Self Portrait (John Emery)
John Emery (1802–1893) je izradio Self Portrait. Dimenzije su 30 × 25 cm.
- 30 × 25 cm
Self Portrait, ukratko
- Naslov
- Self Portrait
- umjetnik
- John Emery (1802–1893)
- Dimenzije
- 30 × 25 cm
Slike visoke rezolucije djela Self Portrait
Javno dobro: umjetnik je preminuo 1893.
John Emery, Self Portrait. Javno dobro.
Odgovori na pitanja o Self Portrait
Koje su stvarne dimenzije djela "Self Portrait" autora John Emery?
Dimenzije djela "Self Portrait" autora John Emery iznose 30 x 25 cm. Reprodukcije se mogu naručiti u drugim dimenzijama uz zadržavanje istih proporcija.
Je li "Self Portrait" autora John Emery u javnom vlasništvu?
Status autorskih prava za "Self Portrait" autora John Emery: djelo je u javnom vlasništvu – autorska prava su istekla. To određuje smiju li se slobodno izrađivati reprodukcije slike.
Koji umjetnik se pripisuje djelu "Self Portrait"?
"Self Portrait" je djelo koje je stvorio/la John Emery. Informacije na ovoj stranici opisuju izvorni rad umjetnika John Emery.
Zašto je status autorskih prava za "Self Portrait" takav kakav jest?
"Self Portrait" autora John Emery je u u javnom vlasništvu – autorska prava su istekla. Autorska prava traju od smrti umjetnika, koja se dogodila 1893.
O umjetniku, John Emery
1802–1893
John Emery
Early Life and Origins in Staffordshire Potteries John Emery, born in the heart of Staffordshire potteries in 1802, emerged from a region steeped in artistic tradition—though one primarily focused on functional beauty rather than portraiture. This unique upbringing would subtly shape his approach to art, imbuing his work with a sense of grounded realism and an appreciation for the everyday lives of those he depicted. While details surrounding his earliest education remain scarce, it’s clear that Emery possessed a natural inclination towards visual representation, a talent nurtured within a community renowned for its skilled craftsmanship. The potteries themselves, bustling centers of industry and innovation, provided a rich tapestry of subjects—the workers, the families, the landscapes—that would later populate his canvases.