Papir

Vodič za studentska djela

Copy after Michelangelo

Ime Razred Datum

Bartolomeo Passerotti, Copy after Michelangelo (1550), Nelson-Atkins Museum of Art. Javno dobro. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Činjenice

Umjetnik
Bartolomeo Passerotti originaluniqueart.com/hr/artists/bartolomeo-passerotti/
Datumi umjetnika
1529 – 1592
Slikano
1550
Medij
Drawing
Pokret
Mannerism Deliberately stretched bodies and odd, crowded spaces, made once perfect balance had already been achieved.
Razdoblje
Early Modern
Održano na lokaciji
Nelson-Atkins Museum of Art originaluniqueart.com/hr/museums/nelson-atkins-museum-of-art-kansas-city_hr/
Artistic style
Mannerist
Notable elements
Figures in various positions, birds
Subject or theme
Nude woman surrounded by figures

U kontekstu

Copy after Michelangelo — Bartolomeo Passerotti

Kada je ovo naslikano?

  1. 1520
  2. 1530
  3. 1540
  4. 1550
  5. 1560
  6. 1570
  7. 1580
  8. 1590

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 63 u smrti.

Naslikano u 21 godini života umjetnika. Umjetnik je doživio 63. 0 od ukupno 11 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Bartolomeo Passerotti (1529–1592) ▲ ovo djelo, 1550 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1560 Glavni radni period: 1560–1580 Kasna djela: od 1580

Ta tri dijela dijele djela koja u ovom katalogu imaju navedenu godinu na prvu četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: rjeđi segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Usporedi s

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: originaluniqueart.com/hr/art/similar/bartolomeo-passerotti-copy-after-michelangelo-D3XJME-en/

Paleta boja

Izmjereno na temelju slike

    Glavna boja

    Putty #dccaa5

    Katalogirana paleta

    • #DCCAA5
    • #8B642D
    • #BA9258
    • #CBB180

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Pastels Dominantna paleta boja na slici.
    Naziv primarne boje
    Putty
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Unified Palette Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Brilliant Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Clear Color Presence Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Bartolomeo Passerotti u posljednjih dvanaest mjeseci — ukupno 4 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Kina 76,9%1.000 visits
    2. 2 Ujedinjeno Kraljevstvo 7,7%100 visits
    3. 3 Irska 7,7%100 visits
    4. 4 Sjedinjene Američke Države 7,7%100 visits

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    12 najgledanijih djela umjetnika Bartolomeo Passerotti

    1. 1 Portrait of a Man Playing a Lute, 1576 12,5%200 visits
    2. 2 The Fishmonger's Shop, 1580 12,5%200 visits
    3. 3 Portrait of a Man with a Dog (detail), 1585 12,5%200 visits
    4. 4 Blood of the Redeemer 12,5%200 visits
    5. 5 A Group of Six Men, Including a Self Portrait 12,5%200 visits
    6. 6 Two market women and a boy with chicken and vegetables 6,2%100 visits
    7. 7 The Butcher's Shop, 1580 6,2%100 visits
    8. 8 The Holy Family with St Elizabeth and the Infant St John the Baptist, 1572 6,2%100 visits
    9. 9 Self-portrait, 1560 6,2%100 visits
    10. 10 Portrait of an Old Woman 6,2%100 visits
    11. 11 Lute palyer 6,2%100 visits
    12. — Copy after Michelangelo, 1550 ova slika 0,0%0 visits

    Zajedno ova djela zauzimaju 99,7% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 23 djela ovog umjetnika, od kojih je 11 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo sljedeće: navedite jednu stvar koja bi sliku mogla učiniti slavnom, neovisno o tome koliko je dobro naslikana.

    O ovom umjetničkom djelu

    Copy after Michelangelo — Bartolomeo Passerotti

    A Masterful Echo of the Renaissance

    In this evocative drawing, titled Copy after Michelangelo, we find ourselves transported to the heart of the sixteenth century, where the shadows of the High Renaissance meet the burgeoning complexity of Mannerism. Created around 1550 by the Bolognese master Bartolomeo Passariente (Passarotti), this work serves as a profound dialogue between generations. The composition centers on a striking female figure, seated with a raw, grounded presence that commands the viewer's immediate attention. Her posture, legs spread wide in a moment of uninhibited vulnerability or perhaps primal strength, anchors a scene teeming with life and movement. As she sits amidst a constellation of surrounding figures, the piece captures a sense of orchestrated chaos, where every limb and gesture contributes to a larger, rhythmic dance of form.

    The technique employed here reflects the meticulous discipline of Passarotti’s Roman training. Under the influence of masters like Taddeo Zuccari, the artist utilizes line and shadow to sculpt bodies that feel both ethereal and tangibly heavy. The interplay of light across the central figure's skin creates a luminous quality, drawing the eye through the swirling arrangement of secondary characters. Subtle details, such as the delicate presence of birds fluttering near the periphery, introduce an element of nature’s fleeting grace, contrasting with the monumental, almost sculptural weight of the human forms. This mastery of line work ensures that even in a monochromatic or limited palette, the emotional depth of the scene remains strikingly vivid.

    Symbolism and the Mannerist Spirit

    To gaze upon this work is to witness the transition from the balanced ideals of the Renaissance to the expressive tension of Mannerism. The arrangement of figures—scattered, overlapping, and captured in various states of repose or motion—suggests a world that is no longer static, but fluid and psychologically complex. The central woman acts as an axis mundi, a focal point around which the drama of the composition revolves. Her nudity and grounded stance may symbolize a return to primordial truths, stripped of artifice, echoing the classical themes that Passarotti so deeply admired in the works of Michelangelo. The birds, often symbols of the soul or the ephemeral nature of life, add a layer of allegorical depth, inviting collectors to contemplate the fleeting beauty of the human condition.

    For the discerning collector or interior designer, this piece offers more than mere decoration; it provides a window into an era of profound intellectual and artistic transformation. The drawing’s ability to evoke both intimacy and grandeur makes it a versatile centerpiece for a sophisticated gallery wall or a stately study. Its historical resonance—as a tribute to the divine Michelangelo—lends an air of academic prestige to any space, while its fluid, emotive energy provides a much-needed focal point in modern, minimalist environments. Owning a high-quality reproduction of such a work is an invitation to live amongst the echoes of greatness, surrounding oneself with the enduring power of classical mastery.

    Umjetnik i muzej

    Umjetnik

    Bartolomeo Passerotti

    The Bolognese Master of Mannerist Splendor

    In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras. His early years were defined by a profound immersion in the Roman art scene, where between 1550 and 1555, he sought the guidance of masters such as Giacomo Barozzi da Vignola and Taddeo Zuccari. This period of Roman training was transformative; it instilled in him a deep reverence for classical antiquity and the humanist principles of anatomical precision and balanced composition, even as he began to experiment with the more elongated and complex forms that would define the Mannerist movement.

    Upon his return to his native Bologna, Passarotti did not merely settle into local practice; he established a formidable artistic powerhouse. His studio became a crucible of innovation, attracting a generation of talent that would eventually reshape European art. Among his most notable pupils were Agostino Carracci, Lucio Massari, and Francesco Brizzi—artists who would carry the seeds of his stylistic experimentation into the burgeoning Baroque era. This legacy of mentorship ensured that Passarotti’s influence extended far beyond the walls of his own workshop, as his approach to light, texture, and subject matter permeated the very fabric of the Bolognese school.

    A Tapestry of Genre and Drama

    Passarotti’s oeuvre is celebrated for its remarkable versatility, ranging from the divine to the deeply terrestrial. He possessed a unique ability to navigate between grand religious altarpiements and intimate, often gritty, genre scenes. His work often features a striking use of chiaroscuro, utilizing stark contrasts between light and shadow to imbue his subjects with a sense of psychological depth and physical presence. This technique, which prefigured the dramatic lighting later perfected by Caravaggio, allowed him to breathe life into both mythological figures and everyday laborers.

    In his genre paintings, Passarotti displayed an extraordinary eye for detail and a fascination with the textures of daily existence. Works such as The Butcher's Shop (1580) serve as captivating windows into the late Renaissance world, showcasing a masterful command of warm tones and a realistic depiction of communal life. Similarly, his ability to render the divine is evident in pieces like Diane Chasseresse, where the Roman goddess of the hunt is captured with a dynamic, muscular grace that embodies the very essence of Mannerist energy. Whether depicting the quiet solitude of a Lute Player or the solemnity of religious devotion, his brushwork consistently sought to capture the fleeting tension between the ideal and the real.

    Legacy and Historical Significance

    While history sometimes overlooks Passarotti in favor of more revolutionary figures like Michelangelo, his importance to the evolution of Italian art is undeniable. He was a master of transition, an artist who understood how to honor the classical past while simultaneously preparing the ground for the emotional turbulence of the next century. His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.

    The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition. His life’s work—a blend of meticulous anatomical study, dramatic lighting, and a profound interest in the human condition—remains a testament to the enduring power of Mannerism. Through his studio, his pupils, and his evocative canvases, Passarotti ensured that the spirit of Bologna would remain at the heart of the European artistic dialogue for generations to come.

    Muzej

    Nelson-Atkins Museum of Art

    Izloženo u Kansas City, Sjedinjene Američke Države

    A Heartland Sanctuary: The Nelson-Atkins Museum of Art

    Nestled within the vibrant heart of Kansas City, Missouri, the Nelson-Atkins Museum of Art isn’t merely a repository for artistic treasures; it's a living testament to vision, philanthropy, and the enduring power of art to shape communities. Founded in 1933 by the remarkable couple William Rockhill Nelson, a visionary railroad magnate, and Mary McAfee Atkins, a dedicated educator—a bequest that poured the entirety of Nelson’s vast estate into fostering artistic appreciation for generations to come—the museum arose from an extraordinary legacy. This initial endowment, coupled with Mrs. Atkins' foresight, laid the foundation for a collection that has since grown to encompass over 34,500 works spanning five millennia and virtually every corner of the globe. More than just its impressive size, however, it’s the museum’s deeply ingrained commitment to accessibility—its remarkably free admission policy—that truly distinguishes it as a beacon of cultural inclusivity, inviting all to experience the profound beauty and intellectual stimulation art offers.

    The Story of Nelson & Atkins: A Legacy Built on Passion

    The tale of the Nelson-Atkins begins with an unparalleled generosity—the complete donation of William Rockhill Nelson’s entire fortune to establish a haven for artistic pursuits. This audacious act, driven by Nelson's unwavering belief in the transformative potential of art, was complemented by Mary McAfee Atkins’ dedication to education and her astute understanding of how museums could inspire future generations. Together, they envisioned a space where beauty would flourish, knowledge would deepen, and the spirit of creativity would thrive—a vision that materialized into a collection exceeding 34,500 pieces, representing cultures from across the ages.

    Architectural Harmony: Beaux-Arts Grandeur Meets Modern Innovation

    The museum’s architectural narrative unfolds in two distinct chapters. The original building, conceived by Wight and Wight in 1933, embodies the grandeur of Beaux-Arts architecture—a style characterized by its monumental scale, symmetrical design, and meticulous ornamentation. Its classical proportions evoke a sense of timeless elegance, transporting visitors to a realm of artistic reverence. Terraces cascading down towards Brush Creek serve as an outdoor extension of the collection, hosting seasonal exhibitions and offering breathtaking vistas of Kansas City’s landscape. However, the Nelson-Atkins' story didn’t end there; in 2007, Steven Holl Architects introduced the Bloch Building—a strikingly modern structure that challenges conventional architectural norms. This luminous edifice utilizes translucent “lenses” to bathe galleries in natural light, fostering contemplation and celebrating innovation.

    Collection Highlights: Icons Across Time and Cultures

    Prepare to be mesmerized by masterpieces spanning millennia! The Nelson-Atkins’ collection showcases artistic traditions from China, India, Japan, and Europe—each offering a unique perspective on human creativity. Admire Caravaggio's dramatic Saint John the Baptist in the Wilderness, Piet Mondrian’s geometric Passion Flower, and Gilbert Stuart’s portrait of George Washington—works that define artistic movements and individual genius. The museum’s Asian art galleries reveal exquisite landscapes rendered with meticulous detail, while its European galleries trace the evolution of Western art history from Renaissance masterpieces to Impressionist delights.

    Beyond Walls: Community Engagement & Accessibility

    More than just a collection of artworks, the Nelson-Atkins Museum is deeply rooted in Kansas City’s cultural heritage. Ongoing initiatives support contemporary artists and foster dialogue within the community. Furthermore, its unwavering commitment to accessibility—including free admission and accessible facilities—ensures that everyone can experience the transformative power of art without barriers.

    Gdje pročitati više

    Saznajte više online

    QR kod koji povezuje na stranicu za preuzimanje Copy after Michelangelo

    originaluniqueart.com/hr/art/download/bartolomeo-passerotti-copy-after-michelangelo-D3XJME-en/

    Navedite ovo umjetničko djelo

    MLA
    Passerotti, Bartolomeo. Copy after Michelangelo. 1550, Nelson-Atkins Museum of Art. https://originaluniqueart.com/hr/art/bartolomeo-passerotti-copy-after-michelangelo-D3XJME-en/
    APA
    Passerotti, Bartolomeo (1550). Copy after Michelangelo [Painting]. Nelson-Atkins Museum of Art. https://originaluniqueart.com/hr/art/bartolomeo-passerotti-copy-after-michelangelo-D3XJME-en/
    Chicago
    Bartolomeo Passerotti. Copy after Michelangelo. 1550. Nelson-Atkins Museum of Art. https://originaluniqueart.com/hr/art/bartolomeo-passerotti-copy-after-michelangelo-D3XJME-en/
    Harvard
    Passerotti, Bartolomeo (1550) Copy after Michelangelo. Nelson-Atkins Museum of Art. Available at: https://originaluniqueart.com/hr/art/bartolomeo-passerotti-copy-after-michelangelo-D3XJME-en/

    Pogledajte pažljivije

    Copy after Michelangelo — Bartolomeo Passerotti

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: mannerism, figure study, nude. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na DIANE CHASSERESSE, ranije u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja se razlikuje.
    5. Mannerism: Deliberately stretched bodies and odd, crowded spaces, made once perfect balance had already been achieved. Gdje se to može primijetiti u ovom djelu?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Što prikazuje "Copy after Michelangelo" autora Bartolomeo Passerotti?

    Motivi djela "Copy after Michelangelo" su mannerism, figure study, nude, classical style, renaissance copy, mythological.

    Kolika je luminancija djela "Copy after Michelangelo" autora Bartolomeo Passerotti?

    "Copy after Michelangelo" autora Bartolomeo Passerotti ima luminancu od Bright Balance. Luminancija opisuje koliko se čini da boje reflektiraju svjetlosti.

    Je li dostupna digitalna datoteka visoke rezolucije za "Copy after Michelangelo"?

    "Copy after Michelangelo" dostupan je kao preuzimanje digitalne slike visoke rezolucije, uz izravnu kupnju na njegovoj Digitalna umjetnina stranici.