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Self Portrait

Ime Razred Datum

Giorgio De Chirico, Self Portrait (1911). Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Činjenice

Umjetnik
Giorgio De Chirico originaluniqueart.com/hr/artists/giorgio-de-chirico_hr/
Datumi umjetnika
1888 – 1978
Slikano
1911
Razdoblje
19th Century
Artistic style
Metaphysical Art
Influences
Böcklin, Klinger, Nietzsche
Notable elements
Clock, boat view
Subject or theme
Self-reflection

U kontekstu

Self Portrait — Giorgio De Chirico

Kada je ovo naslikano?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 90 u smrti.

Naslikano u 23 godini života umjetnika. Umjetnik je doživio 90. 2 od ukupno 95 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Giorgio De Chirico (1888–1978) ▲ ovo djelo, 1911 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1914 Glavni radni period: 1914–1947 Kasna djela: od 1947

Ta tri dijela dijele djela koja u ovom katalogu imaju navedenu godinu na prvu četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: rjeđi segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Usporedi s

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: originaluniqueart.com/hr/art/similar/giorgio-de-chirico-self-portrait-8EWHEZ-en/

Paleta boja

Izmjereno na temelju slike

    Glavna boja

    Phthalo Green #201b19

    Katalogirana paleta

    • #201B19
    • #8C8A53
    • #CBC2A1
    • #4C4C33

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Phthalo Green
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Balanced Harmony Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Deep_shadow Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Giorgio De Chirico u posljednjih dvanaest mjeseci — ukupno 41 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Kina 47,5%
    2. 2 Sjedinjene Američke Države 8,1%
    3. 3 Japan 5,1%
    4. 4 Italija 4,7%
    5. 5 Rumunjska 4,7%
    6. 6 Francuska 4,1%
    7. 7 Njemačka 3,1%
    8. 8 Ujedinjeno Kraljevstvo 2,7%
    9. 9 Argentina 2,4%
    10. 10 Meksiko 2,0%
    11. · 31 ostalih država 15,6%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    20 najgledanijih djela umjetnika Giorgio De Chirico

    1. 1 Mozak djeteta, 1917 4,5%
    2. 2 Il figliol prodigo, 1922 4,3%
    3. 3 Slavnost ljubavi, 1914 4,1%
    4. 4 Hector i Andromeda, 1917 3,3%
    5. 5 Veliki metafizičar, 1917 2,9%
    6. 6 "The Uncertainty of the Poet" - Nevolja pjesnika, 1913 2,8%
    7. 7 Velika metafizička interijer, 1917 2,8%
    8. 8 The Uncertainty of the Poet 1,9%
    9. 9 Enigmatika dolaska večeri 1,7%
    10. 10 Sjeta inženjera 1,7%
    11. 11 The Enigma of the Arrival and the Afternoon, 1912 1,7%
    12. 12 Melancholy and Mystery of a street 1,5%
    13. 13 The Enigma of the Hour, 1911 1,4%
    14. 14 Gare Montparnasse (Melankolija odlaska), 1914 1,4%
    15. 15 Turin Spring, 1914 1,4%
    16. 16 The Enigma of a Day 1,4%
    17. 17 The Enigma of the Oracle, 1910 1,4%
    18. 18 The Archaeologists, 1927 1,2%
    19. 19 The Jewish Angel, 1916 1,0%
    20. — Self Portrait, 1911 ova slika 0,0%

    Zajedno ova djela zauzimaju 42,4% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 372 djela ovog umjetnika, od kojih je 191 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo sljedeće: navedite jednu stvar koja bi sliku mogla učiniti slavnom, neovisno o tome koliko je dobro naslikana.

    O ovom umjetničkom djelu

    Self Portrait — Giorgio De Chirico

    A Portrait of Disquiet: De Chirico’s ‘Self Portrait’ (1911)

    Giorgio de Chirico's “Self Portrait,” painted in 1911, is not merely a depiction of an artist; it’s a meticulously crafted evocation of the anxieties and intellectual currents that defined the early years of modernism. This striking image, rendered with a precision born from his training in Athens and honed further in Munich, immediately arrests the viewer with its unsettling stillness. The subject, a man with a thoughtful gaze framed by spectacles and a neatly trimmed beard, stands before a window, lost in contemplation. His clasped hands suggest a profound introspection, while the distant look in his eyes hints at a world beyond immediate perception – a key element of de Chirico’s artistic vision.

    The Genesis of Metaphysical Painting

    Created during a pivotal moment in art history, “Self Portrait” exemplifies de Chirico's emergence as a leading figure in the movement he termed "metaphysical painting." Influenced profoundly by the philosophical writings of Nietzsche and Schopenhauer, de Chirico sought to depict not reality as it appears, but rather the subjective experience of reality – the unsettling feeling that lies beneath the surface of everyday life. This is achieved through a deliberate manipulation of perspective, scale, and atmosphere, creating an almost dreamlike quality. The painting’s power resides in its ability to evoke a sense of unease and disorientation, mirroring the anxieties of a rapidly changing world.

    Technique: De Chirico masterfully employs oil paint with a meticulous attention to detail, particularly evident in the rendering of textures – the fabric of the man’s clothing, the glass of his spectacles, and the weathered surface of the wall.

    Composition: The use of receding planes and ambiguous spatial relationships is central to the work's impact. The window acts as a portal, drawing the viewer into an indeterminate space, while the clock on the wall subtly reinforces the theme of time’s relentless passage and its potential for distortion.

    Symbolism and the Fragmented Self

    Beyond its technical brilliance, “Self Portrait” is laden with symbolic meaning. The boat glimpsed through the window – a recurring motif in de Chirico’s work – represents both escape and entrapment, suggesting a yearning for freedom intertwined with an awareness of confinement. The man's pose itself speaks to themes of isolation and alienation, reflecting the artist’s own feelings about his place in the world. The overall effect is one of psychological depth, inviting viewers to confront their own anxieties and uncertainties.

    Historical Context and Lasting Influence

    Painted in 1911, “Self Portrait” predates de Chirico’s later association with the Surrealists, yet it anticipates many of their key concerns. It stands as a crucial bridge between early modernism and the dreamlike imagery that would come to define the Surrealist movement. De Chirico's influence can be seen in the works of artists such as René Magritte and Max Ernst, demonstrating the enduring power of his vision. This piece continues to resonate with contemporary audiences, offering a poignant meditation on the nature of perception, identity, and the unsettling beauty of the subconscious.

    Umjetnik i muzej

    Umjetnik

    Giorgio De Chirico

    Rođeni u Волос, Грчка

    Giorgio de Chirico (1888–1978): The Architect of Dreamlike Landscapes

    Giorgio de Chirico, born in Volos, Greece, on July 10th, 1888, to Italian parents—a Genoese mother and a Sicilian father—was an artist whose life was inextricably linked with the intellectual currents of his time. From a young age, he demonstrated an exceptional talent for drawing and painting, nurtured by a formal education at Athens Polytechnic where he honed his skills in classical techniques. However, it was his relocation to Munich in 1906 that truly propelled him onto the artistic stage, immersing him in the vibrant atmosphere of German Symbolism and fostering connections with artists like Arnold Böcklin and Max Klinger—figures whose haunting landscapes and symbolic imagery profoundly shaped his aesthetic sensibilities. These encounters instilled within him a fascination for mythology and a preoccupation with exploring the hidden realities beneath the surface of perception.

    The Genesis of Metaphysical Art

    Around 1909, de Chirico embarked on an unprecedented artistic endeavor: the creation of “Metaphysical” art—a style that defied conventional categorization and sought to capture the unsettling poetry residing within familiar spaces. Inspired by the philosophical writings of Friedrich Nietzsche, Arthur Schopenhauer, and Otto Weininger—who wrestled with questions of existentialism and the irrationality of human desire—he began to depict scenes populated by enigmatic figures and architectural elements rendered in jarring juxtapositions. His most iconic works, such as The Vexations of the Thinker and The Enigma of an Autumn Afternoon, exemplify this distinctive aesthetic: desolate cityscapes bathed in melancholic shadows, inhabited by mannequins and statues imbued with a palpable sense of loneliness—a visual language that resonated deeply with the anxieties of the era. This groundbreaking style quickly gained recognition within the artistic community, establishing him as a pioneer of Surrealism and influencing artists like René Magritte and Salvador Dalí.

    A Collaborative Spirit & Early Recognition

    In 1919, de Chirico moved to Paris alongside his brother Alberto Savinio—a partnership that proved pivotal in shaping their artistic trajectory. Together, they founded the Scuola Metafisica, a collective dedicated to exploring the metaphysical principles of art and challenging established conventions. Their initial exhibitions at the Salon d’Autoumne and Salon des Indépendants garnered critical acclaim and cemented their connections with influential figures like Guillaume Apollinaire—who penned one of his earliest biographical texts—and Paul Guillaume—who secured him his first commercial contract. Notably, he befriended Mario Tozzi, Massimo Campigli, Alberto Magnelli and Gino Severini, all Italian artists who were operating in Paris during this period.

    Expanding Horizons & Embracing Surrealism

    The Second World War interrupted de Chirico’s artistic pursuits but did not diminish his influence on the burgeoning Surrealist movement. He continued to paint prolifically, experimenting with diverse styles and subjects—from monumental sculptures inspired by classical mythology to intimate portraits reflecting a profound engagement with human psychology. His exploration of architectural spaces and enigmatic figures—recurring motifs in his oeuvre—became emblematic of Surrealism’s quest for dreamlike imagery and subconscious expression. Despite facing criticism from some quarters regarding the perceived decline in quality of his later works, de Chirico remained steadfast in his artistic convictions, revisiting themes from his formative years while maintaining a meticulous attention to craftsmanship and technical skill.

    Legacy & Enduring Influence

    Giorgio de Chirico’s contribution to art history transcends stylistic innovation; it represents a fundamental rethinking of perception and representation—a challenge to the accepted norms of Western painting that continues to inspire artists today. His pioneering exploration of metaphysical principles paved the way for Surrealism, influencing generations of creatives who sought to capture the elusive realm of dreams and unconsciousness. Beyond his artistic achievements, de Chirico’s intellectual engagement with Nietzsche and Schopenhauer—and his unwavering commitment to humanist values—solidified his place as a visionary artist whose work embodies the spirit of an era marked by profound philosophical questioning and aesthetic experimentation. His paintings remain treasured artifacts of 20th-century art, inviting viewers to contemplate the mysteries of existence and the transformative power of imagination.

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    Saznajte više online

    QR kod koji povezuje na stranicu za preuzimanje Self Portrait

    originaluniqueart.com/hr/art/download/giorgio-de-chirico-self-portrait-8EWHEZ-en/

    Navedite ovo umjetničko djelo

    MLA
    Chirico, Giorgio De. Self Portrait. 1911, https://originaluniqueart.com/hr/art/giorgio-de-chirico-self-portrait-8EWHEZ-en/
    APA
    Chirico, Giorgio De (1911). Self Portrait [Painting]. https://originaluniqueart.com/hr/art/giorgio-de-chirico-self-portrait-8EWHEZ-en/
    Chicago
    Giorgio De Chirico. Self Portrait. 1911. https://originaluniqueart.com/hr/art/giorgio-de-chirico-self-portrait-8EWHEZ-en/
    Harvard
    Chirico, Giorgio De (1911) Self Portrait. Available at: https://originaluniqueart.com/hr/art/giorgio-de-chirico-self-portrait-8EWHEZ-en/

    Pogledajte pažljivije

    Self Portrait — Giorgio De Chirico

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: self-portrait, giorgio de chirico, existentialism. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na djelo Mozak djeteta (1917) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    5. Giorgio De Chirico je imao oko 23 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Gdje mogu pronaći umjetnička djela slična djelu "Self Portrait" autora Giorgio De Chirico?

    Djela slična djelu "Self Portrait" možete pronaći na stranici Slična djela tog umjetničkog djela.

    Kako se "Self Portrait" uklapa u teme i stil umjetnika Giorgio De Chirico?

    "Self Portrait" dijeli s ostalim djelima Giorgio De Chirico njezin/njezin Metaphysical Surrealism stil i prisutne teme: nietzsche, schopenhauer, weininger, alienation, modernity, disquiet, symbolic landscapes, dreamlike scenes.

    Koji su datum nastanka i stil djela "Self Portrait" autora Giorgio De Chirico?

    "Self Portrait" nastalo je 1911. godine kao djelo Metaphysical Surrealism pokreta. Datum i umjetnički pravac čine temelj ovog djela u povijesti umjetnosti.