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Self-portrait

Ime Razred Datum

Anders Zorn, Self-portrait (1882), Nationalmuseum. Dostupno u javnom vlasništvu. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Osnovne informacije

Umjetnik
Anders Zorn originaluniqueart.com/hr/artists/anders-zorn_hr/
Životopis umjetnika
1860 – 1920
Slikano
1882
Izvorni dimenzije
24 x 16 cm
Razdoblje
19th Century
Lokacija izložbe
Nationalmuseum originaluniqueart.com/hr/museums/nationalmuseum-stockholm_hr/
Artistic style
Realism
Influences
Impressionism
Notable elements
Serious expression
Subject or theme
Self-portraiture

U kontekstu

Self-portrait — Anders Zorn

Dimenzije

Originalne dimenzije su 24 × 16 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine.

Godina nastanka

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 60 u smrti.

Naslikano kada je umjetnik imao 22 godina. Umjetnik je doživio 60. 11 od ukupno 163 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Anders Zorn (1860–1920) ▲ ovo djelo, 1882 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1889 Glavni radni år: 1889–1901 Kasna djela: od 1901

Ta tri dijela dijele djela koja u ovom katalogu imaju naveden datum na prvo četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: tanki segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Slična djela

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: originaluniqueart.com/hr/art/similar/anders-leonard-zorn-self-portrait-D2MG4U-en/

Boje

Izmjereno na temelju slike

    Glavna boja

    Phthalo Green #241c16

    Spremljena paleta

    • #241C16
    • #D5AC76
    • #493C28
    • #997E52

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna paleta boja na slici.
    Naziv glavne boje
    Phthalo Green
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Bold Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Strong Color Unity Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Deep_shadow Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se gleda ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Anders Zorn u posljednjih dvanaest mjeseci — ukupno 20 zemalja. Odakle ovi podaci dolaze

    Deset vodećih zemalja

    1. 1 Kina 68,1%
    2. 2 Sjedinjene Američke Države 8,3%
    3. 3 Singapur 4,9%
    4. 4 Hong Kong 3,5%
    5. 5 Švedska 2,8%
    6. 6 Bugarska 2,1%
    7. 7 Brazil 1,4%
    8. 8 Argentina 0,7%
    9. 9 Australija 0,7%
    10. 10 Čile 0,7%
    11. · 10 ostalih država 6,8%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    20 najgledanijih djela umjetnika Anders Zorn

    1. 1 Nude woman arranging her hair, 1907 4,8%
    2. 2 Ida by the Window, 1908 4,3%
    3. 3 Isabella Stewart Gardner in Venice, 1894 3,2%
    4. 4 Self Portrait with Faun and Nymph 3,2%
    5. 5 Brodbaket 2,7%
    6. 6 Morning, 1891 2,1%
    7. 7 Junikväll (Evening in June) 2,1%
    8. 8 In Mourning, 1880 1,6%
    9. 9 Portrait Mrs. Potter Palmer, 1893 1,6%
    10. 10 Isabella Gardner (study), 1894 1,6%
    11. 11 Flickan på loftet (Girl in the Loft) 1,6%
    12. 12 Portrait of a Lady in a Drawing Room, 1887 1,6%
    13. 13 Hilma Herikson, 1908 1,6%
    14. 14 Karleksnymf 1,6%
    15. 15 Untitled (AQQLQL), 1908 1,6%
    16. 16 Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862 1919), 1897 1,1%
    17. 17 The Schwartz Girls, 1889 1,1%
    18. 18 Isabella Stewart Gardner in Venice, 1894 1,1%
    19. 19 Untitled (AQQLRG), 1884 1,1%
    20. 40 Self-portrait, 1882 ova slika 1,1%

    Zajedno ova djela zauzimaju 40,7% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 263 djela ovog umjetnika, od kojih je 112 pregledano barem jednom. Ova je slika na 40 mjestu među njima, s 1,1% te pažnje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo: navedite jednu stvar koja bi sliku mogla učiniti slavnom izvan okvira toga koliko je dobro naslikana.

    O ovom umjetničkom djelu

    Self-portrait — Anders Zorn

    Self-Portrait – A Window into the Soul of Anders Zorn

    Anders Leonard Zorn’s “Self-Portrait,” painted in 1882, isn't merely a likeness; it’s an intimate revelation, a carefully constructed glimpse into the mind and spirit of one of Sweden’s most celebrated artists. Executed in delicate watercolor on paper, this work transcends the typical self-portraiture of its time, offering not just a visual representation but a profound meditation on identity, observation, and the artist's own place within the world. The painting captures Zorn at approximately 22 years old, seated before an easel in what appears to be his studio – a space brimming with potential and hinting at the creative energy that would define his illustrious career.

    Zorn’s technique is immediately striking. He employs a loose, almost impressionistic approach, prioritizing capturing fleeting moments of light and shadow rather than meticulously rendering every detail. The brushstrokes are visible, lending a sense of immediacy and spontaneity to the scene. Notice how he uses washes of color – particularly in the background – to create an atmospheric depth that draws the viewer into the composition. The palette is restrained yet sophisticated, dominated by muted blues, greens, and browns, punctuated by the warm glow of the light source. This deliberate choice contributes significantly to the painting’s contemplative mood.

    A Portrait of a Mind in Progress

    This self-portrait wasn't simply a vanity piece; it represents a pivotal moment in Zorn’s artistic development. He was grappling with his identity as an artist, navigating the challenges and expectations of the art world while simultaneously forging his own unique style. The slightly awkward posture, the thoughtful gaze directed towards the viewer – these subtle details speak volumes about the young artist's self-awareness and intellectual curiosity. It’s a portrait not just of a face, but of a mind actively engaged in the process of artistic creation.

    The inclusion of the easel and unfinished canvas is particularly significant. It underscores Zorn’s dedication to his craft and his constant striving for improvement. He wasn't simply documenting his appearance; he was capturing himself in the act of working, embodying the very essence of an artist at his workbench. The painting feels less like a finished product and more like a captured moment of intense creative focus.

    Symbolism and Context – Echoes of the Artist’s World

    Beyond its technical merits, “Self-Portrait” is rich in symbolic meaning. The studio setting itself evokes a sense of solitude and introspection—a space dedicated to contemplation and artistic exploration. The muted colors contribute to this atmosphere of quiet reflection, while the light source – likely a window – suggests an openness to external influences and inspiration. Zorn’s attire, though simple, reflects his status as a rising artist within Swedish society.

    Painted during a period of significant artistic innovation in Europe, “Self-Portrait” aligns with the broader trends of Impressionism and Symbolism. Zorn's exploration of light, color, and emotional expression anticipates many of the developments that would characterize these movements. Furthermore, it’s important to consider Zorn’s background – his upbringing on a farm in rural Sweden – which profoundly shaped his artistic vision and informed his depictions of peasant life and the natural world.

    A Timeless Reflection – The Enduring Power of Self-Representation

    “Self-Portrait” remains a compelling work of art because it speaks to universal themes of identity, creativity, and self-awareness. It’s a testament to Zorn's remarkable ability to capture not just the outward appearance of his subject but also the inner world—the thoughts, emotions, and aspirations that lie beneath the surface. Reproductions of this painting offer a unique opportunity to connect with one of Sweden’s most beloved artists and to contemplate the enduring power of self-representation in art.

    Useful Links:

    National Museum - Self-portrait

    WikiArt - Anders Zorn, Self-Portrait 1882

    WahooArt - Anders Leonard Zorn, Self-Portrait 1882

    Umjetnik i muzej

    Umjetnik

    Anders Zorn

    Mjesto rođenja Mora, Švedska

    Rani Život i Obrazovanje Andersa Zorna

    Anders Leonard Zorn, rođen 18. veljače 1860. u Mori, Švedska, bio je umjetnik čiji je život isprepleten s ljepotom Dalarnskog krajolika i dubokom vezanošću uz švedsko selo. Njegovo putovanje od skromnih početaka do međunarodne slave svjedočanstvo je sirovog talenta koji se njeguje upornošću i predanim radom. Za razliku od mnogih umjetnika koji su tražili formalnu obuku u uspostavljenim krugovima, Zornovo rano obrazovanje bilo je ukorijenjeno u praktičnosti ruralnog života i urođenoj umjetničkoj osjetljivosti koja je procvjetala čak prije ulaska u Kraljevsku švedsku akademiju umjetnosti u iznimno mladoj dobi od dvanaest godina. Djetinjstvo provedeno na djedovoj farmi usadilo mu je duboku povezanost sa zemljom i njezinim narodom – tema koja će odjekivati ​​u cijelom njegovom opusu, posebno u evocativnim prikazima švedskog seljačkog života. To rano izlaganje nije bilo samo o temama; radilo se o hvatanju načina postojanja, autentičnosti koja je njegovim djelima dala jedinstvenu emocionalnu dubinu. Njegov otac, Carl Zorn, bio je lokalni trgovac i amaterski fotograf, što je također utjecalo na rani razvoj umjetnikovog oka za detalje i kompoziciju.

    Od Akvarela do Međunarodne Priznanosti

    Zornova su se rana umjetnička istraživanja usredotočila na akvarele, medij koji je savladao s iznenađujućom brzinom i vještinom. Brzo je stekao priznanje za svoju sposobnost hvatanja prolaznih trenutaka svjetla i atmosfere, posebno u scenama koje prikazuju svakodnevni život. Ključan trenutak nastupio je s djelom “U žalosti” (1880.), akvarelnim portretom koji je pokazao njegovu iznimnu osjetljivost i tehničku vještinu. Ovo djelo ga je lansiralo na umjetničku scenu, privuklo narudžbe od elite Stockholma i postavilo pozornicu za međunarodnu karijeru. Krenuo je na opsečna putovanja diljem Europe – London, Pariz, Španjolska – a naposljetku u Sjedinjene Američke Države, gdje je doživio ogroman uspjeh kao portretist. Njegova sposobnost da destilira bit svojih modela, bilo da se radilo o kraljevskim osobama poput kralja Oscara II ili američkih predsjednika Grovera Clevelanda, Williama H. Tafta i Theodora Roosevelta, donijela mu je široko divljenje. Zorn nije samo slikao sličnosti; uhvatio je karakter, inteligenciju, čak i naznaku duše. Ovaj talent nije bio slučajan – proizašao je iz oštre promatračke vještine stečene godinama proučavanja ljudskog oblika i izraza. Njegova tehnika akvarela bila je revolucionarna za svoje vrijeme, poznata po slobodnim potezima kistom i živopisnoj paleti boja.

    Sinteza Utjecaja i Umjetnički Razvoj

    Iako se Zornov stil često kategorizira kao impresionistički, bio je daleko od jednostavne imitacije francuskih trendova. Apsorbirao je utjecaje iz različitih izvora, spajajući ih u jedinstvenu osobnu viziju. Luminosnost španjolskih majstora poput Velázqueza rezonirala je u njegovom rukovanju svjetlom i sjenom, dok su mu izravnost i realizam skandinavskog naturalizma oblikovali pristup temi. Vrijeme provedeno s umjetnicima poput Alberta Edelfelta u Parizu izložilo ga je novim idejama i tehnikama, ali je uvijek ostao vjeran vlastitoj umjetničkoj intuiciji. Ključna prekretnica nastupila je kada je Zorn počeo eksperimentirati s uljanim slikanjem krajem 1880-ih. To mu je omogućilo da postigne bogatije boje i teksture, čime se dodatno poboljšala živost i neposrednost njegovog rada. Prihvatio je ograničenu paletu boja, usredotočivši se na postizanje maksimalnog učinka kroz suptilne varijacije tona i nijansi – tehniku ​​koja je postala zaštitni znak njegova stila. Njegova djela iz tog razdoblja, poput “Ribara u St Ivesu”, pokazuju novopronađenu samouvjerenost i majstorstvo medija. Zorn je također bio vješt grafičar, stvarajući brojne gravure koje su odražavale njegovu virtuoznost linije i kompozicije.

    Nasljeđe i Trajni Utjecaj

    Utjecaj Andersa Zorna proteže se daleko izvan njegovog zadivljujućeg opusa. Bio je ne samo daroviti umjetnik, već i posvećeni pokrovitelj umjetnosti, uspostavljajući Bellmanovu nagradu 1920. – prestižnu književnu nagradu za švedske pjesnike koja se i danas dodjeljuje. Ovaj čin naglašava njegovu predanost poticanju kreativnosti i podržavanju kulturnog izražavanja u svojoj domovini. Njegova su djela sada čuvana u istaknutim muzejima diljem svijeta, uključujući Nacionalni muzej u Stockholmu, Musée d'Orsay u Parizu i Metropolitan Museum of Art u New Yorku. Zornove zbirke u Mori, Švedska – koje se sastoje od Zorngårdena, Zornovog muzeja, Gammelgårda i Gopsmora – služe kao trajno svjedočanstvo njegovog života i nasljeđa, nudeći posjetiteljima intimni pogled na njegov svijet. Zornova sposobnost hvatanja ljepote svakodnevnog života, u kombinaciji s njegovom tehničkom briljantnošću i nepokolebljivom umjetničkom vizijom učvrstila je njegovo mjesto kao jednog od najvažnijih umjetnika svoje generacije. Ostaje izvor inspiracije za umjetnike danas, svjedočanstvo trajne moći svjetla, boje i ljudske povezanosti u umjetnosti. Njegov rad nastavlja rezonirati s publikom diljem svijeta, podsjećajući nas na ljepotu koja se može pronaći iu veličanstvenom iu običnom.

    Muzej

    Nationalmuseum

    Prikazano u Stockholm, Švedska

    A Chronicle of Swedish Identity: Unveiling the Nationalmuseum

    Nestled on the serene Blasieholmen peninsula in Stockholm’s heart, the Nationalmuseum is more than simply a repository for art; it's a vibrant chronicle of Sweden’s cultural evolution. Founded in 1792 as Kungliga Museet – the Royal Museum – its story is inextricably linked to the nation’s journey, from medieval artistry and aristocratic patronage to a bold embrace of contemporary expression. Stepping through its doors is akin to embarking on an immersive exploration of Swedish identity, interwoven with the rich tapestry of European artistic traditions. The building itself, a magnificent testament to Northern Italian Renaissance architecture conceived by German architect Friedrich August Stüler, stands as a powerful symbol – a deliberate restraint in façade design concealing a breathtakingly spacious interior, while the dramatic flight of stairs ascending towards the uppermost galleries serves not just as functional access but as an ascent into the realm of artistic contemplation. This architectural choice, reflecting the museum’s origins rooted in royal collections, speaks to a fascinating transformation: from a space initially conceived for showcasing regal treasures acquired through patronage to a democratized public institution dedicated to all Swedes.

    The Nationalmuseum's collection is an astonishing panorama of artistic voices spanning centuries. The painting galleries offer a sweeping journey, beginning with the delicate religious scenes of the Renaissance – masterpieces that evoke a profound sense of faith and devotion – and culminating in the masterful chiaroscuro of Rembrandt and the emotionally charged canvases of Goya. These works, juxtaposed against Swedish national treasures, highlight the museum’s commitment to showcasing both international luminaries and pivotal works defining Swedish artistic heritage. Beyond these European giants, the museum champions Swedish artists, presenting their contributions across various periods and movements – from the dramatic landscapes of Albert Rydberg to the poignant portraits of Carl Larsson. The sculpture section is equally impressive, featuring classical pieces alongside more experimental forms reflecting evolving artistic sensibilities; a testament to Sweden’s engagement with both established traditions and innovative approaches. But perhaps it's in its applied arts and design collection that Nationalmuseum truly distinguishes itself. Visitors can trace the evolution of Swedish aesthetic ideals through meticulously crafted furniture – embodying functional beauty and understated elegance – ceramics imbued with symbolic meaning, and textiles woven with intricate patterns, revealing how artistry seamlessly blended with practicality throughout history.

    The Architectural Heartbeat

    The building’s significance extends far beyond its artistic holdings. Inaugurated in 1866, the Nationalmuseum's structure draws inspiration from Northern Italian Renaissance architecture, a deliberate choice reflecting the museum’s origins and its connection to the Swedish monarchy. The façade, deliberately restrained, conceals within it a breathtakingly spacious interior – a testament to the ambition of its architects and builders. The dramatic flight of stairs ascending towards the uppermost galleries is not merely a means of access; it's a powerful symbol, representing an ascent into the realm of artistic contemplation. This architectural choice speaks volumes about the museum’s evolution from a royal repository to a public institution dedicated to all Swedes. The building’s construction was a monumental undertaking, involving skilled artisans and craftsmen from across Europe, and its completion marked a pivotal moment in Stockholm's cultural landscape.

    Exhibitions and Engagement: A Dialogue with Contemporary Thought

    The Nationalmuseum isn’t merely a static display of masterpieces; it’s a dynamic cultural hub actively engaging with contemporary issues through thoughtfully curated exhibitions. Recent highlights include “Hanna Hirsch Pauli – The Art of Being Free,” an exploration of artistic expression as a tool for confronting societal challenges—demonstrating the museum's dedication to fostering dialogue and inspiring reflection. The museum consistently seeks to broaden access to art education, offering engaging programs for visitors of all ages, from family workshops to lectures and tours. Furthermore, ongoing initiatives aim to connect diverse communities with cultural heritage, ensuring that the Nationalmuseum remains a vital force in shaping Sweden’s cultural landscape. The commitment to accessibility is evident in its free admission on Thursdays and for visitors under 20 – a gesture reflecting a deep-seated belief in the importance of art for all.

    A Legacy Preserved, A Future Embraced: Innovation Rooted in Tradition

    Ultimately, the Nationalmuseum distinguishes itself through its unwavering commitment to preserving Sweden’s artistic heritage while simultaneously embracing innovation. The architectural grandeur serves as a tangible connection to history, inviting visitors to contemplate the enduring power of art and design – a space for contemplation, discovery, and inspiration. The museum's ongoing renovation project, completed in 2018, has not only modernized its facilities but also reaffirmed its commitment to serving future generations of art lovers. With its rich collection, stunning architecture, and dynamic programming, the Nationalmuseum stands as a beacon of Swedish culture – a place where history comes alive and artistic expression continues to inspire.

    Address: Södra Blasieholmshamnen 2, Stockholm.

    Website: https://www.nationalmuseum.se/

    Dodatne informacije

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje Self-portrait

    originaluniqueart.com/hr/art/download/anders-leonard-zorn-self-portrait-D2MG4U-en/

    Izvor za ovo umjetničko djelo

    MLA
    Zorn, Anders. Self-portrait. 1882, Nationalmuseum. https://originaluniqueart.com/hr/art/anders-leonard-zorn-self-portrait-D2MG4U-en/
    APA
    Zorn, Anders (1882). Self-portrait [Painting]. Nationalmuseum. https://originaluniqueart.com/hr/art/anders-leonard-zorn-self-portrait-D2MG4U-en/
    Chicago
    Anders Zorn. Self-portrait. 1882. Nationalmuseum. https://originaluniqueart.com/hr/art/anders-leonard-zorn-self-portrait-D2MG4U-en/
    Harvard
    Zorn, Anders (1882) Self-portrait. Nationalmuseum. Available at: https://originaluniqueart.com/hr/art/anders-leonard-zorn-self-portrait-D2MG4U-en/

    Pogledajte pažljivije

    Self-portrait — Anders Zorn

    Pogledajte detaljnije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: portrait, self-portrait, smoking. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na djelo Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918) (1900) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    5. Anders Zorn je imao oko 22 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Kviz o umjetnosti

    Self-portrait — Anders Zorn

    Koliko dobro poznajete ovo umjetničko djelo?

    Odaberite jedan odgovor za svako od 5 pitanja u nastavku. Svako pitanje ima točno jedan točan odgovor.

    1. 1. What is the primary subject depicted in Anders Leonard Zorn’s ‘Self-portrait’?

      • A A landscape scene of Dalarna, Sweden.
      • B A portrait of a wealthy Swedish nobleman.
      • C The artist himself, wearing a hat and smoking a cigarette.
    2. 2. In what style is ‘Self-portrait’ executed?

      • A Cubism
      • B Watercolor realism
      • C Abstract Expressionism
    3. 3. What year was Anders Leonard Zorn's ‘Self-portrait’ created?

      • A 1870
      • B 1882
      • C 1900
    4. 4. Where is Anders Leonard Zorn's ‘Self-portrait’ currently displayed?

      • A The Louvre Museum, Paris.
      • B The Nationalmuseum in Stockholm, Sweden.
      • C The Metropolitan Museum of Art, New York.
    5. 5. What is a key characteristic of Anders Zorn’s artistic style that contributed to his international success?

      • A His use of highly stylized and unrealistic depictions.
      • B His ability to capture the individual character and personality of his subjects.
      • C His focus on purely abstract forms and colors.

    Moj rezultat: ____ od ukupno 5

    Ključ odgovora za nastavnika

    Ovo započinje novu ispisanu stranicu, pa se može jednostavno izostaviti iz kopija.

    1C · 2A · 3B · 4B · 5B

    Provjerite točnost svakog odgovora uspoređujući ga s katalogskim zapisom za ovu sliku

    Pitanja i odgovori

    Pripada li "Self-portrait" kojoj periodi karijere umjetnika Anders Zorn?

    "Self-portrait" predstavlja Mature Period umjetnika Anders Zorn.

    Kako se medij i pokret kombiniraju u djelu "Self-portrait"?

    U djelu "Self-portrait", tehnika Acrylic On Canvas susreće pokret Swedish Impressionism.

    Mogu li naručiti uljanu reprodukciju djela "Self-portrait"?

    "Self-portrait" je dostupan kao ručno oslikana uljana reprodukcija na lanenom platnu. Narudžbu možete izvršiti na njegovoj Ručno oslikana reprodukcija stranici, uz mogućnost odabira veličina.