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Vodič za studentska djela

TABLE AND UPHOLSTERED BENCH

Ime Razred Datum

Franz Ehrlich, TABLE AND UPHOLSTERED BENCH (1955), Bauhaus Dessau Foundation. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Osnovne informacije

Umjetnik
Franz Ehrlich originaluniqueart.com/hr/artists/franz-ehrlich_hr/
Životopis umjetnika
1907 – 1984
Slikano
1955
Tehnika
Graphite Pencil
Izvorni dimenzije
50 x 58 cm
Pokret
Bauhaus
Razdoblje
Modern
Lokacija izložbe
Bauhaus Dessau Foundation originaluniqueart.com/hr/museums/bauhaus-dessau-foundation-dessau-rosslau_hr/
Notable elements
Detailed and precise appearance
Subject or theme
Furniture design

U kontekstu

TABLE AND UPHOLSTERED BENCH — Franz Ehrlich

Dimenzije

Originalne dimenzije su 50 × 58 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine.

Godina nastanka

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 77 u smrti.

Naslikano kada je umjetnik imao 48 godina. Umjetnik je doživio 77. 23 od ukupno 81 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Franz Ehrlich (1907–1984) ▲ ovo djelo, 1955 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1952 Glavni radni år: 1952–1970 Kasna djela: od 1970

Ta tri dijela dijele djela koja u ovom katalogu imaju naveden datum na prvo četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: tanki segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Slična djela

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: originaluniqueart.com/hr/art/similar/franz-ehrlich-table-and-upholstered-bench-D4RDVJ-en/

Boje

Izmjereno na temelju slike

    Glavna boja

    Gray #918d7a

    Spremljena paleta

    • #918D7A
    • #1C1D1C
    • #7C7764
    • #888370

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Monochrome Dominantna paleta boja na slici.
    Naziv glavne boje
    Gray
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Unified Palette Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Bright Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se gleda ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Franz Ehrlich u posljednjih dvanaest mjeseci — ukupno 4 zemalja. Odakle ovi podaci dolaze

    Deset vodećih zemalja

    1. 1 Kina 83,8%
    2. 2 Sjedinjene Američke Države 10,8%
    3. 3 Hong Kong 2,7%
    4. 4 Japan 2,7%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    20 najgledanijih djela umjetnika Franz Ehrlich

    1. 1 Little house in a forest near Berggiesshübel (Floor plans, views, section and layout plan), 1947 8,1%
    2. 2 63 - 64 (Painting with violin, New Year, 1964 8,1%
    3. 3 Floor plan Sleeping room (with interior furnishings), 1962 5,4%
    4. 4 Painting with violin, 1979 5,4%
    5. 5 3 panels 72/51 5,4%
    6. 6 A.D.W. MAIN BUILDING 2 BASEMENT STOREYS 1RST WORKING DESIGN (Academy of Sciences, floor plan), 1976 2,7%
    7. 7 A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan), 1976 2,7%
    8. 8 A.D.W. MAIN BUILDING 1RST TOP FLOOR 1RST WORKING DESIGN (Academy of Sciences), 1976 2,7%
    9. 9 BASIC SCHEME FOR ROOM UNITS AND UTILISATION IN THE HV HOUSE (Trading House Berlin), 1974 2,7%
    10. 10 1 piece filing cabinet (with tubular steel feet and marble tabletop), 1981 2,7%
    11. 11 HKB II - NEW-BUILD 1RST TOP FLOOR (Ministry of the Interior, Berlin, plan view), 1950 2,7%
    12. 12 800 YRS. DAS BUCH [THE BOOK]. GROUND PLAN AND VIEWS (Exhibit display racks, Leipzig Trade Fair), 1964 2,7%
    13. 13 SALES COUNTER, 1957 2,7%
    14. 14 1rst Front door project (Baumann House, Berlin), 1962 2,7%
    15. 15 110.4% plan fulfilment in Leipzig. Report by Leipzig City Council (Brochure), 1949 2,7%
    16. 16 800 YRS. WALL 4 + 5. GROUND PLAN AND VIEWS (Exhibit display racks, Leipzig Trade Fair), 1964 2,7%
    17. 17 Bookshop Hauptstraße / Transversal section (FDGB Bookshop, 1949 2,7%
    18. 18 Table and chair for dining room, 1954 2,7%
    19. 19 800 YRS. BOX FRAME (Leipzig Trade Fair), 1965 2,7%
    20. TABLE AND UPHOLSTERED BENCH, 1955 ova slika 0,0%

    Zajedno ova djela zauzimaju 70,2% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 101 djela ovog umjetnika, od kojih je 30 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo: navedite jednu stvar koja bi sliku mogla učiniti slavnom izvan okvira toga koliko je dobro naslikana.

    O ovom umjetničkom djelu

    TABLE AND UPHOLSTERED BENCH — Franz Ehrlich

    A Study in Form and Functionality

    In the quiet precision of Franz Ehrlich’s 1955 drawing, Table and Upholstered Bench, we encounter a profound dialogue between structural integrity and domestic comfort. This graphite pencil work on paper serves as more than a mere technical blueprint; it is an intimate window into the mid-century design ethos. The composition captures a wooden table paired with a meticulously rendered upholstered bench, presenting a scene where the rigidity of metal frames meets the soft, inviting textures of fabric. Through delicate yet decisive strokes, Ehrlich breathes life into inanimate objects, transforming a functional furniture study into a captivating exploration of space and weight.

    The technique employed by Ehrlich is one of masterful restraint. Using graphite, he achieves a spectrum of tones that define the interplay of light and shadow across the surfaces. The fine lines delineate the sharp edges of the table's frame, while subtle gradations of grey suggest the plushness of the bench’s upholstery. This meticulous attention to detail allows the viewer to almost feel the grain of the wood and the tension of the fabric, creating a tactile experience that transcends the two-dimensional medium. It is this level of precision that makes such a piece an invaluable reference for those who appreciate the intersection of architectural rigor and artistic grace.

    The Legacy of Bauhaus Precision

    To understand the soul of this work, one must look toward the historical currents that shaped Ehrlich’s hand. As a product of the legendary Bauhaus Dessau, Ehrlich carried the DNA of modernism within his creative practice. This drawing reflects the core tenets of that movement: the pursuit of clarity, the elimination of unnecessary ornament, and the belief that good design should be accessible and functional. Even decades after his formative years at the Bauhaus, the influence of this avant-garde tradition remains palpable in the disciplined geometry of the furniture depicted.

    There is a poignant historical weight to Ehrlich’s work, shaped by a life marked by both political upheaval and artistic resilience. Having navigated the complexities of the Nazi regime and his subsequent imprisonment, Ehrlich’s later works often possess a focused, essentialist quality. In Table and Upholstered Bench, there is no room for chaos; instead, there is a serene order that speaks to a search for stability through design. For the collector or interior designer, this piece offers a sense of timelessness—a sophisticated anchor that brings a scholarly, mid-century elegance to any curated space.

    An Inspiration for Modern Interiors

    For those seeking to infuse their environments with intellectual depth and understated luxury, this artwork serves as an exquisite inspiration. The composition’s neutral palette and emphasis on structural harmony make it a versatile masterpiece for contemporary decor. It pairs beautifully with minimalist settings, where its fine lines can act as a subtle focal point, or within more eclectic collections where it provides a moment of calm, structured reflection.

    Owning a high-quality reproduction of this work allows one to celebrate the enduring spirit of German modernism. It is an invitation to appreciate the beauty found in the essential, reminding us that even the most functional objects can be elevated to the realm of fine art through careful observation and masterful execution. Whether displayed in a professional studio or a private residence, Ehrlich’s vision continues to resonate, offering a timeless aesthetic that honors the past while remaining profoundly relevant to the modern eye.

    Umjetnik i muzej

    Umjetnik

    Franz Ehrlich

    Mjesto rođenja Reut, Njemačka

    Rano djetinjstvo i obrazovanje

    Franz Ehrlich, znameniti njemački arhitekt, kaligraf i grafički dizajner, rođen je 1907. godine. Njegove formativne godine obiljele su urođene sklonosti prema umjetnosti, što ga je navelo na upis u prestižni Bauhaus u Dessauu od 1927. do 1930. godine. Ova izvrsna institucija odigrala je ključnu ulogu u oblikovanju Ehrlichove umjetničke perspektive, uvodeći ga u avantgardne pokrete tog vremena.

    Umjetnička karijera i komunistička pripadnost

    Ehrlichova povezanost s komunističkom partijom imala je dubok utjecaj na njegov život i karijeru. Godine 1935. nacistički režim ga je uhitio i zatvorio, što je bio događaj koji je značajno izmijenio putanju njegovih umjetničkih težnji. Unatoč tim izazovima, Ehrlich je nastavio doprinositi svijetu umjetnosti, ostavljajući za sobom naslijeđe koje je istovremeno inspirativno i potiče na razmišljanje.

    Značajna djela

    Neka od najistaknutijih Ehrlichovih djela uključuju:

    800 godina. Das Buch [Knjiga]. Tlocrt i prikazi (izložbene police, sajam u Leipzigu), što služi kao svjedočanstvo njegovog inovativnog pristupa dizajnu i arhitekturi.

    Izvedba kuće prof. dr. Baumanna (temeljni plan), koja prikazuje njegovu stručnost u arhitektonskom planiranju.

    1933. (foto-skulpturalni reklamni projekt), jedinstvena mješavina fotografije i skulpture koja naglašava njegov eksperimentalni duh.

    Muzeji i kolekcije koje čuvaju radove Ehrlicha

    AllPaintingsStore.com posjeduje opsežnu kolekciju Ehrlichovih djela, uključujući ona gore spomenuta. Fondacija Bauhaus Dessau (Dessau-Roßlau, Njemačka) također je značajno čvorište njegovih umjetničkih poduhvata.

    Naslijeđe i utjecaj

    Doprinosi Franca Ehrlicha svijetu umjetnosti višestruki su i odražavaju njegov široki raspon interesa i talenata. Njegova iskustva, kako kreativna tako i osobna, nude dragocjen uvid u presjek umjetnosti i politike tijekom ključnog trenutka u njemačkoj povijesti.

    Pogledajte više Ehrlichovih djela na https://AllPaintingsStore.com/@/franz-ehrlich

    Istražite Fondaciju Bauhaus Dessau i njezinu kolekciju na Fondacija Bauhaus Dessau (Dessau-Roßlau, Njemačka)

    Muzej

    Bauhaus Dessau Foundation

    Prikazano u Dessau-Roßlau, Deutschland

    A Legacy Forged in Experimentation: The Bauhaus Dessau Foundation

    Nestled within the meticulously restored Bauhaus building itself, the Bauhaus Dessau Foundation isn’t merely a museum; it’s an immersive experience. Established in 1994 to safeguard and propagate the radical ideas of Walter Gropius’ legendary school, this institution stands as a testament to a pivotal moment in architectural and design history. More than just showcasing finished products, the Foundation delves into the process of creation – the interplay between art, architecture, technology, and social theory that defined the Bauhaus ethos. The building itself, a masterpiece of functionalist design, immediately establishes this atmosphere; its stark lines, expansive glass walls, and carefully considered spatial relationships invite exploration and contemplation. It’s a space designed to stimulate thought, mirroring the very principles championed by the Bauhaus movement.

    The Foundation's core mission is threefold: preservation, research, and education. It diligently maintains the building’s original fabric, ensuring that future generations can appreciate its groundbreaking design. Simultaneously, it conducts rigorous scholarly research into the Bauhaus’ diverse practices – from furniture design and typography to stagecraft and urban planning. And crucially, it offers a dynamic program of exhibitions, workshops, lectures, and performances, fostering dialogue between past and present, tradition and innovation.

    The Collection: Beyond Iconic Objects

    While iconic pieces like Marcel Breuer’s Wassily Chair undoubtedly draw crowds, the Foundation's collection extends far beyond these instantly recognizable symbols. It’s a remarkably comprehensive archive encompassing not just finished objects but also preliminary sketches, drafts, models, and correspondence – offering an unparalleled glimpse into the creative process itself. A particular highlight is the extensive documentation of the “Versuchsstätte” (experimental workshop), where students explored new materials, techniques, and spatial configurations under the guidance of master craftsmen and artists.

    Early Bauhaus Drawings: A remarkable collection of preparatory sketches reveals the iterative nature of design at the school – a constant process of refinement and experimentation. Furniture Prototypes: Witness the evolution of iconic designs, from initial models to fully realized pieces, showcasing the ingenuity and resourcefulness of Bauhaus craftsmen. Stagecraft & Lighting Designs: Explore the innovative use of light and space in theatrical productions, demonstrating the Bauhaus’ commitment to integrating art and technology. Architectural Models: Examine meticulously crafted scale models that illustrate Gropius' visionary approach to building design – a synthesis of form and function.

    Architecture as Art: The Bauhaus Building Itself

    The Bauhaus building itself is arguably the most significant artwork within the Foundation’s holdings. Designed by Walter Gropius, it represents a radical departure from traditional architectural conventions – a testament to the Bauhaus’ belief in “form follows function.” The building’s open floor plan, expansive glazing, and carefully considered use of natural light create a dynamic and flexible space that fostered collaboration and experimentation.

    Beyond its aesthetic qualities, the building is also a remarkable feat of engineering – incorporating innovative technologies such as a central heating system and a sophisticated lighting design. It’s a living laboratory, constantly evolving through ongoing research and adaptation. The Foundation actively engages in preserving and restoring the building's original features while simultaneously exploring new ways to utilize its unique spatial qualities.

    Exhibitions & Events: A Living Dialogue with the Past

    “Versuchsstätte Bauhaus. The Collection” (2019-2026): This landmark exhibition provides a comprehensive overview of the school's experimental workshop, revealing the diverse range of materials and techniques explored by students and teachers. Annual Bauhaus Festival: A vibrant celebration of Bauhaus culture, featuring concerts, performances, workshops, and lectures. Thematic Exhibitions: Regularly scheduled exhibitions explore specific aspects of the Bauhaus’ legacy – from furniture design to typography to stagecraft.

    Furthermore, the Foundation hosts a range of educational programs, including workshops for children and adults, offering hands-on experiences that connect visitors with the principles of Bauhaus design.

    A Unique Destination: More Than Just a Museum

    The Bauhaus Dessau Foundation transcends the traditional museum experience. It’s a dynamic research center, an architectural landmark, and a vibrant cultural hub – all rolled into one. Its commitment to preserving the Bauhaus legacy while simultaneously engaging with contemporary issues makes it a truly unique destination for art lovers, design enthusiasts, and anyone interested in understanding the profound impact of this revolutionary movement. A visit here isn’t simply about seeing objects; it's about experiencing an idea—the belief that art, architecture, and society can be profoundly intertwined.

    Dodatne informacije

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje TABLE AND UPHOLSTERED BENCH

    originaluniqueart.com/hr/art/download/franz-ehrlich-table-and-upholstered-bench-D4RDVJ-en/

    Izvor za ovo umjetničko djelo

    MLA
    Ehrlich, Franz. TABLE AND UPHOLSTERED BENCH. 1955, Bauhaus Dessau Foundation. https://originaluniqueart.com/hr/art/franz-ehrlich-table-and-upholstered-bench-D4RDVJ-en/
    APA
    Ehrlich, Franz (1955). TABLE AND UPHOLSTERED BENCH [Painting]. Bauhaus Dessau Foundation. https://originaluniqueart.com/hr/art/franz-ehrlich-table-and-upholstered-bench-D4RDVJ-en/
    Chicago
    Franz Ehrlich. TABLE AND UPHOLSTERED BENCH. 1955. Bauhaus Dessau Foundation. https://originaluniqueart.com/hr/art/franz-ehrlich-table-and-upholstered-bench-D4RDVJ-en/
    Harvard
    Ehrlich, Franz (1955) TABLE AND UPHOLSTERED BENCH. Bauhaus Dessau Foundation. Available at: https://originaluniqueart.com/hr/art/franz-ehrlich-table-and-upholstered-bench-D4RDVJ-en/

    Pogledajte pažljivije

    TABLE AND UPHOLSTERED BENCH — Franz Ehrlich

    Pogledajte detaljnije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: furniture design, table, upholstered bench. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan), ranije u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja se razlikuje.
    5. Franz Ehrlich je imao oko 48 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Za koji prostor sugeriramo "TABLE AND UPHOLSTERED BENCH" autora Franz Ehrlich?

    Reprodukcija djela "TABLE AND UPHOLSTERED BENCH" izvrsno se uklapa u Office.

    Kako se "TABLE AND UPHOLSTERED BENCH" uklapa u teme i stil umjetnika Franz Ehrlich?

    U cjelokupnom stvaralaštvu umjetnika Franz Ehrlich, djelo "TABLE AND UPHOLSTERED BENCH" pripada stilu Bauhaus, uz teme koje prožimaju bauhaus design principles, modernist furniture aesthetics, post-war industrial design, german avant-garde influence, functionalist design legacy.

    Kolika je razina kontrasta u djelu "TABLE AND UPHOLSTERED BENCH" autora Franz Ehrlich?

    Svijetlo-tamni kontrast djela "TABLE AND UPHOLSTERED BENCH" zabilježen je kao Serene. Kontrast opisuje razliku u intenzitetu između svijetlijih i tamnijih područja.