The stable (Pieter Wouwerman)
Pieter Wouwerman (1623–1682) je izradio The stable. Čuva se u muzeju Fitzwilliam Museum u mjestu United Kingdom.
The stable, ukratko
- Naslov
- The stable
- umjetnik
- Pieter Wouwerman (1623–1682)
- Rođen/a u
- Haarlem, Netherlands
- Gdje se može vidjeti
- Fitzwilliam Museum, United Kingdom
U kojem se muzeju nalazi The stable?
Fitzwilliam Museum
United Kingdom
Povijest Muzeja Fitzwilliam Muzej Fitzwilliam služi kao muzej umjetnosti i antiquiteta Sveučilišta u Cambridgeu. Njegovo podrijetlo datira iz 1816. godine, kada je osnovan prema testamentu Richarda Fitzwillima, 7.
Slike visoke rezolucije djela The stable
Javno dobro: umjetnik je preminuo 1682.
Pieter Wouwerman, The stable, Fitzwilliam Museum. Javno dobro.
Odgovori na pitanja o The stable
Je li "The stable" u javnom vlasništvu?
Status autorskih prava za "The stable" autora Pieter Wouwerman: djelo je u javnom vlasništvu – autorska prava su istekla. To određuje smiju li se slobodno izrađivati reprodukcije slike.
Tko je umjetnik koji stoji iza djela "The stable"?
Autor djela "The stable" je Pieter Wouwerman. Rad je katalogiziran pod imenom Pieter Wouwerman.
Zašto je status autorskih prava za "The stable" takav kakav jest?
Djelo "The stable" autora Pieter Wouwerman nalazi se u u javnom vlasništvu – autorska prava su istekla. Autorska prava se obračunavaju od godine smrti umjetnika, a Pieter Wouwerman je preminuo/la 1682.
O umjetniku, Pieter Wouwerman
1623–1682, Netherlands
Pieter Wouwerman
Pieter Wouwerman: A Dutch Baroque Visionary Pieter Wouwerman (1623 – 1682) stands as a prominent figure within the Dutch Golden Age, renowned for his captivating depictions of hunting scenes and cavalry portraits—a genre that cemented his reputation as one of the era’s foremost landscape painters. Born in Haarlem, Belgium, he was part of a family deeply rooted in artistic tradition; his brother Jan Wouwerman and Philips Wouwerman were also accomplished artists specializing in Italianate landscapes, mirroring a stylistic trend prevalent at the time – a deliberate homage to Pieter van Laer's success in Rome. The anecdotes surrounding Philips’s destructive tendencies toward his sketches offer a glimpse into the competitive spirit of the artistic milieu, hinting at rivalries and anxieties about maintaining prestige within the burgeoning art market. The story recounted by Arnold Houbraken—that Philips burned his sketchbook out of fear of diminishing his brother's fame—is debated amongst scholars, yet it underscores the pressures faced by artists striving for recognition during this period.
O Pieter Wouwerman Značajna djela umjetnika Pieter Wouwerman