Work, Work, Work (Thérèse Lessore)
Thérèse Lessore (1884–1945) je izradio Work, Work, Work. Dimenzije su 66 × 40 cm.
- 66 × 40 cm
Work, Work, Work, ukratko
- Naslov
- Work, Work, Work
- umjetnik
- Thérèse Lessore (1884–1945)
- Rođen/a u
- Southwick, United Kingdom
- Dimenzije
- 66 × 40 cm
Slike visoke rezolucije djela Work, Work, Work
Javno dobro: umjetnik je preminuo 1945.
Thérèse Lessore, Work, Work, Work. Javno dobro.
Boje usklađene s originalom od strane digitalnog stručnjaka, datoteka fine retuše, vjerna umjetnikovim potezima kistom.
Preuzmite datoteku visoke rezolucijeOdgovori na pitanja o Work, Work, Work
Koje su dimenzije izvornog "Work, Work, Work"?
Dimenzije djela "Work, Work, Work" autora Thérèse Lessore iznose 66 x 40 cm. Reprodukcije se mogu naručiti u drugim dimenzijama uz zadržavanje istih proporcija.
Je li "Work, Work, Work" autora Thérèse Lessore u javnom vlasništvu?
Što se tiče autorskih prava, "Work, Work, Work" je u u javnom vlasništvu – autorska prava su istekla.
Koji umjetnik se pripisuje djelu "Work, Work, Work"?
Autorstvo djela "Work, Work, Work" pripisuje se Thérèse Lessore.
Zašto je status autorskih prava za "Work, Work, Work" takav kakav jest?
Status autorskih prava za djelo "Work, Work, Work" – u javnom vlasništvu – autorska prava su istekla – proizlazi iz godine smrti umjetnika, 1945.
O umjetniku, Thérèse Lessore
1884–1945, United Kingdom
Thérèse Lessore
Thérèse Lessore: A Quiet Observer of Bloomsbury Beauty Thérèse Lessore (1884 – 1945) was a British artist whose distinctive watercolor paintings and collaborative designs for Wedgwood pottery cemented her place as a significant figure in the artistic landscape of the early twentieth century. Born in Southwick, West Sussex, she inherited an artistic lineage stretching back to Jules Frédéric Lessore, her father—a French painter who had established himself in England—and his wife Ada Louise Cooper. Her family’s connections to Wedgwood and its celebrated designers further shaped her creative vision, fostering a fascination with decorative arts alongside her passion for capturing the subtleties of human experience. Her formative years were marked by exposure to artistic excellence; she attended the Slade School of Fine Art from 1904 to 1909, where she honed her skills and earned the prestigious Melville Nettleship Prize for figure composition.