Format papira

Vodič za studentska djela

Storm Breaking Up

Ime Razred Datum

Elliott Dangerfield, Storm Breaking Up (1912). Dostupno u javnom vlasništvu. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Osnovne informacije

Umjetnik
Elliott Dangerfield originaluniqueart.com/hr/artists/elliott-dangerfield/
Životopis umjetnika
1859 – 1932
Slikano
1912

U kontekstu

Storm Breaking Up — Elliott Dangerfield

Godina nastanka

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 73 u smrti.

Naslikano kada je umjetnik imao 53 godina. Umjetnik je doživio 73. 13 od ukupno 25 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Elliott Dangerfield (1859–1932) ▲ ovo djelo, 1912 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1893 Glavni radni år: 1893–1915 Kasna djela: od 1915

Ta tri dijela dijele djela koja u ovom katalogu imaju naveden datum na prvo četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: tanki segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Slična djela

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: originaluniqueart.com/hr/art/similar/elliott-dangerfield-storm-breaking-up-8YE378-en/

Boje

Izmjereno na temelju slike

    Glavna boja

    Bronze #e1af3b

    Spremljena paleta

    • #E1AF3B
    • #9A772E
    • #403510
    • #5D531C

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Dark Dominantna paleta boja na slici.
    Naziv glavne boje
    Bronze
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Balanced Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Strong Color Unity Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Balanced Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Clear Color Presence Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se gleda ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Elliott Dangerfield u posljednjih dvanaest mjeseci — ukupno 2 zemalja. Odakle ovi podaci dolaze

    Deset vodećih zemalja

    1. 1 Kina 60,0%
    2. 2 Sjedinjene Američke Države 40,0%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    6 najgledanijih djela umjetnika Elliott Dangerfield

    1. 1 The Sisters (also known as Marjorie ^ Gwendoline Daingerfield), 1920 40,0%
    2. 2 Night of the Titanic, 1912 30,0%
    3. 3 The Sleepers, 1914 10,0%
    4. 4 Large Landscape (also known as Grandfather Mountain in the Mist) 10,0%
    5. 5 Westglow, 1915 10,0%
    6. Storm Breaking Up, 1912 ova slika 0,0%

    Zajedno ova djela zauzimaju 100,0% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 29 djela ovog umjetnika, od kojih je 5 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo: navedite jednu stvar koja bi sliku mogla učiniti slavnom izvan okvira toga koliko je dobro naslikana.

    Umjetnik i muzej

    Umjetnik

    Elliott Dangerfield

    Mjesto rođenja West Virginia, United States of America

    The Soul of the Appalachians: The Life and Legacy of Elliott Dangerfield

    In the quiet, mist-shrouded valleys of West Virginia, a profound artistic vision was forged during the late nineteenth century. Elliott Dangerfield (1859–1932) emerged from this rugged landscape not merely as a chronicler of scenery, but as a poet of light and atmosphere. Born in Fayetteville, his early years were steeped in the natural grandeur of the American wilderness, an environment that would later serve as the primary heartbeat of his creative output. While many of his contemporaries sought the frantic energy of urban expansion, Dangerfield turned his gaze inward toward the enduring tranquility of the Appalachian mountains, finding a spiritual resonance in the subtle shifts of color and the soft, encroaching shadows of the rural landscape.

    Dangerfield’s journey from a provincial upbringing to the prestigious artistic circles of New York City represents a classic narrative of American artistic development. His formal training began under the guidance of Walter Satterlee at the National Academy of Design, where he mastered the foundational principles of tonal realism. This period of rigorous study provided him with the technical vocabulary necessary to translate the complexities of nature onto canvas. However, it was his exposure to the burgeoning American Impressionist movement that truly liberated his brush. By blending the precision of academic training with a more fluid, emotive approach to light, he began to develop a style that felt both grounded in reality and elevated by a dreamlike, nostalgic quality.

    A Mastery of Tonalism and Light

    The true essence of Dangerfield’s work lies in his sophisticated use of tonalism—a movement that sought to evoke mood and emotion through a limited palette and atmospheric effects. Unlike the high-contrast drama of some landscape painters, Dangerfield preferred the nuanced gradations of dusk, dawn, and moonlight. His canvases often feature a delicate interplay of golden light and melancholic shadows, creating a sense of "Appalachian Serenity" that invites the viewer into a state of quiet contemplation. He possessed a remarkable ability to manipulate pigments to achieve a palpable sense of humidity, mist, and warmth, making the air within his paintings feel almost tangible.

    His influences were as profound as the landscapes he painted. Drawing inspiration from luminaries such as Frederic Church and George Inness, Dangerfield embraced the idea that a landscape could serve as a vessel for the human spirit. His technique often utilized subtle impasto textures to catch the light, particularly in works like Moonlit Landscape (1915), where the interplay of silver moonlight and deep earth tones creates a dramatic yet serene nocturnal scene. Whether depicting a sun-drenched field in High Noon or the brooding tension of The Spirit of the Storm, his work remains anchored by a profound respect for the inherent dignity of the natural world.

    Historical Significance and Artistic Enduring Spirit

    Throughout his prolific career, Dangerfield remained a steadfast observer of the American countryside. While he achieved recognition within the competitive New York art scene, his heart never strayed far from the mountains of his youth. This dedication to his roots allowed him to capture a specific era of American life—a period of transition where the wild frontier was beginning to settle into the pastoral beauty of the early twentieth century. His paintings serve as vital historical documents, preserving the light and atmosphere of a landscape that has since been irrevocly changed by time.

    The legacy of Elliott Dangerfield is found in the emotional resonance of his compositions. He did not seek to overwhelm the viewer with grand, sweeping spectacles; instead, he mastered the art of the intimate moment. His contributions to American landscape art are characterized by:

    Atmospheric Precision: An unparalleled ability to render the subtle effects of light, mist, and weather.

    Emotional Depth: The use of tonalism to evoke feelings of nostalgia, peace, and a gentle, beautiful melancholy.

    Regional Devotion: A lifelong commitment to portraying the unique character and spirit of the Appalachian wilderness.

    Today, Dangerfield’s work continues to captivate collectors and historians alike, standing as a testament to the power of observation and the enduring beauty of the American landscape.

    Dodatne informacije

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje Storm Breaking Up

    originaluniqueart.com/hr/art/download/elliott-dangerfield-storm-breaking-up-8YE378-en/

    Izvor za ovo umjetničko djelo

    MLA
    Dangerfield, Elliott. Storm Breaking Up. 1912, https://originaluniqueart.com/hr/art/elliott-dangerfield-storm-breaking-up-8YE378-en/
    APA
    Dangerfield, Elliott (1912). Storm Breaking Up [Painting]. https://originaluniqueart.com/hr/art/elliott-dangerfield-storm-breaking-up-8YE378-en/
    Chicago
    Elliott Dangerfield. Storm Breaking Up. 1912. https://originaluniqueart.com/hr/art/elliott-dangerfield-storm-breaking-up-8YE378-en/
    Harvard
    Dangerfield, Elliott (1912) Storm Breaking Up. Available at: https://originaluniqueart.com/hr/art/elliott-dangerfield-storm-breaking-up-8YE378-en/

    Pogledajte pažljivije

    Storm Breaking Up — Elliott Dangerfield

    Pogledajte detaljnije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na djelo The Spirit of the Storm (1912) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    4. Elliott Dangerfield je imao oko 53 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?
    5. Što je umjetnik možda želio da osjetite?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Kakvu orijentaciju ima "Storm Breaking Up" autora Elliott Dangerfield?

    Format djela "Storm Breaking Up" je Landscape. To je korisno pri planiranju mjesta na koje će reprodukcija biti postavljena.

    Gdje mogu pronaći statistiku o djelu "Storm Breaking Up" autora Elliott Dangerfield?

    Statistike o djelu "Storm Breaking Up" autora Elliott Dangerfield možete pronaći na stranici Statistika tog umjetničkog djela: mjesečni posjeti umjetničkom djelu, posjete umjetnikovim radovima te pregled nedavnih posjetitelja prema državi i jeziku.

    Jesu li boje djela "Storm Breaking Up" autora Elliott Dangerfield živopisne ili prigušene?

    Boje djela "Storm Breaking Up" autora Elliott Dangerfield pokazuju Clear Color Presence zasićenost uz Vivid intenzitet.