arthur Allen odabrao ovu lokaciju, prvotno očaran parom žutotrbušnih djetlića koji su dali ime svetilištu. Redizajnirani Posjetiteljski centar nudi interaktivne izložbe koje oživljavaju ptičju ekologiju, čineći je dostupnom i zanimljivom za sve uzraste. To je prostor u kojem posjetitelji ne samo da uče o pticama; osjećaju povezanost s njima.

    Više od muzeja: Svjetionik nade

    Muzej Cornell Lab of Ornithology više nije samo muzej ili istraživačka ustanova; to je svjetionik nade za ptičju bioraznolikost. To je mjesto gdje znanstvena strogost susreće javni angažman, gdje se njeguje znatiželja i gdje jednostavan čin promatranja ptice može doprinijeti dubljem razumijevanju – i u konačnici zaštiti – dragocjenog prirodnog nasljeđa našeg planeta. Stoji kao snažno podsjetnik da svi imamo ulogu u osiguravanju budućnosti ovih veličanstvenih stvorenja i ekosustava koje nastanjuju. Trajno nasljeđe Muzeja nije samo u njegovim znanstvenim otkrićima, već iu njegovoj sposobnosti potaknuti osjećaj čuda i odgovornosti u generacijama koje dolaze.

    Gdje pročitati više

    Saznajte više online

    QR kod koji povezuje na stranicu za preuzimanje White-necked Rockfowl

    originaluniqueart.com/hr/art/download/jane-kim-white-necked-rockfowl-DD2KCY-en/

    Navedite ovo umjetničko djelo

    MLA
    Kim, Jane. White-necked Rockfowl. 2015, Cornell Lab of Ornithology. https://originaluniqueart.com/hr/art/jane-kim-white-necked-rockfowl-DD2KCY-en/
    APA
    Kim, Jane (2015). White-necked Rockfowl [Painting]. Cornell Lab of Ornithology. https://originaluniqueart.com/hr/art/jane-kim-white-necked-rockfowl-DD2KCY-en/
    Chicago
    Jane Kim. White-necked Rockfowl. 2015. Cornell Lab of Ornithology. https://originaluniqueart.com/hr/art/jane-kim-white-necked-rockfowl-DD2KCY-en/
    Harvard
    Kim, Jane (2015) White-necked Rockfowl. Cornell Lab of Ornithology. Available at: https://originaluniqueart.com/hr/art/jane-kim-white-necked-rockfowl-DD2KCY-en/

    Pogledajte pažljivije

    White-necked Rockfowl — Jane Kim

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: wildlife, birds, fish. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na djelo Velika Žubava (2015) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Gdje se to može primijetiti u ovom djelu?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Kviz o umjetnosti

    White-necked Rockfowl — Jane Kim

    Koliko dobro poznajete ovo umjetničko djelo?

    Označite jedan odgovor za svako od 5 pitanja u nastavku. Svako pitanje ima točno jedan točan odgovor.

    1. 1. What is the primary subject matter of this artwork?

      • A A. Abstract geometric shapes.
      • B B. Wildlife, specifically birds and fish.
      • C C. Still life depicting fruit and flowers.
    2. 2. The artist employed what technique to achieve a realistic depiction of textures?

      • A A. Photorealistic rendering using digital imaging software.
      • B B. Layered washes and fine brushwork to build up color and texture gradually.
      • C C. Collage incorporating various materials like fabric and paper.
    3. 3. What stylistic element contributes to the artwork's overall aesthetic?

      • A A. Impressionistic brushstrokes capturing fleeting moments of light.
      • B B. Realistic style with a touch of illustrative quality.
      • C C. Surrealist imagery blending dreamlike elements with recognizable forms.
    4. 4. The inclusion of the clock in the composition symbolizes:

      • A A. The artist's fascination with timepieces.
      • B B. A critique of societal pressures and deadlines.
      • C C. An homage to classical art history.
    5. 5. What medium was likely used in the creation of this artwork?

      • A A. Oil paint on canvas.
      • B B. Acrylic paint on wood panel.
      • C C. Watercolor or gouache on paper.

    Moj rezultat: ____ od ukupno 5

    Ključ odgovora — za nastavnike

    Ovo započinje novu ispisanu stranicu, pa se može jednostavno izostaviti iz kopija.

    1A · 2A · 3A · 4A · 5C

    Provjerite točnost svakog odgovora uspoređujući ga s katalogskim zapisom za ovu sliku

    Pitanja i odgovori

    Koje boje i koja dominantna boja definiraju "White-necked Rockfowl"?

    "White-necked Rockfowl" definira paleta boja Neutrals koju predvodi White (#f3f2ed).

    Koja se namjena i prostor preporučuju za "White-necked Rockfowl" autora Jane Kim?

    Preporučena uporaba (Accent) i prostor (Living Room) su dvije opcije navedene za "White-necked Rockfowl" autora Jane Kim.

    Gdje mogu pronaći statistiku o djelu "White-necked Rockfowl" autora Jane Kim?

    Postoji Statistika pregleda stranica za "White-necked Rockfowl". Ona prikazuje mjesečne posjete umjetničkom djelu i drugim djelima umjetnika, uz podelu prema zemljama i jezicima.