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Tableware from Barcelos

Ime Razred Datum

Eduardo Afonso Viana, Tableware from Barcelos (1915), Soares dos Reis National Museum. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Činjenice

Umjetnik
Eduardo Afonso Viana originaluniqueart.com/hr/artists/eduardo-afonso-viana_hr/
Datumi umjetnika
1881 – 1967
Slikano
1915
Medij
Oil
Prvobitne dimenzije
50 x 61 cm
Pokret
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
Razdoblje
Modern
Održano na lokaciji
Soares dos Reis National Museum originaluniqueart.com/hr/museums/soares-dos-reis-national-museum-porto/
Artistic style
Post-Impressionist
Influences
Cézanne, Robert Delaunay, Sonia Delaunay
Subject or theme
Still life with horse and tableware

U kontekstu

Tableware from Barcelos — Eduardo Afonso Viana

Koje su dimenzije?

Originalne dimenzije su 50 × 61 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine.

Kada je ovo naslikano?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 86 u smrti.

Naslikano u 34 godini života umjetnika. Umjetnik je doživio 86. 2 od ukupno 7 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Eduardo Afonso Viana (1881–1967) ▲ ovo djelo, 1915 svaka datirana slika, desetljeće po desetljeće

Usporedi s

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: originaluniqueart.com/hr/art/similar/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/

Paleta boja

Izmjereno na temelju slike

    Glavna boja

    Espresso #474a30

    Katalogirana paleta

    • #474A30
    • #282E29
    • #AB4422
    • #C59662

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna paleta boja na slici.
    Naziv primarne boje
    Espresso
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Discordant Palette Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Deep_shadow Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Eduardo Afonso Viana u posljednjih dvanaest mjeseci — ukupno 1 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Italija 100,0%300 visits

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    3 najgledanijih djela umjetnika Eduardo Afonso Viana

    1. 1 Another aspect of Olhão, 1923 60,0%300 visits
    2. 2 Interior - Tea set and toast, 1914 40,0%200 visits
    3. — Tableware from Barcelos, 1915 ova slika 0,0%0 visits

    Zajedno ova djela zauzimaju 100,0% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 7 djela ovog umjetnika, od kojih je 2 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo sljedeće: navedite jednu stvar koja bi sliku mogla učiniti slavnom, neovisno o tome koliko je dobro naslikana.

    O ovom umjetničkom djelu

    Tableware from Barcelos — Eduardo Afonso Viana

    A Symphony of Portuguese Tradition

    In the vibrant tapestry of early twentieth-century Portuguese modernism, few works capture the quiet charm of domestic life as evocatively as Eduardo Afonso Viana’s Tableware from Barcelos. Painted in 1915, this exquisite still life serves as a window into a world where the mundane is elevated to the monumental. The composition centers around an unexpected and whimsical protagonist: a horse, nestled amidst an array of ceramic vessels, bowls, and bottles. This arrangement transcends a simple display of objects; it creates a rhythmic dance of shapes and colors that invites the viewer into a serene, almost dreamlike, domestic landscape. The presence of the horse introduces a touch of surrealist charm, breaking the traditional boundaries of the still life genre and injecting a sense of narrative mystery into the scene.

    The artist’s technique reflects a masterful command over color and form, heavily influenced by the Post-Impressionist movements circulating through Europe at the time. Viana, having refined his skills in Paris under the guidance of Jean-Paul Laurens, brings a sophisticated structural integrity to the piece. One can observe the subtle echoes of Cézanne in the way the volumes of the bowls and vases are constructed, providing a sense of weight and permanence. The palette is a lush dialogue between earthy tones and vibrant accents, set against a deep green background that provides a verdant depth, pushing the colorful tableware toward the foreground. This careful use of contrast ensures that every curve of a cup and every rim of a bowl catches the light, creating a tactile quality that makes the painting feel almost touchable.

    A Legacy of Modernity and Charm

    To understand the emotional resonance of Tableware from Barcelos, one must consider Viana’s position within the first generation of Portuguese modernists. Alongside contemporaries like Amadeo de Souza Cardoso, Viana sought to bridge the gap between local tradition and international avant-garde movements. This painting is a testament to that duality; while the subject matter—the artisanal tableware of Barcelos—is deeply rooted in Portuguese identity, the execution is decidedly modern. The way light interacts with the surfaces and the rhythmic placement of objects suggest an influence from the Orphism of Robert and Sonia Delaunay, yet the soul of the work remains intimately connected to the warmth of Iberian life.

    For the discerning collector or interior designer, this artwork offers more than mere decoration; it provides a focal point of intellectual and aesthetic sophistication. The piece possesses a unique ability to anchor a room, offering a sense of historical depth and cultural richness. Whether placed in a contemporary minimalist setting to provide a burst of color and character, or within a classic, traditional interior to enhance its warmth, the painting acts as a conversation starter. It is an invitation to contemplate the beauty found in the everyday, making it a timeless acquisition for those who appreciate art that celebrates both the spirit of innovation and the enduring grace of tradition.

    Umjetnik i muzej

    Umjetnik

    Eduardo Afonso Viana

    Rođeni u Lisabon, Portugal

    mladost i edukacija

    Eduardo Afonso Viana, istaknuta figura u povijesti portugalske umjetnosti, rođen je u Lisabonu 1881. godine. Svoj umjetnički put započeo je u Akademiji likovnih umjetnosti u Lisabonu, gdje je usavršavao svoje vještine uz druge značajne umjetnike svog vremena. Godine 1905., Viana je svoje talente odnio u Pariz, studirajući pod pokroviteljstvom Jeana-Paula Laurensa, čime je dodatno izbrušio svoj umjetnički izraz.

    umjetnički stil i utjecaji

    Vianin pristup modernom slikarstvu obilježen je konzervativnim, ali ipak inovativnim duhom. Bio je jedan od predstavnika prve moderne generacije u portugalskom slikarstvu, uz Amadea de Souzu Cardoso i Almadu Negreirosa. Utjecaj Roberta Delaunaya i Sonije Delaunay, s kojima se sprijateljio tijekom njihovog boravka u Portugalu, jasno je prisutan u njegovim djelima iz 1s 1916. godine, prikazujući jedinstvenu mješavinu modernih stilova. Kasnije je Vianin postimpresionistički stil, nadahnut Cézanneom, proizveo neka od njegovih najznačajnijih remek-djela.

    značajna djela i izložbe

    U pobuni (1916.) predstavlja živopisni prikaz portugalskog života, prepoznatljiv po šarenim lukovima, dok se K4: plavi kvadrat (1917.) smatra odomkom portugalskom modernizmu, inspiriranom knjigom Almada Negreirosa istog imena i posvećenom Amadeu de Souza Cardosu.

    muzeji i kolekcije

    Vianina djela zastupljena su u nekoliko prestižnih portugalskih muzeja, uključujući: Muzej Chiado u Lisabonu te Nacionalni muzej Soares dos Reis u Portu.

    za više informacija o Vianinom životu i radu, posjetite stranicu Eduardo Afonso Viana na AllPaintingsStore.

    istražite i druge značajne portugalske umjetnike poput Pedra Casqueira te njihov doprinos modernoj umjetnosti.

    otkrijte Auto-retrato u grupi djela Joséja Sobrala Almada Negreirosa, ključno djelo u sceni portugalske moderne umjetnosti.

    doživite dubinu portugalske umjetnosti kroz opsežnu kolekciju AllPaintingsStore i zaronite u priče njenih pionira poput Eduarda Afonsa Viane.

    Muzej

    Soares dos Reis National Museum

    Izloženo u Porto, Portugal

    A Window into Portugal’s Artistic Soul

    Nestled within the architectural grandeur of Porto, the

    Soares dos Reis National Museum

    stands as a profound testament to the enduring passion of the Portuguese spirit. As the nation's oldest public institution dedicated solely to its own artistic expression, the museum offers far more than a mere collection of objects; it provides an immersive journey through the vibrant tapestry of 19th and 20th-century culture. Housed within the magnificent

    Palácio das Carrancas

    , the museum serves as a sanctuary where history and beauty converge, inviting art lovers and collectors alike to wander through a narrative of national identity and creative evolution.

    The museum’s home is an architectural marvel in its own right. Designed in a refined Neo-Classical style by the architect José Augusto Vieira, the palace embodies an era of aristocratic prestige. Its façade, famously adorned with sculpted faces known as

    “Carrancas,”

    immediately captivates the observer with its stern yet soulful expressions. Stepping inside, visitors are enveloped by the elegance of a former residence that has been transformed into a temple of art. The surrounding tranquil gardens offer a deliberate space for contemplation, allowing the heavy weight of history to soften into a peaceful connection with nature, making it an ideal destination for those seeking inspiration or a moment of quiet reflection amidst the bustle of Porto.

    Masterpieces of Stone and Canvas

    The heart of the museum beats through its extraordinary collection, which presents a comprehensive panorama of stylistic developments across two centuries. The galleries are dominated by the monumental presence of

    António Soares dos Reis

    , the melancholic titan of Portuguese sculpture. His ability to breathe life into Carrara marble and bronze—seen in works such as the poignant

    “O Desterrado”

    —captures a unique intersection of Neoclassical precision and Romantic emotion. To stand before his sculptures is to witness the mastery of human anatomy infused with an internal psychological depth that remains unparalleled.

    Beyond the sculptural triumphs, the museum celebrates a diverse lineage of painters who captured the very essence of their era. The collection invites exploration of the delicate brushwork of

    Vieira Portuense

    and the dramatic lighting found in the works of

    Domingos Sequeira

    . From the realistic portraits like the

    “Bust of Mrs. Elisa Leech”

    to the expressive, modern sensibilities of artists such as

    Júlio Resende

    and

    Aurélia de Souza

    , the museum showcases a continuous dialogue between tradition and innovation. For the interior designer or the connoisseur, these works represent not just historical artifacts, but timeless examples of aesthetic excellence that continue to influence contemporary perceptions of beauty and form.

    A Legacy of Preservation and Discovery

    The history of the Soares dos Reis National Museum is as turbulent and rich as the art it protects. Founded in 1833 by King Peter IV as the

    Museu Portuense

    , its origins were rooted in a period of profound social change, initially serving as a repository for religious art reclaimed from convents during a time of political upheaval. This early role as a protector of heritage laid the foundation for its later expansion, fueled by significant legacies such as the

    Museu Allen

    . This transition from a sanctuary for confiscated treasures to a world-class institution reflects Portugal's own journey through modernity.

    Today, the museum remains a living institution, dedicated to meticulous research and international collaboration. Through ongoing scholarly investigations into provenance and technique, it continues to deepen our understanding of Portuguese cultural heritage. By hosting notable exhibitions that bridge the gap between established masters and emerging talents, the Soares dos Reis National Museum ensures that the flame of Portuguese creativity is never extinguished, remaining a vital landmark for anyone captivated by the intersection of history, art, and the human condition.

    Gdje pročitati više

    Saznajte više online

    QR kod koji povezuje na stranicu za preuzimanje Tableware from Barcelos

    originaluniqueart.com/hr/art/download/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/

    Navedite ovo umjetničko djelo

    MLA
    Viana, Eduardo Afonso. Tableware from Barcelos. 1915, Soares dos Reis National Museum. https://originaluniqueart.com/hr/art/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/
    APA
    Viana, Eduardo Afonso (1915). Tableware from Barcelos [Painting]. Soares dos Reis National Museum. https://originaluniqueart.com/hr/art/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/
    Chicago
    Eduardo Afonso Viana. Tableware from Barcelos. 1915. Soares dos Reis National Museum. https://originaluniqueart.com/hr/art/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/
    Harvard
    Viana, Eduardo Afonso (1915) Tableware from Barcelos. Soares dos Reis National Museum. Available at: https://originaluniqueart.com/hr/art/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/

    Pogledajte pažljivije

    Tableware from Barcelos — Eduardo Afonso Viana

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: horse, vases, bowls. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na djelo Nude (1925) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Gdje se to može primijetiti u ovom djelu?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Od čega je izrađeno "Tableware from Barcelos" i u kojem je stilu?

    "Tableware from Barcelos" je djelo izvedeno u tehnici Oil, u stilu Post-Impressionism.

    Gdje se "Tableware from Barcelos" autora Eduardo Afonso Viana nalazi u povijesti umjetnosti?

    Umjetno-povijesna klasifikacija djela "Tableware from Barcelos" autora Eduardo Afonso Viana pripada stilu Post-Impressionism, u razdoblju Modern.

    Kada je "Tableware from Barcelos" nastalo i kojem umjetničkom pravcu pripada?

    "Tableware from Barcelos" autora Eduardo Afonso Viana datirano je u 1915. i pripada stilu Post-Impressionism.